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1	E. Pauline Johnson and Walt Whitman rebury Red Jacket Grewe, Lauren Marie 22 November 2013 (has links) Side-by-side, surprisingly, in the appendix of the Buffalo Historical Society’s publication Obsequies of Red Jacket at Buffalo, E. Pauline Johnson and Walt Whitman memorialize Red Jacket’s reburial on October 9, 1884, with their respective poems, “The Re-interment of Red Jacket” and “Red Jacket, (From Aloft.).” Through this textual showdown, this report interrogates the usefulness of the vanishing Indians narrative, instead interpreting the event as the locus of a heterogeneous, spiritual contest over bodies and their potential significations. Although orchestrated by Buffalo’s European American elites, the reburial also included representatives from the Six Nations tribes, among them Mohawk Ely S. Parker as well as Johnson. Paying attention to heterogeneity, whether differences in religion, tribal affiliation or class, at the event allows us to understand the varying stakes of the conflict, from debates over Christianity to immigration to the establishment of literary and social relations. While Whitman, nearing the end of his life, contemplates proper memorialization in “Red Jacket, (From Aloft.),” Johnson deploys the elegy to lay claim to her Native ancestry and burgeoning literary career. Monumentalizations often attempt to conceal such heterogeneity by creating the illusion of a dominant, national narrative. Alive within these events, nevertheless, a different image persists, one that preserves the messy debates over religion, land settlement, immigration, citizenship and transforming Native governments that actual memorialization ceremonies create. / text E. Pauline Johnson Walt Whitman Six Nations Red Jacket Memorialization Monumentalization
2	O homem e o monumento : criações e recriações de Rodrigo Melo Franco de Andrade Bauer, Letícia Brandt January 2015 (has links) A tese estuda os processos de construção e reconstrução de Rodrigo Melo Franco de Andrade como homem-monumento ao longo do tempo. O personagem foi o primeiro diretor do Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN), instituição federal criada em 1936 para selecionar e proteger o patrimônio cultural brasileiro. Rodrigo permaneceu no cargo durante 30 anos e sua gestão tornou-se conhecida como a “fase heroica” da instituição. O trabalho divide-se em quatro capítulos e busca analisar as diferentes formações discursivas relacionadas ao diretor, investigando, primeiramente, sua escolha para a direção da instituição, sua progressiva identificação com a mesma e a formação de uma rede de colaboradores e funcionários. Em seguida, examina diferentes homenagens prestadas a Rodrigo e ao IPHAN nas comemorações de 20, 25 e 30 anos de existência da instituição, além da concessão de quatro títulos Honoris Causa e Suplementos Literários dedicados a celebrar os 70 anos do primeiro diretor do órgão federal. No terceiro capítulo, partindo de 1969, ano de seu falecimento, a tese problematiza uma série de publicações a ele dedicadas, em especial “A lição de Rodrigo”, de 1969, e os livros “Rodrigo e seus tempos” e “Rodrigo e o SPHAN”, de 1986 e 1987, respectivamente. As três obras são compreendidas como documentos-monumentos que fundamentaram a imagem do personagem a partir de uma perspectiva institucional. Finalmente, são investigados os usos das imagens de Rodrigo Melo Franco de Andrade em dissertações e teses relacionadas ao campo do patrimônio cultural brasileiro entre 1989 e 2012. / The thesis studies the processes of construction and reconstruction of Rodrigo Melo Franco de Andrade as monument-man throughout time. The character was the first director of the Instituto do Patrimônio Histórico e Artístico Nacional/National Institute of Historic and Artistic Heritage (IPHAN), federal institution created in 1936 to select and protect the Brazilian cultural heritage. Rodrigo remained director during 30 years and his management has been known as the institution’s “heroic phase”. The study is divided in four chapters and aims to analyze the different discursive formations related to the director, investigating, firstly, his choice for the institution direction, his progressive identification with it and the formation of a network of collaborators and staff. Then the thesis examines different tributes paid to Rodrigo and IPHAN during the celebrations of the institution's 20th, 25th and 30th anniversary, and the awarding of four titles of Honorary Degree and Literary Supplements dedicated to celebrating the 70th anniversary of the first director of the federal agency.Following, starting from 1969, year of his death, the thesis problematizes a series of publications dedicated to the first director, specially “A lição de Rodrigo”, de 1969, and the books “Rodrigo e seus tempos” e “Rodrigo e o SPHAN”, de 1986 e 1987, respectively. The three publications are understood as documents-monuments that fundament the director’s images from an institutional perspective. Finally, the thesis investigates the uses of Rodrigo Melo Franco de Andrade’s images in dissertations and theses related to the field of Brazilian cultural heritage between 1989 and 2012. Andrade, Rodrigo Melo Franco de Patrimônio cultural Monumentos Monumentalization Cultural Heritage
3	O homem e o monumento : criações e recriações de Rodrigo Melo Franco de Andrade Bauer, Letícia Brandt January 2015 (has links) A tese estuda os processos de construção e reconstrução de Rodrigo Melo Franco de Andrade como homem-monumento ao longo do tempo. O personagem foi o primeiro diretor do Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN), instituição federal criada em 1936 para selecionar e proteger o patrimônio cultural brasileiro. Rodrigo permaneceu no cargo durante 30 anos e sua gestão tornou-se conhecida como a “fase heroica” da instituição. O trabalho divide-se em quatro capítulos e busca analisar as diferentes formações discursivas relacionadas ao diretor, investigando, primeiramente, sua escolha para a direção da instituição, sua progressiva identificação com a mesma e a formação de uma rede de colaboradores e funcionários. Em seguida, examina diferentes homenagens prestadas a Rodrigo e ao IPHAN nas comemorações de 20, 25 e 30 anos de existência da instituição, além da concessão de quatro títulos Honoris Causa e Suplementos Literários dedicados a celebrar os 70 anos do primeiro diretor do órgão federal. No terceiro capítulo, partindo de 1969, ano de seu falecimento, a tese problematiza uma série de publicações a ele dedicadas, em especial “A lição de Rodrigo”, de 1969, e os livros “Rodrigo e seus tempos” e “Rodrigo e o SPHAN”, de 1986 e 1987, respectivamente. As três obras são compreendidas como documentos-monumentos que fundamentaram a imagem do personagem a partir de uma perspectiva institucional. Finalmente, são investigados os usos das imagens de Rodrigo Melo Franco de Andrade em dissertações e teses relacionadas ao campo do patrimônio cultural brasileiro entre 1989 e 2012. / The thesis studies the processes of construction and reconstruction of Rodrigo Melo Franco de Andrade as monument-man throughout time. The character was the first director of the Instituto do Patrimônio Histórico e Artístico Nacional/National Institute of Historic and Artistic Heritage (IPHAN), federal institution created in 1936 to select and protect the Brazilian cultural heritage. Rodrigo remained director during 30 years and his management has been known as the institution’s “heroic phase”. The study is divided in four chapters and aims to analyze the different discursive formations related to the director, investigating, firstly, his choice for the institution direction, his progressive identification with it and the formation of a network of collaborators and staff. Then the thesis examines different tributes paid to Rodrigo and IPHAN during the celebrations of the institution's 20th, 25th and 30th anniversary, and the awarding of four titles of Honorary Degree and Literary Supplements dedicated to celebrating the 70th anniversary of the first director of the federal agency.Following, starting from 1969, year of his death, the thesis problematizes a series of publications dedicated to the first director, specially “A lição de Rodrigo”, de 1969, and the books “Rodrigo e seus tempos” e “Rodrigo e o SPHAN”, de 1986 e 1987, respectively. The three publications are understood as documents-monuments that fundament the director’s images from an institutional perspective. Finally, the thesis investigates the uses of Rodrigo Melo Franco de Andrade’s images in dissertations and theses related to the field of Brazilian cultural heritage between 1989 and 2012. Andrade, Rodrigo Melo Franco de Patrimônio cultural Monumentos Monumentalization Cultural Heritage
4	O homem e o monumento : criações e recriações de Rodrigo Melo Franco de Andrade Bauer, Letícia Brandt January 2015 (has links) A tese estuda os processos de construção e reconstrução de Rodrigo Melo Franco de Andrade como homem-monumento ao longo do tempo. O personagem foi o primeiro diretor do Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN), instituição federal criada em 1936 para selecionar e proteger o patrimônio cultural brasileiro. Rodrigo permaneceu no cargo durante 30 anos e sua gestão tornou-se conhecida como a “fase heroica” da instituição. O trabalho divide-se em quatro capítulos e busca analisar as diferentes formações discursivas relacionadas ao diretor, investigando, primeiramente, sua escolha para a direção da instituição, sua progressiva identificação com a mesma e a formação de uma rede de colaboradores e funcionários. Em seguida, examina diferentes homenagens prestadas a Rodrigo e ao IPHAN nas comemorações de 20, 25 e 30 anos de existência da instituição, além da concessão de quatro títulos Honoris Causa e Suplementos Literários dedicados a celebrar os 70 anos do primeiro diretor do órgão federal. No terceiro capítulo, partindo de 1969, ano de seu falecimento, a tese problematiza uma série de publicações a ele dedicadas, em especial “A lição de Rodrigo”, de 1969, e os livros “Rodrigo e seus tempos” e “Rodrigo e o SPHAN”, de 1986 e 1987, respectivamente. As três obras são compreendidas como documentos-monumentos que fundamentaram a imagem do personagem a partir de uma perspectiva institucional. Finalmente, são investigados os usos das imagens de Rodrigo Melo Franco de Andrade em dissertações e teses relacionadas ao campo do patrimônio cultural brasileiro entre 1989 e 2012. / The thesis studies the processes of construction and reconstruction of Rodrigo Melo Franco de Andrade as monument-man throughout time. The character was the first director of the Instituto do Patrimônio Histórico e Artístico Nacional/National Institute of Historic and Artistic Heritage (IPHAN), federal institution created in 1936 to select and protect the Brazilian cultural heritage. Rodrigo remained director during 30 years and his management has been known as the institution’s “heroic phase”. The study is divided in four chapters and aims to analyze the different discursive formations related to the director, investigating, firstly, his choice for the institution direction, his progressive identification with it and the formation of a network of collaborators and staff. Then the thesis examines different tributes paid to Rodrigo and IPHAN during the celebrations of the institution's 20th, 25th and 30th anniversary, and the awarding of four titles of Honorary Degree and Literary Supplements dedicated to celebrating the 70th anniversary of the first director of the federal agency.Following, starting from 1969, year of his death, the thesis problematizes a series of publications dedicated to the first director, specially “A lição de Rodrigo”, de 1969, and the books “Rodrigo e seus tempos” e “Rodrigo e o SPHAN”, de 1986 e 1987, respectively. The three publications are understood as documents-monuments that fundament the director’s images from an institutional perspective. Finally, the thesis investigates the uses of Rodrigo Melo Franco de Andrade’s images in dissertations and theses related to the field of Brazilian cultural heritage between 1989 and 2012. Andrade, Rodrigo Melo Franco de Patrimônio cultural Monumentos Monumentalization Cultural Heritage
5	A Fam?lia do tesouro: a monumentaliza??o da fam?lia Albuquerque Maranh?o e a luta pelo poder no Rio Grande do Norte (1889-1914) Costa, Helensandra Lima da 27 August 2013 (has links) Made available in DSpace on 2014-12-17T15:25:23Z (GMT). No. of bitstreams: 1 HelensandraLC_DISSERT.pdf: 4997681 bytes, checksum: cb26dc56a1099d2366ed73cc62429707 (MD5) Previous issue date: 2013-08-27 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The objective of this study is to discuss the process of building a family monumentalization Albuquerque Maranh?o showed that both the traditional historiography of Rio Grande do Norte, represented by Tavares de Lyra, Rocha Pombo e C?mara Cascudo, as reflected in urban areas of Natal. To understand this process, we intend to analyze the production of the aforementioned authors as well as more recent studies, trying to discern or identify an attempt to link them to the family name to the history of Albuquerque Maranh?o State, which ended up giving visibility to this group, making it the characters featured in the scenario of local history, investing them with a monumental character. In addition to historical analysis, we observe changes in the urban landscape of the city of Natal in the early twentieth century orchestrated by members of this family, which tied his line to public spaces for a new and modern city. Through this review, we will be able to realize that such practices turned out to be a stage of political disputes between Albuquerque Maranh?o and opposition groups who were anxious to remove them both from the center of historical narratives on the Rio Grande do Norte, as well as the political space of the State environment exclusive domain of this group for nearly twenty years / O objetivo do presente trabalho ? discutir a constru??o de um processo de monumentaliza??o da fam?lia Albuquerque Maranh?o que se evidenciou tanto na historiografia tradicional norte-rio-grandense, representada por Tavares de Lyra, Rocha Pombo e C?mara Cascudo, quanto se refletiu nos espa?os urbanos da cidade do Natal. Para compreendermos esse processo, pretendemos analisar as produ??es dos autores supracitados, bem como estudos mais recentes, buscando perceber ou identificar neles uma tentativa de vincula??o do nome da fam?lia Albuquerque Maranh?o ? hist?ria do estado, o que acabou dando visibilidade a esse grupo, tornando-os personagens de destaque no cen?rio da hist?ria local, investindo-os de um car?ter monumental. Al?m da an?lise historiogr?fica, observaremos as modifica??es da paisagem urbana da cidade do Natal no in?cio do s?culo XX orquestradas por membros dessa fam?lia, que vincularam sua estirpe aos espa?os p?blicos de uma cidade nova e moderna. Por meio desse exame, teremos condi??es de perceber que tais pr?ticas acabaram se revelando como palco de disputas pol?ticas entre os Albuquerque Maranh?o e os grupos de oposi??o que ansiavam retir?-los tanto do centro das narrativas hist?ricas sobre o Rio Grande do Norte, bem como do espa?o pol?tico do estado, ambiente de dom?nio exclusivo desse grupo por quase vinte anos CNPQ::CIENCIAS HUMANAS::HISTORIA
6	Collective Consciousness: The Archaeology of Urbanization, Monumentalization, and Polis Formation in the Greek Apoikiai of Sicily from the Early Archaic to Early Classical Periods Moniz, Kaitlyn Marie 11 1900 (has links) Urbanization in the Sikeliot apoikiai was the catalyst to the creation and reinforcement of polis identity from soon after the point of initial settlement onwards. A main priority of the Greek settlers was to first layout the foundations for an urban grid, and within this grid to designate space for ritual practice, later monumentalized during the Archaic and Classical periods following the growth of the polis. A diachronic and geographical survey of urbanization and of the religious architecture, art, and votives dating to the Archaic and Classical periods illustrates this; this survey centers around seven major Greek settlements in Sicily: Naxos, Megara Hyblaea, Syracuse, Himera, Gela, Akragas, and Selinus. While the process of urbanization also occurred on the Greek mainland, it was not prior to the phenomenon taking place in Sicily, rendering the Sikeliot poleis simply as imitations of mainland poleis as once argued; rather urbanization in Sicily occurred over a timeline parallel to that of the mainland. The development of Sikeliot trends and even prototypes in temple architecture and urban planning confirm this in the material evidence. There is also no evidence of the apoikiai in Sicily ever adopting poliadic deities, a traditional quality of polis identity within mainland poleis. Their polis identities were not rooted in the cult practice of poliadic deities, but in cult practice itself, which fostered a collective consciousness among polis inhabitants by virtue of shared ritual practice, reinforced by the monumentalization of religious space; cult practice is what affirmed and reaffirmed their polis identity. / Thesis / Master of Arts (MA) Greek Archaeology Sicily apoikia urbanization polis formation polis identity monumentalization Greek West Archaic Period Classical Period Naxos Megara Hyblaea Syracuse Himera Gela Akragas Selinus Greek settlement polis
7	De brignatium à gesoriacum : les amers, les navires et les ports en mare externum sous l'empire Romain / From Brigantium to Gesoriacum : the Landmarks, the Boats and the Harbours in Mare Externum under the Roman Empire Delacroix, Barbara 08 December 2016 (has links) La navigation sur l’arc atlantique à l’époque romaine est un sujet immense qui pâtit encore trop souvent de l’avis sceptique de chercheurs obnubilés par la Méditerranée. Il a donc fallu détricoter le mythe de l’océan infranchissable par l’étude approfondie des éléments interdépendants constitutifs de la navigation fluvio-maritime et moteurs de l’économie de l’arc atlantique, à savoir : l’amer, le navire et le port. Aussi l’étude de l’organisation du commerce atlantique sur les voies fluviales et maritimes, de La Corogne à Boulogne-sur-Mer, a-t-elle abouti à l’établissement d’une typologie « atlantique » tripartite. / Navigation in the Atlantic arc – enlarged to the English Channel and the North Sea – in Roman period, is a vast topic that, too often, still suffers from the sceptical opinion of researchers obsessed with the Mediterranean. It has been necessary to unravel the myth of the impassable Ocean, by means of a deep study of the mutually dependent elements forming the maritime and fluvial navigation and driving force of the Atlantic arc economy: the landmark, the vessel and the harbour. Moreover, the study of the organization of the Atlantic trade through the maritime and fluvial routes, from A Coruña to Boulogne-sur-Mer, have result in the establishment of a three-party ‘Atlantic’ typology. Océan Atlantique Manche Mer du Nord Mer Cantabrique Amer Navire Estuaire Fleuve Hispanie Gaule Bretagne Germanie Phare Sancturaire Monumentalisation Navigation Barge Romano-celtique Port Commerce Route Itinéraire Limes Classis Ocean Atlantic English Channel North Sea Cantabrian Sea Estuary River Hispania Gallia Britannia Landmark Lighthouse Sanctuary Monumentalization Navigation Shipbuilding Vessel Barge Roman-Celtic Harbour Trade Route Itinerary Limes Classis
8	Mayská kultura v perspektivě antropologie turismu / Maya Culture in the Perspective of Anthropology of Tourism Součková, Kristina January 2017 (has links) My thesis is based on a broader context of theories and categories of tourism and touristic experiences elaborated by authors belonging to a comparatively new subdiscipline of social and cultural anthropology - the anthropology of tourism. I focus on Mexico, the area of my interest and a part of el Mundo Maya (Maya World) through the eyes of tourism categorization of Valene Smith (1989). I specify two distinct (but yet similar) anthropological fields - one being Riviera Maya with fieldwork in Cancún, Tulum and Chichén Itzá and the other one Ruta Maya with fieldwork in San Cristobal de las Casas and the village of Chamula. I focus on the area of a popular beachspot and adjacent Maya ruins as a destination of historical tourism and also on the area of Chiapas highlands with an authentic Maya village which is a popular destination of ethnic or more accurately cultural tourism. My work is about the process of construction of the (English speaking versus Spanish speaking) tourist image of ancient Maya and the Maya of today. The conclusion of my fieldwork helps me illustrate the term monumentalization of the Maya (Canclini, 2005) or inventing the great Maya through touristic artefacts, experience and travellers' guides. Key words Anthropology of tourism, Maya tourism, Tulum, Chichén Itzá, Cancún, San...

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