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The study explores the effectiveness of multimodality teaching using the 4MAT Model. A meta-analysis was conducted with empirical studies on instruction via multimodality teaching in preschool, K-12, and higher education. The studies in the meta-analysis involved an experimental and control group. The control group received traditional teaching lessons, and the experimental group received multimodality teaching. A text analysis was conducted to examine the trends in the advantages of the 4MAT model versus traditional methods. The literature review analyzed the cognitive theory of multimedia learning, advances in multimedia teaching effectiveness assessment, transforming traditional teaching through the 4MAT model, 4MAT model and learning, the importance of multimodality teaching, the origin of multimodality teaching, the 4MAT model, and multimodality teaching and student achievement. This research aimed to determine a better understanding and increase learning achievement by using the 4MAT model versus traditional teaching methods.

Studiens syfte är att få inblick i hur elgitarrlärare arbetar för att få sina elever att lära sig notskrift. I bakgrundskapitlet beskrivs tidigare forskning om notläsning och notskrift. Som teoretisk utgångspunkt används ett designteoretiskt perspektiv, vilket fokuserar på hur människor använder olika tecken för att designa sin kommunikation och sitt lärande. Studien vilar på en kvalitativ forskningsansats med videoobservation som metod. Sex elgitarrlärare på olika kulturskolor har videoobserverats. Det inspelade materialet har sedan transkriberats och analyserats med fokus på de teckenskapande resurser lärarna använder i sin undervisning. I resultatet framkommer att lärarna använder såväl tal, sång, kropp, instrument, musikaliska termer och ljudande bakgrunder för att undervisa traditionell notskrift och/eller tabulatur till eleverna. I diskussionen berörs två övergripande undervisningssätt som har lyfts fram hos lärarna: en traditionell notbunden och musikteoribaserad undervisning och en tabulatur- och gehörsbaserad undervisning. / The study aims to gain insight into how guitar teachers working to get their students to learn musical notation. In the background chapter, previous research in music reading and notation is shown. As a theoretical basis the design theory perspective is used, which focuses on how people use different characters to design their communication and learning. The study is based on a qualitative research with video observation as method. Six electric guitar teachers at different arts schools have been observed using video recording. The recorded material was then transcribed and analysed with a focus on the character-building resources teachers use in their teaching. The result shows that teachers use speech, voice, body, instrument, musical terms and sounding backing tracks to teach traditional music notation and/or tablature for students. In the discussion two comprehensive teaching methods that have been highlighted by the teachers is discussed: a traditional sight-reading and music theory based teaching and a tablature and ear based instruction.

Syftet med denna studie var att undersöka vilken effekt tillämpandet av auditiva intryck hade för elevers läsupplevelse. Detta undersöktes genom en experimentell studie som genomfördes tillsammans med elever i årskurs 3. Eleverna fick då, under observation, läsa en text med och utan ljud. Resultatet från observationerna användes sedan för att urskilja eventuella likheter och skillnader i elevernas läsning utifrån de olika tillvägagångssätten. I samband med dessa observationer genomfördes även intervjuer med några av de elever som deltog i undersökningen, för att därigenom skapa en tydligare bild av elevernas individuella upplevelser av läsningen samt för att kunna stärka, bekräfta eller förkasta de tendenser som framgick under observationerna. Resultatet visade tydliga tendenser av ett möjligt samband mellan elevernas läsupplevelse och tillämpandet av auditiva intryck under läsning, där majoriteten av eleverna fick bättre inlevelse och kunde koncentrera sig mer under läsning. / The purpose of this study was to investigate which effect the application of auditory impressions had for students’ reading experience. This was investigated by an experimental study conducted together with pupils from the third grade. Students were then, under observation, reading texts with and without sound. The results of the observations were then used to identify similarities and differences in the students’ reading abilities in the two different scenarios. In conjunction with these observations, interviews were conducted with some of the students who participated in the study in order to create a clearer picture of their individual experiences of reading, and to strengthen, confirm or reject the trends that emerged during the observations. The results clearly showed tendencies of a possible connection between the students' reading experience and the application of auditory impression in reading, where the majority of students had a better involvement and could concentrate more during reading.

This essay examines how textbooks in primary geography offer readers to make changes in perspective. As the title suggests, spatial/temporal awareness and understanding of social relations are seen as interconnected aspects of what changes in perspective is about. Two contemporary textbooks used in Swedish primary school are analyzed, as well as one written in 1893 by the Swedish reform educator Anna Whitlock. The analysis is made with tools from multimodal social semiotics and critical linguistics. Understanding didactics on a basis of curriculum theory, distinguishing varied offers of meaning is seen as an important basis for making decisions in didactic practice. The essay offers arguments to support that view. A historical perspective is used to illustrate constructions of school geography in our time. Attention is paid to how the text from the 1890s introduces spatiality by letting the reader relate to the physical world, while spatiality in the texts from the 2010s is framed by social relations. When differences between the contemporary textbooks are described, some specific design choices offering varied reader interactions are suggested being crucial for inclusions/exclusions of experiences and worldviews.

This thesis explores the use of multimodality to communicate retrieved results of Internet search engines. The investigation aimed to investigate suitable multimodal metaphors which would increase the level of usability of Internet search engine interfaces and enhance users` experience in the search activity. The study consisted of three experiments based on questionnaires and Internet search activities with a set of text-based and multimodal interfaces. These interfaces were implemented in two browsing platforms, named AVBRO and AVBRO II. In the first experiment, the efficiency of specific multimodal metaphors to communicate additional information of retrieved results was investigated. The experiment also sought to obtain users` views of these metaphors with a questionnaire. An experimental multimodal interface of the AVBRO platform, which communicated additional information with a combination of three 2D graphs and musical stimuli, was used as a basis for the experiment, together with the Google search engine. The results obtained led to the planning of a second experiment. The aim of this experiment was to obtain and compare the level of usability of four different experimental multimodal interfaces and one traditional text-based interface, all implemented in the AVBRO II platform. Effectiveness, efficiency and users` satisfaction were used as criteria to evaluate the usability of these interfaces. In the third and final experiment the usability analysis of a traditional text-based interface and the two most suitable experimental multimodal interfaces of the AVBRO II platform was further investigated. Learnability, errors rate, efficiency, memorability and users` satisfaction were used as criteria to evaluate the usability of these interfaces. The analysis of the results obtained from these experiments provided the basis for a set of design guidelines for the development of usable interfaces based on a multimodal approach.

Fluorescence lifetime imaging microscopy (FLIM) is a powerful technique to non-invasively map the physical and chemical environment within microfluidic devices. In this work FLIM has been used in conjunction with a variety of other techniques to provide a greater insight into flow behaviour and fluid properties at the microscale. The pH-sensitive fluorescent dyes, fluorescein and C-SNARF 1, have been used to generate pH maps of microfluidic devices with a time-gated camera and a time-and-space-correlated single photon counting (TSCSPC) detector, respectively. Using time-gated detection and fluorescein, the fluorescence lifetime images allow for direct reading of the pH. The relative contribution to fluorescence of the acid and basic forms of C-SNARF 1 was spatially resolved on the basis of pre-exponential factors, giving quantitative mapping of the pH in the microfluidic device. Three dimensional maps of solvent composition have been generated using 2-photon excitation FLIM (2PE-FLIM) in order to observe the importance of gravitational effects in microfluidic devices. Two fluidic systems have been studied: glycerol concentration in the microfluidic device was measured using Kiton red; water concentration in a methanolic solution was measured using ANS. The density mismatch between two solutions of different composition induced a rotation of the interface between two streams travelling side by side in a microchannel. The experiment has provided evidence of non-negligible gravitational effects in microflows. 2PE-FLIM has superior capability than methods used previously to assess similar phenomena. FLIM and micro-particle imaging velocimetry (μ-PIV) have been implemented on a custom-built open frame microscope and used simultaneously for multimodal mapping of fluid properties and flow characteristics. It has been shown that viscosity mismatch between two streams induces a non-constant advective transport across the channel and results in a flow profile that deviates from the usual Poiseuille profile, characteristic of pressure driven flow in microfluidic devices.

The purpose of this research is to examine ways that the instructional use of voluntary risk-taking and multimodality might decrease preservice elementary educators' artistic trepidation and assist them to reconceptualize elementary art education. The study investigates participant-reported impacts and insights, and inspects ways that participants utilize multimodality during course assignments. This qualitative action research study was conducted in a semester-long arts methods and materials course with 23 participants who were university preservice elementary education students. Data were collected during instruction through open-ended questionnaires, researcher fieldnotes, participant fieldnotes, course culmination projects, participant artwork, written reflections, and participant-created elementary art lesson plans. A hybrid theoretical construct utilized both multimodal and reconceptualist theories. Participant self-reported comfort ratings during the study indicate increased artistic comfort in both making art and teaching art after instruction. Findings from the study suggest the need for educators to focus on arts integration during course instruction and to address the art apprehension held by some preservice elementary educators. Insights shared confirm that recognizing preservice elementary educators' multimodal skills contributes to educational possibilities for their own future instructional practice. By facilitating voluntary risk-taking and multimodality opportunities during the teaching of art education to preservice elementary educators, this study contributes to scholarship about successful instructional strategies and the importance of contemporary arts methods.