Orientador: Carlos Eduardo Ornelas Berriel / Dissertação (mestrado) - Universidade Estadual de Campinas. Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-15T22:22:07Z (GMT). No. of bitstreams: 1 WitezeJunior_Geraldo_M.pdf: 905275 bytes, checksum: b3695ea6baf8a1fc1789c9c7a4e9cf06 (MD5) Previous issue date: 2010 / Resumo: O objetivo deste trabalho é estudar as relações entre a utopia e o romance "Dom Quixote". Mais especificamente a hipótese testada é a de que o governo de Sancho Pança na ínsula Baratária poderia ser entendido como uma utopia. Para tanto busca-se primeiramente delimitar o significado da utopia, discutindo as suas transformações ao longo da história desde sua origem no Renascimento. Além disso examina-se a sua percepção como gênero literário e como corrente de pensamento, recorrendo à diferenciação entre utopia e utopismo. Como o significado da utopia mudou após as críticas de Marx e Engels, procura-se esclarecê-las através de uma análise direta da obra dos dois pensadores, estabelecendo uma diferença entre os escritos de Marx, os de Engels e as interpretações marxistas posteriores. Após o percurso teórico sobre a utopia é feita uma breve discussão bibliográfica perpassando pelos principais nomes da crítica literária cervantina para, na sequência, analisar o texto de "Dom Quixote", em especial as partes da obra diretamente relacionadas ao governo de Sancho. / Abstract: The objective of this work is to study the relationship between utopia and the novel "Don Quixote". More specifically, the hypothesis tested is that the government of Sancho Panza in the insula Barataria could be understood as an utopia. To this end we first seek to delimit the meaning of utopia, discussing its transformations throughout history since its origins in the Renaissance. Furthermore we examine it perception as a literary genre and as a current of thought, using the distinction between utopia and utopianism. Because the eaning of utopia has changed after the criticism of Marx and Engels we sought to clarify the through a direct analysis of two thinkers' work making a difference between the writings of Marx, Engels and later marxist interpretations. After the theoretical course on utopia, we do a brief bibliographical discussion perpassing the top names in Cervantes literary criticism in order to thereupon analyze the text of "Don Quixote", specially the parts of the work directly related to the government of Sancho. / Mestrado / Historia e Historiografia Literaria / Mestre em Teoria e História Literária

Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2015-04-27T12:55:40Z No. of bitstreams: 2 Dissertação - Johnny Taliateli do Couto - 2015.pdf: 1475599 bytes, checksum: a72aa2de6227133988708dd7793a4a75 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-04-28T12:05:00Z (GMT) No. of bitstreams: 2 Dissertação - Johnny Taliateli do Couto - 2015.pdf: 1475599 bytes, checksum: a72aa2de6227133988708dd7793a4a75 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2015-04-28T12:05:00Z (GMT). No. of bitstreams: 2 Dissertação - Johnny Taliateli do Couto - 2015.pdf: 1475599 bytes, checksum: a72aa2de6227133988708dd7793a4a75 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2015-02-11 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This research has the goal of investigate the relationship between the Portuguese monarchy and the Papacy during the thirteenth century, especially, the reign of Sancho II (1223-1248). King, Kingdom and Papacy intersect each other in our analysis about the deposition process that unseated the Portuguese king and, at the same time, those interactions are crucial regarding the dynamic research that we establish in this work. Sancho II had a troubled coexistence with the clergy and the papal curia, especially in the time of Gregory IX (1227- 1241) and Innocent IV (1243-1254). We argue that this problem came from the great power concentrated in the hands of Iberian clergy, beyond the break of the king with a certain faction of those prelates, in particular, Master Vicente and the archbishop of Braga, Silvestre Godinho. In the Council of Lyon (1245), the Portuguese monarch was deposed by Pope Innocent IV (called rex inutilis, in other words, inadequate to lead the government of the kingdom), due to a linkage involving not only the high Portuguese ecclesiastical dignitaries, but also the king’s brother, Afonso, the Count of Bologna. We have spent some effort to understand some details of papal action, especially the time when the king’s situation worsened. For that investigative task, we emphasize the documents issued by the Chancellery of Sancho II and the papal documentation designed to Portugal. We intend with our analysis to evince that far from being unable to rule, in different circumstances, the Portuguese monarch expressed the royal will, both in negotiations and in retaliations against opponents. / Esta pesquisa tem como fito investigar as relações da monarquia portuguesa com o papado no século XIII, de modo especial, o reinado de D. Sancho II (1223-1248). Rei, Reino e Papado se entrecruzam em nossa análise acerca do processo de deposição que destituiu o monarca português e, ao mesmo tempo, na dinâmica de investigação que estabelecemos no corpo deste trabalho. Sancho II teve uma convivência conturbada com o clero e com a cúria pontifícia, mormente no tempo de Gregório IX (1227-1241) e Inocêncio IV (1243-1254). Defendemos que esse problema proveio do grande poder contido nas mãos do clero ibérico, além do rompimento do rei com determinada facção daqueles prelados, nomeadamente, Mestre Vicente e o arcebispo de Braga, Silvestre Godinho. No Concílio de Lyon de 1245, o monarca português foi deposto pelo Papa Inocêncio IV (tratado como um rex inutilis, isto é, insuficiente para conduzir o governo do reino), devido uma articulação que envolveu não só os altos dignitários eclesiásticos portugueses, mas também o irmão do rei, Afonso, o Conde de Bolonha. Foi preciso despendermos certo esforço para compreender alguns pormenores da ação pontifícia, principalmente, o momento em que a situação do rei se agravou. Para essa labuta investigativa, recorremos com maior ênfase aos documentos expedidos na chancelaria de Sancho II e a documentação pontifícia destinada a Portugal. Pretendemos com nossa análise, evidenciar que longe de mostrar-se incapaz, em diversas circunstâncias o monarca português manifestou a vontade régia, tanto em negociações, assim como em retaliações aos oponentes.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-11-30T11:32:23Z No. of bitstreams: 1 Vanessa Alves Maximo dos Santos.pdf: 1791281 bytes, checksum: f0b2b15003ebd0802aafa8a1bd325c81 (MD5) / Made available in DSpace on 2017-11-30T11:32:23Z (GMT). No. of bitstreams: 1 Vanessa Alves Maximo dos Santos.pdf: 1791281 bytes, checksum: f0b2b15003ebd0802aafa8a1bd325c81 (MD5) Previous issue date: 2017-11-07 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / Quixote, by Miguel de Cervantes Saavedra, whose first part came to light in 1605, is one of the best known works in world literature and has received several interpretations. A controversial subject concerns the proposal of Salvador de Madariaga y Rojo, who proposed a slow and persistent process of symbiosis between the characters Don Quixote and Sancho Panza, from the work Quixote by Miguel de Cervantes Saavedra, resulting in the sanchificación of dom Quixote and in Sancho's quixotization. The proposal, made in the first half of the twentieth century, caused great repercussion in the scope of the Cervantine studies. The present work seeks to analyze the speech and the behavior of the characters throughout the narrative, in order to confirm or not Madariaga's proposal and, for that, concentrates on the analysis of two chapters "Moinhos de Vento" (Chapter VIII) and "Cravilenho" (cap.XLI) that make up the first and second part of Quixote, respectively. The research, which is a critical one, has the basic support in the theoretical-methodological proposal of Systemic-Functional Linguistics (LSF), in which the interpersonal metafunction encompasses the notion of modality as welll as the notion of appraisal – subdivided in affection (emotions), judgement (ethic) and appreciation (aesthetics). SFL allows the relation of the lexical-grammatical choices of the microstructure of the text with the macrostructure of the power relations and discourse ideology. The research should answer the following questions: (a) What grammatical choices confirm the sanchification of Don Quixote and the quixotization of Sancho? (b) What role does appraisal play in this process? (c) How is social critique made in this context? The analysis proves that there is in fact a change in the character of both characters, in terms of a mutual influence that happens throughout the narrative, in which a more careful examination discloses the implicit social critique woven by Cervantes / O livro Quixote, de Miguel de Cervantes Saavedra, cuja primeira parte veio a lume em 1605, é uma das obras mais conhecidas da literatura mundial e tem recebido várias interpretações. Um assunto controvertido, diz respeito à proposta de Salvador de Madariaga y Rojo, que propôs um processo de simbiose, lento e persistente, entre os personagens dom Quixote e Sancho Pança, da obra Quixote, de Miguel de Cervantes Saavedra, resultando na sanchificação de dom Quixote e na quixotização de Sancho. A proposta, feita na primeira metade do século XX, provocou grande repercussão no âmbito dos estudos cervantinos. O presente trabalho tem o objetivo de analisar a fala e o comportamento das personagens ao longo da narrativa, a fim de confirmar, ou não, a proposta de Madariaga e, para tanto, concentra-se na análise de dois capítulos “Moinhos de Vento” (cap. VIII) e “Cravilenho” (cap.XLI) que compõem a primeira e a segunda parte de Quixote, respectivamente. A pesquisa, de cunho crítico, tem o apoio básico na proposta teórico-metodológica, da Linguística Sistêmico-Funcional (LSF), cuja metafunção interpessoal acolhe a noção de modalidade acrescida da avaliatividade – avaliação de afeto (emoções), julgamento (ética) e apreciação (estética), que inclui a avaliação social (avaliação de fenômenos sociais). A LSF permite relacionar as escolhas léxico-gramaticais da microestrutura do texto com a macroestrutura das relações de poder e de ideologia do discurso. Nesse contexto, incluímos questões referentes ao footing, à ameaça de face e de ironia. A pesquisa deve responder às seguintes perguntas: (a) Que escolhas gramaticais confirmam a sanchificação de dom Quixote e a quixotização de Sancho? (b) Que papel exerce a avaliatividade nesse processo? (c) Como é feita a crítica social nesse contexto? A análise comprova que há de fato uma mudança no caráter das duas personagens, em termos de uma mútua influência que acontece ao longo da narrativa, em que um exame detido capta a crítica social implícita tecida por Cervantes

Cervantes' Don Quixote (1605, 1615) is one of the most significant works of European literature. In the 20th century, the two-part novel became one of the fundamental texts for literary and cultural theorists, on which they based their theoretical studies on writing, literature, and culture in general. But do external theoretical views agree with a specific literary history? The diploma thesis presents three selected interpretations of Don Quixote (by V. Shklovsky, M. Bakhtin, and M. Foucault), which are compared with the findings from Spanish studies and with the novel in the original. At the same time, the reading of theoretical works should not be primarily revisionist; the thesis has a comparative character, and the aim is to express the relation between external and internal views of Cervantes' novel.

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The dissertation argues that the development of the British abolition movement was based on the abolitionists' perception that their actions were kairotic; they attempted to shape their own kairos by taking temporal events and reinterpreting them to construct a kairotic process that led to a perceived fulfillment: abolition. Thus, the dissertation examines the rhetorical strategies used by white abolitionists to construct an abolitionist kairos that was designed to produce salvation for white Britons more than it was to help free blacks. The dissertation especially examines the three major texts produced by black persons living in England during the late eighteenth centuryIgnatius Sancho's Letters of the Late Ignatius Sancho (1782), Ottobauh Cugoano's Thoughts and Sentiments on the Evil of Slavery (1787), and Olaudah Equiano's The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African (1789)to illustrate how black rhetoric was appropriated by whites to fulfill their own kairotic desires. By examining the rhetorical strategies employed in both white and black rhetorics, the dissertation illustrates how the abolitionists thought the movement was shaped by, and how they were shaping the movement through, kairotic time. While the dissertation contends that the abolition movement was rhetorically designed to provide redemption, and thus salvation, it illustrates that the abolitionist's intent was not merely to save the slave, but to redeem blacks first in the eyes of white Christians by opening blacks to an understanding and acceptance of God. Perhaps more importantly, abolitionists would use black salvation to buy back their own souls and the soul of their nation in the eyes of God in order to regain their own salvation lost in the slave trade. But ironically, they had to appear to be saving others to save themselves. So white abolitionists used the black narratives to persuade their overwhelmingly white audience that slavery was as bad for them as it was for the African slave. And in the process, a corpus of black writing was produced that gives current readers two glimpses of one world.

Literary criticism has attacked more than once the romantic historical novel condemning it because it was presenting both at a time historical events and historical fiction, what was, according to some critics, encroaching upon the verisimilitude of the historical facts introduced in this kind of novel as well as diminishing the quality of the fictional story while hindering the process of creativity of the writers. Of course, the historical Spanish novel has also suffered from these pessimistic judgements, but it has been accused too of being in no way original for it was taken mainly as an imitation of Scott's works. We do not share this opinion, however, and think on the contrary that Spain has produced great historical fictions which are original from the standpoint of their plots and their characters. / In the first part of this thesis we will show how the Spanish hero of the historical, romantic novel is far from the model of hero typically depicted by Scott. The main objective of this study will be to define the entity or the masculine Spanish protagonist of the genre in question. For this purpose, we will compare three protagonists, Usdrobal, Macias and Jimeno, from three chosen Spanish novels, between each other and with other secondary characters, especially with their antagonists. The physical and moral aspects will be particularly underlined as we examine, for example, Lavater's science and, at the same, time, the actions, reactions and attitudes of these protagonists. As a result, we will be able to establish their profile and personality. Parallels will also be made, whenever useful, with other significant Spanish and European characters. In this analysis it will be made clear that these romantic beings who suffer terribly throughout their lives are vulnerable and original in opposition to both the traditional and the Scottian heroes.

En accord avec mes intérêts scientifiques, j’ai décidé, dans le cadre de ce travail doctoral, d’étudier un corpus correspondant règne de Sanche IV, roi de Castille et du León de 1284 à 1295, et constitué des quatre œuvres suivantes qui, à l'instar du Sendebar ou du Calila e Dimna antérieurs, exploitent toutes les ressources de l'exemplum afin d'enseigner certes mais aussi de captiver le lecteur : El Libro del Tesoro, El Lucidario, El libro del consejo e de los consejeros et Los Castigos de Sancho IV. Bien que chacun de ces livres ait été l’objet d’études ponctuelles intéressantes, ce groupement de textes n’avait, jusqu’à présent, bénéficié d’aucune grande étude monographique et appelait donc une analyse approfondie. Ces quatre ouvrages, d’origine spatiale et temporelle différente, se sont construits selon les mentalités et les pratiques de l’époque, c’est-à-dire en réutilisant, en retravaillant la matière des sources par des ajouts, des corrections, des suppressions en fonction des visées de l’auteur ou du promoteur de l’œuvre. Cette réappropriation des sources et des modèles correspond à une finalité plus ou moins évidente ou avouée, notamment si l’on en juge à l’aune du « molinisme », pensée politique du début du XIVe siècle. Les œuvres de cette période sont, en effet, soit écrites soit commanditées par le roi ou la régente, Marie de Molina. En outre, on connaît suffisamment le rôle joué par l’Archevêque de Tolède et l’importance de la pensée religieuse dans la constitution et la consolidation du « molinisme », pour parier sur l’existence d’un discours renvoyant à l’éthique chrétienne, à la morale ou à la philosophie. J’ai donc analysé la nature du projet moral, religieux et politique qui sous-tend cette littérature sapientielle. L’analyse des textes du corpus prend en compte, dans un premier temps, la structure des ouvrages et du cadre narratif, afin de définir la voix auctoriale, c’est-à-dire celle qui choisit sources et modèles et se les réapproprie : il s’agit de mettre en lumière un mode de pensée spécifique et des intentions particulières. Dans un deuxième temps, j’ai confronté ces textes aux contextes, notamment historique, si prégnant pendant le règne de Sanche IV et la régence, pour en extraire le sens politique et idéologique, moral, religieux ou philosophique. Enfin, une des finalités de ce travail de thèse est de comprendre comment, à partir de la réécriture des sources, traités, écrits religieux, auteurs classiques, exempla… s’est réalisé ce que l’on doit considérer comme un renouvellement de la production sapientielle. La thèse permet, grâce à une confrontation croisée entre histoire et littérature, de dégager l’évolution de la littérature sapientielle médiévale en castillan, et, parallèlement, de mettre en lumière la vision culturelle et morale, politique et sociétale promue par le roi Sanche IV et soutenue ensuite par Marie de Molina. / In line with my centres of scientific interest, I have decided to examine a corpus corresponding to the reign of Sancho IV, namely El Libro del Tesoro, El Lucidario, El libro del consejo e de los consejeros and Los Castigos of Sancho IV. Although interesting individual studies have been produced on each of these books, the collation of the four texts has not hitherto benefited from any in-depth monographic study. These four works, all of different origin in time and space, were put together according to the mind-sets and practices of the time, by revisiting the source material by means of additions, corrections and deletions according to the author’s intentions. Such reworking of the sources and models corresponds to a more or less self-evident or openly admitted purpose, given that these works were either written or commissioned by the king. It is therefore essential to question the nature of the political project underlying this sapential literature. The initial analysis of the texts takes account of their structure and narrative framework in order to define the voice of the author, that is to say who chooses and takes on the relevant sources and models. Secondly, these texts need to be set against their context, especially their historical context, in order to highlight their political, ideological, moral, religious or philosophical meaning. Finally, one of the aims of this thesis is to understand how, as from the-re-writing of the sources, treatises, scriptures, classic authors and other exempla, what can be considered as a renewal of sapiential or wisdom literature actually came about. Thanks to such a cross-matching of history and literature, the thesis should evidence the evolution of sapential literature and throw light upon the cultural, moral, political and social vision promulgated by king Sancho IV and upheld by Maria de Molina.

No description available.