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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
241

Visual Brand Language: Color, Complexity, and Harmony

Sundar, Aparna 10 October 2014 (has links)
No description available.
242

MAN (in) NATURE : A HARMONY OF ARCHITECTURE AND SITE

ROUSE, MATTHEW ALLEN 02 July 2004 (has links)
No description available.
243

AN ANALYSIS OF THE FIRST MOVEMENT OF THE CONCERTO FOR VIOLIN AND ORCHESTRA, OP.77 BY JOHANNES BRAHMS: APPLICATIONS IN PERFORMANCE

PHELAN, VINCENT J. 19 July 2006 (has links)
No description available.
244

HARMONICE MUNDI

PARMAN, JOSHUA BRYAN 27 June 2007 (has links)
No description available.
245

Portraits-within-Portraits: Immortalizing the Dutch Family in Seventeenth-Century Portraits

Richardson, Elaine M. January 2008 (has links)
No description available.
246

The harmonic series from Mersenne to Rameau : an historical study of circumstances leading to its recognition and application to music /

Green, Burdette Lamar January 1970 (has links)
No description available.
247

The Effects of Polyphonic Interactive Music Systems on Determining Harmonic Functions

Manzo, Vincent Joseph January 2012 (has links)
The ability to determine chords and progressions used in popular music is a valuable skill for musicians and part of musicianship. A music educator should be able to listen to the popular songs familiar to students and quickly and easily determine the chords and progressions being used in this music in order to convey information to the students about how the piece was composed and how it may be performed. Though some view this skill as being important, it is not assessed on teacher certification examinations, and the NASM (2010) accreditation mandate for addressing these particular skills in undergraduate and graduate ear-training (aural skills) courses is unclear at best. Musicians who have learned music informally may be more adept at this skill, likely out of the necessity to learn new music without the assistance of reading standard music notation. Mastery of this skill, however, could have more to do with the frequency that individuals perform with a polyphonic instrument as opposed to performers who play primarily monophonic instruments. When compared to musicians who have mastered a polyphonic instrument such as guitar or piano, musicians lacking experience performing on a polyphonic instrument may also lack an understanding of the concept of a three-note sonority functioning in a way specified by the key. In order to determine chords and chord progressions, experience performing harmony, hearing how it functions, and doing so with fluency is necessary. For players of monophonic instruments such as the trumpet or voice, the traditional approach for supplementing the lack of experience playing a polyphonic instrument is to give them piano lessons. However, without mastery of performance skills on this instrument, the fluency necessary to afford experiences in which the performer can be performing harmony while hearing how it functions can be difficult. One solution can be the implementation of interactive musical instruments and environments that provide a way of performing harmony with controls that are more accessible in terms of immediate use than traditional instruments. Technology-based musical instruments are easily obtainable to individuals via digital mediums and allow an immediacy by which an individual can compose and perform even without formal music training (Manzo, 2007; Pask, 2007; Wel, 2011). The present study observed the effects of activities involving polyphonic interactive music systems on participants' ability to determine chords and progressions. I observed the ways that post-test scores changed after using the software, and noted the extent to which subjects were able to determine chord progressions better or worse with the aid of this interactive software system versus a traditional polyphonic instrument. An increased ability to do so could yield important implications for individuals looking to easily perform chords for pedagogical reasons, such as practicing the determination of chords and chord progressions, but who lack mastery performing a polyphonic instrument; an interactive system could provide an alternative to traditional instruments. The open-source software developed and used for this study can be easily changed to allow musical events to be triggered using any sort of control mechanism including sensors, buttons, and more. This software, with its limited number of labeled controls, can be expanded to function as a prototype for future research. Visit www.vjmanzo.com/dissertation for more information. / Music Education
248

Rameau and Rousseau : harmony and history in the age of reason

Martin, Nathan, 1978- January 2008 (has links)
No description available.
249

The harmonic language of Arnold Schoenberg's second string quartet op. 10 /

Kim, Kyŏng-ŭn. January 1990 (has links)
No description available.
250

Un trait fondamental de l'écriture harmonique de Franz Schubert : la division symétrique de l'octave en trois parties

Le Blanc, Mario, 1960- January 1985 (has links)
No description available.

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