Das Arbeitsheft ist Teil des Projekts „European MusicTrails“, das vom Notenspur Leipzig e. V. gemeinsam mit Partnern aus Litauen und Norwegen zwischen 2018 und 2020 umgesetzt und im Programm „CreativeEurope“ der Europäischen Union gefördert wurde. Die Arbeitsblätter und Spiele wurden im Sommersemester2019 von Lehramtsstudierenden der Seminare„Ästhetischer Unterricht“ und „Digitale Lernspiele imUnterricht“ am Zentrum für Lehrerbildung und Schulforschung der Universität Leipzig entwickelt und von Frank Sindermann für die Publikation überarbeitet

Denna studie introducerar och undersöker konceptet ”populärbyggnadsvård” i tidningar och böcker, med syfte att definiera mönster och karaktärsdrag inom populärkulturell litteratur om byggnadsvård. Undersökning utgår från typiska drag inom populärhistorian, för att se om dessa är applicerbara på den populärkulturella byggnadsvårdslitteraturen. Vidare diskuteras materialen och de typiska attributen utifrån filosofen Ludwik Flecks idéer om ”tankestilar” och ”tankekollektiv”. Metoden som brukas är både en kvalitativ litteraturstudie och en kvantitativ analys av tematik och rubriker i tidskrifter. Undersökningen resulterar i att populärbyggandsvården innefattar fyra huvudteman: bebyggelsehistoria, konstruktion, estetik och livsstil. Området besitter tydliga kommersiella drag och fokuserar till stor del på personlig känsla och upplevelse. Vidare syftar området till att vara underhållande och utbildande på samma gång. Undersökningen visar på att det kan finnas möjlighet för populärkulturen att öka det generella intresset för byggnadsvården, men att det finns en viss risk för upprepningar av information. Tidskrifterna stämde i större utsträckning överens med de identifierade dragen för populärhistoria än vad böckerna gjorde. / This essay introduces and explores the concept of “popular building preservation” in books and magazines, with the purpose to define patterns and characteristics within popular literature about building preservation. The study is based on common characteristics in popular history, to see if these characteristics can be applied on the popular literature regarding building preservation. The material and the characteristics are further discussed in relation to the philosophical ideas of “thought styles” and “thought collectives”, presented by the philosopher Ludwik Fleck. The study shows that popular building preservation embraces four main themes: built heritage, construction, aesthetics and lifestyle. The field is shown to be fundamentally commercial and its main focus is personal experience and emotion. The subject is further shown to be educational and entertaining at the same time. The study indicates that there could be a possibility for popular building preservation to increase the overall interest for built heritage, but that there also is a tendency for repeating themes and information. The magazines generally had more in common with the identified characteristics of popular history than the books.

The main goal of this diploma thesis is analysis and reconstruction of the information network of major representative of anti-Austrian resistance abroad T. G. Masaryk in the First World War. The analysis and reconstruction will be put in context of contemporary events. Emphasis will be put on foreign and domestic information sources. It will show by which way and by whom was T. G. Masaryk informed about events in Bohemia and Austria-Hungary and what meaning this information had for his activities abroad.

Abstract The thesis is about the reaction of Czechoslovak political scene to Milan Hodža's Danubian plan. Milan Hodža was Slovak Agrarian and economist who introduced his plan in the second half of 1935 at the time when he was Prime minister of Czechoslovakia. Author emerged from broader considerations of Czech and Czechoslovak ideas about economic and political developments in Central Europe, according to Palacký "space between Germany and Russia." In this context author accepts Palackys beliefs about the indispensability of the Danubian Hapsburg Empire as the counter imperialist expansion's bumper of both the continental powers and efforts of political parties Mladočeši and Staročeši who tried to reform and maintain the country. He also describes the interwar projects of Czechoslovak sovereign foreign policy, where Czechoslovaks tried to take on an inspirational leadership role of Central European economic and political cooperation which was based on Little Entente. Author of this thesis thinks that Hodža's Plan is just one of these projects. And as all the previous projects Hodža's plan had no opportunity to be implemented in the new internationally-political and internationally-economic context. Had Milan Hodža prepared his plan for economic and potentially political cooperation between Danube region countries from the national economy point of view? Did he start the wider discussion about the possibility of Danube region cooperation in Czechoslovakia? These are the basic questions that the author asks and he answers them in the last chapter of his work: Milan Hodža never made any concrete national economic statement for his plan. His attempt for the realization had never gone out of the diplomatic detection. Likewise he did not evoke any specific reaction of Czechoslovak political parties not even in party periodicals.

In this master's thesis I am researching the foreign policy of Edvard Beneš in 1938- 1945. Foreign policy of Czechoslovakia is closely linked to Beneš as he led it continuously since 1918 - first as a minister of foreign affairs and after 1935 as president. Beneš did reassess his foreign policy after the Munich Agreement and Czechoslovakia emerged from the World War II tightly connected to the Soviet Union without any western counterbalance. This shift in foreign policy subsequently led to transformation of Czechoslovakia into Soviet satellite which is frequent subject to criticism of Edvard Beneš. The goal of this thesis is to analyse the development of the second Czechoslovak President's foreign policy in 1938-1945 and to define the causes of the shift in the foreign policy of Czechoslovakia. I will be focusing mainly on the backgrounds of determining the foreign policy since Edvard Beneš' statements depended mainly on the audience. I want to accomplish that based on research of memoirs and many more documents. I will confront my interpretations of the primary sources with views from the secondary sources. One of the goals of this thesis is also to find out if it's possible to draw new and valuable conclusions by researching available primary sources.

This thesis concentrates on 1938 radio broadcast Pravda vítězí (The Truth Will Win), broadcasted from Vienna in both Czech and Slovak languages in the two months preceding and following the signing of the Munich agreement. Its theoretical part follows the genesis of the two broadcasts, the personalities involved and also the connection between Pravda vítězí and Vlajka, the infamous Czech fascist movement. In the practical part, Nazi propaganda themes are being analyzed in both broadcasts during October 1938. Main focus is on the campaigns against president Beneš, against freemasonry and bolshevism, pro-German campaign and antisemitism. In the Slovak language broadcast, anti-Czech campaign was a significant part of the Nazi propaganda, along with the support of Slovak separatism. Comparison of the ideological focus and goals of both broadcasts is supported by numerous quotations. In the final part, the thesis offers a brief look at the reactions to the broadcasts. Also, it attempts to evaluate the broadcasts' possible effects on both Czech and Slovak audience in the light of its primary goal - the disintegration of Czechoslovakia.

Ostrava city as lost it's relationships to the medieval history of the city centre. There are not any historical places, spaces or palaces, with free public spaces like the old castles and palaces in the cities. In the place of the former German House, destroyed after the the World war II is a rest of public space, which could be a part of the city sustainability concept. The project let's the rest of the historcial garden there like a countryard between two houses of the new Sustainable Development Centre. The sustaiable concept is to let there be a free space in the highly dense block structure of the modern city.