Presented thesis deals with the popularization of monuments of regional character and its potential use in the educational system in the form of worksheets for primary education sector. Specifically the castle ruins Pořešín in South Bohemia which in recent years was expensively conserved. The theoretical part covers a brief history of the aforementioned cultural monument, but also the issue of the worksheet as a form of teaching aid. The practical part describes the design and implementation proces of worksheets of Castle Pořešín including the partial verification of their functionality in practice and evaluation of completed lessons. The work finished product sheets inspired workbooks made available by the Centre for the presentation of cultural heritage.

No description available.

Magistro studijų baigiamojo darbo tikslas yra parengti laivininkystės fakulteto architektūrinį projektą. Remiantis profesine literatūra, istoriniais tyrimais ir apžvelgus XXI a. analogus pirmiausia projektuojamas universitetinis miestelis, o tada detalizuojamas fakultetas. Universitetui pasirinkta teritorija Klaipėdoje tarp „Baltijos“ laivų statyklos ir piliavietės. Sukuriama nauja teritorijos koncepcija. Projektuojant universitetą spręstos uostamiesčio problemos: a) sukuriama aiški riba tarp pramonės ir paveldo; b) atgaivinamas senamiestis; c) sukuriama miestiečių prieiga prie Kuršių marių; d) piliavietės teritorija „grąžinama“ miestui. Universitetinis miestelis suprojektuotas atsižvelgus į Klaipėdos senamiesčio urbanistinį karkasą, masinės apžvalgos vietas, klaipėdietišką architektūrą, Klaipėdos miesto bendrąjį planą, nekilnojamojo kultūros paveldo apsaugos specialųjį planą ir kultūros vertybių registrą. Fakultetas suprojektuotas miestelio vakarinėje dalyje. Jis sudarytas iš I ir L formos korpusų. Atlikus šiuolaikinių mokymo metodų analizę, nuspręsta pasirinkti karkasinę konstrukciją, kadangi ji lengviausiai gali būti perplanuojama ir pritaikyta ateities mokymo metodams. Pirmuose aukštuose numatomos viešosios erdvės, o aukščiau – mokymo. Detalizuotas fakultetas – universitetinio miestelio išklotinės dominantė. Darbą sudaro analitinė, tiriamoji ir projektinė dalis. / The goal of the final master project is to design Klaipeda University Naval Faculty. Referring to professional literature, historical analysis and XXI century analogues, firstly, it was decided to design the campus and only then detail the naval faculty in it. The territory for the university is chosen in Klaipeda, between “Baltija” shipyard and a castle place. A new concept for the territory is created. While designing the university port’s main problems are solved: 1. a clear mark between industry and heritage is created; 2. the old town is revived; 3. public access to Curonian lagoon is created; 4. the castle territory is returned to Klaipeda. The campus is designed regarding to the old town urban frame, view points, local architecture, aggregate plan, immovable special plan of the cultural heritage preservation and cultural value list. The faculty is designed in the western part of campus. It is composed of I and L form blocks. According to the contemporary teaching methods it was decided to choose frame construction for building, as it is easy to adjust for future teaching methods. The ground floor is for public, there are educational spaces above it. The detailed faculty is the dominant of the campus layout. The project is composed of analytic, investigative and designed parts.

Karlštejn Castle is one of the most popular tourist sights in the Czech Republic. This thesis therefore focuses on the use of this conservation area, especially in the second half of the 20th century and all the 21st century. Based on the available archival documents, in the thesis there are described changes of the expositions in the castle's rooms that are opened to the visitors. The thesis is also focused on the tour routes and development of the visitors' turnout. Last of all, in this thesis there are mentioned past and present events held in the castle and other "crowd-pullers" that are attractive to the visitors. In the first part the thesis also deals with the issue of the castle's ownership and the effort for the integration among the UNESCO sights.

Medieval castle slighting is the phenomenon in which a high-status fortification is demolished in a time of conflict. At its heart are issues about symbolism, the role of castles in medieval society, and the politics of power. Although examples can be found throughout the Middle Ages (1066–1500) in England, Wales and Scotland there has been no systematic study of the archaeology of castle slighting. Understanding castle slighting enhances our view of medieval society and how it responded to power struggles. This study interrogates the archaeological record to establish the nature of castle slighting: establishing how prevalent it was chronologically and geographically; which parts of castles were most likely to be slighted and why this is significant; the effects on the immediate landscape; and the wider role of destruction in medieval society. The contribution of archaeology is especially important as contemporary records give little information about this phenomenon. Using information recovered from excavation and survey allows this thesis to challenge existing narratives about slighting, especially with reference to the civil war between Stephen and Matilda (1139–1154) and the view that slighting was primarily to prevent an enemy from using a fortification. The thesis proposes a new framework for understanding how slighting is represented in the archaeological record and how it might be recognised in the future. Using this methodology, a total of 60 sites were identified. Slighting often coincides with periods of civil war, illustrating the importance of slighting as a tool of social control and the re-assertion of authority in the face of rebellion. Slighting did not necessarily encompass an entire site some parts of the castle – halls and chapels – were typically deliberately excluded from the destruction. There are also examples which fit the old narrative that slighting was used to prevent a fortification falling into enemy hands, but these cases are in the minority and are typically restricted to Scotland during the Scottish Wars of Independence. Given the castle’s role in shaping the landscape – acting as a focus for seigneurial power and precipitating the creation and growth of towns – it is important to understand how slighting effected nearby associated settlements. The evidence suggests that larger towns were able to prosper despite the disruption of slighting while smaller settlements were more likely to decline into obscurity. Importantly towns themselves were very rarely included in the destruction of slighting.

S’appuyant sur les acquis des travaux en histoire de l’art sur le bâti roman lorrain, cette thèse revisite un certain nombre de sites à l’aune de problématiques archéologiques liées à l’art de bâtir. Quatorze monographies d’églises, abbatiales ou châteaux, et une centaine de sites explorés dans l’ancien diocèse de Toul, permettent d’appréhender l’exploitation des matériaux, essentiellement la pierre et le bois, et leur mise en œuvre à travers neuf thématiques inhérentes au chantier de construction : implanter, proportionner, extraire, tailler, assembler, maçonner, voûter, échafauder, couvrir. Ce travail met ainsi en valeur les savoir-faire des architectes, des carriers, des tailleurs de pierre, des maçons ou encore des charpentiers sur un patrimoine trop modeste pour avoir jusque-là attiré la réelle attention des chercheurs.Ce sujet n’a pas fait l’objet d’études conséquentes, pour le périmètre géographique et la période chronologique retenus. Nous avons mis en lumière des bâtiments dont le plan et la volumétrie, s’ils s’accordent bien avec les canons romans connus, peuvent varier d’un endroit à l’autre du territoire, avec des spécificités inhérentes aux pays du Toulois, du Saintois et du Vallage. Ces pays se distinguent par la densité des vestiges, ce qui témoigne de leur vitalité au cours du XIIe notamment, et par la qualité des ressources lithiques disponibles.L’examen des matériaux et de leurs lieux d’exploitation met en valeur une économie basée sur une économie souvent restreinte à un rayon de cinq kilomètres autour du chantier, à l’exception peut-être du sapin et de la chaux. Le recours aux analyses physico-chimiques complète le dispositif de recherche mis en place. Elles ont souvent permis de reconsidérer les datations proposées par les historiens de l’art, en vieillissant les édifices, quelquefois de plusieurs dizaines d’années.Il s’agit ici bien souvent des premières observations en archéologie du bâti menées sur ces édifices ruraux de faible volume ou sur des parties difficiles d’accès, qu’ils soient en ruine ou en fonction. À la lumière de ces explorations, un nouveau champ de recherche régional émerge, celui des usages du bois dans les maçonneries et les charpentes, dont il reste bien davantage de traces que supposé au début de l’enquête. D’une manière plus générale, nous constatons une évolution dans la technicité des chantiers, et leur rationalisation, qui touche en premier lieu les édifices religieux réguliers dès la fin du XIe siècle, avant de s’étendre à la construction castrale au cours du XIIe siècle, puis aux petites églises de campagne à la fin de la période. Dans une perspective identique, nous démontrons que les savoir-faire locaux sont plus facilement utilisés que les grandes notions de l’architecture développées sur des bâtiments plus prestigieux et dans des régions de centralité politique importante.Nous avons également voulu remettre l’Homme et son geste au centre du processus de construction. Sans délaisser les motivations et les conséquences dans le domaine édilitaire, nous avons travaillé essentiellement sur la technicité. Comment passe-t-on de la motivation (volonté édilitaire) à la conséquence (réception de l’ouvrage terminé) ? Plus que le point d’arrivée, c’est donc le chemin pour y parvenir qui a été au centre de nos préoccupations. Ainsi nous imaginons la position du tailleur de pierre, celle de sa main, le mouvement insufflé à l’outil percutant la matière ; comment s’organise une assise de parement et comment différentier la première pierre posée de la dernière ; comment répondre aux contraintes architectoniques ; comment développer l’échafaudage. Les particularismes locaux montrent un déplacement, plutôt contraint géographiquement, des ouvriers sur les chantiers au gré de l’ouverture de ceux-ci / Thanks to steps forward on art history regarding the Romanesque architecture in the Lorraine region, this thesis revisits a number of sites in terms of archaeological issues related to the art of building. Fourteen monographs of churches, abbeys or castles, plus a hundred or so sites explored in the ancient diocese of Toul, make it possible to understand the use of building materials, primarily stone and wood. This can be done along nine themes related to construction: how to define location, proportionate, extract, cut, assemble, build, vault, scaffold, cover. This work highlights the know-how of architects, quarrymen, stonecutters, masons or carpenters involved in projects that have been neglected as they are often too modest to attract the attention of researchers.In fact, this topic has not been so far the subject of substantial studies for the geographical area and the chronological period involved. We have highlighted buildings for which plan and volume vary from one place to the other, although they all fit well with the known Romanesque canons. Specificities are prevalent in the Toul area, the Saintois or the Vallage. They are distinguished first by the density of remains in comparison with the rest of the Lorraine. This testifies to the vitality of these three entities during the 12th century in particular. It seems also related to the lithic resources available in these sectors.Examination of the materials and locations of available resources in the area highlights an economy based on short distribution channels, whereas materials rarely come from more than five kilometers away from the construction site, with the possible exception of pine wood and mortar. Physico-chemical analyzes have completed the research. They have often made it possible to reconsider the datings proposed by art historians, aging the buildings by several tens of years.On the sites themselves, we often provide the first observations in the archeology of buildings carried out so far, especially for rural buildings of low volume or for parts of buildings which are difficult to access, either in ruin or still in use. In light of these explorations, a new field of research is emerging and has to extended: the use of wood in the masonry and the carpentry. More traces remain than thought of at the beginning of the investigation. In a more general way, we notice an evolution in the technicality of the building sites, and their rationalization, which encompasses first the religious buildings at the end of the 11th century, before extending to the castle construction during the 12th century, and later to the small country churches. From a similar perspective, we demonstrate that local know-how is more often used than grand architectural concepts developed on more prestigious buildings and in regions of more political importance.We have also taken special care to put the Man and his gesture back in the center of the construction process. Most of the time, studies in this area are concerned with motivations and consequences of an action, be it political, artistic or editorial. We have focused more on technicality. How to go from motivation (the will to build) to realization (reception of the finished work) ? More than the point of arrival, it is the process that has been at the center of our concerns. Thus, we can imagine the position of the stonecutter in front of his stone, the position of his hand, the movement he infuses to the tool. How to organize the facings and how to differentiate the first stone laid from the last? How to respond to architectural constraints ? How to develop the scaffolding ? Here again, certain local peculiarities have appeared, probably showing a movement of workers to the various sites according to the opening of the construction works. Finally, our work brings new heuristic tools to the attention of researchers making the reading of the wall facings less tedious and more rational

Dans les récits médiévaux, la réalité littéraire du décor est avant tout l'expérience imaginaire qu'introduit l'acte de lecture, avant d'être instrument qui permet au lecteur de réaliser l'image. Dans notre étude, il nous importe de préciser les éléments descriptifs, naturels et architecturaux, ou les visions du décor servant de cadres aux romans médiévaux. Avec une grande économie de moyens, la langue médiévale dit tout sur le sujet. En effet le stéréotype fonctionne toujours parfaitement, mais nous avons aussi de belles, brèves – mais énergiques – descriptions de châteaux et de villes. Les éléments du paysage peuvent s'ordonner en un panorama cohérent qui sait se mettre au service de l'action. Répondant aux nécessités du récit et sous forme de mentions généralement brèves, nous voyons apparaître peu à peu les éléments constitutifs des décors, naturels et urbains. Les rapides indications sont celles qui font apparaître le mieux la réalité d'un château ou d'une ville des XIIe et XIIIe siècles, telle qu'un romancier pouvait les présenter et les donner à voir à son public. / For a reader of medieval narratives the literary of the scenery, is in the first place an imaginary experience introduced by the act of reading and only subsequently it serves the role of an instrument necessary to reconstruct the image. In the present study, I discuss and reflect upon the natural and architectural elements of description and also the visions of the scenery recurrent in the medieval novel. The medieval language is extremely efficient in its descriptions of subject. The stereotypes are ever present, though punctuated by beautiful, short, yet vivid, descriptions of castles and cities. The elements of the landscape at times form a coherent panoramic setting for the action. Brief descriptions and mentions of the elements of the scenery, both natural and urban, appear as they are called for by the narrative. Such short indications appear to best show the reality of the castles or cities of XII and XIII century.

Thesis (Ed.D.)--University of Delaware, 2007. / Principal faculty advisor: Robert Hampel, School of Education. Includes bibliographical references.

The castle Vivesholm is located about two miles north of Klintehamn on the west side of Gotland. The castle was built around year 1395 and burned down in the end of the 14thcentury. Around the 17th and the 18th century the castle was re-used. However, the emphasis on its use is during the middle ages. This paper aims at getting an insight in the animal husbandry at Vivesholm by analyzing the osteological material. The analysis revealed that bones from sheep/goat were more common than bones from cattle. This means the inhabitants most probably eat meat from smaller herbivores more often than meat from cattle. Pigs have also been consumed at the castle but not in the same extent as sheep/goat and cattle. Hunting as well as fishing hasn’t had a significant role for the inhabitants of Vivesholm, at least not in terms of bones found from e.g. game and fish. The inhabitants of the castle probably had its own stock but also a supply of meat products from elsewhere. Further aim with this paper was to illustrate the use of the house foundations at Vivesholm. For this, the result from the osteological analysis was compared with the archaeological finds. The analysis revealed that Vivesholm probable were built to be in use for a long period, but when the castle was burned down in the end of the 14thcentury, the castle had an abrupt end. The different foundations, both within and outside the dyke, have been interpreted into a smithy, a storehouse, a house for cooking and a lodging house. Inside the northern parts of the castle there was a place for butchery and most of the osteological material comes from this place.

Thesis (M.B.A.)--University of Hong Kong, 1985.