This dissertation analyzes the life of Czech traveler Čeněk Paclt (1813 - 1887), who was born in the town of Turnov. Čeněk Paclt belongs to the most famous Czech travelers. He is also the first Czech, who has provably traveled through all five inhabited continents and has left written evidence about his journeys. Fundamental part of this thesis is focusing on his life and describes his adventures, which he had come across on the five continents. The thesis is written in historical, and employs historical anthropology, which focuses on a single individual in the course of human events, as one of the main methodological approaches. Secondarily, this thesis elaborates Paclt's personality and his view on aboriginal cultures, which he encountered during his travels, and Paclt's relationship towards his hometown is also mentioned. Furthermore, the dissertation touches upon traveling background in Czech nation during 19th century.

Durant la deuxième moitié du 20e siècle, divers aménagements structurels ont amené l’idéologie du système d’entreprise japonais à être acceptée globalement, non seulement comme un modèle légitime, mais aussi comme un modèle à suivre (et à poursuivre). Figure emblématique de ce système, le « salaryman » – employé masculin régulier des grandes entreprises ou administrations japonaises – s’est imposé au sein de la société japonaise. L’idéologie que véhicule le système d’entreprise a dès lors été interprétée par quelques auteurs comme un discours hégémonique, une image culturellement dominante du travail et de la vie quotidienne au Japon. Aujourd’hui, à la suite d’une conjoncture économique particulière fruit de la crise économique des années 1990, l’image du salaryman s’effrite et son caractère hégémonique tend à se fragmenter pour laisser place à de nouvelles pratiques et à de nouvelles valeurs souvent antagonistes avec les discours et les représentations du travail et de la masculinité qui ont dominé jusqu’alors. Une analyse historique et une enquête de terrain (entrevues semi-directives) nous montreront à la fois pourquoi le salaryman peut être compris comme un discours hégémonique et comment les nouvelles pratiques et représentations des jeunes japonais témoignent du caractère nouvellement fragmentaire de l’image du salaryman en contexte de crise. Ces résultats nous amèneront à considérer plus globalement l’implication des transformations du système d’emploi dans le changement social au Japon. / During the second half of the twentieth century, several structural processes have led the ideology of the Japanese employment system to be globally accepted, not only as a legitimate system, but as a model to be followed and pursued as well. The “salaryman”, the iconic figure of this system – that is the male employee of the big Japanese corporations or administrations – has been imposed into Japanese society as a unique model of masculinity. The ideology conveyed by the employment system has then been seen by a few authors as a hegemonic discourse, a culturally dominant image of work and daily life in Japan. Today, following the economic conjuncture caused by the economic crisis of the 1990s, the image of the salaryman is crumbling and is loosing its hegemonic value to give way to new practices and values antagonistic with the previous discourses and the representations of work and masculinity. A historical analysis and a field survey (semi-structured interviews) would show us how the salaryman can be analysed as a hegemonic discourse and why the new practices and representations of the young Japanese men reflect the newly fragmentary nature of the image of the salaryman within a crisis context. These results will lead us to more broadly consider the implications of the transformations of the Japanese employment system in the social change in Japan.

This thesis in historical-anthropological point of view deals with the ways of reception of ?miles christianus? ideal among Bohemian lower noblemen during the second half of the 16th Century. The medieval ideal of ?miles christianus? was revived in connection with new Ottoman Empire expansion in the South-East Europe. The theme is studied in case of Šťastný Václav Pětipeský of Chýše and Egrberk, a chosen lower nobleman. The attention was concentrated on the reconstruction of nobleman?s inner life and changes in thinking during his whole lifetime with additional insight into the history of Pětipeští of Chýše and Egrberk noble family. The paper contributes to the study of everyday life, political activities and thinking of Bohemian lower nobility before the Bohemian revolt in the context of ?new political history? research.

Stefan SCHOLZ Methodical study to the bilateral research project about mutual relationship of sacral architecture of the 13. century in the bohemian and austrian lands Abstract: To begin with the basic conditions for the interdisciplinarity and internationality of the whole research, and the necessity of a parallel survey on the profane level, will be defined. Then the main subject of the project will be linked to a wider context of the Central European integration processes in the early and high middle ages - from there results the necessity of secondary studies on Central European long term basic structures and framework developments from the 10th to the mid 13th century, as well as of historiographic context-studies to the reign of King Otakar Přemysl II. (1252- 1278). In this way the core the project will be defined: the forms of expression of the Central European integration processes in sacral and profane architecture and the settlement, urban, social and legal patterns in the bohemian, moravian, silesian and austrian towns, above all in the 3rd quarter of the 13th century. The relative chronological system of the main stylistic streams and positions of the middle european sacral architecture in 13. century shows many contrasts between the impacts of french and burgundian gothic style, the...

Thèse préparée en cotutelle en anthropologie (Université de Montréal) et en ethnomusicologie (École des Hautes Études en Sciences Sociales). / Cette recherche propose une recension socio-historique des contacts interculturels et du processus d’évangélisation chez les Noons de Thiès (Sénégal) afin d’y retracer la transmutation de symboliques culturelles depuis l’animisme au catholicisme, jusqu’à un état de vicariance entre les cultures en présence. Des travaux ont été effectués dans les archives des Spiritains, au Sénégal et à Paris; au Service historique de la Défense, à Vincennes; dans les Archives du Sénégal, à Dakar; et dans les archives de l’Abbaye de Keur Moussa. Des entrevues ont aussi été menées sur le terrain entre mars 2019 et mars 2020, enrichies d’une démarche renouvelée de bimusicalité selon Mantle Hood (1960), afin de mettre en lumière la perpétuation de symboles identitaires pendant la période coloniale jusqu’à aujourd’hui dans le mbilim, pratique musicale noon au coeur de la recherche. Cette recherche s’inscrit dans un contexte d’acculturation et de syncrétisme au sein d’une population faisant l’objet d’une exclusion systématique de la littérature historique écrite et s’inscrit dans la foulée d’une ethnomusicologie appliquée abordant le musical comme sujet holistique, observable et explicable selon diverses représentations de la communauté, une construction dynamique relevant de la rencontre entre plusieurs cultures dans le temps et se modulant selon l’utilisateur et le contexte d’utilisation (Berlioz et al., 1989). Je propose ainsi de reconsidérer le travail d’archives sur l’histoire et l’expérience coloniale et missionnaire afin de repenser les modèles classiques de syncrétisme et d’acculturation pour comprendre la construction d’une identité culturelle et musicale (ré)actualisée qui puisse permettre à la communauté visée de se projeter dans l’espace politique et socioculturel du Sénégal. / This research proposes a socio-historical review of cross-cultural contacts and of the evangelisation process among the Noons of Thiès (Senegal) in order to trace the transmutation of cultural symbolics from animism to Catholicism up to a state of vicariousness between the cultures in encounter. Work has been carried out in the archives of the Spiritans, in Senegal and Paris; at the Defense Historical Service, in Vincennes; in the National Archives of Senegal, in Dakar; and in the archives of Keur Moussa Abbey. Interviews were also conducted on the field between March 2019 and March 2020, enriched with a renewed approach of bi-musicality according to Mantle Hood (1960), in order to highlight the perpetuation of identity symbols during the colonial period until today in the mbilim, a musical practice of the Noons at the core of this research which is part of a context of acculturation and syncretism within a population subject to systematic exclusion from written historical literature. This research takes also part of an applied ethnomusicology approaching the musical as holistic subject, observable and explicable according to various representations of the community, a dynamic construction arising from the encounter between several cultures over time and modulating according to the user and the context of use (Berlioz et al., 1989). I thus propose to reconsider the work on the history and the colonial and missionary experience in the archives in order to rethink the classical models of syncretism and acculturation to understand the construction of a (re)actualised cultural and musical identity which can allow the community in question to project itself into the political and socio-cultural space of Senegal.

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本論文之研究動機原在對川西山區人群變遷的歷程作一通盤的考察；繼而欲以川隴交界地區的白馬人為重心，以歷史、地域與文化三面向為觀察途徑。在第一章緒論裡，曾介紹相關學科的演進以建構歷史民族誌撰述的框架，同時就川西山區歷史民族誌的研究歷程、白馬人系屬問題之提出與相關研究概況作回顧。 第二章與第三章所記述的是歷史記憶與文獻解讀的層面，前一章著眼於川西山區全景在魏晉時期以前曾經出現的人群活動、神話傳說及其歷史記載，並試圖在不同的地理分區歸納出個別人群之間的文化類型；其後一章則集中考究活動於川隴之間的古代氐人及其遺裔的歷史，間或以當時華夏人群西部邊緣的消長為時空背景，對照出其人群歷史興衰的過程。 第四章以川隴山區的地理環境為主軸，分別討論今日白馬聚落與古代氐人部落的向外活動軌跡，由對外通道的變遷亦可了解其歷史重心的轉移過程；第五章則以白馬聚落的文化內涵與社會變遷為研究對象，得知古代的氐人與今日的白馬人之間不僅文化風貌極為接近而有前後相承的類緣關係，在地緣上可比對出古代氐羌系人群的文化分布範圍。第六章則以「在變與常之間的山區人群歷史與文化」為全文結論，希冀作為進一步研究其他山區人群歷史民族誌的開端。

This diploma thesis reveals the processes of shaping the image of Emil František Burian, the theater director, composer, journalist and playwright in three key headings. The first heading explains the principles of self-presentation and choice of characteristic means to build its external image in the changing personal attitudes and social development in the 30th - 50 years of 20th century. The second heading shows the coordinates of cultural policy communist regime and monitors the construction of public image representative of official socialist culture. Both headings are mainly based on a detailed analysis of Burian's theater activity, broadcasting activities and articles in professional and social printing. The third heading of qualification work pays attention to creating individual memory of a systematic effort to build a "cult of personality" of E. F. Burian. Interpretation biography and memories of actors, directors, journalists and politicians attempts to profile the professional and private life of this artist.

CHARLES UNIVERSITY IN PRAGUE FACULTY OF HUMANITIES DEPARTMENT OF GENERAL ANTHROPOLOGY BY MGR. BC. DZMITRY BADZEVICH THE PEASANTS OF THE POLESIE DURING THE ABOLITION OF SERFDOM The Reaction of the Peasantry To The Abolition Of Serfdom In Pinsk District Of Minsk Province of Russian Empire, 1861-1864 Dissertation abstract Prague 2017 2 ABSTRACT From the exact wording of the thesis title was this study engaged in a broader sociological and cultural anthropological discussion about the meanings and implications of the historical event as was the abolition of serfdom in the Russian empire in 1861 on the everyday life of its contemporary actors. For well-devoted reader (in the different methodologies of the history and European national historiographies), it would seem that the topic of the abolition of serfdom in the Russian empire and its impact on society and social and cultural sphere is largely explored. But at the moment, when the critically analyzing readers begin to think closely about how the understanding of serfdom abolition has worked during the last hundred year, it might be quite obvious for them, that no one of dozen university intellectuals and amateurs has tried to go to the heart of the historical event; many intellectuals only got all mixing up on the field of quasi-scientific abstractive terms...

CHARLES UNIVERSITY IN PRAGUE FACULTY OF HUMANITIES DEPARTMENT OF GENERAL ANTHROPOLOGY BY MGR. BC. DZMITRY BADZEVICH THE PEASANTS OF THE POLESIE DURING THE ABOLITION OF SERFDOM The Reaction of the Peasantry To The Abolition Of Serfdom In Pinsk District Of Minsk Province of Russian Empire, 1861-1864 Dissertation abstract Prague 2017 2 ABSTRACT From the exact wording of the thesis title was this study engaged in a broader sociological and cultural anthropological discussion about the meanings and implications of the historical event as was the abolition of serfdom in the Russian empire in 1861 on the everyday life of its contemporary actors. For well-devoted reader (in the different methodologies of the history and European national historiographies), it would seem that the topic of the abolition of serfdom in the Russian empire and its impact on society and social and cultural sphere is largely explored. But at the moment, when the critically analyzing readers begin to think closely about how the understanding of serfdom abolition has worked during the last hundred year, it might be quite obvious for them, that no one of dozen university intellectuals and amateurs has tried to go to the heart of the historical event; many intellectuals only got all mixing up on the field of quasi-scientific abstractive terms...