"With the Earth in Mind" responds to some of the most cutting-edge research in the field of ecocriticism, which centers on ecological loss and the grief that ensues. Ecocritics argue that ecological objects of loss abound--for instance, species are disappearing and landscapes are becoming increasingly compromised--and yet, such loss is often deemed "ungrievable." While humans regularly grieve human losses, we understand very little about how to genuinely grieve the loss of nonhuman being, natural environments, and ecological processes. My dissertation calls attention to our society's tendency to participate in superficial nature-nostalgia, rather than active and engaged environmental mourning, and ultimately activism. Herein, I investigate how an array of postwar and contemporary American novels represent a complex relationship between environmental degradation and mental illness. Literature, I suggest, is crucial to investigations of this problem because it can reveal the human consequences of ecological loss in a way that is unavailable to political, philosophical, scientific, and even psychological discourse.

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Thesis (Master of Strategic Studies) -- Army War College, 2006. / Title from title screen (viewed Aug. 20, 2008). "8 March 2006"--P. [iii]. "ADA449254"--URL. Includes bibliographical references (p. 15-22). Also issued in paper format.

Thesis (Master of Military Studies)-Marine Corps Command and Staff College, 2008. / Title from title page of PDF document (viewed on: Feb 2, 2010). Includes bibliographical references.

The Parade of Homes began in 1948 as a novel form of sales merchandising and publicity. The model house, on display at the Parade of Homes, was a powerful advertising tool employed by postwar merchant-builders to sell modern design to a new market of informed consumers and second-time homeowners. Using House & Home as a primary source, I contextualize the postwar housing industry and the merchandising efforts of builders. Then, through an examination of the 1955 Parade of Homes in Houston, Texas, I analyze the early Parade of Homes events and the language of domestic modernism that they showcased. / text

In the years immediately following the Second World War, the main part of Latvian literature was produced by writers living outside Latvia. To this day Latvian literature continues to be written outside Latvia, albeit to a much smaller extent. This study examines those Latvian novels, written outside Latvia after the Second World War, which depict the realities of the early years of exile. The aim of the study is to describe the image of the world of exile as depicted in these novels. Borrowing from Bakhtin's concept of the chronotope, images relating to time and space in these novels are examined in order to discern a mental topography of exile common to all these novels - a chronotope of exile. The novels are read as part of a collective narrative, produced by a particular social group in unordinary historical circumstances. The novels are regarded as this social group’s common perception of its own experience of this historical reality. The early years of exile fall into two distinct periods: first, the period of flight from Latvia and life in and around the Displaced Persons camps of postwar Germany; second, the early years of settling in a new country of residence after emigration from Germany. A model of the perceived world is constructed in order to compare these two periods, as well as their divergence from a standard perception of oneself in the world. This model consists of various time-spaces radiating concentrically out from the individual – ranging from the physically and psychologically near-lying time-spaces of one’s personal and intimate life, through everyday social time-spaces, as well as formal societal time-spaces, to the more distant abstract and conceptual perceptions of one’s place in the universe. Basic human concepts such as home, family, work, intimate relationships, social administration, and most notably the homeland – Latvia – are plotted at various points within these models. Divergences between the models describing the perception of time and space in the two early periods of exile thus become apparent.

My research seeks to explain the evolution of trade policy debates among American business leaders between World War I and the 1960s. The key finding is that a new framework for discussing trade policy was widely adopted after the United States became a creditor nation during World War I. This framework related tariffs and imports to exports, international lending and American foreign policy. High levels of imports ceased to be a threat and instead came to be seen as a pre-requisite for high levels of exports and a well-functioning global economy; raising the levels of imports, including through tariff cuts, became a strategy for providing American allies and debtors with dollar revenues. This new insight into the political economy of American foreign economic policy is based on new evidence from the archival records of business associations and a wide range of other primary and secondary sources. In addition to bringing to light new evidence, my research also addresses some of the gaps that still exist in the literature on the history of the foreign economic policy of the United States, the Cold War and transatlantic relations.