Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2016-10-10T18:51:46Z No. of bitstreams: 1 Ozeas Nunes.pdf: 746043 bytes, checksum: 3d9b43b429e84668a07557a1ac62fb5c (MD5) / Made available in DSpace on 2016-10-10T18:51:46Z (GMT). No. of bitstreams: 1 Ozeas Nunes.pdf: 746043 bytes, checksum: 3d9b43b429e84668a07557a1ac62fb5c (MD5) Previous issue date: 2008-03-03 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / This thesis analyses the poetry of a famous writer from Ceara, Antonio Gonçalves da Silva, best known as Patativa do Assaré. This research is based on a literary criticism, specifically of those texts elaborated by Antonio Cândido that deal with issues related to history and society, and on a discussion about the establishment of a dialogue between theology and literature. The perspective of Eli Brandão points out the need of rewriting a literary text taking as reference sacred texts, will be useful for the achievement of this very purpose. With these two approaches, Cândido’s and Brandão’s, this investigation aims to find out its plausibility through out the dialogue between theology and literature. In other words, in Assare’s writings it is possible to perceive existential questions regarding the everyday problems in the lives of those who live in the sertão. The aspects highlighted in his poems lead to several theological questions and themes revealing, not only the hard reality of the northeastern Brazilian people, but also their faith, hopes and beliefs. The God presented by Pataiva do Assaré is not a God that repays you for the bad things you have done to others, but a God that sees the sufferings, exclusions and illnesses of those who are abandoned in the sertão. Therefore, we believe that the proposal to study Assare’s poetry from a theological point of view could be a good way to bring out those “northeastern theological themes” that came out as a result of the contact between the poet and Catholicism; topics that according to Assare’s thought bring out new meanings and interpretations. / Este trabalho se propõe estudar a obra do poeta cearense Antonio Gonçalves da Silva, conhecido como Patativa do Assaré. O estudo de tal obra encontra-se alicerçado na crítica literária, sobretudo no conceito de textos histórica e socialmente ancorados elaborado por Antonio Cândido, e na discussão do diálogo entre teologia e literatura, a partir da idéia de reescritura de um texto literário a partir de textos sagrados, de Eli Brandão. Dessa forma objetiva-se localizar, no contexto brasileiro, a partir do diálogo entre teologia e literatura, a plausibilidade de nossa pesquisa, ou seja: ao longo da produção literária de Patativa do Assaré, encontramos questões existenciais provocadoras de diversas aflições percebidas no cotidiano do povo sertanejo, as quais nos remetem a questionamentos e temas de cunho teológico, notados através da obra de um poeta, reveladora não somente da dura realidade do nordestino, mas também da fé e esperança deste em um Deus, visto ao longo da poética de Patativa do Assaré não como fonte de castigo, mas percebido como um Deus sensível aos sofrimentos, mazelas e marginalização dos nordestinos desamparados. Assim, acreditamos na proposta de estudar a poética patativana sob a perspectiva de “um olhar teológico”, a partir do qual se percebe “temas teológicos nordestinos”, elaborados a partir do contato do poeta com o catolicismo do sertão, mas que, na percepção e compreensão de mundo de Patativa assumem novos significados e novas interpretações.

Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-05-17T11:46:31Z No. of bitstreams: 3 Dissertação Carla de Santana3.pdf: 3667529 bytes, checksum: 9edaa397d3ff65bda03b6c32f5240449 (MD5) Dissertação Carla de Santana2.pdf: 5582666 bytes, checksum: 1fcacc36565fb65ac72ef646f4c0890a (MD5) Dissertação Carla de Santana1.pdf: 1983879 bytes, checksum: 6683b57489d1945fef4ca6c81e2ac1d9 (MD5) / Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-23T18:50:19Z (GMT) No. of bitstreams: 3 Dissertação Carla de Santana3.pdf: 3667529 bytes, checksum: 9edaa397d3ff65bda03b6c32f5240449 (MD5) Dissertação Carla de Santana2.pdf: 5582666 bytes, checksum: 1fcacc36565fb65ac72ef646f4c0890a (MD5) Dissertação Carla de Santana1.pdf: 1983879 bytes, checksum: 6683b57489d1945fef4ca6c81e2ac1d9 (MD5) / Made available in DSpace on 2013-05-23T18:50:19Z (GMT). No. of bitstreams: 3 Dissertação Carla de Santana3.pdf: 3667529 bytes, checksum: 9edaa397d3ff65bda03b6c32f5240449 (MD5) Dissertação Carla de Santana2.pdf: 5582666 bytes, checksum: 1fcacc36565fb65ac72ef646f4c0890a (MD5) Dissertação Carla de Santana1.pdf: 1983879 bytes, checksum: 6683b57489d1945fef4ca6c81e2ac1d9 (MD5) Previous issue date: 2003 / Esta dissertação ocupou-se, como objetivo principal, do resgate da atuação intelectual de Heron de Alencar (1921-1972), dando ênfase à sua vida na Bahia e à sua estréia como crítico literário. Portanto, centrou-se no seu trabalho no jornal A Tarde, no período que compreende os anos de 1947 a 1952, no qual foi redator da página Literária e manteve uma coluna de divulgação e crítica literária. Estabeleceu-se uma metodologia fundada na pesquisa de fontes primárias. Realizaram-se, entre outras atividades, transcrições e resumos de textos de sua autoria no referido jornal, entrevistas, e consulta a documentos (currículo, fotografias, manuscritos e outros) cedidos por familiares do crítico em questão. Como resultado reconstituiu-se parte significativa do seu percurso intelectual em diferentes lugares do País e do exterior, até o ano do seu falecimento evidenciando sua participação em projetos e iniciativas no campo da cultura. Também se mostrou, através do comentário e análise de seus textos, como operava a leitura de livros na sua coluna, situando o tipo de trabalho que realizava nas discussões sobre a crítica literária do período. Assim, foi possível fornecer um perfil crítico e ideológico desse intelectual que desempenhou um papel significativo na cena literária da Bahia de sua época. / Salvador

SILVA, Regina Helena Ribeiro. Escritas entrecruzadas: leitura das crônicas e contos de Rachel de Queiroz (1928-1952). 2012. 160f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2012. / Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2017-08-18T13:22:08Z No. of bitstreams: 1 2012_dis_rhrsilva.pdf: 754359 bytes, checksum: c6efb180752a89190c461c4b130522a8 (MD5) / Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-08-18T23:44:31Z (GMT) No. of bitstreams: 1 2012_dis_rhrsilva.pdf: 754359 bytes, checksum: c6efb180752a89190c461c4b130522a8 (MD5) / Made available in DSpace on 2017-08-18T23:44:32Z (GMT). No. of bitstreams: 1 2012_dis_rhrsilva.pdf: 754359 bytes, checksum: c6efb180752a89190c461c4b130522a8 (MD5) Previous issue date: 2012 / This research focuses on the literary-journalistic activity of Rachel de Queiroz (1910-2003), published in Ceará and Rio de Janeiro press, within the period of 1928 to 1952, which it is shaped into a scenario where a mobile writing exercise plays a key role in her writing skills development. With the access to primary sources that are composed of files scanned from original texts, it becomes possible to analyze Rachel de Queiroz chronicle production in the context of her writing connected with the development of the Brazilian press throughout the first half of the twentieth century. This research is based on critics and theorists of literature as Antonio Candido, Massaud Moisés, Roland Barthes, Davi Arrigucci Jr., Haroldo de Campos, Henry James, Julio Cortázar, as well as historians Eric Hobsbawm, Durval Muniz Jr, Maria Helena Capelato, Nicolau Sevcenko and social historians of Communication such as Asa Briggs, Peter Burke, Cristiane Costa, Gerald Nobre, and theorists of Journalism highlighting Alceu Amoroso Lima, Nilson Lage and José Marques de Melo. Thus, the objectives of this research contains the analysis and interpretation of a set of texts in which it is possible to identify literary-journalistic elements that stand out among this crossing of written materials and take place in a field of constant boundaries shifts of literary and journalistic genres. Divided into three parts, this research presents in the first chapter, the historical development of the chronicle genre in Brazil as literary activity that marks the beginning of the writing of Rachel de Queiroz. In the second section, it is highlighted the reflection on the chronicle genre, which boundaries move between Literature and Journalism. Moreover, the research analyzes the elements that distinguish the writing of Rachel de Queiroz in the composition of the language with which the author builds the texts published in newspapers. The third chapter consists of the analysis and interpretation of an anthology of short stories from the writer selected among the group of 168 chronicles that composed the corpus of this research. / Esta pesquisa se debruça sobre a atividade jornalístico-literária de Rachel de Queiroz (1910-2003), publicada na imprensa cearense, no período de 1928-1952 que ganha contorno num cenário no qual os limites móveis do exercício da escrita desempenham papel fundamental na sua formação de escritora. Com acesso às fontes primárias que se compõem de arquivos digitalizados dos textos originais, torna-se possível analisar a produção cronística de Rachel de Queiroz, no contexto da sua escrita em diálogo com o desenvolvimento da imprensa brasileira ao longo da primeira metade do século XX. O aporte teórico desta pesquisa tem como base críticos e teóricos da Literatura como Antonio Candido, Massaud Moisés, Roland Barthes, Davi Arrigucci Jr., Haroldo de Campos, Henry James, Julio Cortázar; assim como os historiadores Eric Hobsbawn, Durval Muniz Jr, Maria Helena Capelato, Nicolau Sevcenko e historiadores sociais da Comunicação tais como Asa Briggs, Peter Burke, Cristiane Costa, Geraldo Nobre, e teóricos do Jornalismo com destaque para Alceu Amoroso Lima, Nilson Lage e José Marques de Melo. Desta forma, os objetivos desta pesquisa constam da análise e interpretação de um conjunto de textos, no qual é possível identificar elementos lítero-jornalísticos que se destacam desse entrecruzar de escritas e que se realizam num campo de constantes deslocamentos dos limites dos gêneros literário e jornalístico. Dividida em três partes, esta pesquisa apresenta, no primeiro capítulo, o contexto histórico do desenvolvimento do gênero crônica no Brasil como atividade literária que marca o começo da escrita de Rachel de Queiroz. No segundo, ganha destaque a reflexão sobre o gênero crônica, cujas fronteiras se deslocam entre a Literatura e o Jornalismo e analisamos os elementos que distinguem a escrita de Rachel de Queiroz na composição da linguagem com a qual constrói os textos publicados em jornal. O terceiro capítulo consta de análise e interpretação de uma antologia de contos da escritora selecionados entre o conjunto de 168 crônicas que compuseram o corpus desta pesquisa.

This thesis offers the first detailed study of publishing culture in the medieval eastern Islamic world by examining how two influential anthologists active in Central Asia mediated between authors and their audiences. It analyses the contents of al-Tha'ālibī's (d. 429/1037-8) Yatīmat al-dahr, a biographical anthology of Arabic poetry and prose concerned with the literature of the 4th/10th and the early 5th/11th centuries, comparing them with the material found in 'Awfī's (d. 640/1242 or before) Lubāb al-albāb, a biographical anthology of Persian poetry focused on verse produced between the late 3rd/9th and the early 7th/13th centuries. Yatīmat al-dahr and Lubāb al-albāb are approached as ventures which aimed to render the high culture of Arabic and Persian literature accessible to readers by presenting hitherto unpublished texts in a pedagogical fashion. The thesis contributes to a current wave of research that is concerned with the history of the book in the Islamic world, but it moves the focus of such scholarship onto literary texts and their manipulation. Its principal findings can be summarised as follows: Firstly, it revises the prevalent idea that literary culture was entirely dependent on patronage, by demonstrating how market demand influenced the kinds of writing produced in the different regions of the Arabic- and Persian-speaking worlds. Patronage emerges as a force that was intertwined with the book trade, which had already begun to define conceptions of authorship. Secondly, it shows that anthologies are more than collections of exemplary texts, by uncovering how al-Tha'ālibī and 'Awfī pursue the study of society, literary history and literary theory. The anthologists did not simply reproduce extracts, but edited them in accordance with their broader intellectual projects. Lastly, it reconstructs the cosmopolitan literary culture which existed in Khurasan and Transoxiana between the 4th/10th and 7th/13th centuries, showing that many authors worked in bilingual Arabic-Persian environments, moved between Arabic and Persian spheres, and read books in both languages. The thesis is accompanied by an index of circa eight thousand poems catalogued by genre, and by an appendix which lists the material that the anthologists drew from their sources.

This dissertation examines the complex story of Korah’s rebellion found in Numbers 16 and 17 utilizing narrative critical theory. This study is first grounded in the context of historical questions surrounding Israel’s emergence as a nation and the narrative’s potential for historical veracity. Many narrative critics do not feel the theoretical necessity to establish the connection between an autonomous text and a historical context. This study does seek to collaborate with historical research, but only as permitted by the data. Though only biblical and tangential evidence supports the historicity of the wilderness sojourn, the narrative accounts should not be repudiated because of philosophical bias or the lack of corroborative extra biblical evidence. Especially important to a literary interpretation of this narrative is the work of source critics who during their own enquiries have identified the fractures and transitions within the story. In considering the text of Numbers 16 and 17, the hermeneutical approach employed in this study carefully endorses a balanced incorporation of the theoretical constructs of the author, text, and reader in the interpretive enquiry. From this hermeneutical approach recent literary theory is applied to the texts of Numbers 16 and 17 focusing particular attention on three narrative themes. First, the narrator’s point of view is examined to determine the manner that information is relayed to the reader so as to demur the rebellion leaders. Though features of characterization are often meager in biblical narratives, there remains sufficient data in this rebellion story to support the aims of the Hebrew writers and does not undermine the reader’s engagement with the story’s participants. Finally, the three separate plotlines in this narrative sustain the dramatic effect upon the readership holding attention and judgment throughout and beyond the story. In sum, this dissertation highlights the powerful contours of this ancient narrative by appropriating the theoretical work of narrative critics. The strategies employed in the writing and editing of this story uniquely condemn the rebels and at the same time serve to elevate God’s chosen leader Moses. / Old Testament and Ancient Near Eastern Studies / D. Th. (Old Testament)

This thesis investigates the representation of the human life course in Old English poetry. It attends to constructions of the lifespan as a durational unit, as well as the ‘stages’ or discrete age-related experiences which together form patterns for life development, shared across a diverse range of texts. Throughout this study, the importance of close-reading is emphasised; the bulk of the analysis is concerned with issues of style, lexis and narrative. By these means, it becomes possible to perceive how concepts of the human life course shade into other networks of meaning: these include ideas of ensoulment and embodiment, life experiences of non-human entities, wider narrative patterns which impact representations of life progression, mechanisms and hierarchies of social role and communal existence, and systems of memory collection and the nurturing of ‘wisdom’. The introductory chapter addresses various possible modes of ‘life course’ structuring, in both Anglo-Saxon writings and modern scholarly traditions. Latin and Old English vocabularies of ageing are summarised and an overview is given of previous scholarship attendant on the Anglo-Saxon material. The following three chapters of the thesis then assess representations of different parts of the life course in different groups of texts. The second chapter is concerned with depictions of early life in the Exeter Book Riddles; it contends that these texts have been unduly passed over in discussions of ageing in Old English, seemingly due to their (mostly) non-human subjects. The third chapter addresses the treatment of early and late adulthood in the verse holy lives Andreas, Guthlac A, Juliana and Judith: it is in this chapter that concepts of the life course most clearly intersect with issues of social organisation. The fourth chapter is concerned with the characterisation of old age in Beowulf and Cynewulf’s epilogue to Elene, alongside other texts; the concept of ‘wisdom’ acquired through experience is closely scrutinised, and the verbal and poetic elements of good judgment are elucidated. This thesis concludes that Old English poetry presents human ageing in a manner which encompasses a diverse range of experiences and interrelates with a multitude of wider conceptual frameworks. As such, the texts do not subscribe neatly to an ‘ages of man’ idea. Nonetheless, attention paid to the patterns of human ageing which do emerge from the poems can facilitate more sensitive and productive readings of the texts themselves. The thesis closes with some examples of passages which may be newly interpreted and appreciated in the light of how the life course is conceived across the Old English poetic corpus.

Made available in DSpace on 2014-06-11T19:26:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-01-27Bitstream added on 2014-06-13T19:55:16Z : No. of bitstreams: 1 salvador_vc_me_assis.pdf: 1391240 bytes, checksum: 2909d22c1667463b31106ce7f1d7fb06 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Medeiros e Albuquerque (1867-1934), autor nascido em Pernambuco, escreveu frequentemente não somente obras literárias, mas também de outras naturezas, revelando, com isso, ser dono de uma produção bastante ampla. Possuidor de um vasto conhecimento, Medeiros invadiu também o mundo jornalístico, onde se exercitou assiduamente até o final de sua vida. Desse modo, teve a direção de O Fígaro e O Clarim, além de ter escrito em periódicos famosos da época como, por exemplo, o vespertino carioca A Notícia. Nele, o jornalista colaborou muito, desdobrando-se em várias seções, tais como: “Notas”, assinando como “Rifiúfio Singapura”; “Ecos”, assinando como “Max”, e também “Crônica literária”, escrevendo com o pseudônimo “J. dos Santos”, o seu único responsável. Nessa última colaboração, J. dos Santos informava semanalmente lançamentos de livros, com o intuito provável de persuadir o público leitor a adquiri-los, além de naturalmente divulgar iniciativas editoriais. Em 12 anos de publicação da “Crônica literária” (1897-1908), foram registradas exatas 981 resenhas, sendo que, em raros momentos, J. dos Santos usou seu espaço com outras finalidades. Ademais, o jornalista não apenas noticiava livros de vários gêneros, mas também criticava com grande sensibilidade, mostrando-se, consequentemente, um crítico bastante perspicaz e capacitado. O objetivo deste trabalho foi o enfoque sistemático de todo o trabalho do crítico no período da mencionada seção de A Notícia, observando inevitavelmente o seu método crítico. Além da indexação de todos os textos da “Crônica literária”, resenharam-se 32 obras do escritor Medeiros e Albuquerque com o intuito de divulgar sua diversificada produção artística / The author Medeiros e Albuquerque (1867-1934) was born in Pernambuco. He often wrote not only literary works, but also other types, revealing thereby a very large production. Possessing a vast knowledge, Medeiros also invaded the world of journalism and dedicated himself until the end of his life. Thus, he had the direction of O Fígaro and O Clarim, and wrote for some famous newspapers of his time, for example, the Rio evening A Notícia. In it, the journalist contributed much, unfolding in several sections, such as “Notas”, signing as “Rifiúfio Singapura”; “Ecos”, signing as “Max”, and “Crônica literária” writing, solely, under the pseudonym “J. dos Santos”. In this latest collaboration, J. dos Santos reported weekly book launches, probably all with the aim of persuading the readers to acquire them, and naturally promote publishing initiatives. In 12 years of publication of the “Crônica literária” (1897-1908), there were accurate 981 reviews, and, eventually, J. dos Santos used his space for other purposes. Moreover, the journalist have not only reported books of various genres, but also criticized them with great sensitivity, being therefore a very insightful and knowledgeable critic. The aim of this study is to analyse, with a systematic approach, all of Medeiros e Albuquerque’s work in the critical period of that section of A Notícia, noting inevitably his critical method. In addition to indexing all the texts of the “Crônica literária”, 32 works of the writer Medeiros e Albuquerque were reviewed in order to promote his various artistic production

Made available in DSpace on 2016-06-02T20:11:04Z (GMT). No. of bitstreams: 1 6379.pdf: 1564143 bytes, checksum: 50d1f092db268dc4e4f1fd7fb1f8e033 (MD5) Previous issue date: 2014-08-22 / Universidade Federal de Minas Gerais / The object of this dissertation is the book of poems Rilke shake, by Angelica Freitas, and the main question that guided our research was: What are the critical and fundamental cultural issues that inform Angelica Freitas s poetical production in Rilke shake? With this question in mind two objectives were followed: a) to accomplish the reading and analysis of the poems and b) to discuss how the tensions between the poetic tradition and the contemporary world are articulated in the poems. These two objectives were interrelated and linked to enable us to create an interpretative key of Rilke shake. Angelica Freitas establishes a dialogue with European, North American and Brazilian modernist traditions and her work shows a belonging to the post-modern world. Eight Poems from the book were discussed in the attempt at investigating which elements indicate such a dialogue. The cultural system in which Freitas s work takes part and constitutes one of the representative examples was then discussed. Our aim was to show that discussing Rilke shake meant also discussing how contemporary critical thinking looks at contemporary poetry, setting the dialectical movement from the particular to the general and back. The systemic approach offers the reader a larger view, allowing him to understand the importance and the value of Rilke shake inside the discussions concerning contemporary poetry. / Esta dissertação tem como objeto de pesquisa o livro de poemas Rilke shake, de Angélica Freitas. Na introdução, o problema de pesquisa foi enunciado nos seguintes termos: Quais as questões críticas e culturais fundamentais que informam a produção poética de Angélica Freitas em Rilke shake? Os objetivos foram interligados e organizados conjuntamente para a construção de uma chave interpretativa de Rilke shake: (a) realizar a leitura e a análise dos poemas; e (b) discutir de que forma se articulam as tensões nos poemas por meio do diálogo com a tradição poética e com o mundo contemporâneo. Discutiram-se oito poemas; investigou-se como se dá o diálogo de Angélica Freitas com a tradição modernista europeia, norte-americana e brasileira e como sua obra sinaliza um pertencimento ao mundo pós-moderno, verificando quais elementos indicam tal relação. Em seguida, a discussão derivou para o sistema cultural do qual a obra de Freitas participa e se constitui como um dos exemplos representativos. Dessa maneira, discutir a obra Rilke shake significou também discutir o modo como a crítica contemporânea pensa a poesia contemporânea, configurando o movimento dialético do particular para o geral e retornando ao particular. A abordagem sistêmica oferta ao leitor uma visada mais ampla, permitindo-lhe compreender a importância e o valor de Rilke shake no interior das discussões relativas às obras contemporâneas.

This thesis explores representation of the Iraq War in selected Anglo-American and Iraqi novels, examining how several authors have employed this theme in their narratives. The featured novelists are chosen from many writers who focus their efforts and their writing on this conflict. Criterion for selection included offering a critique of the diverse perspectives from which the conflict was perceived, the texts‘ engagement with the political conundrums underpinning war and its approach, how such fiction engages with a contemporary audience and what perspective are deployed to do so. Their public visibility provides the basis of one interpretative strand of the thesis. This study also explores and conceptualises how this conflict has entered the cultural consciousness and to what degree the novels fictionalise the conflict as their main subject, and assesses through which thematic emphases. The texts chosen and to be analysed are pivotal to our understanding of contemporary Iraq and its recent history. It will be argued that the thematic content of these texts contextualise modern war‘s multiple effects within not only the fictional textual world, but as well as their imaginative characters these representations become part of the experience at least vicariously of the audiences who read them. The texts discussed in subsequent chapters are either originally written in, or translated into English (for publication), and therefore all available in English, one major criterion of textual selection. It is interesting to examine the theme of the Iraq War and the historical and pragmatic vein and cultural point of reference from which authors write and has come to dominate the discourse of some contemporary novelists. The goal is to critically explore how the war has become a focal point and the framework of their narratives. The thesis will attempt to analyse how such novels depict the effects of political violence and why they are drawn to powerfully articulate the gruelling reality and experience of those fictionally engaged by and/or affected by it. It will be proposed that novels of and about this conflict are essential to study, understand, and engage with because of the content and the message they attempt to convey which is so crucial to understanding contemporary faultiness in socio-cultural histories, and the critical themes they utilize in writing and the dynamics through which they fictionalize their stories. Such fictional representations of this war serve an important societal, cultural, aesthetic and symbolic function. Thus the study encapsulates how novels of and about the Iraq War reveal and recapture the physical, psychological, and interpersonal losses that are felt by the civilians and military alike.

Submitted by Maike Costa (maiksebas@gmail.com) on 2016-06-09T13:46:22Z No. of bitstreams: 1 arquivo total.pdf: 8005009 bytes, checksum: c71d999457b0e4b1b79e1e7d490403e2 (MD5) / Made available in DSpace on 2016-06-09T13:46:22Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 8005009 bytes, checksum: c71d999457b0e4b1b79e1e7d490403e2 (MD5) Previous issue date: 2015-12-09 / This work consists of scrolling through the pages of newspapers and literary criticism from 1890 to 1960 to discuss the history of Brazilian literature that was formed through the selection of forgotten authors and works as it happened to the writer Pereira da Silva, the object of this work . Thus, we focused on the historical and literary revival of the author Antonio Joaquim Pereira da Silva (1876-1944), born in the city of Araruna (PB), he was the author of seven books of poetry, affiliated to the symbolist aesthetics and the first writer from Paraiba to occupy a seat in the Brazilian Academy of Letters in 1934. Pereira da Silva was also a journalist and a literary critic who joined Rio periodical press in the late nineteenth century and the first decades of the twentieth century, a period when newspapers were the primary means of written circulation and dissemination of literature in Brazil and the Brazilian press was living a moment of transformation in the Brazilian historical and cultural setting. Although in life and after his death, his name has been taken up by literary critics until the mid-1960s, taking part of the list of symbolist authors, his name is deleted by the history of literature we know today. For this reason, our purpose, therefore, is to resume this historical-literary author, his career in newspapers and his literary criticism from the late nineteenth century to the first half of the twentieth century as well as pointing out the probable causes of his subsequent erasure. For this research, we used a variety of sources such as newspapers, academies of letters, literary criticism and the education system under the theoretical framework of Bourdieu (1996, 2009), Roger Chartier (1998; 1999; 2002; 2007), Foucault (1999; 2001), Michel Certeau (1998), De Luca (2005), Barbosa (2007), Barbosa (2010), among others, refering to cultural practices related to literary media and reading but also to the systems of power and their implications for the composition and maintenance of the literary canon. / Cette recherche a le but de faire défiler les pages de journaux et de la critique littéraire dans la période 1890-1960 afin de discuter en même temps une histoire de la littérature brésilienne, qui a été formé par la sélection des auteurs et des oeuvres, au détriment d'oubli des auteus, comme a eu lieu à l'écrivain Pereira da Silva, notre objet d'étude. Ainsi, nous nous centrons sur la renaissance historique et littéraire de l'auteur Antonio Joaquim Pereira da Silva (1876-1944), qui est né à Araruna (PB), auteur de sept livres de poésie, affilié à l'esthétique symboliste et c‘est le premier paraibano à occuper une fauteuil à l'Académie brésilienne des Lettres en 1934. Pereira da Silva était aussi un journaliste et critique littéraire qui occupait l'espace à Rio à la presse Carioca périodique à la fin du XIXe siècle et les premières décennies du XXe siècle, à cette une époque lá les journaux étaient les principaux moyens de circulation de l'écriture et de diffusion de la littérature au Brésil, de vivre un moment de transformation dans la scène historique et culturel brésilien. Bien que dans la vie et après sa mort, son nom a été repris par les critiques littéraires jusqu'au milieu des années 1960, appartenant à la liste des auteurs symbolistes, leur nom est supprimé par l'histoire de la littérature dont nous connaissons aujourd'hui. Pour cette raison, notre but est donc de reprendre cet auteur historico-littéraire, avec sa carrière dans les journaux et la critique littéraire de la fin du XIXe siècle à la première moitié du XXe siècle, mais aussi souligner les causes probables de son effacement subsequente Pour cette recherche, nous avons utilisé une variété de sources, comme les journaux, les académies de lettres, de la critique littéraire et le système d'éducation dans le cadre théorique de Bourdieu (1996, 2009), Roger Chartier (1998; 1999; 2002; 2007), Foucault (1999; 2001), Michel de Certeau (1998), de Luca (2005), Barbosa (2007), Barbosa (2010), entre autres, en ce qui concerne les pratiques culturelles liées aux médias littéraires, la lecture mais aussi sur les systèmes de pouvoir et de ses implications pour la composition et l'entretien du canon littéraire. / Este trabalho consiste na discussão sobre a presença e apagamento do poeta Antônio Joaquim Pereira da Silva (1876-1944), nascido na cidade de Araruna (PB), autor de sete livros de poesia, tendo sido primeiro paraibano a ocupar uma cadeira na Academia Brasileira de Letras em 1934. O autor também foi um jornalista e crítico literário que ocupou espaço na imprensa periódica carioca entre o final do século XIX e as primeiras décadas do século XX, num período de transformações no cenário histórico-cultural brasileiro, em que os jornais ainda eram o principal meio de circulação do escrito e de divulgação dos trabalhos literários no Brasil. Seu nome, também, foi retomado literariamente por críticos literários até meados dos anos de 1960, configurando a lista de autores simbolistas. Apesar disso, seu nome se encontra apagado pela história da literatura da qual temos conhecimento hoje. Nosso propósito, portanto, é dar visibilidade a este autor e também aos eventos culturais aos quais seu nome pertenceu, apresentando sua trajetória nos jornais e na crítica literária do final do século XIX até a primeira metade do século XX, como também apontar as prováveis causas de seu posterior apagamento. Para a realização desta pesquisa, recorremos a diversos gêneros e documentos reproduzidos por instâncias responsáveis pela legitimação, consagração e manutenção do nome do autor, tais como os encontrados nos jornais, nas academias de letras, na crítica literária e no sistema de ensino, sob o aporte teórico de Bourdieu (1996; 2009), Roger Chartier (1998; 1999; 2002; 2007), Foucault (1999; 2001), Michel de Certeau (1998), De Luca (2005), Barbosa (2007), Barbosa (2010), entre outros, no que se refere às práticas culturais ligadas aos suportes literários, à leitura, como também sobre os sistemas de poder e suas implicações na composição e manutenção do cânone literário.