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The purpose of this thesis is to examine through the lenses of an environmental historian the myths and the realities of soil exhaustion as this ecological process relates to the developing environmental ethics of tobacco farmers of Prince Edward County, Virginia, from 1850 to 1880. During the nineteenth century the tobacco farms of Southside Virginia experienced three phases in a century long process of ecological change that both influenced and were influenced by events that occurred in human history. The first phase coincides with the agricultural reform movements led by the planters of the late antebellum period. The second phase spans the Civil War years. The third phase begins with emancipation and Reconstruction and lasts until the end of the century when the cause of scientific agriculture was taken up by the agricultural reformers of the Progressive era. With each phase of ecological transition in conjunction with the transition from slave labor to wage labor, the relationship of white men and women and African American men and women to the rural landscape changed, thus creating a diverse, dynamic environmental ethic among the tobacco farmers of Prince Edward County, Virginia.

Thesis (Ph.D.)--Boston University / Between 1859 and 1909, the African-American press in Boston, Cleveland, New York, and Philadelphia nurtured a radical black political consciousness that challenged white supremacy on a national and local level. Specifically, black newspapers provided the ideological foundation for the New Negro movement of the 1910s and 1920s by cultivating this consciousness in readers. This dissertation examines black newspapers as political texts through what I have called figurative black nationalism in the ante-bellum Anglo-African, Douglass' Monthly, and Christian Recorder; through the political independence advocated in the post-Reconstruction New York Age, Cleveland Gazette, and Boston Advocate; and through the tum of the century Woman's Era, Colored American, and Boston Guardian. This study challenges fundamental assumptions about race, politics, and African-American activism between the Civil War and the Progressive Era. First, analyzing how ante-bellum African-Americans used the press to define radical abolition on their own terms shows that they adopted what I call figurative black nationalism through the Anglo-African's serialization of Martin R. Delany's 1859 novel Blake, or The Huts ofAmerica. Second, even as this press moved to the post-bellum south, northern African-Americans became increasingly alienated from the conservative rhetoric of racial spokesmen, particularly as the fall of Reconstruction led to repeal of the 1875 Civil Rights Act and failure of the 1890 Federal Elections Bill. Frances E.W. Harper's serialized novel Minnie's Sacrifice perpetuated the idea that free and freed people shared a post-bellum political outlook in the Christian Recorder, but such unity was elusive in reality. Consequently, northern African-Americans adopted a form of "mugwumpism" that questioned notions of blind African-American loyalty to the Republican Party. Finally, black northerners at the turn of the century reclaimed the radical abolition and political independence of the past in a successful assault on Tuskegee-style accommodation through a radical version of racial uplift. This radical racial uplift was shaped through northern black women's appropriation of Anna Julia Cooper's feminism, through Pauline Hopkins' serial novel Hagar's Daughter, and through William Monroe Trotter's participation in the Niagara Movement. Northern black politics, rather than white Progressivism or southern black conservatism, nurtured twentieth century civil rights activism.

The project Roots and Routes is an intergenerational narrative connecting three locations: London, Mandeville and Stockholm, focusing primarily on the histories of women and non-binary people. It looks at what affect it has on our sense of cultural identity to grow up in the diaspora, disconnected from the country of our parents or grandparents. Roots and Routes presents the search for a sense of belonging, whilst existing in the in-between. This report explores the different elements of the project, through text and image.

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