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141	L'occupation italo-allemande et le parcours de l'identité féminine dans "Η μητέρα του σκύλου" de Pavlos Matessis / Non communiqué Marinakou-Matsa, Evgenia 14 December 2011 (has links) Cette étude, intitulée « Représentations de l’Occupation et le parcours de l’identité féminine dans Η μητέρα του σκύλου de Pavlos Matessis », examine la collaboration sexuelle de la femme avec l’ennemi au cours de l’Occupation italo-allemande, son châtiment à la Libération et sa protestation envers la punition infligée. L’analyse des techniques narratives combinée à celle du contexte historique permettent d’approfondir les représentations de l’Occupation élaborées par ce roman et cernent la question centrale qui concerne la position tenue par ce dernier face à un événement que l’Histoire officielle a considéré comme secondaire après l’avoir frappé d’une condamnation allant de soi. Il s’ensuit de l’analyse que cette fiction au caractère éminemment dramatique combine de façon unique l’histoire à ses modes d’énonciation narrative. Sa particularité est aussi qu’elle s’éloigne sensiblement de la version officielle des événements et articule un discours différent sur un sujet tabou, celui de la collaboration sexuelle des femmes avec l’ennemi qui a été reliée à la prostitution et à la trahison de la patrie. Il fait de cette collaboration l’occasion de l’éveil de la conscience sociale du sujet et de la composition d’une identité sur la base de la libre disposition de soi et de l’auto-détermination, et considère le châtiment public comme un mécanisme de déstructuration du sujet auquel répond le silence comme forme de protestation. Il s’agit d’une œuvre « à l’écoute » de la révolte contre l’injustice de l’Histoire, qui répond dans le présent à la demande insatisfaite de la réhabilitation du sujet et défend des idéaux humanistes qu’elle place au dessus des idéaux nationaux. / The title of the present doctoral research is “Representations of the Occupation and the evolution of female identity in Η μητέρα του σκύλου [The Mother of the dog] by Pavlos Matesis”. This novel revolves around the “erotic” collaboration of a woman with the enemy during the years of the Italian-German Occupation, the public disgrace that she suffered at the wake of Liberation and her protest for the punishment that was inflicted on her. Through a methodology consisting of a narrative analysis in combination with the historical context, I examine the representations of the Occupation that the novel offers in a period that was crucial for Greek history and society, and also the historical fact of the sexual collaboration, which was judged to be of “secondary” significance by official History which filed it as self-evidently condemnable. The conclusion stemming from this research is that the novel, through a fictional narrative with strong dramatic characteristics, combines the story with its narrative ways of expression in a unique way. Its peculiarity, however, lies in its distinctive differentiation from the given facts of the dominant version and in its articulation of a discourse on a taboo subject, for literature as for Historiography, this of the erotic collaboration of women with the enemy, the official evaluation of which connects them with prostitution and national treason. Through this collaboration, which stands as a pretext for the awakening of the subject’s social conscience and the constitution of an identity on the basis of self-determination and self-designation, it sees punishment as a deconstruction mechanism of the subject but also silence as a reaction to the former. Η Μητέρα του σκύλου is a book that “listens” to the protest for the historical injustice, brings forward to the present the unfulfilled request for the subject’s moral restoration and supports the humanistic ideals, putting them above the national ones. Châtiment public Identité féminine Lettre d’amour à l’ennemi Marge sociale Monologue dramatique Occupation italo-allemande Roman Dramatic monologue Feminine identity Italian/german Occupation Novel Love letter to the enemy Public shame and punishment Social exclusion Silence as form of protest
142	Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale Gastaldi, Sciltian 20 March 2014 (has links) Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings. Pier Vittorio Tondelli Italian Literature Gay Literature 20th Century Italian Literature Minor Literature Engagement Social Engagement Camp Gay Studies Queer Studies Queer Theory Literary Criticism Impegno Elio Vittorini Impegno e letteratura Impegno e intellettuali Pier Paolo Pasolini Italo Calvino Franco Fortini Leonardo Sciascia Umberto Eco Alberto Arbasino Letteratura del XX secolo Letteratura italiana contemporanea Impegno sociale Letteratura minore Critica letteraria Letteratura del '900 Antonio Gramsci Homophobia Gender Studies Omofobia AIDS Literature HIV Literature Commitment Homoerotic Literature Separate Rooms Camere separate Other Libertines Altri libertini Dinnery Party Rimini Pao Pao Il diario del soldato Acci Correggio Reggio Emilia Narratori delle pianure Emilia Romagna Italia Italy Jesuit School Gesuiti Catholicism Cattolicesimo Beat Literature Pop Literature Noir Postmodernismo Postmoderno Postmodern Postmodernism Federico Fellini Eugenio Bolongaro Gary Cestaro Antonio Spadaro Fulvio Panzeri Religione Religion Pop Culture Mass Culture 1977 DAMS Bologna Movimento del '77 Michel Foucault Esther Newton 0298 0313 0401 0291 0318
143	Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale Gastaldi, Sciltian 20 March 2014 (has links) Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings. Pier Vittorio Tondelli Italian Literature Gay Literature 20th Century Italian Literature Minor Literature Engagement Social Engagement Camp Gay Studies Queer Studies Queer Theory Literary Criticism Impegno Elio Vittorini Impegno e letteratura Impegno e intellettuali Pier Paolo Pasolini Italo Calvino Franco Fortini Leonardo Sciascia Umberto Eco Alberto Arbasino Letteratura del XX secolo Letteratura italiana contemporanea Impegno sociale Letteratura minore Critica letteraria Letteratura del '900 Antonio Gramsci Homophobia Gender Studies Omofobia AIDS Literature HIV Literature Commitment Homoerotic Literature Separate Rooms Camere separate Other Libertines Altri libertini Dinnery Party Rimini Pao Pao Il diario del soldato Acci Correggio Reggio Emilia Narratori delle pianure Emilia Romagna Italia Italy Jesuit School Gesuiti Catholicism Cattolicesimo Beat Literature Pop Literature Noir Postmodernismo Postmoderno Postmodern Postmodernism Federico Fellini Eugenio Bolongaro Gary Cestaro Antonio Spadaro Fulvio Panzeri Religione Religion Pop Culture Mass Culture 1977 DAMS Bologna Movimento del '77 Michel Foucault Esther Newton 0298 0313 0401 0291 0318

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