Sur le fil invisible reliant la temporalité tridimensionnelle de l'ancestral, du présent et du devenir, se profilent les pas du compositeur. Parcours individuel, traversée sociale, épopée humaine, l'acte créatif émane des profondeurs du ressenti de l'être et des profondeurs de la collectivité sociale. Notre recherche se veut un voyage en vue d'une reconstitution du parcours du dire musical en tant qu'expression de l'être impliquant culturalité et subjectivité compositionnelles et aboutissant à l'œuvre musicale en tant qu'entité-signe. En consacrant notre réflexion aux musiques modales arabo-musulmanes de tradition orale, nous développerons dans ce cadre une théorie des strates englobant le processus compositionnel dans sa totalité en le considérant comme un processus préparé par une phase pré-œuvre, élaboré en une phase poïétique et aboutissant à l'émergence d'une entité-signe porteuse de sens. La phase pré-œuvre met à contribution les strates profondes, à savoir la strate psychoperceptive empreinte des composantes immatérielles du ressenti modal, la strate neuroesthétique impliquant les prédispositions génétiques et l'impact du milieu culturel pour une imprégnation modale et la strate d'appropriation du mode d'expression propre au langage modal. La phase poïétique s'articule ensuite autour de l'évolution des strates d'influence constituées d'une strate des facteurs motivationnels, d'une strate permettant l'acheminement vers une amorce de l'œuvre et d'une strate de transduction aboutissant à l'œuvre. Après l'étude de la phase pré-œuvre et de la phase poïétique, nous entreprendrons une analyse sémiotique de l'œuvre en tant qu'entité-signe porteuse d'une mosaïque de sens. / On the invisible thread connecting the three-dimensional temporality of the ancestral, the present and the becoming, the figure of the composer looms large. At once an individual trajectory, a social crossing, a human epic, the creative act emanates from the depths of the being and from those of the social community. This research aims to be like a journey where we seek to reconstitute the path of musical telling as an expression of the being, involving both the cultural and subjective dimensions of composition, and leading to the musical work as a sign-entity. In this framework, by devoting our reflection to Arab-Muslim modal music of the oral tradition, a theory of strata will be developed to include the totality of the compositional process considered as a process prepared by a pre-work phase, elaborated into a poietic phase and leading to the emergence of a meaningful sign-entity. The pre-work phase engages deep strata, namely the psychoperceptive stratum imprinted with the immaterial components of modal feeling, the neuroaesthetic stratum implying genetic predispositions and the importance of cultural environment for modal impregnation, and the stratum of the appropriation of the expressive mode specific to modal language. The poietic phase is then organised around the development of the affluence strata constituted by a stratum of motivational factors, a stratum enabling the progression towards the onset of a work and a transduction stratum leading to the work. After the study of the pre-work phase and the poietic phase, we undertake a semiotic analysis of the work as a sign-entity carrying a mosaic of meanings.

Made available in DSpace on 2016-04-25T20:22:44Z (GMT). No. of bitstreams: 1 Silvio Pinto Ferreira Junior.pdf: 5191715 bytes, checksum: 477c96bf67d93cba205dcc1a3eb673e3 (MD5) Previous issue date: 2009-04-23 / Universidade Suor Orsola Benincasa / The register of popular festivals as immaterial heritage, in this dissertation in particular the festivals of Italian origins in the city of Sao Paulo, represents much more than the recognition of the important cultural influence of immigrants. The attempt to reconstruct the history of the festivals Nossa Senhora de Casaluce, Nossa Senhora Achiropita, São Vito, São Francisco de Paola and São Gennaro, permitted to discover other questions that are not limited to the description or recovery of a tradition. In search of the origin of these festivals in Italy, the field of study broadened, providing an analysis of today s much discussed issues like citizenship, identity, diversity and multiculturalism. These issues did not just complete the initial proposition, but opened ways to a more far-reaching discussion than it could have been imagined in the beginning / O registro das festas populares como Patrimônio Imaterial, neste trabalho especificamente as festas de origem italiana na cidade de São Paulo, representa muito mais do que um reconhecimento da importante influência cultural dos imigrantes. A tentativa de reconstruir a história das festas de Nossa Senhora de Casaluce, Nossa Senhora Achiropita, São Vito, São Francisco de Paola e São Gennaro, permitiu descobrir outras questões que não se limitam só a uma descrição ou recuperação de uma tradição. Ao buscar a origem destas festas na Itália, o campo de estudo se alargou, proporcionando uma análise sobre temas muito discutidos hoje como cidadania, identidade, diversidade e multiculturalidade que não só completa a proposta inicial como abre caminhos para uma discussão muito mais ampla do que a princípio se poderia imaginar

Made available in DSpace on 2016-04-26T14:57:35Z (GMT). No. of bitstreams: 1 Silvio Pinto Ferreira Junior.pdf: 5191715 bytes, checksum: 477c96bf67d93cba205dcc1a3eb673e3 (MD5) Previous issue date: 2009-04-23 / Universidade Suor Orsola Benincasa / The register of popular festivals as immaterial heritage, in this dissertation in particular the festivals of Italian origins in the city of Sao Paulo, represents much more than the recognition of the important cultural influence of immigrants. The attempt to reconstruct the history of the festivals Nossa Senhora de Casaluce, Nossa Senhora Achiropita, São Vito, São Francisco de Paola and São Gennaro, permitted to discover other questions that are not limited to the description or recovery of a tradition. In search of the origin of these festivals in Italy, the field of study broadened, providing an analysis of today s much discussed issues like citizenship, identity, diversity and multiculturalism. These issues did not just complete the initial proposition, but opened ways to a more far-reaching discussion than it could have been imagined in the beginning / O registro das festas populares como Patrimônio Imaterial, neste trabalho especificamente as festas de origem italiana na cidade de São Paulo, representa muito mais do que um reconhecimento da importante influência cultural dos imigrantes. A tentativa de reconstruir a história das festas de Nossa Senhora de Casaluce, Nossa Senhora Achiropita, São Vito, São Francisco de Paola e São Gennaro, permitiu descobrir outras questões que não se limitam só a uma descrição ou recuperação de uma tradição. Ao buscar a origem destas festas na Itália, o campo de estudo se alargou, proporcionando uma análise sobre temas muito discutidos hoje como cidadania, identidade, diversidade e multiculturalidade que não só completa a proposta inicial como abre caminhos para uma discussão muito mais ampla do que a princípio se poderia imaginar