This doctoral dissertation is an intellectual biography which discusses the projects and utopian visions of Paul Otlet (1868-1944). Paul Otlet formulated the concept of ‘documentation’, a field incorporating both study and practice that evolved out of bibliography before developing into information science. He was also a sociologist, an internationalist and indefatigable promoter of his conception of ‘universalism’ or ‘mondialism’, and of the Mundaneum and the Cité Mondiale. The major source that is used to throw new light on Otlet as a utopian thinker is an impressive collection of thousands of unpublished schemas. By means of an historical analysis of his schemas and writings, this thesis aims to identify the fundamental universalistic character of his utopian vision of knowledge organization and international organization. Universalism was a phenomenon incorporating complex personal ideals and social objectives, assuming different meanings in the fields of science, culture and politics, and reflecting the historical circumstances and undertakings of the time. By exploring how Paul Otlet and others dealt with the issue, this dissertation aims to contribute to the history of the idea of ‘universalism’. / info:eu-repo/semantics/nonPublished

This thesis investigates the relationship between architecture, Romanticism, American Transcendentalism, myth, and religious mysticism in the ideas of the American architect, Louis Kahn. Part One builds a chronology from Hermeticism and Jewish mysticisms into German Romanticism and how they played a role in the world of Kahn's parents shortly before his birth. The first chapter looks at mysticism and how it resonates with Kahn's descriptions of silence and light. The second chapter outlines the transition from rational aesthetics during the German Enlightenment into German Romanticism. This exposes the beginning of organicism as a way of seeing the world as a growth from a mythic image towards a physical manifestation made by artists and poets. In chapter three, the ideas from Romanticism inspire a philosophical and political movement for independence and cultural expression in the native region of Kahn's parents. Part Two concentrates on the American approach to Romanticism via Transcendentalism and how Transcendentalism influenced Kahn's childhood education in Philadelphia. It shows how the ideas of German Romanticism influenced English literature and criticism, especially Coleridge's theories of organicism and literary criticism. Chapter four presents how the American Transcendentalists correlated the mind and imagination to an organism. In chapter five, we see how Transcendentalism's aesthetic theory influenced the Public Industrial Arts School of Philadelphia's approach to teaching art. Louis Kahn attended this school. The final chapter deciphers Kahn's ideas, such as â form and design,â â material as spent light,â â measurable and unmeasurable,â â law and rule,â â order,â and â nature.â Within the framework of Romanticism and American Transcendentalism, these ideas become intelligible and an enriching approach to understand his architecture. / Master of Science

Karl-Birger Blomdahl (1916-1968) and Ingvar Lidholm (1921- ) were two leading figures in modern Swedish music. While studying in Stockholm they created a study circle known as the Monday Group. Regarded as anti-romanticists, Blomdahl and Lidholm revitalized musical creation by prioritizing compositional technique (as in hantverk, i.e. craft), melodic line and Gestalt concepts such as organicism. Following a study of this shared historical, aesthetic and theoretical framework, this thesis proposes a detailed analysis of thirty works by Blomdahl and Lidholm, dating from the 1940s. Based on the initial aesthetic and theoretical context and also on the theories of Schenker and Meyer, the analytical method used enables a graphical and textual representation of the compositional coherence and dynamic of the respective works. This thesis establishes the essential melodic, tonal and organic divergences in the musical languages of Blomdahl and Lidholm. Additionally, this thesis shows that the notions of linearity, dissonance and counterpoint have a deeper significance in Blomdahl’s and Lidholm’s respective musical languages than is to be found in many texts dating from this period. Finally, this thesis highlights aesthetic and compositional components that significantly invigorate modern music in Sweden.

Early antebellum defenders of slavery acknowledged that slavery created problems for southern society. They contended, however, that slave society was better and more natural than other forms of social organization. Thomas R. Dew, William Harper, and James Henry Hammond each expressed a social philosophy in which slavery had a crucial role in preserving social order. They argued from the basis of social organicism, the idea that society should have an elite that controlled the masses. For all three men, slavery represented a system of order that helped balance the dangers of democracy. Significantly, however, all three men recognized that the slave system was not perfect, and despite their defense of slavery, argued that it was a human institution and therefore corruptible.

Le modèle réformiste de la Constitution de l’Angleterre a intellectuellement dominé la France du XIXe siècle. Synthèse des aspirations françaises visant la stabilité politique, cette représentation mêle un historicisme de l’accomplissement libéral du gouvernement représentatif et une adhésion à la légitimation coutumière de l’innovation. Elle procède d’un jeu de projections contradictoires sur la Constitution anglaise. D’une part, les libéraux romantiques identifient dans ses institutions, les conditions propres à préserver l’individu des abus du pouvoir et à permettre le développement de la démocratie. D’autre part, les traditionalistes perçoivent dans la continuité historique de l’Angleterre, les bienfaits structurants de la hiérarchie sociale et de la liberté aristocratique. Plus particulièrement, les Doctrinaires décèlent, dans la morphologie civilisationnelle de l’Angleterre, une société déployant la liberté dans l’ordre. C’est dans le parlementarisme, produit historique de l’évolution institutionnelle anglaise, que la doctrine politique finit par identifier le régime politique susceptible de clore les tensions révolutionnaires françaises. Pensé comme une matrice libératrice des énergies individuelles et conservatrice de l’ordre politique et social, il dépossède le chef de l’Etat de son pouvoir personnel, dans la mesure où il le rend irresponsable. En outre, il consacre le règne de l’opinion publique par la prédominance de la chambre élective et par la reconnaissance de la responsabilité politique des ministres. Enfin, il encadre l’action politique par les usages historiques hérités de la monarchie représentative. Fondé sur un projet politique, le parlementarisme français donne corps à une philosophie prudentielle du droit constitutionnel. Celle-ci conçoit la constitution comme un cadre institutionnel au sein duquel l’agir politique doit pouvoir adapter la société à son stade de développement historique. Le laconisme des Lois constitutionnelles de la Troisième République témoigne de l’enracinement de ce réformisme constitutionnel. Plus qu’un compromis politique de circonstances, il cristallise en effet une politique constitutionnelle libérale et conservatrice. Ce travail entend montrer qu’elle résulte de la modélisation française de la Constitution anglaise au XIXe siècle. / The reformist model of the English Constitution was intellectually predominant in nineteenth century France. As a synthesis of French yearnings for political stability, this representation historicises the liberal achievement of representative government and endorses the legitimacy of innovation through custom. It results from contradictory visualisations of the English Constitution. On the one hand, romantic liberals identify in its institutions the necessary elements to protect individuals from abuses of power and to allow the development of democracy. On the other hand, traditionalists perceive in England’s historical continuity the structuring benefits of social hierarchy and aristocratic freedom. More particularly, French Doctrinaires see through the morphology of the English civilization a society that secures freedom within order. French thinkers recognise in parliamentarism, as a product of England’s institutional evolution, the political regime capable of putting an end to French revolutionary tensions. As a mould that both liberates the energies of individuals and protects the political and social order, it renders the Head of State irresponsible and thus strips him of personal powers. Furthermore, it establishes the reign of public opinion through the superiority of the elected chamber and the recognition of government responsibility. Finally, it disciplines political action through the historical practices inherited from representative monarchy. Based on a political project, parliamentary government in France gives substance to a prudential philosophy of constitutional law. This philosophy views the constitution as an institutional framework within which political action must be able to adapt society to its historical phase of development. The laconism of the constitutional laws of the Third Republic reflects this constitutional reformism. Rather than a circumstantial political compromise, it crystallizes a liberal and conservative constitutional policy. The present study aims to show that it is the result of how the English Constitution has been modeled in France during the nineteenth century.

<p>I argue in my dissertation that the Marxist ethical claim against capitalism could be bolstered through: 1) a recognition of the inaccurate human ontology that capitalist theories of entitlement presuppose, 2) a reconceptualization and replacement of that old paradigm of human ontology with a concept that I call “organicism” and 3) a normative argument for why this new paradigm of human ontology necessitates a new political economy and a new way of structuring society. I use the debate between Robert Nozick and G.A. Cohen as a launching point for my case.</p> <p><br></p> <p>In his book, <i>Self-Ownership, Freedom, and Equality</i>, G.A. Cohen argues that Robert Nozick’s “entitlement theory” is unable to produce the robust sense of freedom that libertarians and capitalist proponents aggrandize. According to Cohen, the reason for this is due to the limitations and consistency errors produced by the libertarian adherence to the “self-ownership principle.” (the moral/natural right that a person is the sole proprietor of their own body and life). Namely, that the pale freedom that the proletariat enjoys within capitalism is inconsistent with the Libertarian’s own standard for freedom. So, Cohen argues for the elimination of the self-ownership principle. My project picks up where Cohen’s leaves off, claiming that the consistency errors don’t lie in entitlement theory’s use of the self-ownership principle (it is important that we don’t throw out the baby with the bathwater). Rather, the errors lie in the principle’s metaphysics - specifically in the ontology of the human being. The self-ownership principle is only faulty because it presupposes an impossible self. I show that entitlement theory heedlessly presupposes the self (or a human ontology) as a “rational, autonomous, individual.” I then deconstruct each of these three features (rationality, autonomy, and individuality) to show that this picture of the human being is not necessarily incorrect, but it is incomplete.</p> <p><br></p> <p>Although we are indeed rational, autonomous, individual creatures, these are only emergent characteristics that merely arise after the organic and socially interconnected aspects of our selves are nurtured. I encompass these latter features of our selves under the heading: “organicism”. So, my contribution is to provide a different ontological foundation of the human being – “organicism” – to replace the Enlightenment grown: “rational, autonomous, individual”. I draw heavily from Karl Marx’s philosophical anthropology, and G.W.F. Hegel’s theory of the unfolding of Geist/Spirit, with a little inspiration from Aristotle and ecological theory to construct “organicism” – a pancorporealist, naturalistic materialism. It is the theory that the human being is, in essence, an organic creature, inseparable from nature, but <i>through </i>the nurturing of these material, organic, symbiotic relationships (with other humans and with the ecosystem) that these “super”-natural capacities of rationality and autonomy arise along with and because of a <i>full</i> self-consciousness.</p> <p><br></p> <p>Finally, I infer the normative implications of this ontology of subjectivity. This organicist conception of the self has transformational effects on our notions of property and the way we structure society. So, I contend that organicist ontology then serves as the foundation for a normative theory of political economy that sees the flourishing or health (broadly speaking) of the organicist human as the primary ethical goal. I speculate on an alternative political economy that can provide the robust sense of freedom that Nozick’s entitlement theory (capitalism) was lacking because it actually produces the <i>conditions</i> necessary for rationality, autonomy and individual freedom.</p>

Between 1960 and 1992, American artist George Tsutakawa (1910 – 1997) created more than sixty fountain sculptures for publicly accessible sites in the U.S., Canada, and Japan. The vast majority were made by shaping sheet bronze into geometric and organically inspired abstract forms, often arranged around a vertical axis. Though postwar modernist artistic production and the issues it raises have been widely interrogated since the 1970s, and public art has been a major area of study since about 1980, Tsutakawa's fountains present a major intervention in North America's urban fabric that is not well-documented and remains almost completely untheorized. In addition to playing a key role in Seattle's development as an internationally recognized leader in public art, my dissertation argues that these works provide early evidence of a linked concern with nature and spirituality that has come to be understood as characteristic of the Pacific Northwest. Tsutakawa was born in Seattle, but raised and educated primarily in Japan prior to training as an artist at the University of Washington, then teaching in UW's Schools of Art and Architecture. His complicated personal history, which in World War II included being drafted into the U.S. army, while family members were interned and their property confiscated, led art historian Gervais Reed to declare that Tsutakawa was aligned with neither Japan nor America – that he and his art existed somewhere in-between. There is much truth in Reed's statement; however, artistically, such dualistic assessments deny the rich interplay of cultural allusions in Tsutakawa's fountains. Major inspirations included the Cubist sculpture of Alexander Archipenko, Himalayan stone cairns, Japanese heraldic emblems, First Nations carvings, and Bauhaus theory. Focusing on the early commissions, completed during the 1960s, my study examines the artist's debts to intercultural networks of artistic exchange – between North America, Asia, and Europe – operative in the early and mid-twentieth century, and in some cases before. I argue that, with his fountain sculptures, this Japanese American artist sought to integrate and balance such binaries as nature/culture, intuition/reason, and spiritual/material, which have long served to support the construction of East and West as opposed conceptual categories. / Graduate