Thesis (Ph. D.)--University of Texas at Austin, 2005. / Vita. Includes bibliographical references.

Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 303-333). Also available for download via the World Wide Web; free to University of Oregon users.

Thesis (Ph.D.)--McMaster University, 2004. / Includes bibliographical references (leaves 142-154). Also available via World Wide Web.

No description available.

Thesis (Ph.D.)--University of Nebraska-Lincoln, 2008. / Title from title screen (site viewed Feb. 17, 2009). PDF text: vii, 213 p. : ill. ; 7 Mb. UMI publication number: AAT 3326859. Includes bibliographical references. Also available in microfilm and microfiche formats.

This essay explores the colonial nature of the American road movie, specifically through the lens of how road movies treat the South according to Stuart Hall’s concepts of identity and Edward Said’s on Othering and the colonial gaze. To accomplish this, the essay analyzes the classic 1969 road movie, “Easy Rider”, and the more contemporary parody from 2008, “Harold and Kumar Escape from Guantanamo Bay.” The thrust of this paper becomes: if a progressive parody of road movies cannot escape the trappings of colonialism “Easy Rider” displays, perhaps the road movie itself is flawed.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Representações pós-coloniais em Ruy Duarte de Carvalho: uma leitura de Os papéis do inglês investiga a narrativa ficcional do romancista e antropólogo angolano Ruy Duarte de Carvalho, partindo do pressuposto de que a obra contém uma intricada rede discursiva em que estão confrontados os discursos colonial, pós-colonial e a crítica do modelo utópico de nação que se buscou construir, e efetivamente se construiu, em Angola após a independência. Para-lelamente a essa rede discursiva, a narrativa também se constitui de um encontro de diversas formas literárias distintas a poesia, o diário, a prosa e o ensaio etnográfico, evidenciando a complexidade do romance em questão. Tendo como base o livro de Ruy Duarte de Carvalho, abordamos a história literária e política de Angola, seu desenvolvimento, suas relações e ten-sões principalmente com o colonizador europeu, com sua história passada e, mais recente-mente, com seu período independentista, procurando evidenciar como as releituras dos discur-sos históricos e ideológicos coloniais tornaram-se um campo profícuo para o desenvolvimento de narrativas literárias que ampliam os limites da escrita no âmbito ficcional e político-ideológico. Além dos textos de Ruy Duarte de Carvalho, este trabalho foi desenvolvido utili-zando como eixo norteador textos de estudiosos da literatura angolana, como Laura Padilha, Rita Chaves e José Carlos Venâncio; teóricos que discutem a crítica pós-colonial, como An-tonio Negri, Edward Said, Stuart Hall, Russel Hamilton e Boaventura de Sousa Santos; textos históricos escritos pelo colonizador português em solo angolano, como Henrique Galvão, Ralph Delgado e José Ribeiro da Cruz; além de textos escritos por intelectuais africanos, como Aimé Césaire e Amadou Hampaté-Bá, e teóricos que analisam as relações entre antropologia e literatura, como James Clifford / Post-colonial representation in Ruy Duarte de Carvalho: A reading of Os papéis do inglês. [This dissertation] investigates the fictional narrative of Angolan novelist and anthro-pologist Ruy Duarte de Carvalho. It argues that Os papéis do inglês contains an intricate dis-cursive network which confronts colonial and post-colonial discourses, alongside a critique of the utopian model of the nation which was desired, and effectively constructed, in post-independence Angola. At the same time, the narrative is also constituted in an encounter of diverse literary forms poetry, the diary, prose, and ethnographic essay, making evident the complexity of the novel in question. Starting from Ruy Duartes book, I approach the literary and political history of Angola, its development, tensions and relations, particularly with the European colonist, its history, both ancient and recent, and its period of independency. I seek to make evident how successive re-readings of colonialist historical and ideological discourses became a rich field for the development of literary narratives that have widened the limits of writing in both the fictional and political-ideological environments. Along with Ruy Duarte de Carvalhoss writings, this work has made use of the studies of Angolan literature, such as those Laura Padilha, Rita Chaves and José Carlos Venâncio; post-colonial critics, such as Antonio Negri, Edward Said, Stuart Hall, Russel Hamilton and Boaventura de Sousa Santos; historical texts produced by Portuguese colonists in Angolan soil, such as Henrique Galvão, Ralph Delgado and José Ribeiro da Cruz; and the writings of African intellectuals, such as Aimé Césaire and Amadou Hampaté-Bá; and, finally, authors who have analysed the relations between anthropology and literature, such as James Clifford

This thesis aims to broaden the scope of magical realism by examining contemporary fiction in Asia and Australasia, regions which have been largely neglected in critical discussion of the narrative mode. My research seeks to modify and expand our collective conception of magical realism through key texts that challenge not only how we read the narrative mode, but also our expectations of it. My analysis involves a dual intervention in the fields of postcolonial studies and world literature. I supplement existing scholarship of magical realism with new paradigms of critical thought, such as epistemology, mythopoeia, ecocriticism, intertextuality and discourse on human rights. Each of the key authors - Indigenous Australian Alexis Wright, New Zealand Maoris Keri Hulme and Witi Ihimaera, Indian-born cosmopolitans Amitav Ghosh and Salman Rushdie, and Chinese Nobel laureate Mo Yan - subjects the narrative mode to differing intellectual, socio-cultural and historical frameworks, and in the process reinvents magical realism to serve their own artistic purposes. The authors' key texts demonstrate the need to recalibrate theory on magical realism in contexts such as Alexis Wright's depiction of ongoing colonisation of Australia's first inhabitants in a supposedly postcolonial country, and Mo Yan's critique of post-communist China. I argue that magical realism has porous borders, not only geographically and culturally, but also in the sense that the narrative mode frequently spills over into other, different generic kinds such that the distinctions between them are often blurred. In addition, magical realism's constant state of transformation makes it particularly difficult to define. Therefore, I propose a minimalist definition of the narrative mode and a flexible approach. However, underlying cultural elements and individual artistic expression in a text may sometimes limit magical realism's utility as a tool for literary analysis. Finally, I explore the notion of a genealogy of magical realism based on polygenesis, emerging in different cultures at different times.

This thesis examines how efforts regarding the commercial sex industry in Thailand can be positioned in relation to an agent-victim framework. In the context of the expanding sex industry in Thailand, it becomes relevant to look at how efforts regarding it risks reproducing notions of ‘the prostitute’ as the victimised Other, and thus reinforcing neo-colonialism. However, the response in the form of an agent narrative has also been criticised for not taking into account intersecting forms of oppression. Here, a model coming from an emerging literature on the ‘third way feminist approach’ is used to illustrate how these instead can be combined. Using critical discourse analysis, this study draws on postcolonial feminist theory to scrutinise the ways in which non-governmental organisations imagine women as either agents or victims, or rather a combination of the two. The starting point has been that this binary definition might not be sufficient, neither for theoretically addressing the issue, nor for describing discourse. Two ideal types based on the agent-victim framework has been used to study to what extent the discursive practice of the organisations NightLight and Asia Pacific Network of Sex Workers can be placed neatly into one of these ideal types, or whether a third perspective is indeed needed to account for their perception of the women they work with. The analysis has been conducted using different forms of information gathered from the official websites of the organisations, in order to understand they ways in which the organisations themselves choose to communicate their work. The results show that the discursive practices of these organisations to some extent can be accounted for using this framework, yet that in order to fully understand them, one should consider the third way which combines the strengths of both.

The aim of this study was to understand how project participants in a project between a Western country and an Africa country experience the exchange of knowledge and experiences. The study was conducted through qualitative semi-structured interviews with a hermeneutic approach. We interviewed nine participants from the project Tlokwe Inclusivity Disability Sector II, an international project between Växjö in Sweden and Potchefstroom in South Africa. Four of the interviews were conducted with participants from South Africa, and five of the interviews were conducted with participants from Sweden. The analysis of the material was based on previous research in the field and the theories of postcolonialism and indigenization. The result of the study shows that the participants from South Africa have received knowledge from Sweden that they have tried to adjust to their local conditions. The Swedish participants also feel that they have learned from this project, but a different kind of knowledge than the theoretical knowledge that they have conveyed to the South African participants. Cultural differences were central in all interviews, but although all participants that we have interviewed talked about these differences, it was not seen as a problem in the project.