The central theme of this paper concerns the way Eastern and Western (sometimes termed Oriental and Occidental) thought view the formation of the world; the means of arriving at these conclusions and the concepts or pre-conceived ideas upon which they are based. Western thought has been limited to views that have developed out of modern science, post-1500; they are mechanistic science, evolution, Whitehead's philosophy pertaining to God and modern physics. For the purpose of this paper, the emphasis in Eastern thought is placed on Mahayana Buddhism, especially the Madhyamika school of philosophy. In India it developed in contact with many other philosophical schools, and it if it is to be understood, some of these systems of though must also be studied. Therefore, the Vedanta school of Indian philosophy, Early Buddhism, and one of the creation stories of the Upanishads are used when they help to explain the Buddhist view. Mahayana Buddhism also spread to China and Japan where in developed in contact with Confucianism and Taoism, and so these are considered when they help to explain Chinese Buddhism. While this paper is focused on the views pertaining to the formation of the world, an important aspect of the study is to show what Eastern though understands by the terms "higher" and "lower" knowledge. As a further clarification, a chapter has been devoted to illustration how the respective interpretations of the world, in Eastern and Western cultures, are carried out in the everyday lives of the people. And finally, an effort is made to employ Eastern concepts in establishing a new basis for the organization and clarification of the concepts of present day science.

This paper does not purport to be an examination of Zen or Taoism, but rather a view of certain aspects of Zen and Taoism, but rather a view of certain aspects of Zen and Taoism from the vantage point of contemporary psychology, to see if a metaphysic, a philosophical resting-place, might not be found for the admittedly pragmatic science of clinical psychology. The questions the paper asks, then, and attempts to answer, are (1) can such a formulation be made, and (2) does psychotherapy conducted from this point of view move satisfactorily.

The reason I am writing this dissertation is to introduce another side of Zen, Soto, which is completely unknown in the Western world; and at the same time to bring Dogen's teaching to the attention of Western scholars, since it is famous in Japan as the most profound branch of the philosophy of Zen. Unfortunately, none of Dogen' s teaching has yet been translated into English except Masunaga's private publication given above. Therefore I am taking this opportunity to translate and to add a commentary of my own for the better understanding of Dogen as well as the historical survey of the Soto school. Also I have included the research of Bankei, who was in the line of Rinzai, but his distinguished teaching did not appeal to his contemporaries among the Zen Buddhists; rather he was rebuked by the Rinzai School because of his method of teaching Zen. Later the strict Rinzai School became largely connected with the civil authorities and social leaders, but Bankei's lineage died out because of the opposition. Recently Bankei's Zen and his distinguished teaching. method became very important among Japanese Zen scholars and many of them have done careful research on them. I have translated some of his work and briefly wrote his biography to try to introduce Bankei in the English-speaking world. Incidentally Bankei's teaching was introduced by D. T. Suzuki very briefly; thus my attempt is to supplement it and at the same time to contribute some more of it to Western scholarship.

This thesis develops a Theoretical framework to be applied to future research concerning medieval Japanese Buddhist nuns and their involvements with Buddhist material culture. My efforts at theory production serve as a preliminary attempt at laying a comprehensive Theoretical foundation for a fresh area of inquiry, namely merging the respective studies of Japanese Buddhist nuns with Buddhist material culture. This marks a promising area of study as a corrective to the enduring focus placed upon men by Religious Studies (RS) scholars. Indeed, RS has historically been, and largely continues to be, a field dominated by men. As such, RS research has concentrated upon the male population, both lay and monastic, and has only recently started shifting toward the question of where women were and what they were doing. Additionally, the study of Buddhist material culture is itself a relatively new field. Consequently, there are currently very few English publications exploring women’s involvement with this important aspect of Buddhism. As a means of contextualizing the Theoretical framework ultimately proposed, I first examine the states of the Buddhist Studies subfields of Buddhist nuns and of Buddhist material culture. I subsequently explore the states of theory production within RS and Medieval Japanese Buddhist Studies (MJBS), contending that a distinctive mode of theory (macro ‘capital-T’ Theoretical frameworks and micro ‘lowercase-t’ theoretical models, respectively) is found within each discipline. While I propose only a RS style macro Theoretical framework, I suggest that an ideal foundation for the study of nuns through the lens of material culture will take the form of a Theoretical complex comprised of both a Theoretical framework and a MJBS style theoretical model. Ultimately, I wish to begin the process of laying the groundwork for future research focusing on women and gender within the context of Buddhism and material culture. / Thesis / Master of Arts (MA) / This thesis develops a Theoretical framework to be used in future research about medieval Japanese Buddhist nuns and their involvements with Buddhist material culture (paintings, statues, relics, and so on). This is a preliminary attempt at laying a Theoretical foundation for this fresh area of inquiry. In this endeavour, I am trying to respond to the enduring focus placed upon men by Religious Studies (RS) scholars, as the field has been and largely continues to be dominated by men. Consequently, there are very few English publications exploring Buddhist nuns and material culture, an important aspect of Buddhism. I examine the states of the studies of these topics, and explore two types of theory production distinct to RS and Medieval Japanese Buddhist Studies respectively. Ultimately, I wish to begin the process of laying the groundwork for future research on women and gender within the context of Buddhism and material culture.

A word or word group lifted from its context incurs the grave danger of a misunderstanding ranging from the greatest excess of analytical dismemberment to an overgenerous and all-inclusive synthesis which tends to rob it of any specific identity or meaning. Considered not only from within the body of textual material which may frame a particular word, but from the ground of these physical, mental and cultural needs which give it birth as well as the motivating force or forces which seem to endanger it, it may be possible to develop a better understanding of its varying harmonic nuances of meaning and its possible correlation or differences relative to other concepts or expressions.

My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, without the need for immediate intellectualization. I wish to offer people an opportunity to focus their attention on the phenomenological sensations that emanate from the art, to take a step back from the conceptual part of the mind, and step into a part that’s more fundamental to our moment to moment reality.

This thesis uses transnational and Black feminist frameworks to analyze Buddhist nationalist discourses of gender and violence against religious and ethnic minorities in Myanmar. Burmese Buddhist nationalists’ marginalization of the Muslim Rohingya ethnic minority is inextricably linked to their attempts to control Buddhist women. Research includes interviews with U Ashin Wirathu, the leader of the monastic-led nationalist group, the 969 Movement, and with other monks of the organization, as well as with non-nationalist monks, nuns and laywomen. I also analyze Theravada textual discourse as read by my subjects in light of the history of Myanmar to understand the ways the local Theravada tradition has marginalized women and non-Buddhists. By connecting the lack of bhikkhuni ordination and laws hindering Buddhist women from marrying non-Buddhist men with the portrayal of the Rohingya as a threat to the nation, I show how Buddhist nationalists attempt to consolidate power and forestall the democratization process.

The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.