"Interactive fiction" has been used to describe many of today's multimedia products. In reality, there is not a universal understanding of what interactive fiction is or what it should entail. The meaning of "interactive" is often interpreted in different ways. Many stories are considered to be interactive because they are placed on the computer. Meanwhile, such stories may lack most of the essential qualities for good literature. Interaction fiction should be upheld to the same standards as traditional texts. Following this belief, this research covers the underlying theories of interactive fiction, examples of misleading "interactive fiction" studies, and guidelines for design pulled from the fields of writing, children's literature and instructional technology. I have used these guidelines to develop a prototype of interactive fiction, which was be tested and revised in several cycles. First, I revised the prototype based upon reviews by several groups of experts from the areas of instructional technology and childhood education. The prototype was then pilot-tested by two participants from the target market. Based upon the pilot-test results, I revised the prototype. Finally, several participants read the prototype. In this final stage, I observed the participants and conducted interviews with open-ended questions. Using the prototype that was developed according to proposed standards, I was able to gain insight into the target market's perception of interaction fiction. All details of the design and development of the prototype are included in effort to provide guidelines for building future interactive fiction. Additionally, several themes emerged when participants from the target market were observed and interviewed. Among the most prominent were the themes of storybook characters and identifying with those characters. Children in this study were able to identity themselves as the protagonist, making the main character's decisions throughout the story. Further, participants added their own elaborations of the story. In the end, the evidence of this research showed that participants were able to go beyond reading the story. The submersion into to story can be rooted in several existing literacy theories, which are discussed. Lastly, this research provides suggestions for future research, development and implementation of interactive fiction.

The purpose of this dissertation is to provide a posthuman perspective of adult second language and literacy learning using the philosophy of Gilles Deleuze and his collaborative work with Félix Guattari, Masny’s (2005/6) multiple literacies theory or MLT, and DeLanda’s (2016) assemblage theory. Thinking with these scholars, I employ a post-qualitative, posthuman MLT conceptual framework to study literacy as a process that flows through and connects with globally-diverse students, languages, worldviews, and texts in the assemblage of adult education, English for speakers of other languages (ESOL) classrooms. I posit this assemblage as a remarkable and important context for literacy research because of its heterogeneity and potential to produce creative expressions of multiple literacies. With the MLT framework, I explore expressions of multiple literacies as emergent multilingual subjectivities that deterritorialize commonsense worldviews about adult second language and literacy learning. I use observations and student work as data to map a posthuman perspective of adult education to address three research questions: (1) How might we use an MLT framework to explore multiple literacies in adult education ESOL classrooms? (2) With an MLT framework, how are multiple literacies expressed in adult education ESOL classrooms? (3) What are the benefits and implications of an MLT perspective for the field? This project offers a counter-story about the research context and problematizes qualitative inquiry by asking questions and raising problems that might otherwise be invisible. What emerges is a feminist practice of immanent ethics with important implications for the field of adult literacy and second language learning.

In this dissertation, I present the findings from a qualitative case study of the digital literacy integration of a teacher and the digital literacy practices of three students with literacy-related learning difficulties within her classroom. As a researcher, I was interested in the ways students with literacy- related learning difficulties navigated digital tools in a technology-infused environment created by a teacher who has experience using digital tools for instructional and student-learning purposes. My research was guided by the following questions: (1) What was the context, content, and structure of the teacher’s technology instruction? (2) In what ways did the students use technological tools? (3) How did students with reading difficulties compose during digital literacy events? The data for this case study included classroom observations, interviews, field notes, work samples, and lesson plans. Through the use of both inductive (Phase I and II) and a priori (Phase III) analysis, the data highlight several important findings to inform the research questions: (a) Knowledge of Technology Does Not Ensure Technological Pedagogical Content Knowledge (b) Students with Reading Difficulties Still Have Difficulty with Reading Despite Technology Integration and (c) Change in Writing Tool (technology) does not Guarantee Change in Writing Performance.

Contemporary English language arts (ELA) teachers engage students who have been born into a digital world where emergent literacies challenge the traditionally authoritative perspectives and physical boundaries of books and classrooms. This qualitative case study inquired into the classroom experiences of three senior English language arts teachers located in two western Canadian provinces in our digital-based communications age. Analyzed through a cultural studies lens, this inquirys data were collected through the methodological triangulation of classroom observation, semi-structured interview, and online journal responses. The studys findings reveal the significance of the three selected teachers textual stances and pedagogy to their students new literacies in this time of epochal communications and cultural change. A broadening horizon of textual choice and compositional possibilities complicated each of the three teachers classroom practice in a subject area whose content, traditionally, relies upon reading and responding to print-based canonical texts. Each of these teachers was working In medias res to understand which texts and textual practices should be held on to, and which could be relinquished for the benefit of their students language learning. A major concern that emerged for each of these three educators was a perceived loss of deep critical readings by their students. This concern was counter-balanced for the subject area specialists by an emergent understanding of the affordances of a broadening set of texts and textual practices a developing awareness that students critical literacies can emerge in a rhizomal manner, and that teachers and students can co-author their literacy experiences within the (con)text of the ELA classroom. For these three participants, teaching ELA has become an ellipsis in a digital-based age where certain previously privileged texts and a sense of authority need to be relinquished in order to achieve the co-constructed understanding of word and world so valued by these educators and their students. / Secondary Education

This dissertation uses Masny’s Multiple Literacies Theory (MLT) to problematize assumptions about literacy underpinning the Language Instruction for Newcomers to Canada (LINC) program. In addition to teaching English, LINC aims to orient adult immigrants to “the Canadian way of life” which I argue constitutes a form of peace education: teaching peaceful, multicultural values as part of being/becoming Canadian. How do language, literacies, and lessons about peace intersect? MLT foregrounds the Deleuzean-Guattarian concept of becoming: reading intensively and immanently disrupts and transforms individuals in unpredictable ways. I deploy Deleuze and Guattari’s war machine to think about peace as a text that is read and violence as a revolutionary, disruptive force essential for the invention of peace. Accordingly, this research focuses on how experiences of peace AND violence contribute to becoming (i.e. transformation) through reading, reading the world, and self in LINC. Over a 4 month period, 2 teachers and 4 students participated in qualitative inquiry strategies including: video-recorded classroom observations, individual interviews (based on the viewing of video footage of classroom events), and student audio journals. I also collected classroom artifacts used during the observations. Through Deleuze’s transcendental empiricism I frame my research approach as rhizoanalysis. Rhizoanalysis is a (non)method that views data as transgressive (exceeding representation), analysis as a process producing rhizomatic connections (immanence), and reporting as cartography (mapping different assemblages). This research affirms that there is more going on in LINC than its mandate implies and raises questions pointing to the complexities of teaching and learning English in LINC. How might lessons about multicultural values be taken up in ways fraught with tensions between peace AND violence? Becoming-Canadian is an event that unfolds through reading, reading the world, and self. As sense emerges, how might the collision of worldviews around experiences of peace AND violence create encounters that potentially disrupt? How are students, teachers, and even the concepts of “Canadian” and “peace” transformed? I posit rhizocurriculum as a way to account for the affective and transformative powers of multiple literacies in language learning and to view adult immigrant language classrooms as sites of experimentation.

This research explores literacy as a medium for deepening student's awareness of their world and the impact of the Ontario Secondary School Literacy Test (OSSLT). Standardized testing is analyzed as a fundamental paradigm to our school culture. Ethnography is explored as a method for describing one group of students and their teacher as they prepare for the OSSLT. The findings conclude that the test occupies time, dominates definitions of literacy and undermines student and teacher agency. The conclusion considers reasons for why we seem to accept a testing paradigm that may be a direct affront to democratic practice in schools.

Despite the prevalence and ubiquity of media in North American culture, educators still show reluctance to embrace media literacy as a necessary literacy. This study examines two media literacy activities using descriptive teacher research, and defining usefulness based on student response and applicability to composition objectives in the English 1101 classroom. Both lessons produce useful findings, with students rating the second activity as more useful than the first activity. This research lends sample assignments and confidence to instructors seeking to employ simple media literacy tactics in the introductory composition classroom.

This dissertation uses Masny’s Multiple Literacies Theory (MLT) to problematize assumptions about literacy underpinning the Language Instruction for Newcomers to Canada (LINC) program. In addition to teaching English, LINC aims to orient adult immigrants to “the Canadian way of life” which I argue constitutes a form of peace education: teaching peaceful, multicultural values as part of being/becoming Canadian. How do language, literacies, and lessons about peace intersect? MLT foregrounds the Deleuzean-Guattarian concept of becoming: reading intensively and immanently disrupts and transforms individuals in unpredictable ways. I deploy Deleuze and Guattari’s war machine to think about peace as a text that is read and violence as a revolutionary, disruptive force essential for the invention of peace. Accordingly, this research focuses on how experiences of peace AND violence contribute to becoming (i.e. transformation) through reading, reading the world, and self in LINC. Over a 4 month period, 2 teachers and 4 students participated in qualitative inquiry strategies including: video-recorded classroom observations, individual interviews (based on the viewing of video footage of classroom events), and student audio journals. I also collected classroom artifacts used during the observations. Through Deleuze’s transcendental empiricism I frame my research approach as rhizoanalysis. Rhizoanalysis is a (non)method that views data as transgressive (exceeding representation), analysis as a process producing rhizomatic connections (immanence), and reporting as cartography (mapping different assemblages). This research affirms that there is more going on in LINC than its mandate implies and raises questions pointing to the complexities of teaching and learning English in LINC. How might lessons about multicultural values be taken up in ways fraught with tensions between peace AND violence? Becoming-Canadian is an event that unfolds through reading, reading the world, and self. As sense emerges, how might the collision of worldviews around experiences of peace AND violence create encounters that potentially disrupt? How are students, teachers, and even the concepts of “Canadian” and “peace” transformed? I posit rhizocurriculum as a way to account for the affective and transformative powers of multiple literacies in language learning and to view adult immigrant language classrooms as sites of experimentation.

This research explores literacy as a medium for deepening student's awareness of their world and the impact of the Ontario Secondary School Literacy Test (OSSLT). Standardized testing is analyzed as a fundamental paradigm to our school culture. Ethnography is explored as a method for describing one group of students and their teacher as they prepare for the OSSLT. The findings conclude that the test occupies time, dominates definitions of literacy and undermines student and teacher agency. The conclusion considers reasons for why we seem to accept a testing paradigm that may be a direct affront to democratic practice in schools.

This study reveals science fiction fan culture as it was observed during a science fiction convention in southern California in 2009. Conventions, although social gatherings, are also places where learning takes place, and the culture is shared. The researcher, a fan herself, collected demographic data through an anonymous survey, then interviewed several fans to develop information about their educational history, cultural attitudes, and interactions with text. The evidence presented shows this group identifies itself as a subculture with its own language, arts, values, and traditions. Fandom also exhibits many characteristics of an affinity group as described by Gee (2003), in that its members are united by a common cause, and hold similar attitudes toward knowledge acquisition and information sharing. After describing who science fiction fans are, this study explores the many types of texts with which fans interact, and the types of literacy they demonstrate by doing so. In addition to being proficient readers of traditional text, fans demonstrate strong visual, computer, and genre literacy skills. Fans use these skills to interact with multiple forms of media including books, movies, television, art, blogs, fan fiction, and video games, to name a few. Furthermore, fan interests are shown to span a variety of text types including mainstream literature and nonfiction, as well as other genres. Finally, the study discusses the implications some of its findings may have for education. Importantly, it appears that a free reading program (especially as described by Krashen in 1993), which encourages students to read what they choose, would be an efficacious method of motivating students to practice higher order thinking skills. Furthermore, students should be encouraged to interact with multiple types of texts across a variety of genre including, but not limited to, science fiction. This implies that students need access to a variety of reading material including classics, genre literature, comic books, and graphic novels. / Dr. Jeannine M. Fontaine Dr. Resa Crane Bizzaro Dr. Karen Hellekson