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Mumindalen, ett samhälle att ta lärdom av? : En kvalitativ litteraturanalys av muminböckerna utifrån det queerteoretiska perspektivet / The Moominvalley, a Society to Learn from? : A Qualitative Literature Analysis of the Moomin Books by the Queer Theoretical PerspectiveWalfridson, Ida January 2021 (has links)
The aim of the study is to find out how the characters of Moomin and their relationships to each other might be portrayed from a queer theoretical perspective, as well as how the Moomin characters deviates from normative ideas. The purpose is to gain knowledge of how and if the Moomin books can be used as an educational tool with children as part of the preschool’s work with values. A qualitative analysis has been used to investigate the original books of Moomin. The result of this study indicates that you can use the books of Moomin, due the fact of the variety and the diversity of characters as well as using the characters relationships with each other and to enable a discussion of norms and values. In the analysis the queer perspective was used to highlight characters who were perceived as deviant and not part of the norm. The results showed the possibility of using the books in a preschool’s work with values to encourage knowledge and understanding regarding the equality of all.
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"Ta det lugnt, här finns inga värre saker än vi själva" : En psykosyntetisk delpersonlighetsanalys av Tove Janssons muminsvit / "Take it easy, there are no worse things here than ourselves" : A psychosynthetic subpersonality analysis of Tove Jansson's Moomin novelsPetersdotter, Camilla January 2021 (has links)
The essay examines how characters in the Moomin novels change through relationships based on a psychosynthetic subpersonality analysis. This is a new perspective in the field of literature and therefore a solid theoretical basis in psychosynthesis is given and a presentation of my method which includes the concept of subpersonalities. Then three main constellations of characters that focus on Moomin, Sniff, Snufkin, Moominmamma, the Groke, Fillyjonk, Hemulen and Whomper Toft are analyzed. From my discussion it appears that the characters are types who each have their own way of being, thinking and feeling, and in this way Tove Jansson writes a whole where differences may exist. With my perspective, the light is directed towards how the characters integrate sides of each other and thereby develop. The results show that the characters change through the relationships between them, and that a synthesis in each constellation arises.
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