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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 4 of 4 (0.142 seconds)Spelling suggestions: "subject:"drottningen"" "subject:"drottning""
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Eli – en modern Tintomara? : En komparativ analys av gränsöverskridande aspekter hos Eli i Låt den rätte komma in och Tintomara i Drottningens juvelsmycke.Morén, Hedda January 2021 (has links)
Syftet med denna uppsats är att undersöka hur karaktärerna Tintomara från Drottningens juvelsmycke och Eli från Låt den rätte komma in har skrivits fram i sin respektive samtid med synen på androgynen i fokus. Genom detta vill jag ta reda på om det går att läsa Eli som en modern Tintomara. Detta sker genom en komperativ läsning av de två verken genom ett genusteoretiskt och queerteoretiskt perspektiv. Slutsatsen blir att det går att läsa Eli som en modern Tintomara, då de har mer likheter än skillnader. Den avslutande diskussionen tar också upp att deras berättelser förmodligen skulle sett ut på ett annorlunda vis om de skrivits fram i vår samtid, fast trots det går det att lägga märke till mer nutida transerfarenheter i äldre skönlitteratur.
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Kärlekens skugg-gömma : om det queera begäret i Maria Gripes skuggromaner / The Shadowed Mirror of Desire : queer desires in Maria Gripe's shadow-novelsTorefeldt, Stina January 2018 (has links)
Maria Gripe’s shadow-series consists of four novels written in the 1980s and feature a character who present themselves as both as a girl and a boy. Carolin, also known as Carl has got a mysterious and captivating aura that leaves everybody fascinated and most people enamoured with him/her. Carolin shares many similarities with the 19th century author Carl Jonas Love Almqvist’s character Tintomara from the novel The Queen’s Tiara (Drottningens juvelsmycke). This essay examines the desire that is aimed at Carolin and explores the queer situations that arises as consequences of his/her cross dressing. I comparatively analyse the desire expressed in the shadow-series and The Queen’s Tiara to find similarities in who is affected by it and where the queer situations occur. The damaging effect of the desire is explored as well. The essay concludes that while most situations can be viewed as both heterosexual and homosexual Gripe uses genres and metaphors that amplify the queerness. Both Carolin and Tintomara are greatly affected by the desire toward them and get hurt because of it. Gripe and Almqvists charismatic androgynous characters bring desire and despair wherever they go, at least as long as they do not conform to society’s norm of gender dichotomy.
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I ljugen, I ljugen, jag är ej en kvinna! : En queerteoretisk analys av huvudkaraktären Tinto och maskeradmotivet i C.J.L. Almqvists Drottningens juvelsmycke.Ims Johansson, Jesper January 2007 (has links)
The purpose of this paper is to do an analysis of the characters and the theater/masquerade motif in C.J.L. Almqvist’s Drottningens juvelsmycke (The Queen’s Diadem), based on queer theory, by using Judith Butlers’s Gender Trouble. As an alternative to the Swedish, gender determined, feminine pronoun ”hon”, which has been used by earlier critics concerning the main character of the book, ”hen” is proposed. By using the pronoun ”hen” the mistake made by the earlier critics who, without reflection, state that the character is a woman, will hopefully be avoided. In this analysis, the fact that the main character Tinto – generally known as Tintomara – is an androgyne, is demonstrated. The analysis of Drottningens juvelsmycke also shows that the other characters of the book try to – by heteronormative patterns – define Tinto’s gender identity according to their own requests and purposes. The recurrent theater/masquerade motif, which is closely connected with the main character of the novel, reflects the drift of the gender identities between fiction and reality, between acting and real life. By not staying or getting caught in any specific heteronormative gender identity, Tinto reveals the binary gender categories ”man” and ”woman” as non-natural constructions, just as true or false as any other gender.
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I ljugen, I ljugen, jag är ej en kvinna! : En queerteoretisk analys av huvudkaraktären Tinto och maskeradmotivet i C.J.L. Almqvists Drottningens juvelsmycke.Ims Johansson, Jesper January 2007 (has links)
<p>The purpose of this paper is to do an analysis of the characters and the theater/masquerade motif in C.J.L. Almqvist’s Drottningens juvelsmycke (The Queen’s Diadem), based on queer theory, by using Judith Butlers’s Gender Trouble. As an alternative to the Swedish, gender determined, feminine pronoun ”hon”, which has been used by earlier critics concerning the main character of the book, ”hen” is proposed. By using the pronoun ”hen” the mistake made by the earlier critics who, without reflection, state that the character is a woman, will hopefully be avoided. In this analysis, the fact that the main character Tinto – generally known as Tintomara – is an androgyne, is demonstrated. The analysis of Drottningens juvelsmycke also shows that the other characters of the book try to – by heteronormative patterns – define Tinto’s gender identity according to their own requests and purposes. The recurrent theater/masquerade motif, which is closely connected with the main character of the novel, reflects the drift of the gender identities between fiction and reality, between acting and real life. By not staying or getting caught in any specific heteronormative gender identity, Tinto reveals the binary gender categories ”man” and ”woman” as non-natural constructions, just as true or false as any other gender.</p>
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