Global ETD Search

1	Yamada Eimi and the Value of <em>Trash</em> Hunt, Mariah Christina 01 April 2017 (has links) This paper addresses the collusion with and contradiction to patriarchal power structures of race and femininity in Yamada Eimi's Bedtime Eyes and Trash. In moments of Bedtime Eyes, particularly the final novella "Jesse," and Trash, Yamada contradicts her irresponsible portrayals of Japanese female and black male identity often found in her fiction. This paper will discuss ideological shifts in Yamada's narratives through a textual analysis of Bedtime Eyes and Trash, arguing that through changes in narrative that affect character development, "Jesse" and Trash begin to deconstruct some of the detrimental power structures that shape much Yamada's fictional works. Yamada Eimi Bedtime Eyes Trash Japanese female identity patriarchal power race. Classics
2	The silent weapon in war and peace : the power of patriarchy De Bruin, Louise January 2012 (has links) History has proved that too much power, in any form, is detrimental to the greater good of the society concerned. People at the hands of the power-hungry face discrimination and are often subjected to extreme violence and abuse. Society has undergone several changes and progressions through time, including economic, political and social changes. One thing that has remained unchanged however, is man‟s power over woman. Patriarchal power is present in all sectors and scenarios of society, from the home to the international legal system. My study focuses on the notion that an abundance of power leads to fear, violence and total disarray at the micro and macro levels of society. I argue that the essential problem in the relationship between man and woman is not a man‟s abuse of power, but rather that he has too much power in the first place. A culture of entitlement breeds among men, enabling them to treat women as inferior, sub-human objects. Definitions of male and female prove to be concreted into specific roles and gendered identities within the home and the greater society. People fall automatically into these roles, blindly and unquestioningly. It is for this reason that I maintain all members of society ensure the survival of patriarchy – even if they do so unconsciously. While the difference in the understanding of rape and sexual intercourse should be stark, it is blurred because they are defined according to male terms. Man‟s entitlement allows him to think it his right to take sex from a woman, even if she does not offer it willingly. Culture and tradition serve as major obstacles in any possibility of society‟s progression. Culture has proved such an undisputed order in society that it even trumps the international legal system of human rights. Culture justifies, or at least trivialises, the abuse of women. The social stigmatisation of sexual abuse silences women, providing further endorsement for men to continue asserting their power. A woman‟s life, as determined by male hierarchy, gender bias, culture and social stigmas, is therefore fated. It is with this in mind that I strongly question the progression of society into a true form of liberality and equality. In order for society to attain such a transcended state, it will have to disregard everything that it knows and deconstruct everything that has defined it up to that point. Until this is achieved, women will continue to live their lives in fear of the silent weapon in war and peace. / Dissertation (MPhil)--University of Pretoria, 2012. / gm2014 / Centre for Human Rights / unrestricted Progressions through time Economic, political and social changes Extreme violence and abuse Human rights Culture Tradition Power-hungry Patriarchal power UCTD
3	The Male Gaze som retorisktverktyg : En utredande litteraturstudie över hur the Male Gaze kan användas inom retorikvetenskapen Wiklund, Alexis January 2013 (has links) The thought behind this bachelor essay regarding gender and rhetorical feminist criticism developed years ago out of the fact that I read just a little too many dirty chick lit-pockets as a teen. Those chick lit-pockets were my first introduction to sex, to gender roles, to how men and women react and are supposed to react to each other and, in some sense, even to feminism. Those chick lit-pockets, later turning into hardcore Harlequin-books, became my benchmark when I started to contemplate the fact that this is a man’s world, produced and reproduced by a male gaze which influences everything from sex, porn, advertising, gender roles, jobs and payment to dirty pockets for teenage girls. The essays aims to show how the male gaze-phenomenon could be to use for the rhetoric discipline: first combined with other rhetorical theories as a way to analyze and understand gender and objectification. The main question asked; How to put the male gaze on a rhetorical leash? This bachelor essay consists of a qualitative literature study focusing on four articles and one book in which five different male gaze-perspective appears. Every article presented will be followed by an explicative chapter in which the articles, specific male gaze- perspective will be combined with relevant rhetorical theories and applied to pop cultural example cases in order to demonstrate its academic potential. The conclusion of this essay establishes that the rhetorical discipline indeed could have great use of the male gaze-perspective while analyzing different kinds of artifacts, if combined with different kinds of methods. It confirms that it is possible to put the male gaze on a rhetorical leash and explains five specific ways to do so. Rhetoric male gaze discourse feminism gender identification masculine myths objectification theory patriarchal power and structures. Retorik den manliga blicken diskurs feminism genus identifikation maskulina myter patriarkal makt
4	Rape in Revolutionary America, 1760-1815 Snidal, Michelle 30 August 2021 (has links) Rape had an indelible effect on the American Revolutionary era. Using trial testimonies and depositions, newspapers, and literary sources, this thesis argues that there was a level of continuity between peacetime and wartime rape characterized by the assaulters’ modus operandi and rape’s ideological exploitation. Eighteenth-century Anglo-American society dictated that rape, or “carnal knowledge of a woman forcibly against her will,” was only a crime against virtuous white women. The gendered and racialized ways pre-revolutionary society identified and prosecuted rape influenced how rapists conducted their assaults. Women had to prove their sexual morality, that penile penetration and male ejaculation occurred, and that they sought help immediately after the assault to prosecute their attackers. During the war, rape became an important metaphor. Wartime publishers and propagandists used reports and victim testimonies as evidence of British immorality and to justify political independence. The rape of America subsumed individual atrocities. The nationalization of women’s sexual virtue continued into the new Republic. Artists and writers memorialized the Revolution through explicitly sexualized narratives and sentimental novels that emphasized female sexual morality. Women’s sexual virtue was linked with the stability of the Republic. This thesis utilizes a diverse historiography to highlight the intersectional correlations between rape and eighteenth-century patriarchal power in America. / Graduate / 2022-08-26 rape sexual violence sexual assault American Revolution carnal women British war ravish virtue seduction Early America sentimental morality propaganda nationalized ideology Republic patriarchal power class slavery independence symbolism intersectional race gender
5	Batikhäxan – ett kvinnligt supermonster : En kritisk diskursanalys av tre politiska pamfletter / The Tie-Dye Witch – a female super monster : A critical discourse analysis of three political pamphlets Lahti Davidsson, Elisabeth January 2019 (has links) This thesis shows how misogynous and stereotypical images of women, which historically have been used to transform them into witches and monsters, are now reused in the construction of the term “batikhäxa” (“tie-dye witch”). Feminist and discourse theory form the framework of this study which includes the analysis of three opinion pieces, or political pamphlets, that were published between 2010 – 2018: "Batikhäxorna och makten" by the pseudonym Julia Caesar, "Refugee 'Children" & The Women Who Sexually Exploit Them" by the pseudonym Angry Foreigner and "De ansvariga för Sveriges kaos behöver en intervention för att ställas till svars " by Katerina Janouch. I use critical discourse analysis to study how discursive strategies are applied in these political pamphlets to delegitimate women, making them the scapegoats of society by use of the concept of the tie-dye witch. My thesis argues that the use of the tie-dye witch discourse reproduces patriarchal power relations by denying women the right to have and express their opinions, decide over their own bodies and exercise power in society. The tie-dye witch can therefore also be understood as an anti-feminist counterimage to the feminist witch who was established as a female role model in the 1960s. The study also uncovers the psychological function of the tie-dye witch as a female super monster who demarks the borders of nation, culture, religion, body and gender. In the studied texts, the tie-dye witch is constructed to separate "us" from "the others", and in doing so she also acts as a unifying figure in and of anti-feminist, islamophobic, xenophobic, nationalist and apocalyptic discourses. batikhäxa tie-dye witch witches female monster critical discourse analysis political pamphlets Katerina Janouch discursive strategies feminist theory discourse theory patriarchal power scapegoat misogyny anti-feminist islamophobic xenophobic nationalist apocalyptic. batikhäxa häxa kvinnligt monster kritisk diskursanalys politiska pamfletter Katerina Janouch diskursiva strategier feministisk teori diskursteori patriarkal makt syndabock misogyni anti-feministisk islamofobisk xenofobisk nationalistisk apokalyptisk. General Literature Studies Litteraturvetenskap

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