This thesis is dealing text ranking on the internet background. There are described available methods for classification and splitting of the text reports. The part of this thesis is implementation of Bayes naive algorithm and classifier using neuron nets. Selected methods are compared considering their error rate or other ranking features.

The master's thesis deals with the changes of values presented in the connecting studio entries of Sundays morning's programmes for children and the youth of the broadcasting of the Czechoslovak and Czech Television from the 1980's up to present, i.e. 2015. It refers to the programmes such as Studio Kamarád, Studio Rosa, Jůhele neděle, Hřiště 7 etc. The 30-year long analysed period is divided into the three time periods - 1980s (1980-1989), 1990's (1990-1999) and the 21st century (2000-2015). The results of the research are compared in the last chapter of the master's thesis. Also, the changes of the selected values groups are described (for example nature and environment, healthy lifestyle etc.). The master's thesis also secondarily deals with how the names, anchor-men and performing puppets of the programmes and the design of the studio have changed.

Syftet med föreliggande studie är att genom självobservation utforska på vilka sätt min sång kan förändras av regelbunden fysisk aktivitet. Processen har bestått av fysisk aktivitet fyra gånger i veckan på Lifestyle Fitness Arvika samt övningspass i sång två gånger i veckan på Musikhögskolan Ingesund. Studien utgår från det fenomenologiska perspektivet med inriktning mot livsvärldsperspektivet och kroppens fenomenologi som skapar möjligheten att fritt reflektera kring hur jag upplever, erfar och handlar i ett sammanhang. Datamaterialet består av loggboksanteckningar och videodokumentation. Resultatet presenteras i fem olika teman som beskriver vilka mönster som framkommer i självobservationen. Dessa teman är Kroppens stabilitet, röstens utveckling, sångprestationens disposition kontra fysisk aktivitet, rutinskapande och när inspiration och motivation träder fram. Resultatet visar på för- och nackdelar samt förutsättningar som fysisk aktivitet kan ha för sjungandet. / The purpose of this study is to explore through self-observation how my singing can be changed by regular physical activity. The process consisted of physical activity four times a week at Lifestyle Fitness Arvika as well as a practice session in singing twice a week at Ingesund Music School. The study is based on the phenomenological perspective focusing on the lifeworld and the phenomenology of the body, which creates the opportunity to freely reflect on how I experience, learn and act in a context. The data consists of logbook entries and video documentation. The result is presented in five different themes describing the patterns that emerge in self-observation. These themes are the body's stability, the voice's development, the song performance disposition versus physical activity, routines and when inspiration and motivation occur. The result shows the pros and cons as well as the effect that physical activity may have for singing.

Neste estudo, analisou-se o tratamento dado à morfologia verbal do português em três tipos de obras de referência - um estudo de lingüística teórica; nove gramáticas de português, e os verbetes de terminações verbais de um dicionário -, na tentativa de: tornar a descrição mattosiana mais clara para a manipulação didática; verificar em que medida as gramáticas se beneficiam dessa análise; estabelecer possíveis razões para a defectividade em português, e atribuir uma classificação para os verbos com alternância vocálica, baseada no levantamento quantitativo desses verbos. Assim, a morfologia verbal foi examinada em três textos de Câmara Jr. (1975; 1972; 1970); duas gramáticas de português voltadas para falantes de português como língua materna (Bechara, 1999; Cunha; Cintra, 1985) e em sete gramáticas voltadas para falantes de português como língua estrangeira (Hutchinson; Lloyd, 2002; Perini, 2002; Masip, 2000; Abreu; Murteira, 1998; Gärtner 1998; Teyssier, 1984; Vázquez Cuesta; Mendes da Luz, 1980). Os resultados da pesquisa mostram que a descrição mattosiana está no bojo de exposição da morfologia das duas primeiras gramáticas, mas poderia ser mais explorada na exposição didática. O levantamento dos verbos defectivos em Bechara (1999); Cunha; Cintra (1985) permitiu verificar relação entre a defectividade verbal e uma possível alternância vocálica nos verbos de terceira conjugação. Apesar da descrição pouco econômica, o estabelecimento de verbetes de Houaiss; Villar (2001a; 2001b) favoreceu o levantamento quantitativo dos verbos com alternância vocálica, fazendo ver que o fenômeno ocorre na maioria dos verbos com vogais radicais /e/ e /o/ das três conjugações. / In this study, the treatment given to the verb Portuguese morphology was analyzed in three types of reference books - theoretical linguistic study; nine grammar books in Portuguese and the dictionary entries of verb endings -, in the attempt of: making clearer Joaquim Mattoso Câmara Jr. description for didactic usage; of verifying to what extent the grammar books take advantage of this analysis; of establishing possible reasons for the defectiveness in Portuguese and of classifying the verbs with vowel variation based on these verbs\' quantitative survey. This way the verb morphology was examined in three Câmara Jr. texts (1975; 1972; 1970); two Portuguese grammar books directed to Portuguese learners viewing this language as a mother-tongue (1975; 1972; 1970); and in seven grammar books directed to Portuguese learners viewing it as a foreign language. (1975; 1972; 1970). The results of this study reveal that Joaquim Mattoso Câmara Jr. description is in the core of the morphology exposure in the two former grammar books, but that it also could be better exploited in the didactic usage. The defective verbs survey in Bechara (1999, 1975); Cunha; Cintra (1985) made it possible to verify the relation between the verb defectiveness and a probable vowel variation in the third inflection verbs. Despite a brief description, the entries\'s setting found in Houaiss; Villar (2001a; 2001b) made it possible the quantitative survey of verbs with vowel variation showing that the phenomenon takes place in most part of verbs with root vowels /e/ and /o/ in the three inflections.

Esquisser le portrait de la commaunauté des peintres lyonnais, entre le début du règne de Louis XI (1461) et la crise de la fin des années 1520, a constitué le présupposé de cette recherche. Le recours aux sources (comptables, fiscales et ecclésiastiques) s’est révélé indispensable à l’étude prosopographique et à une démarche d’histoire sociale de l’art, permettant la localisation des peintres, de leurs ateliers, les quelques filiations, leur place enfin (fortune et position sociale) dans la cité. Mais au-delà de cette première approche, l’étude des commanditaires, personnages capitals de la production artistique, a permis de définir plus finement le visage de la pratique picturale lyonnaise. Entre notables, Consulat, ecclésiastiques et rois, les activités de commande dans la ville ont souligné l’absence de grands chantiers et de grandes commandes dans ces décennies de prospérité croissante. Ce sont donc les fêtes, au premier rang desquelles les entrées royales et solennelles, qui mobilisent les forces économiques, littéraires et évidemment artistiques. L’étude des protagonistes de ces cérémonies royales et urbaines comme des thèmes déployés permet de caractériser de façon plus précise l’articulation entre artistes, commanditaires et cité comme d’approfondir la connaissance sur la pratique des peintres, en effet mieux détaillée dans ce cadre. / To sketch the portrait of the painters’ community of Lyon, between the beginning of the reign of Louis XI (1461) and the crisis of the end of 1520s, was the presupposition of this research. The appeal to sources (accounts, taxes and from ecclesiastic origin) showed itself essential to the study of painters and to the approach of social history of the art, allowing the location of them, their workshops, the some filiations, their place finally (fortune and social position) in the city. But beyond this first approach, the study of the patrons, major characters of the artistic production, allowed to define more finely the face of the pictorial practice of Lyon. Between notables, consuls, Consulate, clerics and kings, the activities of command in the city underlined the absence of big construction sites and big orders in these decades of increasing prosperity. They are thus the festivals, in the front row of which the royal and solemn entries, which mobilize the economic, literary and obviously artistic strengths. The study of the protagonists of these royal and urban ceremonies as spread themes allows to characterize in a more precise way the articulation between artists, patrons and city as to deepen the knowledge on the practice of the painters, indeed better known by this way.

The thesis considers the effects of vehicle type on highway traffic control. The effects of vehicle type on the capacity of traffic signal approaches are examined by the experimental determination of passenger car units at intersections in London and West Yorkshire and in addition saturation flows and lost times are examined. Vehicle type effect at roundabout entries are investigated and the results of field observations reported. Details are given of the gap acceptance of varying vehicle types, the effect of vehicle type on delay and comparisons are made with existing recommendations for the capacity design of roundabout entries. Observations of traffic flow on a rural motorway are used to demonstrate the effect of vehicle type on speed and observed values are fitted to a normal distribution. Overtaking behaviour is also examined and conclusions drawn of the relative effect on capacity of vehicle type. A review is given of the effects of vehicle type on the design and operation of the highway system in Saudi Arabia.

This thesis provides a summary of knowledge required for the introduction of a systematic procedure for handling of receivables. I focused on the phenomena that had to be assessed during the practical valuation of receivables in LD INVEST a.s. In this respect my thesis may be used by the company managers as one of the aids used during the execution of the analytic accounts to individual nominal accounts in terms of tax. The approach to the company's receivables from 1 January 2008 is recommended in the draft of the In-company Regulation, recapitulating the current meaning of basic terms and stipulating the principles for the creation and use of adjusting entries. The chief measurable economic contribution of the theses is the suggestion for the optimization of the tax base for the year 2007.

Neste estudo, analisou-se o tratamento dado à morfologia verbal do português em três tipos de obras de referência - um estudo de lingüística teórica; nove gramáticas de português, e os verbetes de terminações verbais de um dicionário -, na tentativa de: tornar a descrição mattosiana mais clara para a manipulação didática; verificar em que medida as gramáticas se beneficiam dessa análise; estabelecer possíveis razões para a defectividade em português, e atribuir uma classificação para os verbos com alternância vocálica, baseada no levantamento quantitativo desses verbos. Assim, a morfologia verbal foi examinada em três textos de Câmara Jr. (1975; 1972; 1970); duas gramáticas de português voltadas para falantes de português como língua materna (Bechara, 1999; Cunha; Cintra, 1985) e em sete gramáticas voltadas para falantes de português como língua estrangeira (Hutchinson; Lloyd, 2002; Perini, 2002; Masip, 2000; Abreu; Murteira, 1998; Gärtner 1998; Teyssier, 1984; Vázquez Cuesta; Mendes da Luz, 1980). Os resultados da pesquisa mostram que a descrição mattosiana está no bojo de exposição da morfologia das duas primeiras gramáticas, mas poderia ser mais explorada na exposição didática. O levantamento dos verbos defectivos em Bechara (1999); Cunha; Cintra (1985) permitiu verificar relação entre a defectividade verbal e uma possível alternância vocálica nos verbos de terceira conjugação. Apesar da descrição pouco econômica, o estabelecimento de verbetes de Houaiss; Villar (2001a; 2001b) favoreceu o levantamento quantitativo dos verbos com alternância vocálica, fazendo ver que o fenômeno ocorre na maioria dos verbos com vogais radicais /e/ e /o/ das três conjugações. / In this study, the treatment given to the verb Portuguese morphology was analyzed in three types of reference books - theoretical linguistic study; nine grammar books in Portuguese and the dictionary entries of verb endings -, in the attempt of: making clearer Joaquim Mattoso Câmara Jr. description for didactic usage; of verifying to what extent the grammar books take advantage of this analysis; of establishing possible reasons for the defectiveness in Portuguese and of classifying the verbs with vowel variation based on these verbs\' quantitative survey. This way the verb morphology was examined in three Câmara Jr. texts (1975; 1972; 1970); two Portuguese grammar books directed to Portuguese learners viewing this language as a mother-tongue (1975; 1972; 1970); and in seven grammar books directed to Portuguese learners viewing it as a foreign language. (1975; 1972; 1970). The results of this study reveal that Joaquim Mattoso Câmara Jr. description is in the core of the morphology exposure in the two former grammar books, but that it also could be better exploited in the didactic usage. The defective verbs survey in Bechara (1999, 1975); Cunha; Cintra (1985) made it possible to verify the relation between the verb defectiveness and a probable vowel variation in the third inflection verbs. Despite a brief description, the entries\'s setting found in Houaiss; Villar (2001a; 2001b) made it possible the quantitative survey of verbs with vowel variation showing that the phenomenon takes place in most part of verbs with root vowels /e/ and /o/ in the three inflections.

This study involves a survey of the writers’ opinions on the internet forum Flashback about the national norms coverage. The study also contains the internet forum writers proposed action strategies for supply when living on the national norm. Thereby this study is aiming to visualize the living situation when living on the national standards. Previous research shows how the national norm does not seem to live up to a reasonable standard of living as well as the national norm has not evolved with changes in society.  Further the previous research shows how difficult it can be to live on a narrow economy which connects to one of the study’s questions about coping strategies. There are shortcomings in previous research on the study’s topic since previous research focuses little on people’s opinions. Accordingly the authors’ whishes to highlight the writers’ opinions on the internet forum Flashback through a quantitative study content analysis. This study has chosen to analyze the data and the results using Bourdieu´s theories about the social room, field, habitus and the forms of capital. These theories are intended to be useful in interpreting the study’s results. The result shows that the writers believe that the national norm is to narrow and does not fulfill all the needs entries. Despite this result the writers believe it is possible to achieve a reasonable standard of living when living on welfare benefits. These results can be contradictory and therefore interesting which is why the authors question how these views emerged. The contradictory results create an additional finding which is that the writers on the internet forum may not have understood how it is meant to live on the national norm.

Le règne d’Henri IV est incontestablement l’un des plus importants de l’histoire de France, et les ouvrages qui ont été consacrés à ce monarque sont innombrables. De plus, la musique a également retenu un grand intérêt parmi les chercheurs, et des études précédentes ont apporté des éléments édifiants concernant plusieurs aspects de la vie musicale durant ce règne, notamment sur les compositeurs en contact avec sa cour (comme Pierre Guédron et Eustache Du Caurroy) et sur les genres les plus populaires à cette époque (les chansons, les airs de cours, et les ballets). Or, une étude historique de la musique à la cour d’Henri IV, comparable à celles qui ont été faites par Christelle Cazaux et Isabelle Handy pour les autres cours françaises du XVIe siècle, restait à faire. L’objet de cette thèse est donc de préciser la place de la musique lors de la célébration des événements politiques et l’identité des musiciens qui travaillaient à la cour d’Henri IV. Elle est présentée en trois parties principales. La première partie est consacrée à l’étude des aspects qui ont contribué au développement de la musique pendant ce règne, dont la place de cet art dans la formation aristocratique et les goûts musicaux personnels de la famille royale. La deuxième partie se concentre sur le fonctionnement des différents corps musicaux de la cour (la Chapelle, la Chambre et l’Écurie). Enfin, une dernière partie évalue le rôle tenu par la musique dans les événements de cour sous Henri IV, comme les mariages, les obsèques et les entrées royales, et elle intègre également un examen de la place de la musique dans les fêtes politiques et dans les entrées des grands personnages en France à cette époque. / The reign of Henry IV is undoubtedly one of the most important in the history of France, and countless works have been devoted to the study of this monarch. In addition, music from this period has also attracted the interest of scholars, and previous studies have shed light on several aspects of musical life during this reign, notably on the composers connected to Henry’s court (like Pierre Guédron and Eustache Du Caurroy) as well as on the most popular genres from this time (chansons, airs de cour and ballets). Nevertheless, a historical study of music at Henry IV’s court, comparable to those already completed by Christelle Cazaux and Isabelle Handy on the courts of other French monarchs during the sixteenth century, remained to be undertaken.The aim of this doctorate is thus to clarify both the place of music during the celebration of political events and the identity of musicians who worked at Henry IV’s court. It is divided into three main sections. The first focuses on aspects which contributed to the development of music during this reign, including the place of music within noble training and the personal musical inclinations of the royal family. The second concentrates on the function of the different musical groups at court (the Chapel, the Chamber and the Stables). Finally, the last section examines the role of music in court events under Henry IV, such as marriages, funeral ceremonies and royal entries, and this section also encompasses a discussion of music’s place in political events and in the entries of important dignitaries in France at this time.