O presente trabalho busca analisar a obra dos compositores Sidney Miller Sérgio Ricardo tendo em vista o momento de crise da MPB por volta do ano de 1968. Além de focar na obra dos cancionistas na década de 1960 e observar como ambos eram tidos, cada qual a sua forma, como referências da nascente MPB, o trabalho também analisa a transformação da MPB na virada da década de 1960 para a década de 1970 e o consequente processo de marginalização que ambos os compositores irão sofrer paulatinamente. Paralelamente, a dissertação reflete sobre a reestruturação da indústria fonográfica no Brasil, o advento da contracultura e o recrudescimento da ditadura militar, como elementos que contribuíram decisivamente para mudanças estruturais na MPB e na cena musical do período. Dessa forma, analisaremos a obra de Miller e Sérgio Ricardo a partir de todos estes elementos e mudanças em questão e como cada um reagiu a sua forma ao processo de mudança que ocorria na MPB. / The dissertation here presented aims to analyze the works of the composers Sidney Miller and Sérgio Ricardo in the moment of crisis of Música Popular Brasileira (Brazilian Popular Music: MPB), around the year of 1968. Moreover, this dissertation will focus on the works of the composers in the 1960s and ponder on how both were considered, each in its own way, references of the new-born MPB. In addition this work will also analyze the transformation of MPB in the turning of the 1960s to the 1970s and the gradual process of overshadowing suffered by both composers mentioned. Parallel to such process, we will ponder about the restructure of the phonographic industry in Brazil, and also the arrival of counterculture in the country and the tightening and threatening of civil rights by the military dictatorship that occupied the government since 1964. We will bring these matters to enhance the analysis and for a better understanding of MPB in the context. In this way we will be looking at the works of Miller and Sérgio Ricardo regarding all the elements mentioned and how each composer faced the transformations of MPB at that period.

La légende nationale élaborée autour de Sir Philip Sidney [1554-1586] à la période élisabéthaine a contribué à dissimuler de nombreux aspects de l’expérience visuelle de « l’icône culturelle » du protestantisme anglais. En effet, les monuments picturaux érigés à sa mémoire ont gravé dans la rigidité du marbre les lignes d’un régime représentatif européen à vocation humaniste et exemplaire qui a échoué à reproduire les traits du courtisan. Au cours des deux dernières décennies du XXe siècle, le développement des visual culture studies a permis de démontrer la friabilité des socles taxinomiques de la matière visuelle élisabéthaine en élargissant la notion d’image à des domaines jusque-là négligés [imprese, miniatures, médaillons de cire]. Mais bien que des formes alternatives de visualité aient ainsi pu être envisagées, ces nouvelles lectures de la mimésis sidneyenne ne sont pas parvenues à s’extraire d’une compréhension ethnocentrée de la perspective. Loin d’offrir le reflet insulaire d’un archaïsme pictural exotique, les ornements dédiés à ou conçus par Sidney s’inscrivent pourtant au cœur de l’histoire de rencontres visuelles entre le « propre » et le « barbare » qui mettent en lumière toute l’incertitude étiologique et généalogique des dernières années du règne des Tudor. Les effets de rémanence du Kitab al-manazir [De Aspectibus] d’Ibn al-Haytham [Alhacen] dans la compréhension des « intentions » du visible élisabéthain seront dès lors envisagés comme l’aspect le plus lumineux de la dimension anthropologique du geste mimétique sidneyen. / The national legend surrounding Sir Philip Sidney [1554-1586] in the Elizabethan era has played a significant part in concealing many aspects of the courtier’s visual experience. The marble fixity of pictorial monuments erected in memory of England’s favourite Protestant « cultural icon » has mostly failed to register his features. This has been made apparent through the development of visual culture studies. Since emerging in the 1980’s, this interdisciplinary field has led to the laying bare of the brittle material of Elizabethan visual taxonomies, by encompassing within the ‘pictorial’ frame new kinds of images [imprese, limnings, wax medallions]. Yet, although opening up onto alternative visual modes, the latest forays into Sidneyan mimesis have remained firmly rooted in an ethnocentric approach of perspective. Conversely, far from reflecting an exotic, insular or archaic pictorial response to visual culture, Sidney’s ornaments -whether created by or dedicated to him- draw on encounters between ‘gentle’ and ‘barbarous’ visual histories, thus highlighting Tudor England’s ‘etiological uncertainty’. As a result, the many aspects of Ibn al-Haytham [Alhacen]’s Kitab al-mananazir [De Aspectibus] transpiring through Elizabethan optics will emerge as central to the building up and understanding of the anthropological dimension of Sidney’s mimesis.

O presente trabalho busca analisar a obra dos compositores Sidney Miller Sérgio Ricardo tendo em vista o momento de crise da MPB por volta do ano de 1968. Além de focar na obra dos cancionistas na década de 1960 e observar como ambos eram tidos, cada qual a sua forma, como referências da nascente MPB, o trabalho também analisa a transformação da MPB na virada da década de 1960 para a década de 1970 e o consequente processo de marginalização que ambos os compositores irão sofrer paulatinamente. Paralelamente, a dissertação reflete sobre a reestruturação da indústria fonográfica no Brasil, o advento da contracultura e o recrudescimento da ditadura militar, como elementos que contribuíram decisivamente para mudanças estruturais na MPB e na cena musical do período. Dessa forma, analisaremos a obra de Miller e Sérgio Ricardo a partir de todos estes elementos e mudanças em questão e como cada um reagiu a sua forma ao processo de mudança que ocorria na MPB. / The dissertation here presented aims to analyze the works of the composers Sidney Miller and Sérgio Ricardo in the moment of crisis of Música Popular Brasileira (Brazilian Popular Music: MPB), around the year of 1968. Moreover, this dissertation will focus on the works of the composers in the 1960s and ponder on how both were considered, each in its own way, references of the new-born MPB. In addition this work will also analyze the transformation of MPB in the turning of the 1960s to the 1970s and the gradual process of overshadowing suffered by both composers mentioned. Parallel to such process, we will ponder about the restructure of the phonographic industry in Brazil, and also the arrival of counterculture in the country and the tightening and threatening of civil rights by the military dictatorship that occupied the government since 1964. We will bring these matters to enhance the analysis and for a better understanding of MPB in the context. In this way we will be looking at the works of Miller and Sérgio Ricardo regarding all the elements mentioned and how each composer faced the transformations of MPB at that period.

Made available in DSpace on 2015-05-14T12:23:08Z (GMT). No. of bitstreams: 1 ArquivoTotalEmanuel.pdf: 2120034 bytes, checksum: 9b7e0f6441b0f237b8b34414425af41a (MD5) Previous issue date: 2013-08-31 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This study situated in the research field of History Teaching and Historical Knowledge of the History Post-graduation Course of Universidade Federal da Paraíba, and concentrated in History and Historical Culture has the aim of analyzing the repercussion of the historiography of the English Historian Edward Palmer Thompson in Brazil, specifically, his concept of experience. The period chosen to be analyzed goes from 1980 up to 1998. In order to evaluate how this repercussion movement happened, we dealt with the historiographical production of the Brazilian Historian, Sidney Chalhoub, as well as his contribution as a Professor and the participation of Universidade Estadual de Campinas (Unicamp) as the disseminator and propagator institution of Thompson s historiography in the country. In addition to the history works, we used as resources for this study, the interviews with Chalhoub, the ementas of the programs of the disciplines taught in the History Course of Unicamp in the period of 1980-1998 that were filed in the Secretaria de Graduação da Unicamp. This dissertation has been inspired by the historiographical studies and it is present in the history of historiography. / Este trabalho vinculado à linha de pesquisa Ensino de História e Saberes Históricos do Programa de Pós-graduação em História da Universidade Federal da Paraíba, com área de concentração em História e Cultura Histórica tem por objetivo analisar a repercussão da historiografia do historiador inglês Edward Palmer Thompson no Brasil, em especial o seu conceito de experiência. O recorte escolhido começa no ano de 1980 e vai até o ano de 1998. Para avaliarmos como se processou esse movimento de repercussão, abordamos, em nossa análise, parte da produção historiográfica do historiador brasileiro Sidney Chalhoub, assim como a sua atuação como professor universitário, e a participação da Universidade Estadual de Campinas (Unicamp) como instituição irradiadora e difusora da historiografia de Thompson no país. Além das obras de história, utilizamos como fontes para este trabalho, entrevistas realizadas com Chalhoub e as ementas dos programas das disciplinas ministradas no curso de História da Unicamp no período 1980-1998, que se encontram arquivadas na Secretaria de Graduação da Unicamp. A dissertação tem como inspiração os estudos historiográficos e insere-se no campo da história da historiografia.

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Dissent riddled Mormonism almost from the day of its inception. Competing prophets and dissatisfied adherents challenged Joseph Smith’s leadership of The Church of Jesus Christ of Latter-day Saints. Perhaps the most serious of Smith’s challengers was the dissent of his counselor William Law. In 1844, Law confronted Smith over the implementation of the latter’s doctrinal innovations (particularly plural marriage) and Zion building activities in Nauvoo, Illinois.At the height of the dissent movement,anti-Mormon citizens in the region (some say inflamed by Law’s newspaper the Nauvoo Expositor)assassinated Smith. The assassination caused a religious rupture in Mormonism called the Succession Crisis. This thesis examines identity formation, maintenance, and evolution inLaw’s 1844 dissenting group. It argues that several factors, notably estrangement and social networks, were key in forming the group’s identity. As other scholars acknowledge, the group intended on a Mormon reformation. It also argues that a more accurate understanding of the dissent organization is one of an extralegal internal reform body rather than (as current scholarship puts forth) an external separatist church. The reform sect maintained their distinct identity during the closing months of 1844, but evolved into the 1845 Church of Christ that Sidney Rigdon helmed.Lastly, this thesis surveys the reformers’ navigation of a turbulent religious climate and offers some analysis on why those reformers most committed to Mormonism ultimately rested in the Reorganized Church of Jesus Christ of Latter Day Saints.

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This dissertation examines the Christ-centered homiletics of Edmund Clowney and Sidney Greidanus in contrast with the human author-centered hermeneutics of Walter Kaiser. Chapter 1 frames the dissertation by presenting the consequence of preaching and the marks of redemptive-historical preaching. Chapter 2 presents Walter Kaiser's author-centered hermeneutic. Kaiser's hermeneutic is presented because it is used as a plumb line to assess if and how redemptive-historical preaching drifts from an author-centered hermeneutic. Chapter 3 introduces Edmund Clowney as one of the seminal thinkers in redemptive-historical preaching. It considers Clowney's Christ-centered biblical theology and how that informs his use of symbolism and typology to preach Christ. Chapter 4 juxtaposes Greidanus' seven ways of preaching Christ from the Old Testament alongside Kaiser's author-centered hermeneutic. Attention is also given to Greidanus' sermons from the Old Testament. Chapter 5 presents summary conclusions, documenting some of the frequent cleavages between Kaiser and redemptive-historical preaching. It concludes with ways to implement the dissertation findings for preaching the Old Testament.

The goal of this study was to characterize the ecology and recreational boating activity at two popular anchoring sites located in the waters of the Gulf Islands National Park Reserve of Canada (Sidney Spit and Tumbo Island). The three components of the study were to characterize the distribution of eelgrass (Zostera marina L.). build an inventory of anchoring/mooring activity, and characterize the benthic infauna at each site. These observations were used to evaluate the impact of anchoring on the eelgrass and invertebrate communities. No visible loss of eelgrass was documented, but the results at one of the two sites support the hypothesis that benthic communities in high anchoring intensity areas are in poorer health than those in low anchoring intensity or mooring areas, a characteristic of communities residing in disturbed and fragmented eelgrass beds. Recommendations for site management and long-term monitoring are proposed based on these results.