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11	En analys av effekterna som uppstår när lågprisvarumärken samarbetar med lyxvarumärken inom modebranschen : Är co-branding lösningen för framtidens modebransch? / An analysis of the effects that arise when low-budget brands collaborate with luxurious brands in the fashion industry. : Is co-branding the solution for the future of fashion? Bolin, Theodor, Sellman, Carl January 2018 (has links) Bakgrund: Sedan 2004 då H&M samarbetade med Karl Lagerfeld har samarbeten inom modebranschen blivit ett välkänt fenomen som idag är en marknadsföringsstrategi för varumärken i olika segment. Samarbeten genererar ofta positiva aspekter för de inblandade parterna men det finns även risk för nackdelar om samarbetet inte utförs på rätt sätt. Därutöver har modebranschen utvecklats de senaste åren och effekterna av samarbeten inom modebranschen har påverkat denna utveckling i viss utsträckning. Syfte: Studiens syfte är att få en ökad förståelse för hur olika företags lågprisvarumärken och lyxvarumärken inom modebranschen påverkas av ett samarbete i form av en gemensam kollektion. Studien vill även skapa en uppdaterad förståelse för vilka synergieffekter som kan uppstå av dessa samarbeten, hur dessa samarbeten influeras av dagens modebransch, samt hur framtidsutsikten ser ut. Metod: Studien utgår ifrån en kvalitativ forskningsmetod där empiri har samlats genom semistrukturerade intervjuer med sju experter som har kunskaper inom de ämnesområden som berör studien. Empirin har analyserats med hjälp av tidigare studier för fylla de gap som existerar för samarbeten inom modebranschen. Slutsats: Studien konstaterar att samarbeten kan påverka både lågpris- och lyxvarumärkens brand equity och att de positiva effekterna överväger de negativa. Lågprisvarumärken tenderar dock att gynnas mest av ett samarbete. Influenser från bland annat populärkultur och nya typer av konsumenter har fått ett ökat inflytande på både modebranschen och samarbeten inom den. Framtiden bedöms som osäker av experterna. Dock framställs co-branding samtidigt som en lösning på den alltmer komplicerade modemarkanden. / Background: Since 2004 when H&M collaborated with Karl Lagerfeld has co-branding become a well-known phenomenon that now serves as a marketing strategy for clothing brands in different segments. These collaborations often generate positive aspects for the partners who are involved. There are however risks if the collaborations are not executed properly. The fashion industry has evolved in the last years and the consequences of collaborations have affected it to some extent. Purpose: The purpose of this study is to research and create a developed understanding of the effects that may arise when a low-budget brand and a luxurious brand create a clothing collection together. The study also wants to examine potential synergies that a collaboration may generate, how these collaborations are influenced by todays fashion industry, as well as what the future might look like. Methodology: This study applies a qualitative research method where empirical data has been gathered through semi-structured interviews with seven experts who have knowledge about the subject areas that are relevant to the study. The empirical data has been analyzed with the help of previous studies in order to fill the knowledge gaps that exist for collaborations within the fashion industry. Conclusions: The study establishes that collaborations can indeed affect both the low-budget brand and the luxurious brand’s brand equity. It also found that the positive effects outweigh the negative. Low-budget brands however, tend to be more rewarded than luxurious brands in these collaborations. Influences from pop culture and new types of consumers have gained an increased power on both the fashion industry and the collaborations within it. The future is deemed uncertain by the experts but co-branding is however portrayed as a possible solution for the complicated fashion market that exists today. Brand equity co-branding low-budget brand luxurious brand fashion pop culture. Brand equity co-branding lågprisvarumärke lyxvarumärke mode populärkultur. Business Administration Företagsekonomi
12	The Last Two Years of David Brachman: The Case for Slow Cinema as a Microbudget Production Model Casilli, Marcos 01 January 2011 (has links) The Last Two Years of David Brachman is a feature-length digital film directed, written and produced by Marcos Casilli in pursuit of the Master of Fine Arts in Film & Digital Media from the University of Central Florida. This is a very personal film that presents a sometimes-humorous approach to the following question: what makes life worth living? The film was made on what is categorized as a microbudget, but following the studio production model for the most part. This thesis presents a critique of that combination, advocating for a "slow cinema" model instead. Anamorphic art Digital cinematography Low budget films Motion picture authorship Motion pictures production and direction Film and Media Studies Film Production
13	Bad Pixels Challenges Of Microbudget Digital Cinema Bowser, Alexander Jon 01 January 2011 (has links) Bad Pixels is a feature-length, microbudget, digital motion picture, produced, written, and directed by Alexander Jon Bowser as part of the requirements for earning a Master of Fine Arts in Film & Digital Media from the University of Central Florida. The materials contained herein serve as a record of the microbudget filmmaking experience. This thesis documents the challenges confronted by a first-time feature filmmaker; an evaluation of both the theory and application of a dynamic microbudget approach to digital content creation. From script development to digital distribution, the thesis aims to reflect on technical and procedural decisions made and assess their impact on the overall experience and final product. Bad pixels (Motion picture) Digital cinematography Dystopian films Low budget films Science fiction films Film and Media Studies
14	The Last Two Years Of David Brachman: Designing A Feature Film On A Micro Budget Sutphin, Elizabeth Anne 01 January 2012 (has links) This thesis documents my creative process as the Production Designer on the feature length micro budget film The Last Two Years of David Brachman, written and directed by Marc Casilli. The film is a dark comedy chronicling the life of David Brachman, a twenty-five year old with a stagnant life that is seemingly leading nowhere, as he pledges on his twenty-fifth birthday to change the path of his life in the next two years or commit suicide if he fails. The overall design concept of the film is rooted in realism, but allowed to contain elements that will remove the audience in order to lighten the load of the serious topic of death. With a nod to the 1950s family home and the nostalgia of decades past; David’s world is created to show drastic shifts from his inert, routine life at home to the outside working world in to which he thrusts himself. The world outside of David’s home is seen through a lens that exemplifies stereotypical social roles and thereby adds to his feelings of outcast and loneliness. Creating the versatile world of David Brachman presented challenges with the amount of locations, characters, and costumes changes; however, these challenges were further complicated by working on an overall micro budget of thirty-six thousand dollars, with approximately fifteen hundred dollars allocated to the art department and costuming. These challenges created a need for resourceful acquisition techniques and budgeting to ensure that the overall artistic vision was not sacrificed. Remaining true to the design aesthetic and the director’s vision, my staff and I were able to overcome budgetary challenges, staffing changes that occurred during filming, and shifts in the production dynamic that created a sometimes chaotic filming environment. The careful iv planning and organization of each design element and their execution ensured the successful creation of David’s world and a visual story to compliment the screenplay. Within this thesis I document my design process from my initial design proposal to the director through post production and final viewing of the completed film. Included here are specific details of my design process including script analysis, script breakdowns, location plots, budget tracking, stills from the film, a copy of the finished film, and all the paperwork generated in creating the film. A detailed journal of the filming process including obstacles I encountered as well as the solutions created throughout this process and a self evaluation and reflection on the final product of work are included. Casilli Marc Costume Low budget films Motion pictures -- Art direction Motion pictures -- Setting and scenery Theatre and Performance Studies
15	El petit productor de cinema. El cas d'en Josep Mª Cunillés. Poch Sabarich, Francesc 10 January 2012 (has links) El cinema comercial independent de baix pressupost elaborat amb els elements industrials i artístics del sector cinematogràfic del propi país és viable, sostenible i exportable. Aquest ha sigut el cas d’El Lute, Crimen en familia i altres pel•lícules que Cunillés ha produït. Estudiar els mecanismes de finançament, fabricació i venda d’aquest tipus de producció ens permetrà extrapolar-ho, generalitzar-ho i explicar-ho als actuals i futurs decisors audiovisuals. En el cas de Cunillés, el trobem gestionant sales cinematogràfiques, distribuint o coproduint pel•lícules, o implicant-se en operacions corporatives per millorar les condicions del sector. Ha calgut introduir el context històric, sota l’etiqueta de “cinema de transició”, estudiar la persona i els orígens temàtics per acabar construint un mètode que el propi productor ha abandonat per dedicar-se únicament a l’explotació dels seus drets audiovisuals. Altres productors continuen emprant aquest model amb èxit, però els paràmetres han canviat i Cunillés no vol tornar a navegar. / Commercial, independent low-budget filmmaking produced with industrial and artistic elements of the film sector in one’s own country is viable, sustainable and exportable. It’s the case of El Lute, Crimen en familia and other films that Cunillés has produced. Studying the financing, manufacturing and sales of this kind of production will allow us to extrapolate, generalize and explain it to current and future film decision-makers. Cunillés can be found managing cinemas, distributing or producing films, or getting involved in corporative operations to improve the sector’s conditions. It’s been necessary to introduce the historical context under the label “transition filmmaking”, and study the person and his thematic origins in order to devise a method that the producer himself has abandoned to work solely on the exploitation of film rights. Other producers still use this method successfully, but the parameters have changed and Cunillés doesn’t want to navigate again. Josep Mª Cunillés Producció cinematogràfica espanyola cinema espanyol anys 80 cinema de génere i comercial Cinema de crònica social spanish film production spanish cinema in the 80s genre and mainstream cinema social cinema low budget producer 77
16	The Ending Needs Work AKA the Good, the Bad and the Ugly of being an independent filmmaker in Australia Catling, Aaron January 2005 (has links) Over the period of candidature, write and direct a feature film to completion. Furthermore, undertake a thorough reflective phase which involves the analysis of each aspect relating to those key components, writing and directing. Through this form of creative practice and utilising state of the art digital filmmaking techniques it is hoped that an addition to knowledge will be achieved. Filmmaker Australian film Camera coverage High Definition Casting Vision editing Independent film Directing/Director Actors Video Location scouting Sound editing Low budget features Writing/Writer Rehearsal Feature film Composition Screen performance
17	Post Occupancy Evaluation of Estero de San Miguel Pilot Project Al-maliki, Zainab, Baross, Wanessa January 2023 (has links) Abstract Introduction: This thesis focuses on the housing situation and sustainability in Manila, the capital of the Philippines. According to a report by the United Nations Human Settlements Programme, approximately 25% of Manila's population resides in substandard living conditions and informal settlements. The thesis is based on a case study conducted on the Estero De San Miguel pilot project, where a Post-Occupancy Evaluation (POE) study was carried out on the housing project. The findings revealed that relocating people from slums to the housing project and providing them with a home led to an improvement in the quality of life and sustainability in the project area. The aim of the study was to conduct a POE and assess the quality of life and identify areas for improvement in future low-budget projects. Method: The research methods are based on a combination of qualitative and quantitative methods. Interviews were conducted with architects and other key individuals involved in the project. Surveys were administered to residents, and personal observations were made regarding the quality of life. Plan analysis and area analysis were also conducted. Results: The case study resulted in answers obtained through surveys administered to the residents in the area and interviews with key personnel involved in the project, providing responses to the research questions. Analysis: The Estero De San Miguel Pilot Project (EDSM) has made a significant impact on improving the quality of life and sustainability within the project area. Previously, informal settlements were typically reconstructed outside the city center, resulting in limited access to employment, education, and social services. The residents lived in poverty within these informal settlements, with their needs neglected by both society and the government. Since relocating to the EDSM housing project, 72% of the residents have experienced notable improvements in their lives. This project has provided them with an opportunity to enhance their quality of life and foster a stronger, more supportive community. Discussion: The method, with its specific limitations, in this case study yields results that align with the study's purpose and thereby addresses the research question of the thesis. There is a strong correlation between the findings and the theoretical framework. Post Occupancy Evaluation Urbanization in Philippines Urban Poverty Sustainability in construction low-budget construction project. Efterbosättningsutvärdering Urbanisering på Filippinerna Stadsfattigdom Hållbarhet inom byggsektorn Lågbudgetbyggprojekt. Social Sciences Samhällsvetenskap Civil Engineering Samhällsbyggnadsteknik Construction Management Byggproduktion
18	The Happiest Place On Earth - The Microbudget Model As A Means To An American National Cinema Goshorn, John 01 January 2012 (has links) The Happiest Place on Earth is a feature-length film written, directed, and produced by John Goshorn as part of the requirements for earning a Master of Fine Arts in Film & Digital Media from the University of Central Florida. The project aims to challenge existing conventions of the American fiction film on multiple levels – aesthetic, narrative, technical, and industrial – while dealing with a distinctly American subject and target audience. These challenges were both facilitated and necessitated by the limited resources available to the production team and the academic context of the production. This thesis is a record of the film, from concept to completion and preparation for delivery to an audience Dogme 95 (Group) Fiction films -- United States Film noir Happiest place on Earth (Motion picture) Independent films Low budget films Melodrama Motion picture authorship Realism in motion pictures Film and Media Studies
19	Conditional Truths: Remapping Paths To Documentary 'Independence' Lang, Ian William, n/a January 2003 (has links) (Synopsis to introductory statement): An introductory statement to five documentary films made by Ian Lang in Australia between 1981 and 1997 exemplifying a 'democratising' model of sustainable and ethical documentary film production. This document critically reflects on the production process of these films to accompany their submission for the degree of Doctor of Philosophy by Publication at Griffith University. It finds that a contemporary tendency towards 'post-industrial' conditions allows an observational film-maker to negotiate a critical inter-dependence rather than a romantically conceived 'independence' traditional to the genre. [Full thesis consists of introductory statement plus six DVD videodiscs.] documentary film Australian documentary low-budget film low-budget documentary documentary production documentary ethics ethical film Queensland film independent film-maker interdependent filmmaking interdependent production conditional truth independent film-making documentary truth post-industrial documentary democratisation of film sustainable documentary guerilla film guerrilla film indigenous film Aboriginal film 'Wheels across the Himalaya' 'Yallambee - People of Hope' 'This is what I call living' ' Grandfathers and Revolutions' observational film art documentary visual-arts film 'Judith Hewitson' 'Ian Howard' 'Swinburne film' 'SBS Independent' 'Queensland College of Art' Documentary Producer Documentary Director Australia Australian digital filmmaker digital documentary 16mm documentary cinema verite documentary history multiculturalism globalism ethnographic disability 'documentary impulse' micro-doc

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