Global ETD Search

1	Ethno-Graphic Gatherings of Nonbinary Visual Narratives on TikTok Costain, Raey 07 September 2022 (has links) This thesis is an exploration in graphic anthropology alongside a digital community of nonbinary people on the social media app, TikTok. Nonbinary visuality is a complicated and still poorly understood set of experiences largely due to a lack of thoughtful representation in both academic and non-academic circles. This work applies comic-style drawing to gather nonbinary visual narratives as they are shared digitally. In doing so, this work contributes to an understanding of what it might mean to ‘look’ nonbinary. Between September 2021-May 2022 I conducted a digital ethnography on TikTok. I applied comic drawing as my primary mode of notetaking and communicating about my experiences. I also recruited 5 nonbinary social media mutuals who each contributed 1-6 video clips to my project. Informed by these video clips and my own auto-ethnographic experiences on the app, I created a collection of comic style drawings. Selections of these drawings were shared on social media (@enbyanthro) and through an interactive documentary housed on my project website (nbvisualnarratives.ca). Throughout my work here, I consider drawing as a process of gathering - of bringing together and being together. As I gathered individual nonbinary narratives through my drawing method I connected those stories to broader dialogues about being nonbinary. The ethno-graphic gatherings discussed here are made up of both personal narratives and shared experiences, brought together through the process of drawing. / Graduate graphic anthropology digital ethnography social media comics-based research nonbinary queer anthropology
2	Unapologetically Queer: An Intersectional Analysis of Latin@ and LGBTQ+ Communities Fine, Joshua David 18 May 2021 (has links) No description available. Cultural Anthropology Gender Gender Studies Womens Studies Intersectionality LGBTQ Identity Anthropology, Queer Studies Queer Anthropology Latina Latino Latinx Machismo
3	Queering Space and Time: Urban Radical Faerie Placemaking in North Central Texas Goebel, James Carl 05 1900 (has links) Radical faeries in the city must contend with changing urban policies, social shame and stigma, policing, inaccessibility, materiality, and economic survival; in the face of these discontents, urban faeries still actively choose the city as their identity and as their home. Through placemaking practices which access the imaginative and experimental spatiality and temporality of queer sacredness, this thesis testifies urban radical faeries transform dimensionally discrete spaces within the city to thrive. By delving into the lived experiences and sexo-socio-spiritual placemaking of the radical faeries of Austin and Dallas, this project maps the spatiality of collective faerie utopian imaginaries, generating constellations of ephemeral sacred spaces and their residual effects on the built environment. Further, the recent pandemic saw the first temporary closing of sanctuary land since faeriedom's inception, and these creative placemaking strategies were further adapted to maintain community and identity during the COVID-19 pandemic through the collapse of spatial and temporal distance in accessing the virtual sacred. Understanding how faerie culture is maintained within the city, across space and time, the mundane and profane, the physical and digital, can provide insight and best practices to support urban faerie communities into the future. Radical Faeries CBPR community-based participatory research cultural anthropology environmental anthropology urban anthropology ecospirtuality queer ecology queer urban ecology queer anthropology urban ecology placemaking sacred space ecofuturity queer ecofuturity Anthropology, Cultural Environmental Sciences
4	Virtual reality and the clinic: an ethnographic study of the Computer Assisted Rehabilitation Environment (The CAREN Research Study) Perry, Karen-Marie Elah 26 April 2018 (has links) At the Ottawa Hospital in Ontario, Canada, clinicians use full body immersion virtual reality to treat a variety of health conditions, including: traumatic brain injuries, post- traumatic stress disorder, acquired brain injuries, complex regional pain syndrome, spinal cord injuries, Guillain-Barré syndrome, and lower limb amputations. The system is shared between military and civilian patient populations. Viewed by clinicians and the system’s designers as a value neutral medical technology, clinical virtual reality’s sights, sounds, movements, and smells reveal cultural assumptions about universal patient experiences. In this dissertation I draw from reflexive feminist research methodologies, visual anthropology and sensory ethnography in a hospital to centre the body in current debates about digital accessibility in the 21st Century. 40 in-depth interviews with practitioners and patients, 210 clinical observations, and film and photography ground research participant experiences in day-to-day understandings of virtual reality at the hospital. In this dissertation I address an ongoing absence of the body as a site of analytical attention in anthropological studies of virtual reality. While much literature in the social sciences situates virtual reality as a ‘post-human’ technology, I argue that virtual reality treatments are always experienced, resisted and interpreted through diverse body schemata. Furthermore, virtual reality cannot be decoupled from the sensitivities, socialities and politics of particular bodies in particular places and times. The Ottawa Hospital’s Computer Assisted Rehabilitation Environment (CAREN) system features a digitally enhanced walk-in chamber, treadmills on hydraulic pistons, surround sound audio, advanced graphics and user feedback utilizing force plates and a dynamic infrared motion capture system. The CAREN system utilizes hardware and software reliant on specific assumptions about human bodies. For example, these assumptions are echoed in depictions of race, gender, class, and indigeneity. Patients using virtual reality technologies can experience more than one disability or health condition at a time, further disrupting the idea of universal user experiences. As clinicians and patients confront the limitations of body normativity in the CAREN system’s interface design, they improvise, resist, and experience virtual reality in ways that defy design agendas, ultimately shaping patient treatments and unique paths to healing and health. / Graduate anthropology anthropology of the body anti-oppressive medicine CAREN computing cultural anthropology digital digital anthropology disability studies digital studies ethnography feminist anthropology intersectional feminist research hospital ethnography institutional ethnography medical anthropology medicine physiotherapy post-traumatic stress disorder qualitative health research qualitative research queer anthropology sensory ethnography video ethnography virtual reality visual anthropology traumatic brain injuries acquired brain injuries complex regional pain syndrome spinal cord injuries guillain-barré syndrome lower limb amputation lower limb amputations

1

Page generated in 0.3937 seconds