Taiwan is an island country which is surrounded by sea, and fishery is very important for both the welfare of people and the local economy. The development of fishing villages in Taiwan has a long history. However, the development of the fishing village in Taiwan has been declining because of recent economic recession, science and technology progress and the change of the public viewpoints. Cheting Township is no exception. The characteristics of fishing villages are different from each other. In this regard, this research investigates the present situation and background of Cheting Township thoroughly, and expect to offer appropriate suggestions for Cheting Township to have a new shift of future development. Traditionally, Cheting Township is famous for the catch of mullet roe. In the past, the local people enjoyed the business vary much. Nevertheless, the situation has been changing due to the environmental degradation and the decline of fishing resources. For instance, the public is not satisfied with the development at present and also are not optimistic about the future. These imply that this fishing county needs some changes for its future development. Therefore, this thesis tries to understand the development characteristics of Cheting Township and proposes relative developmental strategies. These strategies will combine the local characteristics and the operation of community renascence so that to develop marine tourism and recreational fishery as well as to improve the quality of the environment. Through referring to abroad experience, it hopes that the local fishermen can be well educated and actively participate in the fishing village development. In other words, the concept of community renascence will be included into the future regeneration of Cheting Township. Since the development of every village is different, this research has to understand the present situation of the fishing villages and then consider relative developmental solutions. Through local investigation and interviews, the research designs a questionnaire to examine the current situation and the relevant issues. The researcher also conducts an interview to check the viewpoints of the local government officials. After the analysis of these interviews and questionnaires, the thesis proposes the comprehensive developmental strategies and turther steps to integrate the planning and management of all related facilities which including the recent development idea of the ¡§love seaport¡¨ in Singda Harbor. In summary, the aim of this thsis is to develop the regeneration strategies of fishing villages in Cheting Township so that to reach the goal of sustainable development of fishing villages with the high quality of living environment.

A presente tese versa a respeito das correspondências existentes entre a obra de dois dos mais importantes pintores flamengos, Hieronymus Bosch e Petrus Bruegel. A influência que Bosch (145?-1516) exerceu em Bruegel (15??-1569) é conhecida e mencionada, ainda que em termos gerais, por quase todos seus estudiosos. Este trabalho procura precisar alguns de seus aspectos. A influência de Bosch na obra de Bruegel apresenta-se não como algo fortuito ou resultante de meros traços de estilo, mas materializado em uma linguagem simbólica comum construída por suas figuras. Bruegel se apropria da linguagem pictórica de Bosch, desenvolve-a e com ela desenha várias de suas obras. É com essa mesma linguagem que Bruegel dá expressão a seu anticlericalismo. Em épocas de perseguição à heresia, o símbolo pictórico constitui um conveniente esconderijo para o ataque à Igreja e parece ter sido refúgio comum dos dois pintores. Existe entretanto uma obra de Bruegel em que a influência de Bosch parece estar ausente, trata-se de seu Procissão ao Calvário (Viena, 1564). Todavia, como se procurará apontar, há grande influência do famoso tríptico de Bosch Carro de Feno (1490, Escorial) nessa obra. Bruegel fez em seu Procissão ao Calvário uma espécie de releitura da pintura de Bosch, apesar de acrescentar novos significados. Desvendando um pouco da linguagem bruegueliana encontramos na Procissão ao Calvário uma alusão precisa e ampla ao Carro de Feno de Bosch. A obra de Bruegel parece comportar uma paráfrase velada do quadro de seu antecessor, além dar expressão às mesmas críticas. A temática de ambas as obras também é comum: a queda do homem, tema muito recorrente na arte renascentista. / This thesis deals with the connections between the work of two of the most important Flemish painters, Hieronymus Bosch and Petrus Bruegel. The influence Bosch (145 ? - 1516) exercised on Bruegel (15 ?? - 1569) is acknowledged and mentioned, even if only in general terms, by almost all scholars who study the authors. This work attempts to further analyze certain aspects of these connections. We are going to argue that the influence of Bosch on Bruegels work is not accidental or the result of mere traces of style; it is, in fact, materialized in a common symbolic language built by the figures he painted. Bruegel appropriated Boschs pictorial language, developed it and incorporated it in several of his paintings. Bruegel used this same language in order to express his anticlericalism. In times of persecution against heresy, the pictorial symbol was a convenient hiding place for the attack of the Church, and it seems to be, for both painters, a common place of refuge. There is one of Bruegels work in which the influence of Bosch seems to be absent, though: the \"Way to Calvary\" (Vienna, 1564). We are going to state, however, that there is a great influence of the famous triptych of Bosch \"Haywain\" (1490, Escorial) on this work. There is evidence to suggest that Bruegel, in his \"Way to Calvary\", carried out a kind of reinterpretation of Bosch\'s painting, although he also added new meanings. Unveiling a little Bruegels language, it is possible to find in \"Way to Calvary\" a specific and broad allusion to Boschs \"Haywain\". Bruegels work seems, thus, not only to contain a paraphrase of his predecessors triptych, but also to be an expression of the same criticism. This is further suggested by the fact that the theme of both works is common: the fall of man, which was a very recurrent theme in Renaissance art.

A presente tese versa a respeito das correspondências existentes entre a obra de dois dos mais importantes pintores flamengos, Hieronymus Bosch e Petrus Bruegel. A influência que Bosch (145?-1516) exerceu em Bruegel (15??-1569) é conhecida e mencionada, ainda que em termos gerais, por quase todos seus estudiosos. Este trabalho procura precisar alguns de seus aspectos. A influência de Bosch na obra de Bruegel apresenta-se não como algo fortuito ou resultante de meros traços de estilo, mas materializado em uma linguagem simbólica comum construída por suas figuras. Bruegel se apropria da linguagem pictórica de Bosch, desenvolve-a e com ela desenha várias de suas obras. É com essa mesma linguagem que Bruegel dá expressão a seu anticlericalismo. Em épocas de perseguição à heresia, o símbolo pictórico constitui um conveniente esconderijo para o ataque à Igreja e parece ter sido refúgio comum dos dois pintores. Existe entretanto uma obra de Bruegel em que a influência de Bosch parece estar ausente, trata-se de seu Procissão ao Calvário (Viena, 1564). Todavia, como se procurará apontar, há grande influência do famoso tríptico de Bosch Carro de Feno (1490, Escorial) nessa obra. Bruegel fez em seu Procissão ao Calvário uma espécie de releitura da pintura de Bosch, apesar de acrescentar novos significados. Desvendando um pouco da linguagem bruegueliana encontramos na Procissão ao Calvário uma alusão precisa e ampla ao Carro de Feno de Bosch. A obra de Bruegel parece comportar uma paráfrase velada do quadro de seu antecessor, além dar expressão às mesmas críticas. A temática de ambas as obras também é comum: a queda do homem, tema muito recorrente na arte renascentista. / This thesis deals with the connections between the work of two of the most important Flemish painters, Hieronymus Bosch and Petrus Bruegel. The influence Bosch (145 ? - 1516) exercised on Bruegel (15 ?? - 1569) is acknowledged and mentioned, even if only in general terms, by almost all scholars who study the authors. This work attempts to further analyze certain aspects of these connections. We are going to argue that the influence of Bosch on Bruegels work is not accidental or the result of mere traces of style; it is, in fact, materialized in a common symbolic language built by the figures he painted. Bruegel appropriated Boschs pictorial language, developed it and incorporated it in several of his paintings. Bruegel used this same language in order to express his anticlericalism. In times of persecution against heresy, the pictorial symbol was a convenient hiding place for the attack of the Church, and it seems to be, for both painters, a common place of refuge. There is one of Bruegels work in which the influence of Bosch seems to be absent, though: the \"Way to Calvary\" (Vienna, 1564). We are going to state, however, that there is a great influence of the famous triptych of Bosch \"Haywain\" (1490, Escorial) on this work. There is evidence to suggest that Bruegel, in his \"Way to Calvary\", carried out a kind of reinterpretation of Bosch\'s painting, although he also added new meanings. Unveiling a little Bruegels language, it is possible to find in \"Way to Calvary\" a specific and broad allusion to Boschs \"Haywain\". Bruegels work seems, thus, not only to contain a paraphrase of his predecessors triptych, but also to be an expression of the same criticism. This is further suggested by the fact that the theme of both works is common: the fall of man, which was a very recurrent theme in Renaissance art.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-10-17T11:26:37Z No. of bitstreams: 1 luisgustavomandaranocruzesilva.pdf: 825435 bytes, checksum: f31174582329c2ca51d715f2df5cbe98 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-22T13:10:24Z (GMT) No. of bitstreams: 1 luisgustavomandaranocruzesilva.pdf: 825435 bytes, checksum: f31174582329c2ca51d715f2df5cbe98 (MD5) / Made available in DSpace on 2016-10-22T13:10:24Z (GMT). No. of bitstreams: 1 luisgustavomandaranocruzesilva.pdf: 825435 bytes, checksum: f31174582329c2ca51d715f2df5cbe98 (MD5) Previous issue date: 2008-10-26 / As idéias de Maquiavel fizeram tremer a Europa do século XVI, levando políticos, religiosos e intelectuais a intermináveis discussões e causando um estrondo ensurdecedor, cujos ecos podem ser ouvidos ainda em nossos dias. A Igreja Romana do fim do século XV e início do XVI se afundava em corrupção e jogos de poder e interesse. Maquiavel, no Capítulo Doze de seus Comentários sobre a Primeira Década de Tito Lívio – publicado pela primeira vez em 1519 – previa que algo grande estava para acontecer, algo que abalaria o “eterno” Trono de São Pedro. O cisma protagonizado por Lutero ocorreria exatamente neste ano. Meu trabalho busca demonstrar a complexidade da relação entre a Igreja Católica – e os governos por ela sustentados – e os escritos políticos de Nicolau Maquiavel. Sendo assim, a Península Ibérica, braço forte do catolicismo do XVI e XVII se mostrou o local apropriado a ser abarcado por meus estudos. Estudando-se a recepção das idéias de Maquiavel na Ibéria do XVI, emerge a figura do bispo português Jerônimo Osório, o primeiro a criticar textualmente as idéias do secretário de Florença. Maquiavel, a recepção de suas idéias na Península de Camões e Cervantes, e a importância do pensamento do bispo português Jerônimo Osório são os pontos centrais desta dissertação. / Machiavelli’s ideas made sixteenth century Europe quake, generating endless acrimonious debate and so causing a deafening roar whose echoes can still be heard today. The Roman Church at the end of the fifteenth and beginning of the sixteenth centuries was foundering in corruption and intrigues of power and self-interest. Machiavelli, in chapter twelve of his Discourses on Livy (Discorsi sopra la prima deca di Tito Livio), first published in 1519, predicted that something big was about to happen, something that could shake the Throne of Saint Peter to its foundations. Indeed, the Lutheran schism began that year. This thesis seeks to demonstrate the complex relationship between the Catholic Church – and its subject states – and Machiavelli’s political writings. The Iberia, a staunch stronghold of Catholicism in these times, thus seems to be an appropriate focus for this study. Research into the Iberian response to Machiavelli’s ideas reveals that the Portuguese bishop Jeronymo Osorio was the first to criticize, in writing, the ideas of the former. Machiavelli, the response of his ideas in the land of Camões and Cervantes, and the importance of Jeronymo Osorio’s thought are the central themes of this dissertation.

Made available in DSpace on 2014-12-17T15:25:24Z (GMT). No. of bitstreams: 1 LeninCS.pdf: 710226 bytes, checksum: dca99c480ca561a3eaa768608887448d (MD5) Previous issue date: 2007-08-31 / To build an Portuguese America, after discovering at the beginning of XVI century, the Europeans used the physic, politic colonization and also a space ideological domain using write texts, chronicles, and started making a conceive America that was more European than American. One of those chronicles was the Society of Jesus Chronicle written by father Sim?o de Vasconcelos, a Jesuit. So our object is recognizing in this chronicle the ways that this father had imagined the America. We are looking to answer how the Jesuit use some references to Classic Antiquity (meanly Aristotle and Samuel) because how this action until happen in the Renascence (XVII century) the intellectual production certainly involve renascent topoi. To get this we used some authors that study Intellectual/ Cultural History like Burckhardt e Ginzburg and some authors from Speech Analyses like Certeau and Foucault, to, in the end, can understand how Sim?o de Vasconcelos created his Brazil / Para construir uma Am?rica, a Am?rica Portuguesa, ap?s o seu descobrimento em 1500. os europeus seu utilizaram, al?m da coloniza??o f?sica e pol?tica de uma domina??o ideol?gica do espa?o atrav?s de textos escritos, cr?nicas, e a partir delas imaginaram uma Am?rica que era mais europ?ia do que americana. Uma destas cr?nicas foi a Cr?nica da Companhia de Jesus escrita pelo padre jesu?ta Sim?o de Vasconcelos. Nosso objetivo ? reconhecer nesta cr?nica os modos que este padre imaginou a Am?rica nos atendo, principalmente, a como o jesu?ta utiliza as refer?ncias ? Antig?idade Cl?ssica (nos concentramos aqui em Arist?teles e os Livros de Samuel) porque como tal a??o se d? durante o Renascimento (s?culo XVII) a produ??o intelectual certamente acaba por envolver os topoi renascentistas. Para realizar isto nos basearemos nos autores ligados ? Hist?ria Intelectual/ Cultural como Burckhardt e Ginzburg e tamb?m autores ligados ? An?lise de Discurso, com Certeau e Foucault, para enfim poder entender como Sim?o de Vasconcelos criou o seu Brasil

Made available in DSpace on 2016-03-15T19:48:42Z (GMT). No. of bitstreams: 1 Jose Roberto da Silva.pdf: 2533062 bytes, checksum: b4d98c756c4ec23619724e23b603ed5a (MD5) Previous issue date: 2007-12-17 / Fundo Mackenzie de Pesquisa / The proposal of our research is to contemplate about the distinctions of "concept ethical" in the deprived life and political existent between Maquiavel and Calvino. Although both have lived in the same historical period and have been formed with the own Humanism of the time, we detached a distinction between Maquiavel and Calvino found substantially, kept the relationships, between the natural law and the contractual law. Some political changes affected Rome and Florence where Maquiavel was born, and they contributed in your perspective ethics-politics. There are doubts if purposed guides the Prince or the people, so that this understood how the model of overbearing principality worked. Maquiavel composed your political perspective for the discard of the ideal of the Christian ethics, to assume a secularized ideal. Your purpose was the conservation of the State. Already, the effervescences religious, theological and politics composed the scenery of the Reformer. For Calvino, the relationship ethics-politics is understood inside of the subject of the Christian mercy. Then, your fight against the ones that disturbed the kingdom of France and your thought of the King s nobleman occupation, that it should reign by the sacred texts. By virtue of an influence Maquiaveliana in Brazilian reality, is wanted to dialogue with the two thinkers, verifying the dominance form for them proposals, and to discuss as these approaches feels in the Brazilian political field. / A proposta de nossa pesquisa é refletir sobre as distinções de "conceito ético" na vida privada e política existentes entre Maquiavel e Calvino. Embora ambos tenham vivido no mesmo período histórico e tenham sido formados com o Humanismo próprio da época, destacamos uma distinção entre Maquiavel e Calvino encontrada substancialmente, guardadas as relações, entre a lei natural e a lei contratual. Algumas mudanças políticas afetaram Roma e Florença onde Maquiavel nasceu, e contribuíram na sua perspectiva ética-política. Há dúvidas se propositava orientar o Príncipe ou o povo, para que este compreendesse como funcionava o modelo de principado despótico. Maquiavel compunha sua perspectiva política pelo descarte do ideário da ética cristã, para assumir um ideário secularizado. Sua finalidade era a conservação do Estado. Já, as efervescências religiosas, teológicas e políticas compunham o cenário do Reformador. Para Calvino, a relação ética-política é compreendida dentro do assunto da piedade cristã. Daí, sua luta contra os que perturbavam o reino da França e sua preceituação do nobre ofício do Rei, que devia reinar mediante os textos sagrados. Em virtude de uma influência Maquiaveliana na realidade brasileira, deseja-se dialogar com os dois pensadores, verificando a forma de dominação por eles propostas, e discutir como estas abordagens dão-se no campo político brasileiro.