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Submitted by Nadir Basilio (nadirsb@uninove.br) on 2016-05-13T20:27:50Z No. of bitstreams: 1 Yuri Lanes.pdf: 469055 bytes, checksum: 1cb8a7f1385b3d6aa32466135a655b2d (MD5) / Made available in DSpace on 2016-05-13T20:27:50Z (GMT). No. of bitstreams: 1 Yuri Lanes.pdf: 469055 bytes, checksum: 1cb8a7f1385b3d6aa32466135a655b2d (MD5) Previous issue date: 2015-12-17 / This dissertation discourses the issue of effective and functionalization of fundamental rights and guarantees by means of taxation. It is a work that seeks to analyze countless issues relating to the rights o valor moral de uma of equality, freedom and solidarity ant, through an analysis of corporate ethical behavior and hegemonic globalization’s impact in the State, it seeks to find, from a theoretical perspective, models and arguments for the effectiveness and functionalization of basic rights of the legal pact and policies of counterhegemonic globalization for taxation (in the view of the strategic tax planning). The main objective of this work is to present the idea of fundamental rights by checking their hypotheses and normative statements, in addition to examining the possibilities for for realization of these rights through taxation for the construction of more cohesive and sustainable society. The adherence work to the master’s research line is realized while looking up foundations and proposals for State intervention in order to induce marked corporate behavior from the perspective of fundamental rights and guarantees by the strategic tax planning. Based on the deductive method to provide the analysis and considerations point about society, the legal system, the rights and guarantees, ethics and taxation. / O presente trabalho aborda a questão da efetivação e funcionalização dos direitos e garantias fundamentais pela via da tributação. Trata-se de um trabalho que busca analisar questões atinentes aos direitos de igualdade, liberdade e solidariedade e, passando por uma análise do comportamento ético empresarial e dos impactos da globalização hegemônica nos Estados, busca-se encontrar, de uma perspectiva teórica, modelos e argumentos para a efetivação e funcionalização de direitos basilares do pacto normativo e de politicas de globalização contra-hegemônica pela tributação (na ótica do planejamento estratégico tributário). O objetivo principal do presente trabalho é apresentar a ideia dos direitos fundamentais, verificando suas hipóteses e previsões normativas, além de examinar as possibilidades de efetivação desses direitos através da tributação para a construção da sociedade mais solidária e sustentável. A aderência do trabalho à linha de pesquisa do mestrado se concretiza ao passo que se busca fundamentos e proposições para uma intervenção do Estado com a finalidade de induzir comportamentos empresariais balizados na perspectiva dos direitos e garantias fundamentais pelo planejamento estratégico tributário. Para tanto, utiliza-se do método dedutivo para proceder uma pesquisa com material bibliográfico com o objetivo de se encontrar suporte para proporcionar a análise e considerações a respeito da sociedade, do ordenamento jurídico, dos direitos e garantias fundamentais, da ética e da tributação.

Despite the existence of a formalized set of EU strategies, problems seem to abound when it comes to the implementation of Gender Equality policies in universities. Specifically in the Greek context, the potential of GEPs to generate institutional and cultural change is highly contested. Aiming to illuminate how GE is conceptualized and implemented in this context but also to add to the methodological realm of blending constructivist with constructionist approaches, the critical frame analysis of the maximum variation sample of eight Greek universities’ policies revealed the persistence of the numeric discourse in women’s representation and a tokenistic, non-disruptive approach to proposing solutions. It has nevertheless also brought to light a progressive cluster of GE Committees that have managed to push their cause forward thanks to the heightened importance attributed to networking, and deliberations.

In this thesis, I examine a critical procedure appropriate to Black South African autobiography of the 1950s and early 1960s. In particular, I examine these autobiographies as examples of counterhegemonic writing in which the self counters the hegemonic apartheid notion of identity, based on racial and cultural purity, and I propose that the hybrid selves encoded in these narratives have the capacity to inform a new South African nationhood. Chapter One necessitates an autocritique, in which I locate my own discourse within the intersecting discursive strands of Western and local theory, an effort that is guided by the imperatives that emerge from the autobiographies themselves. In Chapter Two, I suggest that the postcolonial autos displaces Humanist, and appropriates postmodernist, conceptions of the "I". Rewriting the terms of the autobiographical pact, the authority of grapos is re-instated in counternarratives that give privileged status to the bios - to lives that claim "I AM!" and selves that reconstruct identity. A related concern is the relationship between autobiographical criticism in South Africa and hegemony. In the chapters that follow, I examine the various ways in which counterhegemonic selves are constructed in Tell freedom, Down Second Avenue, Drawn in colour: African Contrasts and The Ochre People. Peter Abrahams's autobiography is discussed largely in terms of Frantz Fanon's insights on identity construction and the notion of a "hybrid I". Es'kia Mphahlek's (re)writing of the self - whose main feature is ambivalence - forms the focus of Chapter Four. These notions are developed in the final chapter, which focuses on Noni Jabavu's narratives that encode an "in-between" cultural identity and, as in the autobiographies of Abrahams and Mphahlele, a metonymic "I". / English Studies / D. Litt. et Phil. (English)

In this thesis, I examine a critical procedure appropriate to Black South African autobiography of the 1950s and early 1960s. In particular, I examine these autobiographies as examples of counterhegemonic writing in which the self counters the hegemonic apartheid notion of identity, based on racial and cultural purity, and I propose that the hybrid selves encoded in these narratives have the capacity to inform a new South African nationhood. Chapter One necessitates an autocritique, in which I locate my own discourse within the intersecting discursive strands of Western and local theory, an effort that is guided by the imperatives that emerge from the autobiographies themselves. In Chapter Two, I suggest that the postcolonial autos displaces Humanist, and appropriates postmodernist, conceptions of the "I". Rewriting the terms of the autobiographical pact, the authority of grapos is re-instated in counternarratives that give privileged status to the bios - to lives that claim "I AM!" and selves that reconstruct identity. A related concern is the relationship between autobiographical criticism in South Africa and hegemony. In the chapters that follow, I examine the various ways in which counterhegemonic selves are constructed in Tell freedom, Down Second Avenue, Drawn in colour: African Contrasts and The Ochre People. Peter Abrahams's autobiography is discussed largely in terms of Frantz Fanon's insights on identity construction and the notion of a "hybrid I". Es'kia Mphahlek's (re)writing of the self - whose main feature is ambivalence - forms the focus of Chapter Four. These notions are developed in the final chapter, which focuses on Noni Jabavu's narratives that encode an "in-between" cultural identity and, as in the autobiographies of Abrahams and Mphahlele, a metonymic "I". / English Studies / D. Litt. et Phil. (English)

This paper interweaves narrativized readings and experiential narratives as personal and cultural resources for counterhegemonic cultural critique within our historical context of globalization and ecological crisis. Framed by perspectives on epistemology, everyday life, and place, these reflections seek to engage and revitalize our notions of community, creativity, and the individual, towards visioning the human art of community as a counternarrative to globalization. Such a task involves confronting the meanings we have come to ascribe to work and economy which so deeply determine our social fabric. Encountering the thought of key 19th and 20th century social theorists ranging from William Morris, Gregory Bateson, and Raymond Williams, to Murray Bookchin, Martin Buber, and Wendell Berry, these reflections mark the indivisible web of culture in the face of our insistent divisions, and further, iterate our innate creativity as the source for a vital, sustainable culture that might reflect, in Bateson’s terms, the pattern that connects.