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I detta arbete undersöks lyssnares förväntningar på olika musikframträdanden. Arbetet består av en enkät med 46 enkätsvar som tar in ett publikperspektiv, en intervju med en aktiv musikproducent, samt ett genomförande av examenskonserten Friden&amp;Friends. Bakgrunden till arbetet är mina personliga frågeställningar om hur viktigt andra tycker att det är att musiken låter likadant live som den gör i studioversionen, samt om förväntningarna skiljer sig åt mellan genrer och mellan personer som är verksamma inom musik eller inte. Mina resultat visar att det inte spelar någon större roll för de flesta om det låter likadant eller inte, och att det finns många andra faktorer som har betydelse för en lyckad livekonsert. I min examenskonsert Friden&amp;Friends använde jag inte backing tracks, utan låtarna fick stå för sig själva med de medverkande musiker som var där. Det beslutet tog jag efter att ha tagit del av enkätsvaren och i samråd med musikerna. I slutet av arbetet beskriver jag hur olika tillvägagångssätt kan utveckla mitt konstnärliga uttryck, bland annat att musiken bara är en del av upplevelsen och att min personlighet och mina tankar om examenskonserten lyser igenom allt jag gör. / <p>I medföljande video finns utvalda delar av examenskonserten Friden&amp;Friends. Lista på medverkande musiker och all musik som framfördes finns med i eftertexterna. </p>

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Over the course of the Civil War the small community of Waterford, Virginia maintained Unionist sentiments regardless of being a part of the Confederate States of America. These sentiments were rooted in loyalty to the United States, their ostracization from southern culture, and their Quaker faith. In particular, the women of this community became exceptionally vocal with their displeasure with the Confederacy. In the last year of the Civil War they made the deliberate choice to publicly assert their Unionist convictions with their newspaper The Waterford News. The experience of this community, particularly that of its female residents, was influenced by the variety of identities that they held. The women of Waterford were Quakers, female, southern, unionist and editors/producers of a newspaper. The community of Waterford, Virginia was placed in the margins of Southern society because of the cultural differences rooted in their Quaker faith. The Civil War created a chaotic historical moment where those on the margins of society experienced it differently than those around them. By examining their identities as newspaper producers, as citizens of different groups, and within their interpersonal relationships the reality of how war is lived is brought to light. All of these factors reveal how war is lived, and how lives are manipulated to fit within times of chaos. Motivation matters. / Master of Arts / Over the course of the Civil War the small community of Waterford, Virginia maintained loyalty to the United States rather than support the Confederate cause. These sentiments were rooted in patriotism to the United States, their exclusion from southern culture, and their Quaker faith. Women of this community were extremely vocal with their anger over Confederate occupation. In the last year of the Civil War they made the choice to publicly assert their convictions with their newspaper The Waterford News. The experience of this community, particularly that of its female residents, was influenced by the variety of identities that they held. The women of Waterford were Quakers, female, southern, unionist and editors/producers of a newspaper. The community of Waterford, Virginia was excluded from the rest of Virginian society because of their Quaker faith. The Civil War was a traumatic historical event where communities like Waterford experienced it differently than the majority around them. By studying the identities of these women as newspaper producers, as citizens of different groups, and within their interpersonal relationships the reality of how war is lived is revealed. All of these factors reveal how war is lived.

It is the scope and purpose of this study to investigate the Whitman-woman relationship and to attempt to answer, so far as this Whitman puzzle may be answered, the question of the effect of women on the Whitman philosophy and the nature of that philosophy concerning women.