Narrative analysis, a form of narrative inquiry, uses stories to frame and describe how people interpret and construct the meanings of their lives. Stories connect us with our past, help us to understand our present, and offer vision of possible futures. People live and create their lives through the stories they see, hear, tell, internalize, and hope for. The interpretation of narrative is not about certainties or standards, but rather about the multiplicity of perspectives and possibilities that can be constructed to make experience understandable. Critical interpretation of narrative can thus be a transformative process; a process being so crucial to the health of adolescent girls in Western culture. This study explores how four adolescent girls, and one researcher, together, interpreted and constructed the meanings of their bodies. The journey connects the researcher's struggle to find more democratic and empowering forms of inquiry, with the stories four eighth grade girls, diverse in race, social class, religion, and skin color, tell about how they experience and see their bodies in culture, in relation to others, and as them selves. All four girls are learning to create and desire an "image" of an ideal woman, and thus are beginning to objectify their bodies to be "looked at" by others. Image was a predominant interpretive frame for constructing meaning of the body for all four girls. Yet race, particularly visual racial representations, was also a predominant interpretive frame for the two African American, and one African American-Indian girls. / Ph. D.

<p><strong>Abstract</strong></p><p>With the murder of Fadime in 2002 honor killings and honour related oppression became a subject of wide public debate. The question was raised whether the Swedish social services had the knowledge and the resources necessary to face the issue with honor related oppression.</p><p>This study is about the views on honor related oppression among oppressed women and professional social workers and aims to explore the relationship between social worker and client in an honor related context. Does the risk of culture clashes pose a problem in dealing with the Swedish authorities and do Swedish social workers have the necessary tools to help the, often young, oppressed women that seek their aid? This is a qualitative study based on five individual interviews: Two former victims of honour related oppression, two professional social workers and one relative of a young girl who was the victim of an honor killing.</p><p>Observations:</p><ul><li>The social workers found that they had adequate resources at hand but that awareness among employees in the social services needed to be improved.</li><li>The clients felt that the help they’ve received from the social services was helpful but that more information to the public about available resources was necessary along with a better understanding of the differences between their own culture and that of the Swedish society. </li><li>The clients expressed that the realization that they were being oppressed didn’t come overnight. Living under strict moral guidelines meant that you simply had to adapt in order to stay in the family. Strong family ties also made the separation harder even if it came out of necessity.</li></ul><p><em> </em></p><p> </p><p><em> </em></p>

Abstract With the murder of Fadime in 2002 honor killings and honour related oppression became a subject of wide public debate. The question was raised whether the Swedish social services had the knowledge and the resources necessary to face the issue with honor related oppression. This study is about the views on honor related oppression among oppressed women and professional social workers and aims to explore the relationship between social worker and client in an honor related context. Does the risk of culture clashes pose a problem in dealing with the Swedish authorities and do Swedish social workers have the necessary tools to help the, often young, oppressed women that seek their aid? This is a qualitative study based on five individual interviews: Two former victims of honour related oppression, two professional social workers and one relative of a young girl who was the victim of an honor killing. Observations: The social workers found that they had adequate resources at hand but that awareness among employees in the social services needed to be improved. The clients felt that the help they’ve received from the social services was helpful but that more information to the public about available resources was necessary along with a better understanding of the differences between their own culture and that of the Swedish society. The clients expressed that the realization that they were being oppressed didn’t come overnight. Living under strict moral guidelines meant that you simply had to adapt in order to stay in the family. Strong family ties also made the separation harder even if it came out of necessity.

Thesis (M. A.(English Studies)) --University of Limpopo, 2016 / The primary aim of this study is to examine the oppression and repression of African women through the collusion of indigenous African patriarchy and colonial, imperialist values. The selected novels are Nervous Conditions (1988) and God’s Bits of Wood (1960) by Tsitsi Dangarembga and Sembene Ousmane, respectively. The study focuses on the roles played by both African and European values in the class, gender and racial oppression of African women. Using the theoretical frameworks of Marxism and Feminism, the study evaluates issues of women’s oppression, repression and marginalisation. The selected literary texts are closely analysed with a view to exploring and establishing the nature and form of African women’s multiple oppressions through the connivance between African patriarchy and European colonial hegemonic norms. Lastly, the study aims to contribute to the existing body of knowledge on the topical issue of African women’s oppression. Keywords: Colonial values; African patriarchy; Hegemonic norms; Oppression; Oppression; Marginalisation; Collaboration; Women and the girl child

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Background: Fat people are subjected to oppression including medical “obesity” rhetoric and fat discrimination which may affect their ability to experience an embodied relationship with their bodies. Aims: The aim of this study was to discover how self-identified fat female-bodied people understand their relationship with their bodies. Methods: Six participants were recruited for semi-structured interviews which were then analyzed in a constant comparative method. Findings: Five themes emerged from the data: dehumanization, acceptance of (the fat) body, empowerment, resistance, and dis<-->embodiment. Relationship with (the fat) body was identified by the participants as fraught with tension in a context that involves considering the positionality of “non-normative’ bodies, the value and importance of community, and a high degree of effort. / Thesis / Master of Social Work (MSW)

Caryl Churchill, the most widely performed female dramatist in contemporary British theatre, is a playwright preoccupied with the dissection of the traditional relations of power. She challenges social and dramatic conventions through her innovative exploration of the male gaze, the objectification of women, the performativity of gender, and women as objects of exchange within a masculine economy. In so doing, Churchill locates her concerns in the area of `materialism and gender'. Churchill explicates a socialist-feminist position by pointing directly at the failure of liberal feminism. The lack of a sense of community among women, highlighted by Churchill's portrayal of women such as Marlene in `Top Girls', forms a critical aspect of Churchill's work. Her drama re-iterates how meaningful change is impossible while women continue to oppress one another, and while economic structures perpetuate patriarchy. Altered consciousness, aligned to socio-political re-structuring, is necessary for both the oppressors and the oppressed, in a society where too much emphasis has been placed on individualism. The outspoken hope for a transgression of the conventional processes of identification and other omnipresent, oppressive socio-political phenomena, is a strong aspect of Churchill's work. Her plays reveal how signs create reality rather than reflect it, and she uses Brechtian-based distancing methods to induce a critical examination of gendered relations. Time-shifting, overlapping dialogue, doubling and cross-casting are used by Churchill to manipulate the sign-systems of the dominant order. Cross-gender casting, Churchill's most widely reviewed dramatic device, is employed to destabilise fixed sexual identities determined by dominant heterosexual ideology. She calls into question the traditional sign `Woman' - which is constructed by and for the male gaze - and addresses the marginality of the female experience in a non-linear framework. Although dealing with serious issues, Churchill's plays are often executed in a style that is at once amusing and thought-provoking to exclude the possibility of didacticism. With her skilful use of language and innovative techniques as her highly effective instruments, Churchill accomplishes her broader purpose with originality. In its originality and complexity, her drama is in itself a `new possibility' for different forms. / English Studies / M. A. (English)

Caryl Churchill, the most widely performed female dramatist in contemporary British theatre, is a playwright preoccupied with the dissection of the traditional relations of power. She challenges social and dramatic conventions through her innovative exploration of the male gaze, the objectification of women, the performativity of gender, and women as objects of exchange within a masculine economy. In so doing, Churchill locates her concerns in the area of `materialism and gender'. Churchill explicates a socialist-feminist position by pointing directly at the failure of liberal feminism. The lack of a sense of community among women, highlighted by Churchill's portrayal of women such as Marlene in `Top Girls', forms a critical aspect of Churchill's work. Her drama re-iterates how meaningful change is impossible while women continue to oppress one another, and while economic structures perpetuate patriarchy. Altered consciousness, aligned to socio-political re-structuring, is necessary for both the oppressors and the oppressed, in a society where too much emphasis has been placed on individualism. The outspoken hope for a transgression of the conventional processes of identification and other omnipresent, oppressive socio-political phenomena, is a strong aspect of Churchill's work. Her plays reveal how signs create reality rather than reflect it, and she uses Brechtian-based distancing methods to induce a critical examination of gendered relations. Time-shifting, overlapping dialogue, doubling and cross-casting are used by Churchill to manipulate the sign-systems of the dominant order. Cross-gender casting, Churchill's most widely reviewed dramatic device, is employed to destabilise fixed sexual identities determined by dominant heterosexual ideology. She calls into question the traditional sign `Woman' - which is constructed by and for the male gaze - and addresses the marginality of the female experience in a non-linear framework. Although dealing with serious issues, Churchill's plays are often executed in a style that is at once amusing and thought-provoking to exclude the possibility of didacticism. With her skilful use of language and innovative techniques as her highly effective instruments, Churchill accomplishes her broader purpose with originality. In its originality and complexity, her drama is in itself a `new possibility' for different forms. / English Studies / M. A. (English)

Cette thèse porte sur le phénomène de la mobilisation de personnes en situation de pauvreté et d’exclusion dans un acteur collectif existant et à travers les espaces collectifs privilégiés que constituent les organismes communautaires. Elle est composée de trois chapitres. La problématique et l’objet d’étude forment le premier, la méthodologie est présentée dans le deuxième alors que les résultats de recherche, combinés à leur analyse et à leur interprétation, constituent le troisième chapitre. La discussion générale des résultats est incluse dans la conclusion. La particularité de cette thèse réside dans l’appréhension globale du phénomène de la mobilisation, l’examinant dans le contexte spécifique de la pauvreté et de l’exclusion en tant qu’oppressions structurelles, et dans la perspective du développement du pouvoir d’agir (empowerment). Considérant que la mobilisation est le fruit de l’amalgame entre un acteur collectif et une action collective, cette recherche apporte d’abord une nouvelle compréhension de l’espace dans lequel se développe le processus de mobilisation. Elle propose en effet une distinction novatrice entre d’une part l’acteur collectif, entité relativement floue et diffuse, et d’autre part l’organisme communautaire en tant que tel, entité aux frontières bien définies, lequel fournit un espace collectif privilégié pour le développement de la mobilisation. Cette différenciation contribue notamment à mieux appréhender les processus qui s’y déroulent et à mieux cerner le rôle que peuvent jouer les organismes communautaires à cet égard. En examinant finement et avec un grand souci du détail le processus de mobilisation vécu par les individus, de leur premier contact avec un organisme communautaire à leur engagement avec un acteur collectif existant, cette recherche propose une nouvelle construction théorique à propos d’une réalité courante, mais peu explorée jusqu’à aujourd’hui, et fournit des pistes pour accompagner le plus adéquatement possible de tels processus. En se centrant sur les aspects individuels de la mobilisation sans pour autant occulter son caractère intrinsèquement collectif, cette thèse contribue à rendre encore plus explicite la nécessaire intégration entre le personnel et le collectif dans l’appréhension des problèmes sociaux, et permet d’en saisir les nombreux effets sur le plan individuel, spécialement en ce qui a trait à la restauration du statut d’acteur. En plus de démontrer clairement les liens existants entre les processus de mobilisation et de développement du pouvoir d’agir individuel et collectif, cette thèse met en évidence les principales pratiques communautaires qui y contribuent et soulève les principaux défis et les contradictions qui y sont associées. Ce faisant, elle nous semble apporter une contribution au renouvellement des pratiques sociales et communautaires. / This thesis studied the phenomenon of the mobilization of people living in poverty and social exclusion within an existing collective actor and throughout the privileged collective spaces that community organizations comprise. It has three chapters. The first discusses the field of study and the research problem, the second describes the research methodology and the third presents the research results, their analysis and their interpretation. A general discussion of the study’s findings is included in the conclusion. The thesis is unique in its global consideration of the phenomenon of mobilization, examined within the specific context of poverty and social exclusion conceived as structural oppressions as well as from an empowerment perspective. Considering that mobilization results from the amalgamation of a collective actor with a collective action, this thesis brings forth a new understanding of the space in which a mobilization process develops. Indeed, it proposes an innovative distinction between a collective actor, a relatively vague and diffuse entity, and a community organization as such, an entity with well defined borders, that provides a privileged collective space for the development of mobilization. This distinction, in turn, allows for a better grasp of the processes involved and of the role that community organizations can play within them. Based on a thorough and considerably detailed examination of the mobilization process that individuals go through from their first contact with a community organisation to their engagement within an existing collective actor, this research then proposes a new theoretical construct for this current but seldom explored reality and suggests the most adequate avenues for the accompaniment of such processes. Focused on the individual aspects of mobilization and without losing sight of its intrinsically collective character, this thesis reinforces even more explicitly the necessary integration of personal and collective phenomena in the investigation of social problems, and sheds light on the various effects that occur on the individual level, especially regarding the restoration of one’s standing as a social actor. On top of clearly illustrating the links between the process of mobilization and that of individual and collective empowerment, this thesis emphasizes the principal community practices that contribute to them and underscores the main challenges and contradictions associated with them. In this way, it seeks to contribute to the renewal of social and community practices.

Cette thèse porte sur le phénomène de la mobilisation de personnes en situation de pauvreté et d’exclusion dans un acteur collectif existant et à travers les espaces collectifs privilégiés que constituent les organismes communautaires. Elle est composée de trois chapitres. La problématique et l’objet d’étude forment le premier, la méthodologie est présentée dans le deuxième alors que les résultats de recherche, combinés à leur analyse et à leur interprétation, constituent le troisième chapitre. La discussion générale des résultats est incluse dans la conclusion. La particularité de cette thèse réside dans l’appréhension globale du phénomène de la mobilisation, l’examinant dans le contexte spécifique de la pauvreté et de l’exclusion en tant qu’oppressions structurelles, et dans la perspective du développement du pouvoir d’agir (empowerment). Considérant que la mobilisation est le fruit de l’amalgame entre un acteur collectif et une action collective, cette recherche apporte d’abord une nouvelle compréhension de l’espace dans lequel se développe le processus de mobilisation. Elle propose en effet une distinction novatrice entre d’une part l’acteur collectif, entité relativement floue et diffuse, et d’autre part l’organisme communautaire en tant que tel, entité aux frontières bien définies, lequel fournit un espace collectif privilégié pour le développement de la mobilisation. Cette différenciation contribue notamment à mieux appréhender les processus qui s’y déroulent et à mieux cerner le rôle que peuvent jouer les organismes communautaires à cet égard. En examinant finement et avec un grand souci du détail le processus de mobilisation vécu par les individus, de leur premier contact avec un organisme communautaire à leur engagement avec un acteur collectif existant, cette recherche propose une nouvelle construction théorique à propos d’une réalité courante, mais peu explorée jusqu’à aujourd’hui, et fournit des pistes pour accompagner le plus adéquatement possible de tels processus. En se centrant sur les aspects individuels de la mobilisation sans pour autant occulter son caractère intrinsèquement collectif, cette thèse contribue à rendre encore plus explicite la nécessaire intégration entre le personnel et le collectif dans l’appréhension des problèmes sociaux, et permet d’en saisir les nombreux effets sur le plan individuel, spécialement en ce qui a trait à la restauration du statut d’acteur. En plus de démontrer clairement les liens existants entre les processus de mobilisation et de développement du pouvoir d’agir individuel et collectif, cette thèse met en évidence les principales pratiques communautaires qui y contribuent et soulève les principaux défis et les contradictions qui y sont associées. Ce faisant, elle nous semble apporter une contribution au renouvellement des pratiques sociales et communautaires. / This thesis studied the phenomenon of the mobilization of people living in poverty and social exclusion within an existing collective actor and throughout the privileged collective spaces that community organizations comprise. It has three chapters. The first discusses the field of study and the research problem, the second describes the research methodology and the third presents the research results, their analysis and their interpretation. A general discussion of the study’s findings is included in the conclusion. The thesis is unique in its global consideration of the phenomenon of mobilization, examined within the specific context of poverty and social exclusion conceived as structural oppressions as well as from an empowerment perspective. Considering that mobilization results from the amalgamation of a collective actor with a collective action, this thesis brings forth a new understanding of the space in which a mobilization process develops. Indeed, it proposes an innovative distinction between a collective actor, a relatively vague and diffuse entity, and a community organization as such, an entity with well defined borders, that provides a privileged collective space for the development of mobilization. This distinction, in turn, allows for a better grasp of the processes involved and of the role that community organizations can play within them. Based on a thorough and considerably detailed examination of the mobilization process that individuals go through from their first contact with a community organisation to their engagement within an existing collective actor, this research then proposes a new theoretical construct for this current but seldom explored reality and suggests the most adequate avenues for the accompaniment of such processes. Focused on the individual aspects of mobilization and without losing sight of its intrinsically collective character, this thesis reinforces even more explicitly the necessary integration of personal and collective phenomena in the investigation of social problems, and sheds light on the various effects that occur on the individual level, especially regarding the restoration of one’s standing as a social actor. On top of clearly illustrating the links between the process of mobilization and that of individual and collective empowerment, this thesis emphasizes the principal community practices that contribute to them and underscores the main challenges and contradictions associated with them. In this way, it seeks to contribute to the renewal of social and community practices.