published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Master / Master of Arts

published_or_final_version / abstract / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / abstract / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

This dissertation examines the cultural dilemma that Chinese intellectuals are forced to confront with between tradition and Western Scholarship in Late Imperial and Modern China. As a traditional poet and scholar, Huang Jie (1873-1935) believed that the Manchurian reign was the reason for China’s collapse during Late Qing Era, and Chinese traditional culture would be the only remedy for the rapidly decaying society. Therefore, Huang initiated the campaign named “Nationality Conservation” in the aim of overthrowing the Manchu Empire. While sticking to “conservative” values, Huang adopted foreign/ Western cultural concepts and attempted to rephrase them with Chinese scholarship. All these endeavors had made Huang’s cultural identity confusing. Hence, this dissertation attempts to deal with Huang Jie’s understanding of culture through analyzing his poetry writings and poetic studies. Immersed by Confucian doctrines about the relationship between poetry and politics, Huang paid special attention to the cultural cultivating function of classical poetry. This ideology of “Cultivation through Poetry” was specifically generated from the Mao Shixu in Eastern Han Dynasty, and then repeatedly expressed in Huang’s poetic works in order to change the corrupt Modern society. In spite of this, Huang still respected and paid serious attention to the literariness of poetry, either in poetry writings or poetic studies. He spent great efforts on the prosody and therefore was well commended among Late Qing and Early Republican poets. Hence, this dissertation thoroughly examines how Huang Jie negotiated the tension between political and literary aspects of classical poetry. After introducing his life history and the ideology of “Cultivation through Classical Poetry”, chapter two and three focus on themes and characteristics of Huang’s poetry. These two chapters explore how Huang established his own poetic style under the trend of Song Poetry Movement commencing from Late Qing. The last chapter investigates Huang’s view on the evolution of literature and focuses on his abundant studies of classical poetry. In the conclusion, this dissertation would like to demonstrate that as a poet and scholar, Huang Jie established the traditional cultural identity, same as his friends in Nanshe, while his faith of “Cultivation through classical poetry” was well challenged at that tumultuous Modern time. / published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

本論文主要之目的在了解小令之格式，以便嘗試創製小令，共分一冊，九萬餘言，茲 概述各章內容如下： 第一章：「緒論」共分二節，第一節略述研究動機、方法與討論範圍，第二節探討令 之特色及種類。 第二章：「小令之格律」共分二節，第一節探討小令之聲律及□律；第二節深討小令 之字怐，其中包括襯字、對偶、務頭之運用。 第三章：「元曲小令譜別體例釋」訂作十個宮調內一百二十餘種牌之元令譜，其製作 方法如下：先收集宜於作小令曲牌之部分元人小令，根據這些小令，逐一勘對，比較 歸納，然後作成定論，除了常用之格（即正體）以外，若干變例亦一起併列，並加以 說明。 第四章：「結論」對本論文研究重點作一總結。

本論文共一冊，五章，都九萬言。 第一章：緒論。分述詠花詞之義界、研究動機與研究方法。 第二章：宋代詠花詞之先聲。就宋以前詠花詩、賦、詞作一介紹。 第三章：宋代詠花詞之盛行。就詠花詞盛行之因素作一探究，並概述北宋、南宋，及 宋末元初遺民詠花詞之發展與演變情況；同時選列各期詠花大家數人，舉證以明之。 第四章：宋代詠花詞之研析。就詠花詞之題材、寫物、寄興等表現法，分別闡述之。 第五章：結論。就詠花詞於文學上之價值作一論評。

本文旨在考述兩宋有關孟子著作之初步面貌，期能藉此辨章兩宋各學派研究孟子之流 源本末，並可由各家討論孟子仁義、心性、王霸等問題，得以探尋宋代理學之一端。 全文分序例及總論、現存書目考述、亡佚書目考述、結論四章，約十萬言，各章大旨 如下： 一、總論：總述歷代有關孟子著述之情形，略於漢唐，詳於兩宋，而求其影響元明清 者。兩宋之部，則分列學派以述，並及於其間之關係，俾便探究兩宋孟子學術。 二、現存書目考述：不予分類，惟以作者寺代先後排列，就作者、宗旨、內容、評述 、版本（著錄）分項敘述，期能便於學者尋檢。 三、亡佚書目考述：分可輯佚書目及不可輯佚書目二類。可輯佚者，則於後人著作中 搜羅，以補闕失，並予評述。其不可輯佚者，則查考文（集墓誌銘）、史志、方志等 資料，詳其作者，探其孟子著述旨趣，以見其書之大概。惟里氏生平不可考，又無文 集留存，後人亦未述及者，則列目以存，俾為參考。 四、結語：綜述全文，分述兩宋孟子著述之特點並其影響。