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171	Socialistický realismus a normalizace v archivu Československé televize v Ostravě a jejich reflexe po roce 1989 / Archive of photography of the czech television Ostrava (photography as a source of information) Bednář, Marek January 2015 (has links) This thesis focuses on the topic of photography in the work of Television studio Ostrava, a part of Czechoslovak television, during a period of the communist regime, called normalisation, and the reflection of this period after the year 1989. It may be presumed that communist propaganda and other efforts of normalisation will be apparent in the documentaries and other products concentrating on photography. The region of Ostrava also has its own cultural specificity due to its mainly industrial nature; the region is characterised by coal mining and metallurgy. Thus it may be presumed that communism will be planted in the minds of the people more firmly. The thesis also contains a theoretical framework, describing socialist realism in photography and normalisation in photography as well as in the television studio in question. In order to verify these hypotheses and to discover other important facts of the topic in question, a content analysis of data available in the archive of Television studio Ostrava was carried out. The archive suffered grave losses during major flooding of Moravia and Silesia in 1997, some films and actual photographs were however still available for analysis. The findings relevant to each document are stated in their respective parts and are summarised as a whole in the...
172	Dánsko - Československo 1947-1957, Umění a architektura za hranicemi funkcionalismu, surrealismu a Bauhausu / Denmark - Czechoslovakia 1947-1957, The Art and Architecture Beyond Functionalism, Surrealism and Bauhaus Ištok, Radoslav January 2014 (has links) ! The thesis is exploring art and architecture in Denmark and Czechoslovakia in the period 1947-1957. The main interest was to see how the interwar avant-garde movements such as Functionalism and Surrealism, as well as the legacy of Bauhaus, developed after the WWII. Yet, Functionalism and Surrealism can also be seen not only as mere artistic styles but as two different attitudes towards life, Rational and Romantic respectively. The latter, which is a passionate protest against the status quo, can especially in its revolutionary or utopian dimension serve as a form of engagement free of the simplifying Cold War binaries.
173	Jastrauova pouť městem, obraz člověka a města v románu Hærværk Toma Kristensena / Ole Jastrau's journey through the city, the image of a man and a city in Tom Kristensen's novel Hærværk Vašáková, Lenka January 2012 (has links) The thesis presents an analysis of the themes of the city, the journey and the pilgrim in the well known danish novel Havoc by Tom Kristiensen. The introductory part of the thesis includes a brief summary of the changes in the image of the city in the 19th and 20th century works of art and literature. Furthermore, it also focuses on the man-city relationship and stresses its reciprocity and the important role of the city in the process of the formation of individual identity. The following part of the thesis analyses the theme of the city in Havoc and focuses mainly on the influence, which the main character's feeling of alientation has on the depiction of the city in the novel. Another discussed topic is the main character's decision to intentedly reach the bottom of his existence, which is interpreted as the result of the post-world war I. urge to question and reassess the foundations of the society and its principels and values. The thesis compares and contrasts the main character's deroute with other famous litterary journeys and pilgrimages. Furthemore, it also analyses the predominant patterns of the main charcter's movement through the city and interprets its spiral course as emblematic of the main charatcer's search of identity. The final part of the thesis explores the importance of the...
174	Totalitní kýč a underground. Sémiotický model. / Totalitariankitsch and underground. The semiotic model. Kubíček, Jan January 2011 (has links) As a consequence of a process of semiotic totalization of public life in totalitarian societies, a system of social, esthetic, ethic and language norms becomes radically altered. This system is partially described in Totalitarian kitsch section, in chapters called Totality, Kitsch, Art, Language, Esthetics and Myth. In a passage called Underground, totalitarian realism and Egon Bondy's and Ivan Vodseďálek's gauche poetry is interpreted as a model reply on totalitarian society conditions. A concept of total poetry is introduced. We ask a question: what actually total poetry is, if not an art? Eleven answers are being sequentially found: 1. it is a complex of apocryphal texts of socialistic realism, 2. it is a game about art, 3. it is culture at the phase of being born, 4. a method of phenomenological reduction, 5. a language game, 6. de-construction of myth, 7. occupation of game position within totalitarian society, 8. a myth, 9. a semiotic clearance process carried out through semiotic rage, 10. symbolization of reality and realization of symbol, 11. call for a game. In the end, we try to define total poetry in relationship to avant-garde, modern art and postmodernism. Three points have been discussed in a chapter called Kitsch and underground: 1. recapitulation of acceptation of Egon Bondy's and...
175	Dr. Jan Herben - novinář a politik (1857-1936) / Dr. Jan Herben - journalist and politician (1857-1936) Hejná, Karolína January 2013 (has links) The thesis Dr. Jan Herben - Journalist and Politician (1857-1936) maps the life of this distinguished journalist and politician of the late 19th and early 20th centuries from his studies till the end of his professional career. It is based on literature about Jan Herben or about the period of turn of the century, on periodicals of that time, and archive materials found in the Museum of Czech Literature in Prague and in Herben's summer house in Hostišov. It focuses mainly on the period of publishing the Čas periodical which under Dr. Jan Herben became the main daily of the Realist Party of Tomáš Garrigue Masaryk, on affairs linked to the publication of Čas, including the disputes over the authenticity of two ostensible early medieval Czech manuscripts, a wave of protests following publication of the first editorial Our Two Questions by Hubert Gordon Shauer, the Hilsner affair, or Dr. Jan Herben's accusation of embezzlement of funds collected for orphans in the town of Most. The thesis also briefly describes Herben's post-war journalistic career in Lidové noviny daily, in the humour weekly Nebojsa and in Národní práce daily, his career as a writer as well as a politician, MP and Senator. The introduction describes the period in which Dr. Herben lived and worked, the media situation and media...
176	Literární dílo na pomezí romantismu a realismu / Literary work between romanticism and realism Mikulová, Michaela January 2013 (has links) Diploma thesis deals with detection of romantic and realistic components in three selected novels, traditionally placed on the border between romanticism and realism, and more closely examines if their ambiguity in terms of literary movement is from a contemporary point of view up-to-date and relevant, and what constitutes it. This main goal is preceded by the need to define the most complex concepts of literary romanticism and realism, including their specific characteristics, tendencies and distinct feautures. Particular analyses are developed according to a preselected warp whose individual items are universal aspects of a literary work such as subject matter, plot, narration, characters, space-time and language devices which are monitored, on the basis of conclusions rendered in a theoretical part of this thesis, for a particular degree of romantic and realistic heritage. Within each analysis we were able to decide which aspects of the work are fully or rather consistent with the principles of romanticism and which are conversely in accordance with realistic tradition. The subsequent summary analysis helped to answer the question whether the work as a whole is closer to romanticism or realism. Recognition of different forms of realationship between romantic and realistic principle that naturally...
177	Typologie vybraných ženských postav české literatury druhé poloviny 19.století / Typology of chosen women characters in the Czech literature of the second half of 19th century Kubálková, Tereza January 2016 (has links) The diploma thesis deals with the typology of nine chosen literary women characters of the second half of 19th century Czech literature. The woman character from the Čtyry doby short story by Božena Němcová, Liduška and Lenka by Vítězslav Hálek, lady Ruska, miss Máry and the unnamed protagonist of the U tří lilií short story from Povídky malostranské by Jan Neruda, Caterina and lady Dragopulos from Jan Maria Plojhar by Julius Zeyer and Lucy from Magdalena by Josef Svatopluk Machar, are at focus. The theoretical part outlines the issues of literary styles of the second half of 19th century Czech literature (namely Romanticism, Realism, Parnasism). Also it delimits the extension of markers for interpretation of women literary characters and, moreover, it briefly presents the women social position in 19th century society. In practical part, the thesis aims to analyze thoroughly the chosen characters, trying to point out all the common features as well as the differences among them. The thesis concludes with the comparison of all chosen characters and, at the same time, it sums up the main changes in the depiction of a women literary character throughout the century.
178	Socialistický realismus a normalizace v archivu Československé televize v Ostravě a jejich reflexe po roce 1989 / Archive of photography of the czech television Ostrava (photography as a source of information) Bednář, Marek January 2016 (has links) This thesis focuses on photography in the work of Television studio Ostrava, a part of Czechoslovak television, during a period of 1969-1989, called normalisation, the reflection of this period after the year 1989 and mainly the photography archive of said institution. It may be presumed that communist propaganda and other efforts of normalisation will be apparent in the documentaries and other products concentrating on photography. The region of Ostrava also has its own cultural specificity due to its mainly industrial nature; the region is characterised by coal mining and metallurgy. Thus it may be presumed that communism will be planted in the minds of the people more firmly. The thesis also contains a theoretical framework, describing socialist realism in photography and normalisation in photography as well as in the television studio in question. In order to verify these hypotheses and to discover other important facts of the topic in question, a content analysis of data available in the archive of Television studio Ostrava was carried out. The archive suffered grave losses during major flooding of Moravia and Silesia in 1997. However, some films and many actual photographs were still available for analysis. The findings relevant to each document are stated in their respective parts and are...
179	Musik für eine humanistischere Gesellschaft Quinque, Christian 03 March 2014 (has links) (PDF) Günter Kochan (1930-2009) war einer der erfolgreichsten und bekanntesten Komponisten der DDR. Er hinterließ über 200 Werke, darunter zahlreiche bedeutende sinfonische Arbeiten, die jedoch nach der Wende größtenteils in Vergessenheit gerieten. Kochan galt als staatsnaher Komponist und wurde dementsprechend nach 1990 an den Rand gedrängt, seine Musik wurde nun vor allem nach ihrem politischen Inhalt hinterfragt und geriet aufgrund ausbleibender Aufführungen und Neuveröffentlichungen alsbald in Vergessenheit. Die Arbeit behandelt das Spannungsfeld zwischen auferlegten kulturpolitischen Regeln und individuellem künstlerischen Entfaltungsstreben vor dem Hintergrund der offiziellen Leitlinie des "sozialistischen Realismus" in der DDR. Sie beleuchtet dieses exemplarisch anhand der Biographie und des Schaffens von Günter Kochan. Nach einer allgemeinen Darstellung der DDR-Kulturpolitik von 1949-1990, einer Kurzbiographie und einem Überblick über Kochans Gesamtschaffen konzentriert sich die Arbeit auf die Analyse und den Vergleich der 2. und 6. Sinfonie (entstanden 1969 und 2006), die als Beispiele für Kochans musikalische Hauptdomäne herangezogen werden und an denen typische Merkmale seiner Musik im mittleren und im greiften Stil vergleichend herausgearbeitet werden. Die Arbeit baut auf mehreren Interviews mit Vertrauten Kochans auf und nutzt zudem bisher wenig bis gar nicht beachtete Quellen sowie bisher unveröffentlichte Werke Kochans. Sie ist die erste Gesamtdarstellung zu Leben und Werk des Komponisten und enthält zudem das erste vollständige, systematisch und chronologisch geordnete Werkverzeichnis der Kompositionen Günter Kochans sowie eine Übersicht der derzeit verfügbaren Tondokumente. Musik Günter Kochan Sinfonie Sinfonien Analyse Komponist Werkverzeichnis Biographie Sinfonik sinfonische Musik DDR Deutsche Demokratische Republik Ostdeutschland Sozialistischer Realismus Music Günter Kochan Composer Symphony Symphonies Symphonic music Analysis Biography GDR German Democratic Republic Socialism Socialist realism ddc:780 rvk:LP 95900
180	Role sochařství v oficiálním umění totalitních režimů: srovnání NDR a ČSR 1948 - 1968 / The role of sculpture in the official art of totalitarian regimes: DDR and ČSR 1948 - 1968 compared Břízová, Daniela January 2018 (has links) The dissertation is dedicated to the under-researched subject of the official sculpture in the DDR and ČSR in the time-frame 1948-1968. By evaluating the material on a broad background of the art historical, historical, cultural and ideological determinants, the dissertation endeavour to provide an accurate insight into the internal processes of the cultural machinery of the Socialist states with regard to sculpture and sculptors. The comparative character of the dissertation contributes to the understanding of the critical questions of art historical research of the period - such as the (in)authenticity of the local varieties of Socialist Realism and relatedness to the SSSR Socrealism, dates of the Socrealism existence, engagement of modernist sculptors, principles of the state/artist relationship or the second life of the Socrealist sculpture.

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