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Cartografia de Orfeu:analogia e assurreição nas Soledades de Luis de Góngora y Argote / Orpheus cartography: analogy and assurrection in Gongora's soledadesRodrigo Petronio Ribeiro 18 February 2013 (has links)
O tema desta Dissertação de Mestrado é a análise dos conceitos de analogia e assurreição (objetos formais) na obra Soledades (objeto material) de Luis de Góngora, bem como suas implicações filosóficas e formais. Pretendi fazer uma análise do poema, tendo em vista perseguir a seguinte hipótese: a desmesura e a desproporção que as Soledades apresentam não são fruto de um mero capricho estilístico. Elas nascem de uma intervenção do furor poético, entendido como furor divino. Góngora teve acesso a essas concepções mediante o influxo de ideias herméticas e neoplatônicas na Península Ibérica. Tais influxos são responsáveis por uma amplificação especialmente aguda da doutrina da analogia. O desdobramento máximo dessa ênfase no princípio da analogia é propriamente a assurreição, tal como definida por Claude-Gilbert Dubois. A partir desses elementos, esta Dissertação de Mestrado pretendeu proceder a uma análise de alguns motivos, cenas e trechos do poema narrativo Soledades, de Luis de Góngora y Argote, mostrando como ele elabora a doutrina da analogia de proporcionalidade e em que momento essa analogia aguda produz a assurreição, ou seja, o corte transversal na hierarquia dos corpos institucionais, movimento este em geral entendido em termos teológicos e políticos como heresia. Por outro lado, há a importante relação entre hermetismo, neoplatonismo e literatura na Renascença, bem como a maneira pela qual a doutrina do furor poético se infiltrou nas artes e na poesia espanholas por via italiana nos séculos XVI e XVII. Concentrei-me no conceito de assurreição e na análise do deslocamento metafísico-teológico das analogias de proporcionalidade presentes nas Soledades, cotejando-as com a distribuição dos lugares naturais de cada elemento do cosmos, fixada sobretudo por Santo Tomás de Aquino, a maior autoridade da teologia católica na Península Ibérica do século XVII / The theme of this Master Thesis is the analysis of the concepts of analogy and assurreição (formal objects) in the work Soledades (material object) of Luis de Góngora, as well as formal and philosophical implications. Wanted to do an analysis of the poem in order to pursue the following hypothesis: the excesses and the disproportion that Soledades have are not the result of a stylistic whim. They are born of an intervention poetic furor, understood as divine wrath. Góngora had access to these conceptions by the influx of Hermetic and Neoplatonic ideas in Iberia. Such inflows are responsible for a particularly acute amplification of the doctrine of analogy. The splitting up of this emphasis on the principle of analogy is properly assurreição as defined by Claude-Gilbert Dubois. From these elements, this Dissertation intended to carry out an analysis of some reasons, scenes and snippets of narrative poem Soledades, Luis de Góngora y Argote, showing how he prepares the doctrine of proportionality and analogy in that moment that analogy acute assurreição produces, ie the cross section in the hierarchy of institutional bodies, this movement generally understood in theological and political terms as heresy. On the other hand, there is the important relationship between Hermeticism, Neoplatonism and literature in the Renaissance, as well as the manner in which the doctrine of poetic fury seeped in arts and poetry by Italian Spanish in the sixteenth and seventeenth centuries. I focused on the concept of assurreição and analysis of the shifting metaphysical and theological analogies of proportionality present in Soledades, comparing them with the distribution of natural places for each element of the cosmos, basically fixed by St. Thomas Aquinas, the greatest authority of Catholic theology in seventeenth-century Iberian Peninsula
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The Alchemical Order: Reason, Passions, Alchemy and the Social World in the Philosophy and Cosmology of Jean d’EspagnetAlexander Scott Dessens (12468426) 28 April 2022 (has links)
<p>Jean d’Espagnet (c. 1564–1637?) was a magistrate and presiding judge at the<em> parlement </em>of Bordeaux in the late sixteenth and early seventeenth centuries. He served on the court from 1590 until retiring in 1615, from 1600 as a <em>président</em>, a venal office of significant power and social standing. After retirement he wrote three books which comprise his literary and intellectual legacy.Together they speak to the fertile philosophical ground of the late Renaissance and present a vision of order and God’s cosmos deeply influenced by Neoplatonism, Hermetism, Paracelsianism, Neostoicism, and medieval alchemy, as well as d’Espagnet’s judicial education and social experience as a magistrate. This dissertation explores the foundations of d’Espagnet’s philosophy of nature, tracing the development of certain philosophical ideas from ancient sources such as the Platonic and Hermetic traditions through medieval and Renaissance philosophers like Ramon Lull, Pseudo-Geber, and Marsilio Ficino to d’Espagnet and his contemporaries. Paracelsian chemical medicine found some acceptance during d’Espagnet’s lifetime, though not without struggle and dangers to its adherents. This project also examines the context of d’Espagnet’s life and experience as a judicial elite in a kingdom and community beset by religious strife and political uncertainty.It argues that d’Espagnet and his fellow magistrates desperately sought order in the midst of these troubles, and that d’Espagnet echoed across all his writings this concern for order alongside a particular set of ideas about gender, shared by his fellow magistrates, according to which feminine passions were the root of disorder and masculine reason was the antidote. This gendered understanding of order was fundamental to d’Espagnet’s thought and reinforced by his syncretic reading of ancient and modern philosophical textsalongside his own experience, leading him to produce a unique and consistent syncretic philosophy that sought to answer definitively some of humanity’s oldest questions about the nature of matter, man, and the cosmos.</p>
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Post tenebras spero lucem : Alquimia y ritos en el Quijote y otras obras cervantinasMagrinyà Badiella, Carles January 2014 (has links)
This study focuses on two areas: alchemy (Part I) and rituals of initiation (Part II) in the works of Miguel de Cervantes, focusing on Don Quijote de la Mancha as my main case study. The first part analyses the function of alchemy and how it can be interpreted throughout the works and various literary genres of Cervantes. It will demonstrate that the texts of Cervantes contain both explicit and implicit allusions to, as well as different aspects of alchemy, such as operative and spiritual alchemy and how these are ultimately used by Cervantes as a means of expression. The author draws from this rich source and modifies these means of expression in order to achieve various results: sometimes with wit or in relation to fraud; at other times it focuses on inner alchemy relating to chivalry in what I have called spiritual chivalry, which has the aim of self-improvement and ultimately, gnosis. Regarding the chivalric rituals of initiation, according to this investigation chivalry serves as both satire and representation of the alchemical process in the case of Don Quijote, which finds its key moments during the rituals. In this sense alchemy and chivalry are studied as two sides of the same coin, in which the search for something higher, an object (the philosopher stone, the beloved), subjects the protagonist to continuous transmutations and puts him in contact with the transitory, that is, liminal states, people and spaces. From this perspective Don Quixote de la Mancha is built upon liminal poetics. My approach, which follows the tenets of analogical hermeneutics, is included within the framework of the Western Esotericism Studies. The 16th and 17th centuries were a fertile age for alchemy throughout Europe. In Spain, alchemy and other esoteric disciplines co-existed with the Spanish Inquisition and its body for the control of ideas and texts: censorship. By being ambiguous and putting into dialogue different ideas of alchemy, Cervantes not only allowed readers to reach their own conclusions, he also protected his work from censorship.
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La nascita della poesia ermetica nelle riviste degli anni Trenta / The Beginning of the Hermetic Poetry in the Reviews in the '30sBAIONI, PAOLA 27 March 2007 (has links)
Muovendo da una vasta ricognizione sulle riviste letterarie degli anni Trenta, la ricerca si è concentrata sui principali periodici a cui hanno collaborato poeti e critici ermetici: Interessanti si sono rivelati i rapporti epistolari tra i poeti e i direttori e redattori delle riviste: nella tesi sono state riportate le lettere più significative, con privilegio per quelle inedite.
Sono stati riportati diversi documenti di natura critico-teorica, alcuni testi poetici rari di Mario Luzi (mai confluiti in una silloge e mai riproposti da alcuno studioso) e sono state antologizzate (con trascrizione dei testi e apparato in calce) le liriche di alcuni poeti che presentano varianti rispetto all'ultima edizione in volume: si tratta di versi di Mario Luzi, Umberto Saba, Carlo Betocchi, Giuseppe Ungaretti, Salvatore Quasimodo, Alessandro Parronchi. Almeno un terzo della tesi è dedicato a questo. / Starting from a wide investigation in the literary reviews in the '30s, the research has focused on the major magazines, for which hermetic poets and critics worked. The correspondence between poets and editors in chief and members of the editorial staff has proved extremely interesting; the most meaningful letters, especially the unpublished ones, are presented in the thesis.
Many critic-theoretic documents and some rare poetries by Mario Luzi (never collected nor published by critics) are also reproduced. Moreover lyrics by various poets, such as Mario Luzi, Umberto Saba, Carlo Betocchi, Giuseppe Ungaretti, Salvatore Quasimodo, Alessandro Parronchi, have been anthologised (with text transcription and apparatus criticus below); all of them present some changes in text compared to the final version, printed in volume. This analysis represents, at least, the third part of the thesis.
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Post tenebras spero lucem : Alquimia y ritos en el Quijote y otras obras cervantinasMagriñá Badiella, Carles January 2014 (has links)
This study focuses on two areas: alchemy (Part I) and rituals of initiation (Part II) in the works of Miguel de Cervantes, focusing on Don Quijote de la Mancha as my main case study. The first part analyses the function of alchemy and how it can be interpreted throughout the works and various literary genres of Cervantes. It will demonstrate that the texts of Cervantes contain both explicit and implicit allusions to, as well as different aspects of alchemy, such as operative and spiritual alchemy and how these are ultimately used by Cervantes as a means of expression. The author draws from this rich source and modifies these means of expression in order to achieve various results: sometimes with wit or in relation to fraud; at other times it focuses on inner alchemy relating to chivalry in what I have called spiritual chivalry, which has the aim of self-improvement and ultimately, gnosis. Regarding the chivalric rituals of initiation, according to this investigation chivalry serves as both satire and representation of the alchemical process in the case of Don Quijote, which finds its key moments during the rituals. In this sense alchemy and chivalry are studied as two sides of the same coin, in which the search for something higher, an object (the philosopher stone, the beloved), subjects the protagonist to continuous transmutations and puts him in contact with the transitory, that is, liminal states, people and spaces. From this perspective Don Quixote de la Mancha is built upon liminal poetics. My approach, which follows the tenets of analogical hermeneutics, is included within the framework of the Western Esotericism Studies. The 16th and 17th centuries were a fertile age for alchemy throughout Europe. In Spain, alchemy and other esoteric disciplines co-existed with the Spanish Inquisition and its body for the control of ideas and texts: censorship. By being ambiguous and putting into dialogue different ideas of alchemy, Cervantes not only allowed readers to reach their own conclusions, he also protected his work from censorship.
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Quête spirituelle, quête de soi dans les œuvres complètes de César Dávila Andrade : une écriture en mouvement / Spiritual quest, personal quest in César Dávila Andrade’s works : a writing in movementBerge, Caroline 10 December 2016 (has links)
Les œuvres de César Dávila Andrade sont encore largement méconnues et peu diffusées. Elles ont également été peu étudiées par la critique. Notre corpus comprend les œuvres complètes de César Dávila Andrade, à savoir l'ensemble de son œuvre poétique, les nouvelles et les essais. À partir des héritages et des influences de l'écrivain, il s'agit de montrer comment, autour d'un travail sur le langage et l'imagination, l'auteur part à la conquête de nouveaux paysages littéraires. L'écriture, en effet, se veut dynamique et en mouvement, repoussant toujours les limites du domaine littéraire, afin d'atteindre la connaissance du véritable moi de l'homme, et de transmettre la parole du poète. / César Dávila Andrade’s works are still underestimated and enjoy limited distribution. Moreover, they have been largely unexplored until now. Our corpus is composed of the César Dávila Andrade‘s complete works, which means his total body of poetic work, the short stories and the essays. We will focus on the legacies and the influences of the writer, in order to study the language and the imagination. We will show how the author is in search of new literary landscapes. Indeed, as his purpose is to find a dynamic writing, in movement; the author breaks up the limits of the field of literature. He explores a new way that could give him access to transcendental higher-order knowledge, so as to reveal the Word.
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The emergent religiosity of post-traditional African thoughtMcClymont, John Douglas 11 1900 (has links)
There exists in the modern worlda form of non-Christianised religious thought which develops the basic ideas of indigenous African religion beyond their beginnings, and is represented in authorssuch as Kamalu, Osabutey-Aguedze, etc. The spheres of interest in such authors fiJay be
analysed in terms of the following areas:
Intervening ideological conditions bearing on African life (particularr; theological and cosmological ideas):
The historical background of African life;
The roots of African life, as manifested in its traditions, and tts ethical and cultural heritage;
Means for the innovative development of African life, found in African concepts of knowledge, mysticism and magic;
The perceived destiny of African life.
The thesis concludes with an indication of areas of agreement and debate in post-traditional African thought, of problems faced by such thought; and of other possible priorities for future study. / Religious Studies & Arabic / D.Th. (Religious Studies)
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Étude des traductions en chinois de la poésie d’Emily DickinsonMa, Li 05 1900 (has links)
No description available.
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Modern Gnosticism - oförnuftig fantasi eller ett ljus i mörkret? : fyra rörelsers tolkningar av myterna om materian, människan och ondskan i världenSöderhäll, Mari January 2006 (has links)
<p>Den här uppsatsen handlar om modern gnosticism, tolkat utifrån fyra nygnostiska rörelser jag fann på Internet. Efter att ha läst dessa valda rörelsers texter slog det mig att en fundamental förändring hade skett, med tanke på texter om antik gnosticism. Framför allt hade den mörka synen på materian förändrats, och därmed synen på de feminina och maskulina aspekterna samt ondskan också. Om man går på linjen att de var materia- och kvinnofientliga samt ville undfly reinkarnation. De här aspekterna, materian, människan och ondska, reflekteras dock fortfarande i ljuset av de antika gnostiska myterna. Myter som bär upp denna andliga filosofis ramverk kring människans existentiella villkor. Grundtemat är på så sätt detsamma, men tolkningarna om universum, livet och människans livsvillkor är modifierad från äldre skrifters beskrivning av och om gnostikernas världsbild.</p><p>Syftet med uppsatsen var att undersöka några nygnostiska rörelser i det sekulära väst, och hitta likheter och skillnader speglat mot den antika gnosticismen. Sättet att finna dem gick via Internet och synliggörandet av dem, och deras mytiska världsbild, gick via deras myter om materian, människan och ondska.</p>
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Modern Gnosticism - oförnuftig fantasi eller ett ljus i mörkret? : fyra rörelsers tolkningar av myterna om materian, människan och ondskan i världenSöderhäll, Mari January 2006 (has links)
Den här uppsatsen handlar om modern gnosticism, tolkat utifrån fyra nygnostiska rörelser jag fann på Internet. Efter att ha läst dessa valda rörelsers texter slog det mig att en fundamental förändring hade skett, med tanke på texter om antik gnosticism. Framför allt hade den mörka synen på materian förändrats, och därmed synen på de feminina och maskulina aspekterna samt ondskan också. Om man går på linjen att de var materia- och kvinnofientliga samt ville undfly reinkarnation. De här aspekterna, materian, människan och ondska, reflekteras dock fortfarande i ljuset av de antika gnostiska myterna. Myter som bär upp denna andliga filosofis ramverk kring människans existentiella villkor. Grundtemat är på så sätt detsamma, men tolkningarna om universum, livet och människans livsvillkor är modifierad från äldre skrifters beskrivning av och om gnostikernas världsbild. Syftet med uppsatsen var att undersöka några nygnostiska rörelser i det sekulära väst, och hitta likheter och skillnader speglat mot den antika gnosticismen. Sättet att finna dem gick via Internet och synliggörandet av dem, och deras mytiska världsbild, gick via deras myter om materian, människan och ondska.
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