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Les maladies cardiovasculaires chez les femmes : une étude qualitative sur les rapports du coroner du Québec de 2002 à 2017Harchaoui, Elsa-Karine 23 September 2022 (has links)
Cette étude vise à examiner les facteurs de risque et les circonstances menant aux décès prématurés de femmes québécoises suivant une maladie cardiovasculaire (MCV), à différents stades reproductifs. Quarante-sept rapports provenant du Bureau du Coroner du Québec ont servi de source empirique. Le processus d’analyse de données est inspiré du modèle conceptuel de Fawcett et Ellenbecker. La manière dont les femmes perçoivent leurs risques de MCV et comment les soignant(e)s les ont pris en charge, lors de leur visite à l’urgence, sont également examinés. Les résultats démontrent la présence de biais implicites et de préjugés chez le personnel médical ainsi qu’une forte tendance à la consommation de médicaments psychotropes chez les femmes décédées. Des recommandations sont émises et une grille est proposée comme outil supplémentaire de dépistage des facteurs de risque de MCV chez les femmes. Leur mise en pratique clinique cible autant les étudiant(e)s infirmier(ère)s que les infirmier(ère)s.
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Zobrazení zdraví v reklamě. Obsahová analýza inzertních příspěvků se zdravotní tématikou ve vybraných ženských časopisech / Image of health in advertising. Content analysis of advertisement of medicinal products in selected womenˇs magazinesPavlačková, Anna January 2016 (has links)
The master thesis deals with the development and display of advertisement for medicine and health- related products and services in Czech women's magazines. We compare here two periods - The First Czechoslovak Republic and present. It focuses primarily on these following questions: Does the display of health-related products have changed? Do we still advertise products of the similar character? Has the ideal of heath changed and things which were believed healthy in the past, are not considered healthy anymore? Is the difference related to historical events or rather related to the current state of society and its preferences? The main titles for analysis were Eva: A journal of modern women from the 1930s, which was published by Melantrich and current lifestyle magazine Elle, which is published by Hubert Burda Media. The theoretical part summarizes current basic knowledge about press, advertising, healthcare. In the practical part are more closely introduced the research methods - content and image analysis and also the process of analysis and the comparison by itself. An integral part of the thesis is the attached advertisements, on which the analysis was based, and which serve for better illustration of the above-mentioned phenomena. Powered by TCPDF (www.tcpdf.org)
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Mulher na moda: recepção e identidade feminina nos editoriais de moda da revista ElleSchmitz, Daniela Maria 20 March 2007 (has links)
Made available in DSpace on 2015-03-05T18:23:09Z (GMT). No. of bitstreams: 0
Previous issue date: 20 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Tendo como objetivo geral investigar o fenômeno de midiatização da moda pensando, mais especificamente, desde a relação editoriais de moda da revista Elle/recepção, busco compreender como se dá a construção de um modelo de mulher na moda neste produto e seus usos, sentidos e apropriações por leitoras da revista, mediados pela identidade feminina. Para dar conta das especificidades do problema/objeto investigado, trabalhei com o conceito de midiatização e articulei perspectivas teóricas para a compreensão do produto (campo de efeitos de sentido, contrato de leitura, modos de endereçamento, linguagem de revista) e da recepção (recepção, mediações, consumo, identidade feminina). Acerca das estratégias metodológicas, na investigação do produto, trabalhei na análise de um corpus composto por três editoriais de moda da revista Elle, examinando as propostas de feminilidade ali constituídas na relação com a moda. No âmbito da recepção, realizei pesquisa sistemática com quatro leitoras da revista Elle e, desde uma per / Having the general objective of investigating the phenomenon of mediatization in fashion considering, more specifically, the reception of the fashion editorials of the magazine Elle, understanding of the construction of a model of a fashionable woman in this product is sought as well as the uses made of this model, the meanings taken and appropriations made by the magazines readers, mediated by the female identity. To deal with the specifics of the problem/object being studied, the concept of mediatization is examined and various theoretical aspects to the comprehension of the product are considered (meaning effects field, reading contract, address modes, magazine language) as well as some for reception (reception, mediation, consumption, female identity). Concerning methodological strategies, in the product investigation a corpus consisting of three editorials from the magazine Elle was used, with the proposals of femininity constituted in these in relation to fashion being examined. With regard to reception
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« 世界時裝之苑 »中的都會女性形象: 21世紀中國與法國的女性表述 / Images of the Urban Feminine In ELLE: Women’s Representation in 21st Century’s France and China劉黎明, Leleu, Oriane Unknown Date (has links)
無 / A close relationship exists between media and the construction of women’s image, even more so in contemporary society when individuals rely on the written press so much to construct themselves. However, many media are still presenting stereotypical images of women as cute nurturers and housewives. Through content and semiotic analysis, the thesis examines the changes in the representation of women as shown on the covers of ELLE magazine at the beginning of the 21st century.
The findings show that while the French edition of the magazine is portraying more and more realistic feminine and casually clothed ordinary women who have an extraordinary destiny and are concerned with human rights, ELLE China is walking a thin line between presenting inspirational images of trendy liberated working women and more traditional ones, and trying to mix them together to develop a more local image of the modern Chinese woman, whose Confucian values are still important. On the cover of ELLE China at least, women can acquire a higher status and develop a modern femininity with distinctive Chinese characteristics (although those characteristics are still in evolution) through consumption while the subjects on ELLE France covers are more substantial and varied and the image of the French women on the covers of ELLE magazine appears more stable. Therefore, we can conclude that ELLE serves as a venue for weaving local and global values together and create an image of the French and Chinese modern women in its respective French and Chinese issues.
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BergsonTasdelen, Demet Kurtoslu 01 January 2003 (has links) (PDF)
The aim of this study is to show how a possible philosophy of life can
arise from Bergson&rsquo / s conception of time. In realizing this aim, I appeal to
Hadot&rsquo / s description of the paradox of the human condition. I claim that in order
to understand how a Bergsonian philosophy of life through Bergson&rsquo / s
conception of time would arise we need to understand the paradox of the human
condition. The reason for this is that there are a lot of dualities in Bergson&rsquo / s
philosophy all of which, I claim, are based on this fundamental duality
concerning the human condition. I believe that when this paradox and its
possible resolution are restated in Bergsonian notions, a Bergsonian philosophy
of life that consists of a life sub specie durationis, that is a life under the aspect
of duration, would arise. Hadot considered the paradox within the context of phenomenology
alone. This made me proceed by searching for other approaches to the paradox within Bergson&rsquo / s philosophy. I realized that the attempts in finding out possible
solutions to this problem cannot be found in the context of phenomenology
alone and that the vitalist and the existentialist aspects have to be considered in
order to remain faithful to Bergson&rsquo / s philosophy as well as in order to construct
a Bergsonian philosophy of life. The phenomenological aspect of the paradox
arises around Bergson&rsquo / s notion of displacement of attention and when the
notion of duré / e ré / elle is considered with consciousness in the light of the notion
of intensity. The vitalist aspect enters into our discussion when we analyze
Bergson&rsquo / s notion of é / lan vital around the consideration of true evolution. I
believe that the existentialist aspect of the paradox of the human condition
comes from Bergson&rsquo / s notion of freedom around the discussion of the
superficial and the fundamental self. It emerges if the individual asks himself
how to deal with this paradox that in turn defines his struggle to transform the
tension the paradox involves and that tells him to bring his own attitude towards
it.
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Bookish Women: Examining the Textual and Embodied Construction of Scholarly and Literary Women in American MusicalsHammonds, Rebecca K. 07 August 2019 (has links)
No description available.
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Spatial Analysis of Rock TexturesBasnet, Shiva 16 October 2012 (has links)
No description available.
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Rape-revenge film: "empowering" eller förnedrande sexualisering av kvinnor? : en jämförande analys av Paul Verhoevens Elle gentemot tradition / Rape-revenge film: "empowering" or degrading sexualization of women? : a comparative analysis of Paul Verhoeven's Elle against the traditionRosén, Rebecca January 2017 (has links)
Denna uppsats handlar om rape-revenge film. Närmare bestämt undersöker den hur de kvinnliga karaktärerna representeras i de utvalda filmerna och om, och i så fall hur, de kan ses som ”empowering” eller om det endast handlar om en sexualiserande porträttering av våld mot kvinnor. Uppsatsen använder sig utav en film- och textbaserad analys och den grundläggande teorin för uppsatsen är den feministiska filmteorin, samt teorier om kvinnor i rape-revenge. De tre filmerna som står i fokus är I Spit on Your Grave (Meir Zarchi, 1978), Ms. 45 (Abel Ferrara, 1981) och Elle (Paul Verhoeven, 2016). Slutresultatet visar att de tre filmerna inte porträtterar deras våldtäktsscener på ett sexualiserat eller erotiskt sätt utan snarare framhäver brutaliteten i våldet för åskådarna i form av bland annat karaktärsidentifiering med offret istället för våldtäktsmannen. Däremot, skiljer sig filmerna i hur deras respektive kvinnliga karaktärer väljer att hämnas och huruvida deras agerande kan ses som empowering eller inte. Av de tre filmerna är Elle den som tydligast uppvisar olika versioner av empowering och hur det som stärker en person är väldigt individuellt.
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L'autofiction, essai sur la fictionalisation de soi en littératurecolonna, Vincent 20 March 1989 (has links) (PDF)
L'Autofiction et sa réception jusqu'en 1989. La fictionalisation de soi comme phénomène littéraire universel. Les indices de Fiction. L'Auteur et son personnage fictif. Autofiction et roman autobiographique. L'autofiction est-elle un genre ? Mise en abyme. Métalepse. Intrusions d'auteur. Réception. Genre.Hermann Hesse. Dante. Gombrowicz. Doubrovsky. Balzac. Cervantes. Goethe.Barthes.
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Le romancier autofictif : analyse de la représentation du personnage de l'écrivain dans trois romans de Dany LaferrièreGrimard-Dubuc, Josée 11 April 2018 (has links)
L'écriture de ce mémoire a été motivée par une observation : la récurrence de la représentation de personnages-écrivains au sein de la fiction romanesque contemporaine. André Belleau avait démontré, dans son essai Le romancier fictif, l'importance de la représentation de tels personnages dans la littérature québécoise des années 1940 aux années 1960, mais depuis, peu d'études ont été consacrées à l'analyse de cette problématique sur un corpus plus récent. L'oeuvre du romancier Dany Laferrière a semblé toute indiqué pour l'examen de cette question, d'abord parce que son « Autobiographie américaine » retrace le parcours d'un écrivain, mais aussi parce que ses romans s'inscrivent au carrefour des propositions littéraires actuelles, mêlant autofiction, littératures migrante, postcoloniale et postmoderne. Ce mémoire fait donc état de plusieurs questions soulevées par la présence d'un narrateur-écrivain au sein de trois romans de Laferrière, soit Comment faire l'amour avec un Nègre sans se fatiguer, Cette grenade dans la main du jeune Nègre est-elle une arme ou un fruit? et Pays sans chapeau. Il questionne notamment la place et la fonction de l'écrivain au sein de l'institution littéraire et de la ou des sociétés dont il fait partie.
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