Este trabalho aborda a problemática do câncer infantil sob a perspectiva do professor de ensino fundamental que experiencia o adoecimento de um de seus alunos. O câncer infantil não é mais considerado uma doença fatal, a cura é uma possibilidade bem frequente e a ênfase, atualmente, tem se voltado sobretudo para a qualidade de vida dos sobreviventes do tratamento. A escola ocupa um lugar privilegiado, na medida em que é determinante para a aprendizagem mas, principalmente, para a manutenção dos laços sociais da criança. A despeito do que recomendam as sociedades de Oncologia Pediátrica, a criança com câncer continua a ser afastada da escola no período do tratamento e o professor é apontado na literatura especializada como um dos principais agentes da reinserção escolar dessas crianças O modelo de investigação utilizado é o da pesquisa em psicanálise e o trabalho está dividido em três momentos: revisão bibliográfica sobre o tema, fundamentação teórica e a pesquisa de campo através de entrevistas. A condução das entrevistas e a análise dos resultados foram orientadas pela psicanálise através do referencial teórico de Freud e de Lacan. Foram entrevistados sete professores da rede pública e particular de ensino de escolas da grande São Paulo. O conceito de imaginário trazido por Lacan nos permitiu investigar tanto o impacto que pode produzir no professor o anúncio de adoecimento de um de seus alunos, como o efeito que pode produzir na criança o modo como o professor é afetado. Para contribuir com um espaço de reflexão, discutimos a perspectiva inclusiva de educação como um instrumento auxiliar na reinserção da criança, entendendo que a escola constitui, desde a época moderna, um dos pilares da infância / This thesis addresses the issue of childhood cancer as perceived by the elementary school teacher who discovers and experiences the progression of the disease in one of his students. Childhood cancer is not considered a fatal disease any longer and a cure is now a more frequent outcome. Thus, the emphasis nowadays has turned towards improving the quality of life post-treatment. In this context, the school is in a privileged position, as it is not only determinant to the childs learning process, but also to the maintenance of a network of social interactions and skills. Irrespective of the recommendations of pediatric oncology organizations, the child patient with cancer is often kept away from school during treatment. According to the specialized literature in this topic, the teacher is one of the main agents responsible for the reinsertion of the child back to school. The investigatory model used here is based on psychoanalysis research. The work is divided in three parts: a literature review on the topic, the establishment of a theoretical foundation and field work conducted through interviews. The interview procedure and the analysis of the results were performed according to established practices in psychoanalysis and guided through the theory of Freud and Lacan. Eight teachers from the Great São Paulo public and private school systems were interviewed. The concept of the imaginary, introduced by Lacan, has allowed us to investigate both the outcome on the teacher upon receiving news of his pupils illness as well as the effect that his reactions have on the child himself. To contribute with a reflection, we further discuss the perspective of an inclusive education as an auxiliary tool in the reinsertion process, understanding that the school constitutes, since the beginning of modern times, one of the pillars of childhood

O objetivo desta pesquisa é reconstituir a formação do campo arquitetônico no Brasil, a história de São Paulo e de sua arquitetura, e investigar a inserção e a contribuição dos arquitetos estrangeiros para a construção da cidade entre os anos de 1930 e 1960 a partir da experiência do arquiteto francês Jacques Pilon (1905-1962). A intenção não é particularizar, valorizar ou reabilitar a sua produção isoladamente, focando a discussão na qualidade, na procedência ou não da autoria deste ou daquele projeto, nem traçar uma biografia intelectual ou desenvolver um trabalho monográfico, mas sim retomar a sua trajetória na relação com a cidade e com o campo arquitetônico. Para tanto, o presente trabalho investiga a sua formação como arquiteto em Paris, o início de sua carreira profissional no escritório dos arquitetos Robert Prentice e Anton Floderer, no Rio de Janeiro, a transferência para São Paulo, a sociedade com o engenheiro brasileiro Francisco Matarazzo Neto (1910-1980), firmada em 1934 com a criação da Pilon & Matarazzo Ltda (Pilmat) e, por fim, o seu escritório individual, cujas atividades se desenvolveram entre meados de 1940 e 1962. / Portrayed as a pragmatic man, more a manager than an architect, who owns a firm linked to the real estate market that built hundreds of buildings in São Paulo, Jacques Pilon (1905-1962) had not received a more detailed study of his work until now. If the extensive production is not equivalent to his reputation in the historiography of the Brazilian architecture, the massive presence of his buildings in the city, in particular in the downtown area, indicated that his contribution to the construction of São Paulo and to the affirmation of a certain image of modernity deserved more attention. This work traces the trajectory of Pilon and his role as an architect in São Paulo between 1930 and 1960. Without intending to draw an intellectual biography or to develop a monograph, the research retrieves the experience of this French architect in the tropics and from it investigates the contribution of foreign architects to build the city, tracing the formation of the architectural field in Brazil, the history of São Paulo and its architecture in this period.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-05-25T12:25:40Z No. of bitstreams: 1 hugotannousjorge.pdf: 978884 bytes, checksum: 0767a84e680db5e1f587a6d90e3a421b (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-02T11:50:00Z (GMT) No. of bitstreams: 1 hugotannousjorge.pdf: 978884 bytes, checksum: 0767a84e680db5e1f587a6d90e3a421b (MD5) / Made available in DSpace on 2016-07-02T11:50:00Z (GMT). No. of bitstreams: 1 hugotannousjorge.pdf: 978884 bytes, checksum: 0767a84e680db5e1f587a6d90e3a421b (MD5) Previous issue date: 2016-02-18 / Mesmo não sendo remissível à filosofia da ciência em seu sentido estrito, o pensamento do psiquiatra e psicanalista Jacques Lacan (1901-1981) é repleto de reflexões típicas dessa área da filosofia. Contudo, a relação entre seu pensamento e a filosofia da ciência do ambiente intelectual no qual iniciou sua produção, a França da primeira metade do século XX, na maioria dos casos, é desconsiderada ou considerada de forma parcial. Embora o filósofo da ciência Émile Meyerson (1859-1933) tenha sido citado de forma explícita e implícita na obra lacaniana significativas vezes, foram encontradas poucas publicações sobre sua relação com Lacan. Buscando contribuir para a análise dessa relação pouco investigada e indicar suas possíveis repercussões, investigamos convergências entre a doutrina de Meyerson em sua obra “Identidade e Realidade” e as produções de Lacan entre 1936 e 1953, além de condições para a apropriação lacaniana dessa doutrina. Concluímos que essa relação esclarece pontos importantes do “primeiro Lacan”, como, p. ex., o conceito de imago, a noção de verdade e a ideia do antropomorfismo das ciências naturais. Concluímos também que essa relação deve continuar a ser investigada porque promete esclarecer certos pontos do pensamento lacaniano. / Even if not includable in philosophy of science in its strict sense, the work of psychiatrist and psychoanalyst Jacques Lacan (1901-1981) has plenty of typical thoughts concerning this branch of philosophy. However, the relation between his work and the philosophy of science from the intellectual environment in which Lacan has initiated his production, France on the first half of the twentieth century, in most cases, is unconsidered or partially considered. Although philosopher of science Émile Meyerson (1859-1933) had been cited in explicit and implicit manners in lacanian works many times, few publications were found about the relation between Meyerson’s work and Lacan’s. Aiming at a contribution to the analysis of this poorly investigated relation and at an indication of its possible repercussions, we here investigate convergences between Meyerson’s doctrine in his work “Identity and Reality” and Lacan’s productions between 1936 and 1953, as well as conditions to the lacanian appropriation of the referred doctrine. We concluded that this relation enlightens important points of “the first Lacan”, such as, for instance, his concept of imago, his notion of truth and his idea of the anthropomorphism in the natural sciences. We also concluded that this relation must be more investigated since it promises to enlighten certain points of the lacanian thought.

Orientador: Nina Virgínia de Araújo Leite / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-21T22:49:18Z (GMT). No. of bitstreams: 1 Azenha_ConceicaoAparecidaCosta_D.pdf: 1124352 bytes, checksum: 492ce563f023d0f2b303b7e176b4f928 (MD5) Previous issue date: 2013 / Resumo: O presente trabalho propõe sustentar teoricamente uma diferença mínima entre negação como mecanismo de defesa e negação gramatical/linguística na análise de um caso clínico. A estratégia adotada foi a de trazer esse caso convocando para sua discussão teorias linguísticas e psicanalíticas. Nesse sentido, diferenciar caso de vinheta clínica a partir do conceito de não - todo de Jacques Lacan foi determinante para a escolha de percurso realizada, para que a divisão do sujeito pelo inconsciente e seus efeitos para uma transmissão pudessem ser contemplados. O "não saber ler", demanda da paciente que levou à indicação de um tratamento, foi problematizado levando em conta os conceitos de sintoma e inibição na sua relação com a função intelectual e o processo afetivo freudianos. As considerações finais apontam para o que se escreve e o que não se escreve na/da clínica, quando se analisa um relato de caso / Abstract: The aim of this thesis is to analyze a clinical case by theoretically expounding on the minimal difference between negation as a defense mechanism, and grammatical/linguistic negation. The strategy used is to discuss the case in the light of linguistic and psychoanalytic theories. It was essential to choose a path whereby the division of the subject by the unconscious and its effects for transmission could be considered. To this end, a distinction was made between cases and clinical vignettes, based on Jacques Lacan's concept of not-whole. The demand behind the patient's was being referred for treatment did "not know how to read." This demand was questioned, taking into account Freud's concepts of symptom and inhibition in their relationship with intellectual function and the affective process. The final considerations point to what is written and what is not written, in and about the clinic, when one is analyzing a case report / Doutorado / Linguistica / Doutora em Linguística

Dans cette thèse, nous nous intéressons aux relations spécifiques entre l’architecture et la philosophie dans une période bien précise de l’histoire de l’architecture. Notre recherche consiste en une analyse approfondie du processus de la conception architecturale approchée à partir de la philosophie de la déconstruction. Il ne s’agit pas d’aborder de façon générale le domaine trop vaste des emprunts que les architectes peuvent faire à la philosophie, mais bien de se limiter à une entrée beaucoup plus précise, en partant d’une interrogation portant sur les relations que les architectes dits «déconstructivistes» entretiennent avec un courant de la philosophie connu, depuis les écrits du philosophe français Jacques Derrida, sous cette même appellation de «philosophie de la déconstruction». L’enjeu est d’étudier le processus de conception architecturale, son passage par des concepts et son aboutissement dans des formes, en le référant à la philosophie et en se demandant en particulier comment les architectes utilisent des références philosophiques. Pour arriver à une assimilation plus rigoureuse de la pensée déconstructive en architecture, l’architecte American : Peter Eisenman a proposé une interprétation du processus de conception architecturale proche de la logique textuelle. Ce processus s’appellera chez Eisenman la «décomposition». Notre problématique majeure sera d’essayer de comprendre quels outils à la fois théoriques et pratiques utilisent les architectes contemporaines afin de restructurer une conception architecturale influencée par la pensée déconstructive ? Le but était d’arriver à donner à la déconstruction en architecture un aspect et une définition précis, au-delà loin des seules images métaphoriques que certains architectes peuvent proposer de cette notion. De là dépendait le choix des œuvres analysées comme exemples de ce mouvement, mais aussi l’élucidation que nous tentions du processus de conception architecturale issu de cette notion de déconstruction. Notre but était de parvenir à donner une figure esthétique, théorique, fonctionnelle et opérationnelle à un mouvement architectural. Nous avons construit notre projet de recherche autour de quatre problématiques et hypothèses majeures qui résument de façon générale le chemin parcouru. La première interrogation vise l’origine de ce mouvement, dans la mesure où il est au croisement de ses deux disciplines divers, la philosophie et l’architecture. Est-il possible que ce mouvement soit le fruit d’une transformation philosophique en architecture, détaché de toute théorie architecturale antérieure ? Ou bien n’est-il que le développement d’une ou plusieurs idéologies antérieures en architecture ? Notre deuxième interrogation est orientée vers une compréhension de la source philosophique – les écrits de Jacques Derrida – et le processus d’une critique de la métaphysique chez le philosophe. Qu’est-ce que la déconstruction? La troisième interrogation vise une analyse concrète entre les données philosophiques et les œuvres architecturales. Comment l’architecture, art de construction par excellence, peut-elle devenir une déconstruction d’elle-même ? Dans quelle (s) limite (s) est-il possible de réduire la déconstruction à des connaissances définissables, comme semble malgré tout l’exiger l’architecture ? Ainsi, la dernière interrogation principale de notre projet vise l’impacte de ce mouvement sur l’architecture en globale et l’architecture contemporaine. / In this thesis, we focus on the specific relationship between architecture and philosophy in a specific period in the history of architecture. Although our research analyzes the process of architectural design through the philosophy of deconstruction, it does not generally address too broad field of philosophy. In fact, the project undermines the effects of the philosophical method of deconstruction on architecture and the so-called deconstructivists' concern with "philosophy of deconstruction" known from the writings of the French philosopher Jacques Derrida. In other words, the challenge is to study the process of architectural design, its association with concepts and its effect on forms, by referring to philosophy and in particular by claiming how architects use the philosophical references. To achieve a more precise assimilation of deconstructive thought in architecture, American architect Peter Eisenman proposed an interpretation of the architectural design process close to the textual logic. For Eisenman, this process is called "decomposition". Our major issue is to try to understand what theoretical tools and practices are used at the same time by the contemporary architects to restructure an architectural design influenced by the deconstructive thought. The aim is to give the deconstruction in architecture, a specific dimension and precise definition, far beyond the few metaphorical images that may offer some architects of thisconcept. Although we require analyzable projects to achieve a clear-cut definition, we have tried to elucidate the architectural design process resulting from the notion of deconstruction. Our goal is to achieve an operational, functional, theoretical and anaesthetic figure in an architectural movement. We have carried out our research project around four major issues and assumptions that generally summarize achieved progress. The first question examines the origin of this movement, in so far as it is at the crossroads of two different disciplines, philosophy and architecture. Is this architectural movement theresult of a philosophical transformation in architecture apart from any previous ideologies in architecture or is it the product of the development of one or more ideologies ? Our second question is directed towards an understanding of the philosophical source in the writings of Jacques Derrida and the process of critique of metaphysics for him. What is deconstruction ? The third question is about the concrete analysis between philosophical data and architectural works. How architecture, art of construction by excellence, become a deconstruction itself ? To what extent is it possible to reduce the deconstruction to a definable knowledge that the architecture can use it ? Thus, the last main question of our project highlights the impact of this movement on architecture in global and contemporary architecture.

Florence Delay et Jacques Roubaud ont réécrit sous la forme de dix pièces, la légende arthurienne, avec ses origines, ses aventures et sa double fin, terrestre et céleste. Pour écrire Graal Théâtre, les auteurs ont eu la double démarche des clercs médiévaux : fidélité et liberté. La légende arthurienne a connu quelques transformations. Le personnage du géant fait partie du renouveau « delayroubaldien ». Les géants médiévaux ont subi une rénovation complète. Le géant brutal, à la limite de l’animalité, ayant pour seule arme une massue, a disparu. Dans Graal Théâtre, il cède la place à de grands chevaliers faés. Pour Florence Delay et Jacques Roubaud, il n’y a plus de distinction entre grands chevaliers et géants. Mais le géant dans Graal Théâtre n’est pas un chevalier comme les autres. Il fait généralement partie de l’Autre Monde. Il participe au merveilleux arthurien : il détient certains pouvoirs comme l’invisibilité et la quasi-immortalité, il possède des châteaux merveilleux. De plus, sa grande taille incite à se méfier de lui. Parfois ami, souvent ennemi, quelquefois les deux, le géant est un personnage ambivalent. Dans les romans médiévaux, le personnage du géant mettait en valeur la chevalerie. Dans Graal Théâtre, le géant met en avant les failles du système chevaleresque. La fonction du géant n’est plus de mourir mais bel et bien de vivre à travers les siècles comme un cri de révolte. Le géant n’est plus un témoin du passé mais bien un personnage moderne. / Florence Delay and Jacques Roubaud have re-written the Arthurian legend with its origins, its adventures and its two endings – the earthly and the celestial - as ten plays. In order to write Graal Théâtre, the authors used the dual process adhered to by medieval clerics: accuracy and freedom. The Arthurian legend has undergone some changes. The character of the giant is a part of the Delay-Roubaud renewal. The medieval giants have undergone a complete renovation. The savage giant, almost animal, and whose only weapon was a club, has disappeared. In Graal Théâtre his place is taken by faé knights. For, according to Florence Delay and Jacques Roubaud, there is no longer a distinction between great knights and giants. But the giants in Graal Théâtre are not just any knight. They are usually from the Other World. They are part of the Arthurian supernatural: they have certain powers such as invisibility and near-immortality and they own magical castles. Besides, their great height makes us mistrust them. Sometimes friends, sometimes enemies and sometimes both, the giants are ambivalent characters. In medieval stories, the giants were used to highlight chivalry. In Graal Théâtre the giants call attention to the faults in the system of chivalry. The function of the giants is no longer to die, but to live through the centuries, like a call to revolution. The giants are no longer witnesses to the past, but real modern characters.

L’historien de la philosophie Frédéric Worms distingue plusieurs « moments » dans la philosophie en France au XXe siècle. Le « moment de l’existence » en fait partie. Nous l’approfondissons en retraçant le débat philosophique entre Jacques Maritain et Jean-Paul Sartre au sujet de la nature humaine. Les deux philosophes sont les représentants majeurs de l’humanisme intégral et de l’existentialisme athée. Nos recherches élargissent ce débat en fournissant le contexte philosophique plus large avec la prise en compte du règne de la technique, de l’essor de la phénoménologie et de la menace totalitaire. Au fond du « moment de l’existence » nous retrouvons une interrogation existentielle sur la nature humaine face à sa relativisation technique, philosophique et politique. Nous plaçons la philosophie de Jacques Maritain au centre de nos recherches. Pour nous, on ne saurait pas approfondir le « moment de l’existence » sans l’examen de la contribution philosophique majeure de ce penseur chrétien. Ainsi, nos recherches remplissent un vide dans l’histoire de la philosophie du XXe siècle. / The French historian of philosophy Frédéric Worms distinguishes several “moments” in the French philosophy of the 20th century. The “moment de l’existence” is one of them. We try to give a deeper account of this moment through the representation of the philosophical debate between Jacques Maritain and Jean-Paul Sartre about human nature. The two philosophers are the major exponents of integral humanism and atheistic existentialism. Our research widens the debate introducing further elements of the philosophical context like the appreciation of the reign of the technology, the ascent of phenomenology and the totalitarian threat. At the deepest of the “moment de l’existence” we find an existential quest for human nature in spite of its technological, philosophical and political relativisation. We place the philosophy of Jacques Maritain in the centre of our research. In our opinion it seems quite impossible to gain a deeper understanding of the “moment de l’existence” without a look at the major philosophical contribution of this Christian thinker. Thus, our research fills a gap in the history of 20th century philosophy.

Orientadores: Paulo Sérgio Fracalanza, Adriana Nunes Ferreira / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-08-27T05:13:52Z (GMT). No. of bitstreams: 1 Silva_DanielPereirada_M.pdf: 1450979 bytes, checksum: 6a4c458d5f5805902448763c9a2698e6 (MD5) Previous issue date: 2015 / Resumo: Neste trabalho de economia política, tratamos de apresentar uma forma de conceber o sujeito econômico através da abordagem psicanalítica de Jacques Lacan. Por esses meios, buscamos abranger os caracteres que contemplam a subjetividade do homem e as complexas relações de composição entre sujeito e a sociedade. Nesse intuito, para muito além de uma aproximação interdisciplinar, nos munimos das severas implicações analíticas que se estabelecem a partir da declaração de Lacan quanto à existência uma homologia estrutural entre o conceito marxiano de mais-valia e o seu conceito de mais-de-gozar. Mostramos, então, como se estabelece essa homologia e de que forma ela proporciona uma abordagem dos sujeitos econômicos no capitalismo. Por fim, tomados dos elementos analíticos que articulamos, empreendemos uma apreciação dos sujeitos econômicos contemporâneos em suas ações de consumo, tendo em vista o estabelecimento de uma sociedade de produção em massa / Abstract: In this political economy study, we aim to present a way of conceiving the economic subject through the psychoanalytic approach of Jacques Lacan. By such means, we seek to comprehend the characters which contemplate the subjectivity of the human and the complex relation of composition between the subject and the society. For that purpose, far beyond of an interdisciplinary approximation, we equip ourselves of the severe analytical implications which are set up from the Lacan¿s declaration on the existence of a structural homology between the Marxian concept of surplus value and his concept of plus-the-jouissance. We demonstrated, then, how to establish this homology and how it provides an analysis of the economic subjects in the capitalism. Finally, we undertook an assessment of the contemporary economic subjects in their consumer actions, in view of the mass production society settlement / Mestrado / Teoria Economica / Mestre em Ciências Econômicas

Jacques Brault é um escritor canadense natural de Montréal, ainda pouco conhecido no Brasil e que não possui nenhuma obra traduzida na íntegra para o idioma português. Artista muito versátil e de múltiplas facetas, Brault atuou com romancista, poeta, crítico literário além de ter escrito diversas peças teatrais. Muito engajado social e culturalmente ele é reconhecido como o escritor vivo do Quebec com maior prestígio no meio literário. O objetivo desse trabalho é propor traduções de textos do livro Au fond du jardin accompagnements de Jacques Brault. Esse livro é considerado como um microcosmo do trabalho desse autor e oferece uma panorâmica visão de toda sua obra. Cada uma das traduções possui uma abertura, a tradução com suas respectivas notas e por fim um comentário ao texto traduzido. / Jacques Brault is Canadian writer of Montreal, still little known in Brazil and has no work completely translated into Portuguese. A very versatile and multifaceted artist, Brault has worked as a novelist, essayist, poet, literary critic and has written several plays. Very social and culturally engaged he is recognized as the most prestigious living writer of Quebec. The goal of this research is to offer translations of texts present in the book Au fond du jardin accompagnements from Jacques Brault. This book is considered as a microcosm of Brault´s production and offers a panoramic view of all his work. Significant aspects of his work were remarked along the research. The choice of texts to be translated was based upon those aspects. Each of the translations possesses a brief explanatory text, the translation with notes and, at the end, a commentary section of the translated text.

No description available.