Cette thèse analyse les causes profondes du sous-développement et des inégalités de genre en Afrique Sub-Saharienne. Le premier chapitre teste empiriquement l’hypothèse de Engels (1884) selon laquelle l’origine des inégalités de genre en Afrique serait la domestication historique des bovins. Pour résoudre les problèmes de biais d’endogenéités dans le choix de la domestication des bovins, j’adopte la stratégie des variables instrumentales en exploitant les facteurs géo-climatiques qui prédisent les terres les plus adaptées pour l’élevage des bovins. Les résultats des analyses montrent que les sociétés qui ont historiquement domestiquées les bovins ont eu plus d’inégalités de genre qui persistent jusqu’aujourd’hui. Le deuxième chapitre est co-écrit avec Raphael Godefroy et Joshua Lewis. Dans ce chapitre, nous analysons les effets de court et long termes de la grande peste bovine survenue en Afrique dans les années 1890. Nous utilisons la méthode des doubles différences combinant les différences entre les terres favorables pour l’élevage des bovins et les conditions climatiques contemporaines. Notre étude montre que les sociétés les plus touchées par la peste bovine sont moins peuplés et ont moins de bovins, de plus les descendants de ces sociétés sont aujourd’hui les plus pauvres. Le dernier chapitre analyse comment le genre des frères et sœurs influence l’âge au mariage des femmes. Les analyses basées sur le sexe du deuxième enfant révèlent que les femmes qui ont une petite sœur se marient plus tôt, ont plus d’enfants et sont moins éduquées. Les effets sont plus accentués dans les groupes ethniques qui utilisent la dot comme norme culturelle du mariage. / This dissertation investigates the deep roots of differences in gender roles and development across societies in Sub-Saharan Africa. Chapter 1 examines the deep origins of differences in gender roles in Africa. I test empirically Engels (1884) hypothesis, that the origin of differences in gender roles in Africa was the historical domestication of cattle. To address potential endogeneity in historical cattle adoption, I adopt an instrumental variables approach that leverages geo-climatic factors affecting the suitability of lands for cattle-raising. I find empirical support for Engels (1884) hypothesis. Further, the results show that these differences in gender roles have persisted to present day. In chapter 2, which is co-authored with Raphael Godefroy and Joshua Lewis, we study the short- and long-run consequences of the 1890s African Rinderpest Epizoodic. We adopt a difference-in-differences strategy that combines differences across ethnic homelands in cattle-suitability with contemporaneous local drought conditions to identify ethnic groups that were more or less exposed to the outbreak. We find that the societies exposed to rinderpest experienced relative decreases in cattle-ownership in the decades after the outbreak. We uncover large relative long-run decreases in wealth among descendants of affected ethnic groups. These persistent economic losses appear to be partially driven by distressed migration. In chapter 3, I investigate how sibling gender composition affects women’s transition to first marriage in sub-Saharan Africa. To address potential endogeneity in the final sibling gender composition, I exploit the random assignment of the second child’s gender in household with at least two children. I find that female with a younger sister get married younger, with negative consequences for her education and literacy. The effects are stronger within countries that traditionally pay bride price at marriage.

This study focusses on the missiological response of the Pamodzi Free Methodist Church to the plight of orphans and vulnerable children (OVCs), specifically girl children in the Kawama Township in the Republic of Zambia. The major question to answer was “How can the cultural and biblical heritage of hospitality help the church particularly the Pamodzi Free Methodist Church to respond to the problems of OVCs, particularly girl children as victims of urban problems?” The study discovered that forces such as poverty, HIV/AIDS, child abuse, family breakdown, cultural beliefs and practices as well as a lack of care from the extended family have contributed to the vulnerability of OVCs. It recommends that the members of God’s household should have a mandate to restore the dignity and identity of OVCs in a holistic manner by linking the biblical and traditional values of hospitality as well as to develop intervention measures in order to meet the felt needs of OVCs. / Christian Spirituality, Church History and Missiology / M. Th. (Missiology)

No description available.

Ecofeminism perceives an interconnection between the domination of women and poor people, and the domination of nature. This domination is founded on modern, Western, patriarchal, dualised structures, which subordinate all considered as "the other" compared to the superior masculine archetype. Hence, all feminine is seen as inferior and may therefore be exploited. This is presently manifested in the neo-liberal economic development ideal. Its global penetration generates huge economic profits, which are reaped by Northern and Southern elites, while its devastating crises of poverty, violence, environmental destruction, and human rights abuses makes life increasingly unmanageable for Southern women, poor people and nature. Feminism and ecology have therefore come together aiming at liberating women, poor people and nature. They want to change the dualised, reductionist perception of reality into a holistic cosmology. Ecofeminism consequently aims to integrate the concerns of women, poor people and nature into development. / Development Studies / M.A. (Development Studies)

The Dominican Sisters of St Catharine of Siena arrived in South Africa in 1877. White women joined the congregation. In 1928 the first black woman entered the congregation but because of the policies affecting the different race groups in South Africa, the full integration of black and coloured women was not achieved until 1983. Chapter 1 introduces the topic of the integration of the black and coloured sisters. Chapter 2 traces the origin of the congregation and looks at its development. A brief overview of the story of the black sisters is given in Chapter 3. In the next chapter archival sources are used to understand what happened. Interviews that were conducted with some of the sisters involved in the story are given in Chapter 5. In Chapter 6 there is a look at the current situation and some of the implications for the future as the process of integration continues. / Philosophy, Practical and Systematic Theology / M. Th. (Systematic Theology)

Ecofeminism perceives an interconnection between the domination of women and poor people, and the domination of nature. This domination is founded on modern, Western, patriarchal, dualised structures, which subordinate all considered as "the other" compared to the superior masculine archetype. Hence, all feminine is seen as inferior and may therefore be exploited. This is presently manifested in the neo-liberal economic development ideal. Its global penetration generates huge economic profits, which are reaped by Northern and Southern elites, while its devastating crises of poverty, violence, environmental destruction, and human rights abuses makes life increasingly unmanageable for Southern women, poor people and nature. Feminism and ecology have therefore come together aiming at liberating women, poor people and nature. They want to change the dualised, reductionist perception of reality into a holistic cosmology. Ecofeminism consequently aims to integrate the concerns of women, poor people and nature into development. / Development Studies / M.A. (Development Studies)

The Dominican Sisters of St Catharine of Siena arrived in South Africa in 1877. White women joined the congregation. In 1928 the first black woman entered the congregation but because of the policies affecting the different race groups in South Africa, the full integration of black and coloured women was not achieved until 1983. Chapter 1 introduces the topic of the integration of the black and coloured sisters. Chapter 2 traces the origin of the congregation and looks at its development. A brief overview of the story of the black sisters is given in Chapter 3. In the next chapter archival sources are used to understand what happened. Interviews that were conducted with some of the sisters involved in the story are given in Chapter 5. In Chapter 6 there is a look at the current situation and some of the implications for the future as the process of integration continues. / Philosophy, Practical and Systematic Theology / M. Th. (Systematic Theology)

The central problem in this dissertation entails how the concept volksmoeder (mother of the nation) gradually developed to secure a place in the Afrikaans drama. Chapter 1 determines the hypothesis of this dissertation. Chapter 2 focusses on the volksmoeder characteristics. The conclusion reached in Chapter 2 is that Maria in Langenhoven’s Die vrou van Suid-Afrika (1918) reveals similarities and contrasts with female characters in Dutch plays. Chapter 3 ascertains that characteristics of female personages as mothers of the nation determine their positions in patriarch/volksmoeder relationships in W.A. de Klerk’s Die jaar van die vuur-os (1952). Different types of volksmoeder appear in the above-mentioned farm play and in H.A. Fagan’s Ousus (1934). Chapters 4 and 5 identify how the present day volksmoeder in recent plaasdramas such as Deon Opperman’s Donkerland (1996), André P. Brink’s Die jogger (1997), Ek, Anna van Wyk (1986) and Die koggelaar (1988) by Pieter Fourie, indicate a further development in the concepts patriarch and volksmoeder. In the latter’s Koggelmanderman (2003) the man and woman are removed from the idea of gender. / Die sentrale probleem in die verhandeling behels hoe die konsep volksmoeder met verloop van tyd in die Afrikaanse drama neerslag gevind het. Hoofstuk 1 bepaal die hipoteses van die verhandeling. Hoofstuk 2 fokus op die kenmerke van die volksmoeder. Die gevolgtrekking in hoofstuk 2 is dat Maria in Langenhoven se Die vrou van Suid-Afrika (1918) ooreenstem en kontrasteer met Nederlandse vrouefigure. Hoofstuk 3 stel vas dat vrouefigure se kenmerke as volksmoeders hul posisie binne die patriarg/volksmoederverhouding in W.A. de Klerk se Die jaar van die vuur-os (1952) bepaal. Verskillende soorte volksmoeder -verskyn in bogenoemde plaasdrama en in H.A. Fagan se Ousus (1934). Hoofstukke 4 en 5 identifiseer hoe hedendaagse volksmoeders in nuwe plaasdramas, soos Deon Opperman se Donkerland (1996), Andre P. Brink se Die jogger (1997), Ek, Anna van Wyk (1986) en Die koggelaar (1988) van Pieter Fourie, verder binne die patriarg/volksmoederverhouding ontwikkel. In laasgenoemde se Koggelmanderman (2003) beweeg die man en vrou weg van die konsepte patriarg en volksmoeder. / Afrikaans & Theory of Literature / M.A. (Afrikaans)

The central problem in this dissertation entails how the concept volksmoeder (mother of the nation) gradually developed to secure a place in the Afrikaans drama. Chapter 1 determines the hypothesis of this dissertation. Chapter 2 focusses on the volksmoeder characteristics. The conclusion reached in Chapter 2 is that Maria in Langenhoven’s Die vrou van Suid-Afrika (1918) reveals similarities and contrasts with female characters in Dutch plays. Chapter 3 ascertains that characteristics of female personages as mothers of the nation determine their positions in patriarch/volksmoeder relationships in W.A. de Klerk’s Die jaar van die vuur-os (1952). Different types of volksmoeder appear in the above-mentioned farm play and in H.A. Fagan’s Ousus (1934). Chapters 4 and 5 identify how the present day volksmoeder in recent plaasdramas such as Deon Opperman’s Donkerland (1996), André P. Brink’s Die jogger (1997), Ek, Anna van Wyk (1986) and Die koggelaar (1988) by Pieter Fourie, indicate a further development in the concepts patriarch and volksmoeder. In the latter’s Koggelmanderman (2003) the man and woman are removed from the idea of gender. / Die sentrale probleem in die verhandeling behels hoe die konsep volksmoeder met verloop van tyd in die Afrikaanse drama neerslag gevind het. Hoofstuk 1 bepaal die hipoteses van die verhandeling. Hoofstuk 2 fokus op die kenmerke van die volksmoeder. Die gevolgtrekking in hoofstuk 2 is dat Maria in Langenhoven se Die vrou van Suid-Afrika (1918) ooreenstem en kontrasteer met Nederlandse vrouefigure. Hoofstuk 3 stel vas dat vrouefigure se kenmerke as volksmoeders hul posisie binne die patriarg/volksmoederverhouding in W.A. de Klerk se Die jaar van die vuur-os (1952) bepaal. Verskillende soorte volksmoeder -verskyn in bogenoemde plaasdrama en in H.A. Fagan se Ousus (1934). Hoofstukke 4 en 5 identifiseer hoe hedendaagse volksmoeders in nuwe plaasdramas, soos Deon Opperman se Donkerland (1996), Andre P. Brink se Die jogger (1997), Ek, Anna van Wyk (1986) en Die koggelaar (1988) van Pieter Fourie, verder binne die patriarg/volksmoederverhouding ontwikkel. In laasgenoemde se Koggelmanderman (2003) beweeg die man en vrou weg van die konsepte patriarg en volksmoeder. / Afrikaans and Theory of Literature / M.A. (Afrikaans)

Summaries in Afrikaans and English. / Hierdie studie fokus op ‘n interpretasie van die Beni Hasanmuurskildery en meegaande inskripsie wat in Graf BH3 in Egipte ontdek is. Die skildery dateer uit ongeveer 1892 v.C. en kom voor in die graftombe van die provinsiale goewerneur van die Oryxprovinsie – Khnum-hotep II. Met die muurskildery en inskripsie deur die koninklike hofskrywer Neferhotep as vertrekpunt en teoretiese raamwerk, word daar ‘n kwalitatiewe ondersoek gedoen na die herkoms, identiteit en rol van die handelaars en ander items, veral oogverf, wat in die skildery uitgebeeld word. Benewens die interpretasie van die Beni Hasanmuurskildery, steun die studie ook op beskikbare inligting in eietydse teologiese- en argeologiese publikasies. Deur ‘n multi-dissiplinêre benadering te volg, word daar gepoog om meer inligting te bekom oor die geografiese ligging en argitektuur van Graf BH3, die belangrikheid van graf-outobiografie, die identiteit van die handelaars en die doel van hulle besoek. Dit blyk dat die muurskildery ‘n belangrike gebeurtenis in Egipte en die Semitiese wêreld van die pre-monargale tydperk uitbeeld, en meer spesifiek die tyd en konteks waarin verhale van die sogenaamde ‘aartsvaders’, soos hulle in die Hebreeuse Bybel beskryf word, afgespeel het. Aangesien daar ‘n gebrek aan argeologiese en geskrewe (Bybelse en buite-Bybelse) bronne oor die proto-Israelitiese samelewing bestaan, hoop die studie om ‘n bydrae te lewer tot navorsing oor die tydperk, en veral die verhouding tussen die Semiete en Egiptenare. Spesiale aandag word gegee aan die uiterlike voorkoms van die handelaars en goewerneur, en aan die aard en funksie van elke gebruiksartikel wat in die skildery uitgebeeld word, soos die kleredrag, donkies, wapens en musiek-instrumente. Omdat daar in die inskripsie spesifiek melding gemaak word van oogverf, word die belangrikheid van oogverf ten opsigte van magies-religieuse, kultiese, mediese, begrafnis-, ekonomiese (handels-) en kosmetiese gebruike, asook die vervaardiging en samestelling daarvan, breedvoerig ondersoek / This study focuses on an interpretation of the Beni Hasan mural and accompanying inscription discovered in Tomb BH3 in Egypt. The painting dates back to about 1892 BC and is found in the tomb of the provincial governor of the Oryx province - Khnum-hotep II. With the mural and inscription by the royal court writer Neferhotep as point of departure and theoretical framework, a qualitative inquiry is made into the provenance, identity and role of the merchants and other items, especially eye painting, depicted in the painting. In addition to interpreting the Beni Hasan mural, the study also relies on available information in contemporary theological and archaeological publications. By following a multi-disciplinary approach, an attempt is made to obtain more information about the geographical location and architecture of Tomb BH3, the importance of tomb autobiography, the identity of the merchants and the purpose of their visit. It appears that the mural depicts an important event in Egypt and the Semitic world of the pre-monarchic period, and more specifically the time and context in which stories of the so-called 'patriarchs', as described in the Hebrew Bible, played. As there is a lack of archaeological and written (biblical and extra-biblical) sources on proto-Israelite society, the study hopes to contribute to research on the period, and especially the relationship between the Semites and Egyptians. Special attention is paid to the external appearance of the merchants and the governor, and to the nature and function of each commodity depicted in the painting, such as the dress, donkeys, weapons and musical instruments. Because the inscription specifically mentions eye makeup, the importance of eye makeup with regard to magical-religious, cultural, medical, economic (trade) and cosmetic uses, as well as the manufacture and composition thereof, is extensively investigated. / Biblical and Ancient Studies / D. Th. (Godsdienswetenskap)