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Etnografiska museet och det koloniala arvet : Om omkodningar av etnografiska museer och deras föremål / The Museum of Ethnography and the Colonial Legacy : On recodings of ethnographic museums and their objectsin the postcolonial societyDjuvfelt, Anna January 2015 (has links)
Museet, utställningen, besökaren: Meningsskapande på en ny arena för lärande och kommunikation / Tingens museala mening
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Resande människor – Resande föremål : En diskussion kring Anders Sparrmans Oceaniensamling härrörande från hans deltagande vid James Cooks andra världsomsegling åren 1772-1775Smitz Olsson, Nikita January 2016 (has links)
In this thesis the Oceania collection of Anders Sparrman is examined and discussed. Anders Sparrman, who was a disciple of Carl von Linnaeus, participated on James Cooks second voyage around the world. During this voyage, Sparrman assembled the collection that today is stored at the museum of Ethnography in Stockholm. The collection is complemented by Sparrman’s own journal from his travels, providing his perspective on the items he collected and the islands he visited. The items in the collection are analyzed through the aspects of hybridization, colonial herit-age and repatriation together with how collections of this type, with a dual cultural heritage, can be exhibited in a way so that both a national and international audience can take part of it. A rel-evant question is also what further research that can be done on collections of this type. With this thesis I argue that a digital exhibition would be the best way to make collections of this kind available on a national and international level. Also research projects over country- and institutional- borders on these types of items would extend the knowledge about them and elabo-rate the whole history around these objects that both have a cultural value in Sweden and in the South Pacific.
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Omtolkningens och omladdningens paradox : Tre fallstudier av föremål och historiska fynd i dåtid, nutid och framtid / The Paradox of Reinterpretation and Re-evaluation : Three Case Studies of Artefacts and Historical Discoveries in the Past, Present and FutureMujkanovic, Elma, Sjöblom, Lina January 2022 (has links)
The aim of this thesis is to identify what actions of change museums have taken to adjust to the ebb and flow of societal norms and values. The empirical evidence is based on three case studies of objects in three museums: the Birka warrior from grave Bj-581 in the Swedish History Museum in Stockholm, the G’psgolox totem pole in the Museum of Ethnography in Stockholm, and the Benin bronzes in the Museum of Ethnography in Stockholm and the British Museum in London. Through observations of objects and exhibitions in combination with interviews with museum professionals and researchers, an overall picture is created that shows traces of regulation but also remaining attributes from older times. Through theories of structuration, authorized heritage discourse, norm critique and postcolonial ideas, we highlight the strong connections between social structures, social relations and authorized governing groups that exist in the process of disentangling. With this thesis, we intend to highlight how the phenomenon of change is portrayed and managed in museums. Museums in the west were foremost established during a time when nationalistic and colonial ideals characterized societal norms and the work that took place within museums. As a result of the preservation and presentation of the national identity, museums were often attributed with a character of identity making. Over time, the world has changed and so have the norms within society. Aspects of ethics and morals have become increasingly incorporated into discussions about power and governance. In line with these changes, museums have also had to change to stay relevant in their time. The museums hold to this day some of the old nationalistic and colonial ideals which they were built upon. The old ideals can be identified within the museums’ exhibitions, and because of this, clashes may occur between older and newer norms and values in the process of change, within which transparency becomes an important key element. This is a two year master's thesis in Museum and Cultural Heritage Studies.
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