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391	Prácticas artísticas híbridas contemporáneas en el ámbito rural. Paraisurrural Gónzalez Fernández, María 07 March 2016 (has links) [EN] This thesis will analyze various constructions of contemporary art projects and exhibitions held since the beginning of the 21st century in rural areas in Spain. From these general cultural parameters and specific parameters, indeterminacy of artistic projects in rural areas requires, at present, a review of the various samples for the analysis of the activities of artists, collectives and institutions in the same area. This study is divided into three chapters: The first chapter will examine the increase in the recuperation of autonomous pedagogical approaches and popular education frameworks, which has led to rethinking relationship modes and generating nodes of artistic creation in rural areas. More specifically, in line with the new cultural policy review models, allowing for affective, the contribution of other participatory political mutual support and mediation in terms of the commons, the representation of cultural, ecological, aesthetic, educational, productive and free software use in various artistic projects. These creation-based laboratories are represented in the more mature manifestations of projects and works that integrate rural art within an institutional framework and try to develop a standardized normative. The second chapter examines how interdisciplinary knowledge and art function in the various locations called Fab labs, which advocate the use of open-source technologies. After verifying this, the analysis of case studies related to existing art in rural areas in Spain is presented. This has led to the formulation of a few basic steps to follow for the compendium and creation of a directory in the last chapter of the dissertation. The third chapter will present my personal proposal as an artist in search of new production models. Being part of a collective has allowed me to develop an interdisciplinary art project in rural areas called "Paraisurural". This is implemented with the knowledge acquired during the research into the creation of an online platform called Lab Rural, hosting artistic presentations in rural areas made by groups, institutions and entities created in Spain during the first decade of this century. Places that are labeled and cataloged in hitherto neglected parameters -such as ethnographical readings, ethnology and assessment of the contributions of open-source technologies- provide a more rigorous characterization and promote coherence in the creation of artistic works. / [ES] La tesis analiza diversas construcciones del Arte contemporáneo en los proyectos y exposiciones llevados a cabo desde principios del siglo XXI en el ámbito rural en España. A partir de estos parámetros culturales generales y de parámetros específicos la indeterminación de los proyectos artísticos en el medio rural requiere, en la actualidad, una revisión de las diversas muestras para el análisis de las actividades realizadas por los artistas, los colectivos y las instituciones en este mismo ámbito. El estudio se divide en tres capítulos: El primer capítulo ha detectado la proliferación de recuperar planteamientos pedagógicos autónomos y marcos de educación popular, repensando los modos de relación y generación de Arte en los nodos de creación en el medio rural. Más concretamente bajo los nuevos modelos de una política cultural crítica, dando cabida a lo afectivo, la aportación de otras políticas participativas del apoyo mutuo y la mediación en términos del procomún, la representación de las funciones culturales, ecológicas, estéticas, didácticas, productivas y los usos del software libre en los diversos proyectos artísticos. Estos laboratorios de creación se representan en las manifestaciones más maduras de proyectos y obras que integran el Arte en el medio rural en el sistema institucional e intentan el desarrollo de una normativa regularizada. El segundo capítulo examina de qué maneras actúan el conocimiento transdisciplinar y el Arte en los diversos emplazamientos de los centros llamados Fab labs, sedes de creación cuyo uso aboga las tecnologías de código abierto. Tras constatar esto se presenta el análisis de los casos prácticos en torno al Arte existentes en el medio rural en España, que han llevado a la formulación de unos criterios básicos a seguir para el compendio y creación de un directorio en el último capítulo. El tercer capítulo presenta mi propuesta personal como artista en búsqueda de nuevos modelos de producción, que como parte de un colectivo me ha permitido desarrollar un proyecto artístico transdisciplinar en el medio rural, llamado "Paraisurural". Este se implementa con los conocimientos adquiridos a lo largo de esta investigación en la creación de una plataforma online llamada Labrural o Laboratorio rural, que acoge las representaciones artísticas en el medio rural realizadas por los colectivos, las instituciones y las entidades creadas en España en la primera década del siglo XXI. Lugar en el que se etiquetan y catalogan en parámetros hasta ahora no considerados -como las lecturas de la etnografía, la valoración de la etnología y las aportaciones de las tecnologías de código abierto- para servir de una más rigurosa tipificación y propiciar una coherencia en la materialización de las obras artísticas. / [CA] La tesi analitza diverses construccions de l'art contemporani en els projectes i exposicions duts a terme des de principis del segle XXI en l'`ambit rural a Espanya. A partir d'estos paràmetres culturals generals i de paràmetres específics la indeterminació dels projectes artístics en el medi rural requerix, en l'actualitat, una revisió de les diverses mostres per l'anàlisis de les activitats realitzades pels artistas, els col lectius i les institucions en este mateix àmbit. L'estudi es dividix en tres capítols: El primer capìtol ha detectat la proliferació de recuperar plantejaments pedagògics autònoms i marcs d'educació popular, repensant els modes de relació i generació d'Art en els nodes de creació en el medi rural. Més concretament davall els nous models d'una política cultural crítica, donant cabuda a l'afectiu, l'aportació d'altres polítiques participatives del suport mutu i la mediació en termes de l'utilitat pública, la representació de les funcions culturals, ecològiques, estètiques, didàctiques, productives i els usos del programari lliure en els diversos projectes artístics. Estos laboratoris de creació es representen en les manifestacions més madures de projectes i obres que integren l'art en el medi rural en el sistema institucional i intenten el desenrotllament d'una normativa regularitzada. El segon capítol examina de quines maneres actuen el coneixement transdisciplinar i l'Art en els diversos emplaçaments dels centres cridats Fab labs, seus de creació l'ús dels quals advoca les tecnologies de codi obert. Després de constatar açò es presenta l'anàlisis dels casos pràctics entorn de l'Art existents en el medi rural a Espanya, que han portat a la formulació d'uns criteris bàsics a seguir per al compendi i la creació d'un directori en l'últim capítol. El tercer capítol presenta la meua proposta personal com a artista a la recerca de nous models de producció, que com a part d'un col¿lectiu m'ha permés desenrotllar un projecte artístic transdisciplinar en el medi rural, cridat "Paraisurural". Este s'implementa amb els coneixements adquirits al llarg d'esta investigació en la creació d'una plataforma online crida Labrural o Laboratori Rural, que acull les respresentacions artístiques en el Medi Rural realitzades pels col¿lectius. les institucions i les entitats creades a Espanya en la primera década del segle XXI. Lloc en què s'etiqueten i cataloguen en paràmetres fins ara no considerats -com les lectures de l'etnografía, la valoració de l'etnologia i les aportacions de les tecnologies de codi obert- per a servir d'una més rigorosa tipificació i propiciar una coherencia en la materialització de les obres artístiques. / Gónzalez Fernández, M. (2016). Prácticas artísticas híbridas contemporáneas en el ámbito rural. Paraisurrural [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/61461 Sociología del arte Ecología humana Historia local Arte y naturaleza Procomún Software libre Paraisurural Socioòlogia de l´art Tecnología III-V i alternatives Art i naturaleza Utilitat pública Programari lliure Sociology of art Human Ecology Local History Technologies III- V and alternatives Commons Free software DIBUJO ESCULTURA
392	Les échanges internationaux de renseignements fiscaux : recherches sur un paradigme fiscal limité / Internal exchange of tax information : researches about a limited tax paradigm Do Cabo Notaroberto Barbosa, Hermano Antonio 18 December 2017 (has links) La coopération internationale par l’échange de renseignements fiscaux, question classique si bien que marginale, s’est renouvelé dans l’acuité pour devenir l’une des matières les plus sensibles du droit fiscal international contemporain. Malgré tous les efforts politiques et juridiques déployés ces dernières années, et leurs véritables avancées sur le plan de la technique juridique et de l’efficience administrative, il y a raisons de craindre qu’elle rencontre encore des différents limites pour fonctionner efficacement au niveau planétaire. Cette thèse s’occupe d’identifier l’existence d’un régime juridique général des échanges de renseignements fiscaux, assez homogène en matière de contenu et d’application, en contemplation des principaux modèles normatifs non communautaires disponibles à l’actualité, y compris ceux automatiques. Ensuite, la thèse examine la portée de ce régime général, afin d’encadrer les limites à l’échange de renseignements fiscaux et de proposer solutions juridiques pour les dépasser. / International co-operation through the exchange of tax information, a classical but marginal issue, has been renewed to become one of the most sensitive subjects of international tax law. Despite all the political and legal efforts made in recent years, and despite the fact that these efforts are real advances in legal technology and administrative efficiency, there are reasons to believe that international tax co-operation still faces different limitations to operate in a worldwide level. This thesis aims to identify the existence of a general legal regime for the exchange of tax information, fairly homogenous in terms of content and application, in view of the main non-EU normative models available nowadays, including those of automatic exchange. Afterwards, the thesis examines the scope of this general regime in order to frame limits to the exchange of tax information and to propose legal solutions to overcome them. Droit fiscal international Coopération fiscale internationale Echange de renseignements fiscaux Transparence fiscale Norme commune de déclaration (CRS) International tax law International tax cooperation Exchange of tax information Tax transparency Commons reporting standard (CRS)
393	Autorské právo v informační společnosti a na vnitřním trhu Evropské unie / An Author's Right in the Information Society and Across the Internal European Union Market Mikita, Peter January 2018 (has links) Copyright law is a special category of civil law which, with the upswing of the Internet, has become important for different types of stakeholders in the global information society. The 'participative web' operates with content generated by users. This user-generated content has often disputable origins in terms of copyright clearance. The Internet has opened the possibility for developing new forms of communication between anonymous or individual users who are not easily identifiable. Especially peer-to-peer file sharing and recently the information services offered and operated by the so-called 'cyberlockers' are the reason of questioning the role of copyright protection online which needs a beneficial solution. Copyright infringement in the era of information society is a complex phenomenon with a multiplicity of contributing factors like the importance of information data with big business potential, personal attitudes shown by internet users towards the value and scarcity of intellectual property, or legal responsibility of internet service providers (ISP) who paradoxically act from the safety of the so-called safe harbours as intermediaries of information exchange, representing a new element in the communication chain between rights holders and users. Commercial and business models operating...
394	Faculty Senate Minutes February 5, 2018 University of Arizona Faculty Senate 14 February 2018 (has links) This item contains the agenda, minutes, and attachments for the Faculty Senate meeting on this date. There may be additional materials from the meeting available at the Faculty Center. General Election Southern Arizona Business Caucus Appropriations Committee Town Hall Strategic Planning UA Athletics ABOR IP Policy Tech Launch Arizona Intellectual Property Policy Committee Research Policy Committee Creative Commons licenses Non-Commercial Academic Freedom Ad Hoc Task Force Indigenous People's Day Instructional Materials Student Affairs Policy Committee conflict of interest textbooks Academic Personnel Policy Committee Honorary Degrees
395	“Accumulation by Dispossession” by the Global Extractive Industry: The Case of Canada Kinuthia, Wanyee 13 November 2013 (has links) This thesis draws on David Harvey’s concept of “accumulation by dispossession” and an international political economy (IPE) approach centred on the institutional arrangements and power structures that privilege certain actors and values, in order to critique current capitalist practices of primitive accumulation by the global corporate extractive industry. The thesis examines how accumulation by dispossession by the global extractive industry is facilitated by the “free entry” or “free mining” principle. It does so by focusing on Canada as a leader in the global extractive industry and the spread of this country’s mining laws to other countries – in other words, the transnationalisation of norms in the global extractive industry – so as to maintain a consistent and familiar operating environment for Canadian extractive companies. The transnationalisation of norms is further promoted by key international institutions such as the World Bank, which is also the world’s largest development lender and also plays a key role in shaping the regulations that govern natural resource extraction. The thesis briefly investigates some Canadian examples of resource extraction projects, in order to demonstrate the weaknesses of Canadian mining laws, particularly the lack of protection of landowners’ rights under the free entry system and the subsequent need for “free, prior and informed consent” (FPIC). The thesis also considers some of the challenges to the adoption and implementation of the right to FPIC. These challenges include embedded institutional structures like the free entry mining system, international political economy (IPE) as shaped by international institutions and powerful corporations, as well as concerns regarding ‘local’ power structures or the legitimacy of representatives of communities affected by extractive projects. The thesis concludes that in order for Canada to be truly recognized as a leader in the global extractive industry, it must establish legal norms domestically to ensure that Canadian mining companies and residents can be held accountable when there is evidence of environmental and/or human rights violations associated with the activities of Canadian mining companies abroad. The thesis also concludes that Canada needs to address underlying structural issues such as the free entry mining system and implement FPIC, in order to curb “accumulation by dispossession” by the extractive industry, both domestically and abroad. natural resources raw materials global extractive industry mining accumulation by dispossession primitive accumulation resource curse free, prior, and informed consent (FPIC) consultation free entry Bill C-300 Omnibus Bill self-determination madaraka land grabs governance gap enforcement vacuum regulatory gap landlessness involuntary resettlement displacement liberalization financial markets capitalism International Monetary Fund (IMF) Environmental Impact Assessment (EIA) Impact and Benefits Agreement (IBA) corporate social responsibility (CSR) international political economy (IPE) Washington Consensus Poverty Reduction Strategy Paper (PRSP) sustainable development rare earth oil fossil fuels Whitehorse Mining Initiative (WMI) foreign direct investment (FDI) privatization neoliberal / corporate globalization Northern Gateway pipeline project Ring of Fire centre-periphery metropolitan-hinterland Gross Domestic Product (GDP) Extractive Industries Review (EIR) Sub-Saharan Africa war on terror terrorists false flag terrorism Fisheries Act Navigable Waters Protection Act primary goods aid Third World debt free trade modernization dependency tariffs trade barriers HudBay home country liability state Toronto Stock Exchange (TSX) spatio-temporal fix militarism Sudbury Atlantic Canada Crown neo-colonialism industrial revolution imperialism public policy democracy justice Export Development Corporation (EDC) Kimberley Process Mining Association of Canada equity austerity measures Mining Act reforms proletariat aboriginal Least Developed Countries (LDCs) developing country comparative advantage human rights export-led development Tiomin Government of Kenya Government of Canada Economic and Social Council (ECOSOC) World Bank Group (WBG) World Trade Organization (WTO) Bill C-38 Bill C-45 Assembly of First Nations (AFN) Idle No More meaningful participation AFRICOM titanium Base Resources Australia House of Commons conditionalities Structural Adjustment Programmes (SAPs)
396	“Accumulation by Dispossession” by the Global Extractive Industry: The Case of Canada Kinuthia, Wanyee January 2013 (has links) This thesis draws on David Harvey’s concept of “accumulation by dispossession” and an international political economy (IPE) approach centred on the institutional arrangements and power structures that privilege certain actors and values, in order to critique current capitalist practices of primitive accumulation by the global corporate extractive industry. The thesis examines how accumulation by dispossession by the global extractive industry is facilitated by the “free entry” or “free mining” principle. It does so by focusing on Canada as a leader in the global extractive industry and the spread of this country’s mining laws to other countries – in other words, the transnationalisation of norms in the global extractive industry – so as to maintain a consistent and familiar operating environment for Canadian extractive companies. The transnationalisation of norms is further promoted by key international institutions such as the World Bank, which is also the world’s largest development lender and also plays a key role in shaping the regulations that govern natural resource extraction. The thesis briefly investigates some Canadian examples of resource extraction projects, in order to demonstrate the weaknesses of Canadian mining laws, particularly the lack of protection of landowners’ rights under the free entry system and the subsequent need for “free, prior and informed consent” (FPIC). The thesis also considers some of the challenges to the adoption and implementation of the right to FPIC. These challenges include embedded institutional structures like the free entry mining system, international political economy (IPE) as shaped by international institutions and powerful corporations, as well as concerns regarding ‘local’ power structures or the legitimacy of representatives of communities affected by extractive projects. The thesis concludes that in order for Canada to be truly recognized as a leader in the global extractive industry, it must establish legal norms domestically to ensure that Canadian mining companies and residents can be held accountable when there is evidence of environmental and/or human rights violations associated with the activities of Canadian mining companies abroad. The thesis also concludes that Canada needs to address underlying structural issues such as the free entry mining system and implement FPIC, in order to curb “accumulation by dispossession” by the extractive industry, both domestically and abroad. natural resources raw materials global extractive industry mining accumulation by dispossession primitive accumulation resource curse free, prior, and informed consent (FPIC) consultation free entry Bill C-300 Omnibus Bill self-determination madaraka land grabs governance gap enforcement vacuum regulatory gap landlessness involuntary resettlement displacement liberalization financial markets capitalism International Monetary Fund (IMF) Environmental Impact Assessment (EIA) Impact and Benefits Agreement (IBA) corporate social responsibility (CSR) international political economy (IPE) Washington Consensus Poverty Reduction Strategy Paper (PRSP) sustainable development rare earth oil fossil fuels Whitehorse Mining Initiative (WMI) foreign direct investment (FDI) privatization neoliberal / corporate globalization Northern Gateway pipeline project Ring of Fire centre-periphery metropolitan-hinterland Gross Domestic Product (GDP) Extractive Industries Review (EIR) Sub-Saharan Africa war on terror terrorists false flag terrorism Fisheries Act Navigable Waters Protection Act primary goods aid Third World debt free trade modernization dependency tariffs trade barriers HudBay home country liability state Toronto Stock Exchange (TSX) spatio-temporal fix militarism Sudbury Atlantic Canada Crown neo-colonialism industrial revolution imperialism public policy democracy justice Export Development Corporation (EDC) Kimberley Process Mining Association of Canada equity austerity measures Mining Act reforms proletariat aboriginal Least Developed Countries (LDCs) developing country comparative advantage human rights export-led development Tiomin Government of Kenya Government of Canada Economic and Social Council (ECOSOC) World Bank Group (WBG) World Trade Organization (WTO) Bill C-38 Bill C-45 Assembly of First Nations (AFN) Idle No More meaningful participation AFRICOM titanium Base Resources Australia House of Commons conditionalities Structural Adjustment Programmes (SAPs)

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