Global ETD Search

1	Die Maasai, Chagga und Pare auf historischen Fotografien der Sammlung des Museums für Völkerkunde zu Leipzig Solluntsch, Viola 09 May 2019 (has links) This volume (in 2 parts) is a study of 218 historical photographs in the collection of the Museum of Ethnography in Leipzig relating to three ethnic groups in East Africa - the Maasai, Chagga and Pare. / Dieser Band präsentiert (in zwei Teilen) eine Studie von 218 historischen Fotografien der Sammlung des Museums für Völkerkunde zu Leipzig im Bezug auf drei ethnische Gruppen in Ostafrika - die Maasai, Chagga und Pare. info:eu-repo/classification/ddc/301 ddc:301
2	Content Warning : The Compromise of Accessibility and Sensitivity of Museum Database in the Case of Museum of Ethnography, Sweden Boonrab, Mevarath January 2022 (has links) No description available. Content warning Ethical problem Museum database Digital humanities Museum of Ethnography Humanities and the Arts Humaniora och konst
3	Visitor Experiences produced by Digital Technologies : A case study of the Viva Mexico exhibition at the Museum of Ethnography Boutou, Aikaterini January 2024 (has links) This thesis explores visitor experiences at the “Viva Mexico” exhibition at the Museum of Ethnography in Stockholm, focusing on the integration of digital technologies. Building upon the Hybrid Museum Experiences by Løvlie et al. (2022) and its three dimensions: The Physical and the Digital, The Personal and the Social, and The Museum and the Visitor, the study aims to understand how visitors interact with these technologies, what influences their engagement, and the role of social dynamics in shaping their museum experience. Through a combination of on-site observations and a qualitative survey of 30 participants, the research revealed that visitors appreciated digital tools like video screens, VR headsets, and touchscreens for their ability to enhance understanding and engagement. The findings revealed the significant impact of social interactions and group dynamics on visitor engagement, particularly noting the differences between guided and independent tours. Moreover, they indicate that while digital technologies can significantly enrich the museum experience, their design and implementation need to consider accessibility, user-friendliness, and the social context of visits to be truly effective. Challenges such as limited interaction time, feelings of isolation, and language barriers were also identified and will be discussed further. This thesis starts with an introduction that sets the context and outlines the research questions. Then, the theoretical framework followed for this study is discussed and after that follows the methodology section where the data collection and analysis methods are explained. The analysis is divided into three sections corresponding to the three dimensions of the theoretical framework. The final discussion interprets the findings, and the conclusion summarizes the research, mentions the limitations and suggests areas for further study. Lastly, the thesis ends with the bibliography and appendices. Digital Technologies Museum of Ethnography Visitor Experiences Hybrid Museum Experiences Humanities and the Arts Humaniora och konst
4	Resande människor – Resande föremål : En diskussion kring Anders Sparrmans Oceaniensamling härrörande från hans deltagande vid James Cooks andra världsomsegling åren 1772-1775 Smitz Olsson, Nikita January 2016 (has links) In this thesis the Oceania collection of Anders Sparrman is examined and discussed. Anders Sparrman, who was a disciple of Carl von Linnaeus, participated on James Cooks second voyage around the world. During this voyage, Sparrman assembled the collection that today is stored at the museum of Ethnography in Stockholm. The collection is complemented by Sparrman’s own journal from his travels, providing his perspective on the items he collected and the islands he visited. The items in the collection are analyzed through the aspects of hybridization, colonial herit-age and repatriation together with how collections of this type, with a dual cultural heritage, can be exhibited in a way so that both a national and international audience can take part of it. A rel-evant question is also what further research that can be done on collections of this type. With this thesis I argue that a digital exhibition would be the best way to make collections of this kind available on a national and international level. Also research projects over country- and institutional- borders on these types of items would extend the knowledge about them and elabo-rate the whole history around these objects that both have a cultural value in Sweden and in the South Pacific. Oceania Sweden Anders Sparrman James Cook museum of Ethnography dual cultural heritage cultural heritage management exhibitions material culture 18th century hybridization Oceanien Sverige Anders Sparrman James Cook Etnografiska museet dubbla kulturarv kulturarvshantering utställning materiell kultur 1700-tal hybridisering
5	Omtolkningens och omladdningens paradox : Tre fallstudier av föremål och historiska fynd i dåtid, nutid och framtid / The Paradox of Reinterpretation and Re-evaluation : Three Case Studies of Artefacts and Historical Discoveries in the Past, Present and Future Mujkanovic, Elma, Sjöblom, Lina January 2022 (has links) The aim of this thesis is to identify what actions of change museums have taken to adjust to the ebb and flow of societal norms and values. The empirical evidence is based on three case studies of objects in three museums: the Birka warrior from grave Bj-581 in the Swedish History Museum in Stockholm, the G’psgolox totem pole in the Museum of Ethnography in Stockholm, and the Benin bronzes in the Museum of Ethnography in Stockholm and the British Museum in London. Through observations of objects and exhibitions in combination with interviews with museum professionals and researchers, an overall picture is created that shows traces of regulation but also remaining attributes from older times. Through theories of structuration, authorized heritage discourse, norm critique and postcolonial ideas, we highlight the strong connections between social structures, social relations and authorized governing groups that exist in the process of disentangling. With this thesis, we intend to highlight how the phenomenon of change is portrayed and managed in museums. Museums in the west were foremost established during a time when nationalistic and colonial ideals characterized societal norms and the work that took place within museums. As a result of the preservation and presentation of the national identity, museums were often attributed with a character of identity making. Over time, the world has changed and so have the norms within society. Aspects of ethics and morals have become increasingly incorporated into discussions about power and governance. In line with these changes, museums have also had to change to stay relevant in their time. The museums hold to this day some of the old nationalistic and colonial ideals which they were built upon. The old ideals can be identified within the museums’ exhibitions, and because of this, clashes may occur between older and newer norms and values in the process of change, within which transparency becomes an important key element. This is a two year master's thesis in Museum and Cultural Heritage Studies. Re-evaluation Reinterpretation Musealization Cultural heritage Norms Values Stereotypes Exhibition Change(work) Benin Bronzes Kingdom of Benin Benin Birka warrior Bj-581 Birka G’psgolox totem pole Haisla Haisla Nation Museum of Ethnography Swedish History Museum The British Museum. Omladdning omtolkning musealisering kulturarv normer värden stereotyper utställning förändringsarbete Beninbronserna kungariket Benin Benin Birkakrigaren Bj-581 Birka G’psgolox totempåle Haisla Haisla Nation Etnografiska museet Historiska museet British Museum. Cultural Studies Kulturstudier

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