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21	Real Nightmares Russell, Jayme C. 26 July 2011 (has links) No description available. Families and Family Life Film Studies Landscape Architecture Literature Psychology poetry film nightmares dreams Dario Argento family roles projections and reflections Carl Jung
22	Finns det spår av en spontan bildterapi i Jungs Röda Bok? Mårtenson, Marcus January 2015 (has links) I den här magisteruppsatsen gör jag en deskriptiv innehållsanalys av den Schweiziske psykologen Carl Gustav Jungs verk den Röda Boken. Jag kommer att använda mig av tre målningar från boken och via dem analysera Jungs process i arbetet och hur de speglar hans liv under denna period. Min frågeställning är om skapandet av den Röda Boken även innebar en spontan bildterapi för Jung. Lyckas Jung via skapandet av bilderna och skrivandet av boken även bedriva och hitta en ny väg för egenterapi? Slutligen så kommer jag fram till att Jung via sitt arbete med den Röda Boken och den katarsis som medföljer, hittar nya metoder för terapeutiskt arbete som senare kom att utvecklas till den analytiska psykologin. Det blev också en sorts egenterapi där Jung börjar integrera sedan barndomen förträngda delar av sin personlighet. Och det är i uppbrottet från Freud som dessa har aktualiserats. Enligt min tolkning så är det dock en del av Jungs personlighet som han aldrig riktigt kommer att erkänna, som han bara utforskar genom den Röda Boken. Det är konstnären Jung, som enligt Jung själv krockar med vetenskapsmannen Jung. Men den Röda Boken är i allra högsta grad ett konstnärligt verk som visar på konstens läkande funktion. Carl Jung Röda Boken bildterapi Jungiansk psykologi arketypteori outsider art Humanities Humaniora Philosophy, Ethics and Religion Filosofi, etik och religion Religious Studies Religionsvetenskap
23	Concrete insight: art, the unconscious and transformative spontaneity Nutting, Catherine M. 30 August 2007 (has links) My thesis draws connections among Herbert Read’s aesthetics, his anarchism, and Carl Jung’s aesthetic theory. I discuss Jung’s concept of individuation and its importance in his theory of the creative process of life. He distinguished between personalistic and archetypal art, and argued that the latter embodies primordial symbols that are inherently meaningful. Archetypal art, he believed, symbolizes unconscious knowledge, which can promote self-awareness and impact on society, if an individual is able to discern its relevance and integrate this into an ethical lifestyle. Jung emphasized the importance of rational discernment and ethical choices along with free creativity. I show how Read used these Jungian concepts to explain aspects of his aesthetic and political emphasis on freedom. According to Read, art creates reality and as such it is both personally transformative and socially activist: he believed that aesthetics are a mechanism of the natural world, and that art is a unique type of cognition that manifests new forms. Art communicates new versions of reality because perception is holistic, allowing people to perceive both the essence inherent in forms and the relationships among them. Further, I consider Read’s belief that cognition and society are both organic, and should be allowed to evolve naturally. Therefore, according to Read, society must be anarchist so that creative freedom and aesthetic consciousness can be adequately supported. Finally, I conclude by highlighting the pivotal role of creative freedom in Jung’s and Read’s theories of personal and social change. I illustrate that Jung and Read concurred that the unique individual is the site of transformation, living out the organically creative nature of life. Carl Jung Herbert Read Jungian Aesthetics English Modernism Art Theory Anarchism Jungian Psychology Psychology Modern Art Theory Jungian Unconscious Creativity Spontaneity Transformation Art Education Pacifism Pacifist Anarchism Archetype David Thistlewood Paul Gibbard Herbert Read and Carl Jung Art and Psychology Psychology and Art Art Anarchism and Art
24	Concrete insight: art, the unconscious and transformative spontaneity Nutting, Catherine M. 30 August 2007 (has links) My thesis draws connections among Herbert Read’s aesthetics, his anarchism, and Carl Jung’s aesthetic theory. I discuss Jung’s concept of individuation and its importance in his theory of the creative process of life. He distinguished between personalistic and archetypal art, and argued that the latter embodies primordial symbols that are inherently meaningful. Archetypal art, he believed, symbolizes unconscious knowledge, which can promote self-awareness and impact on society, if an individual is able to discern its relevance and integrate this into an ethical lifestyle. Jung emphasized the importance of rational discernment and ethical choices along with free creativity. I show how Read used these Jungian concepts to explain aspects of his aesthetic and political emphasis on freedom. According to Read, art creates reality and as such it is both personally transformative and socially activist: he believed that aesthetics are a mechanism of the natural world, and that art is a unique type of cognition that manifests new forms. Art communicates new versions of reality because perception is holistic, allowing people to perceive both the essence inherent in forms and the relationships among them. Further, I consider Read’s belief that cognition and society are both organic, and should be allowed to evolve naturally. Therefore, according to Read, society must be anarchist so that creative freedom and aesthetic consciousness can be adequately supported. Finally, I conclude by highlighting the pivotal role of creative freedom in Jung’s and Read’s theories of personal and social change. I illustrate that Jung and Read concurred that the unique individual is the site of transformation, living out the organically creative nature of life. Carl Jung Herbert Read Jungian Aesthetics English Modernism Art Theory Anarchism Jungian Psychology Psychology Modern Art Theory Jungian Unconscious Creativity Spontaneity Transformation Art Education Pacifism Pacifist Anarchism Archetype David Thistlewood Paul Gibbard Herbert Read and Carl Jung Art and Psychology Psychology and Art Art Anarchism and Art
25	Ordning och Kaos : En receptionskritisk granskning av Jordan B. Petersons bibliska bruk av kön och sexualitet, samt hur hans narrativ förhåller sig till historisk-kritiska och feministiska läsningar av Genesis 1-3 Törnqvist af Ström, Richard January 2020 (has links) No description available. Jordan B. Peterson Old Testament Sexuality Feminist Bible Interpretation Historical-Criticism Literary-Criticism Rhetoric-Criticism Genesis Mieke Bal Phyllis Trible Gerhard von Rad Claus Westermann David J.A. Clines Gender Psycho-Analytics Carl Jung Traditional-Criticism Narrative-Criticism Religious Studies Religionsvetenskap

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