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11	The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music Spicer, Mark Stuart 08 1900 (has links) This thesis provides evidence that a particular "topos" from the high Baroque's exalted style, the so-called chaconne bass, made a profound impact on a considerable body of Mozart's compositions from the last ten years of his life in Vienna. After identifying the topos in the first chapter, a detailed study in chapter two shows how Mozart's faith in the extraordinary emotional power carried by this topos was enough for him to work it into all of the completed keyboard fantasias. Chapter three illustrates that an understanding of the chaconne bass and its unmistakable association with the fantasia style can shed new light on three of Mozart's most enigmatic compositions from his final period, K. 465, K. 491, and K. 527. topos Mozart chaconne bass fantasia style Ground bass. Fantasia.
12	Terapeuten Bach : Historisk analys, interpretation och psykologiska aspekter inom musik Nichols, Thomas January 2023 (has links) Johann Sebastian Bachs Chaconne är den sista satsen ur partita nr. 2 för soloviolin och anses som en av världens främsta kompositioner för violin. Inte enbart är själva musiken fängslande men tekniken kräver också mycket av solisten. Följande studie handlar om att undersöka uppkomsten kring verket, och genom detta uppnå en djupare interpretation inför ett framförande för publik. Detta genomfördes främst genom litteratur, internetkällor och notbilden. Genom notbilden har musiken analyserats på en musikteoretisk nivå samt en emotionell nivå grundad i psykologiska perspektiv. Följden av dessa analyser är en fördjupad uppskattning av musiken och intressanta insikter om musik och interpretation, både gällande Chaconne och övriga musikstycken. / <p>J.S. Bach, <em>Chaconne</em> ur partita No. 2 i d-moll (BWV 1004).</p><p>Bifogad ljudinspelning från examenskonsert.</p><p>Övriga verk i ljudinspelning: Beethoven vårsonat för piano och violin, Bruch violinkonsert i g-moll.</p><p>Medverkande i ljudinspelning: Susan Yondt - piano</p> Chaconne Bach Maria Barbara Bach Violin partita BWV 1004 Musikpsykologi Musikterapi Interpretation Tolkning Kompositionsteknik Music Musik
13	Quotations and Constructivism in Twentieth-Century Violin Chaconnes by John Adams, Hans W. Henze, and Moses Pergament Zorgniotti, Marc F. 09 August 2010 (has links) No description available. Music Chaconne Hans W. Henze John C. Adams Moses Pergament Violin ostinato
14	Chaconne : modern stråke vs. barockstråke Barth-Croon, Michelle January 2016 (has links) Den här studien handlar om min upplevelse av att spela Johann Sebastian Bachs Chaconne med en barockstråke och med en modern stråke. Den handlar också om huruvida detta påverkar mitt val av hur jag väljer att spela stycket på i slutändan. På ett tidstroget sätt eller på ett modernt sätt. Mitt syfte är att undersöka om det är någon skillnad att spela ett stycke med en tidstrogen stråke samt med en modern stråke. Finns det några fördelar och nackdelar med samtliga och har någon utav dem bättre förutsättningar i valet av stycke som man ska spela. Arbetet har utförts i Kungliga Musikhögskolans lokaler och inspelningarna i min egen studio. Några av de resultat jag kommit fram till är att jag ännu inte har hittat endast ett sätt att spela chaconne på. Det beror helt från dag till dag och vilket humör jag är på. Det vill säga att jag väljer att spela på ett sätt som känns bäst i stunden. Jag har också upplevt att det känns bättre att spela med den barocka stråken när jag spelar på ett tidstroget sätt och vice versa. Johann Sebastian Bach Chaconne barockstråke modern stråke stråkteknik stråkföring Barockmusik ”Interpretation of Early Music” Francis Xavier Tourtes violinpartita Leopold Mozart Robert Donnington
15	Abstraction in J. S. Bach's "Chaconne": A Model for Reconciling Artist and Audience Today Raley, Matthew 31 May 2017 (has links) Modernist accounts of artistic integrity often required artists to alienate audiences. In some senses, the relationship between artists and audiences never recovered, and arts organizations today struggle to overcome the hostility. The alienation had roots in two applications of Hegelian philosophy. First, modernists viewed bourgeois audiences as needing a new consciousness of their place in history. Second, artists could only bring this consciousness about by posing an antithesis to bourgeois culture, accomplished by abstraction, or removal from established aesthetic norms. In music and painting, abstraction became an important mark of seriousness, while audiences were alienated by it. J. S. Bach’s “Chaconne” for solo violin offers a model for reconciling artist and audience. Bach used a well-established dance form to lead an audience through many levels of abstraction that are both pleasing and challenging. A different account of artistic integrity and a more nuanced view of abstraction can reframe the relationship between artist and audience. Music -- Philosophy and aesthetics. Arts audiences. Abstraction.
16	Chaconnes and passacaglias in the keyboard music of François Couperin (1668-1733) and Johann Caspar Ferdinand Fischer (1665-1746) 28 August 2008 (has links) Not available Passacaglia Chaconne
17	Chaconnes and passacaglias in the keyboard music of François Couperin (1668-1733) and Johann Caspar Ferdinand Fischer (1665-1746) Park, Misung, 1968- 08 August 2011 (has links) Not available / text Passacaglia Chaconne
18	Romanticism or Baroque? A Comparative Study of Approaches to the Ciaccona Attributed to Tomaso Antonio Vitali Dang, Ha Viet 08 1900 (has links) Like numerous other Baroque pieces, the Ciaccona attributed to Tomaso Antonio Vitali (1663-1745) was transformed in the nineteenth and twentieth centuries. The German violinist and composer Ferdinand David (1810-1873) was the first to edit and publish the piece. The composition became popular after being included in the second volume of his Die Hohe Schule des Violinspiels [The Advanced Method of Violin Playing] (c.1867). Since then, Vitali Ciaccona became an essential work in the violin repertoire and is often heard in concert halls. However, what many audiences hear in concerts is essentially an arrangement of the Ciaccona. Acknowledging the "double life" of the piece as both Baroque and Romantic, this dissertation examines the advantages and disadvantages of playing the Ciaccona attributed to Vitali on both the Baroque and modern violins. Tomaso Vitali Ciaccona baroque violin modern violin Baroque music Romantic music performance guide Vitali, Tomaso Antonio, 1663-1745. Chaconne von Vitali. Violin music -- Analysis, appreciation. Academic theses
19	Reinventing Tradition: Brahms, Progress, and Basso Ostinato Hines, Jane 29 April 2015 (has links) No description available. Music Johannes Brahms opus 18 opus 56a Arnold Schoenberg Harold Bloom anxiety of influence Thomas Stearns Eliot tradition and the individual talent progress tradition influence basso ostinato passacaglia chaconne folia orchestral variations

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