Cette thèse étudie en détail un type particulier de représentation du Bouddha où il est représenté assis sur un trône prééminent, le bhadrapīṭha ou bhadrāsana, dans une posture majestueuse avec les deux jambes pendantes, c’est-à-dire assis en bhadrāsana ou dans l’attitude « de bon augure ». Cette iconographie, étroitement associée à l’imagerie du trône, se retrouve largement représentée dans l’art de l’Asie du Sud, de l’Est et du Sud-Est, et est, en règle générale, intimement liée aux modèles de la royauté, de la fertilité, et même du divin. Plusieurs implications notables ressortent de cet examen iconologique concernant les origines, la diffusion, et le développement de l’art bouddhique dans ces contrées, particulièrement au cours du premier millénaire de notre ère. / This dissertation provides a detailed study of a particular representation of the Buddha, in which he sits on a prominent throne, i.e. a bhadrapīṭha or bhadrāsana, in a majestic posture with two legs pendant, that is, in bhadrāsana or the “auspicious pose.” This pendant-legged imagery, generally associated with the throne, has been found widely depicted in South, East, and Southeast Asian art and is, as a rule, mostly associated with kingship, fertility, and even divinity. The results of this iconological examination have wide implications for understanding the origins, spread, and development of Buddhist art in those lands, particularly during the first millennium CE.

Life, individual and collective, exists in reference to what came before; my research into the life histories of places explores the cultural threads which tie us to places and which allow us to make personal and collective connections between the past and the present. Understanding these life histories helps us understand the value and power historic places have in the world today. This thesis focuses on Mughal caravanserais from northwestern Pakistan, examining how they were initially intended to be used during the Mughal rule of South Asia and how they were reused in the periods that followed (Sikh, Afghani, British, and Pakistani). Caravanserais are walled arcaded buildings where travelers could stop briefly. After the Mughal Empire declined, caravanserais were reused by local people and/or taken over by subsequent governing bodies. Surviving structures are still used today, although their original appearance and functions have been altered to serve new purposes. My research is part of the Caravanserai Networks Project, directed by Dr. Heather Miller, University of Toronto. I develop my survey method through comparative study of two caravanserais, Gor Khuttree and Pakka Khanpur. Using information from architectural survey, historic documents, and photographs, I create three-dimensional architectural models of Gor Khuttree���s occupations. I use access and planning analysis to characterize the use and alteration of the sites��� architecture. Conceptually, I develop a tripartite formation of place: formed, in practice, and in memory. As a multifaceted place, I consider Gor Khuttree���s life history; the occupations, identities, and memories associated with the site through time. The City of Peshawar, central to this research, was at the time of writing in Pakistan���s North West Frontier Province. This province was renamed Khyber Pakhtunkhwa on April 15th, 2010. This research continues to refer to the province by its former name. This ensures continuity with published documents and the organizational names used by colleagues in Pakistan at the time of research.

Twentieth-century Indian and Sri Lankan literatures (in English, in particular) have shown a strong tendency towards conceptualising the rural and the village within the dichotomous paradigms of utopia and dystopia. Such representations have consequently cast the village in idealized (pastoral) or in realist (counter-pastoral/dystopic) terms. In Chapters One and Two, I read together Mohandas Gandhi’s Hind Swaraj (1908) and Leonard Woolf’s The Village in the Jungle (1913) and argue that Gandhi and Woolf can be seen at the head of two important, but discrete, ways of reading the South Asian village vis-à-vis utopian thought, and that at the intersection of these two ways lies a rich terrain for understanding the many forms in which later twentieth-century South Asian writers chose to re-create city-village-nation dialectics. In this light, I examine in Chapter Three the work of Raja Rao (Kanthapura, 1938) and O. V. Vijayan (The Legends of Khasak, 1969) and in Chapter Four the writings of Martin Wickramasinghe (Gamperaliya, 1944) and Punyakante Wijenaike (The Waiting Earth, 1966) as providing a re-visioning of Gandhi’s and Woolf’s ideas of the rural as a site for civic and national transformation. I conclude by examining in Chapter Five Michael Ondaatje’s Anil’s Ghost (2000) and Amitav Ghosh’s The Hungry Tide (2005) as emblematic of a recent turn in South Asian fiction centred on the rural where the village embodies a “heterotopic” space that critiques and offers a conceptual alternative to the categorical imperatives of utopia and dystopia. I use Michel Foucault’s notion of the “heterotopia” to re-evaluate the utopian dimension in these novels. Although Foucault himself under-theorized the notion of heterotopia and what he did say connected the idea to urban landscapes and imaginaries, we may yet recuperate from his formulations a “third space” of difference that provides an opportunity to rethink the imperatives of utopia in literature and helps understand the rural in twentieth-century South Asian writing in new ways.

Twentieth-century Indian and Sri Lankan literatures (in English, in particular) have shown a strong tendency towards conceptualising the rural and the village within the dichotomous paradigms of utopia and dystopia. Such representations have consequently cast the village in idealized (pastoral) or in realist (counter-pastoral/dystopic) terms. In Chapters One and Two, I read together Mohandas Gandhi’s Hind Swaraj (1908) and Leonard Woolf’s The Village in the Jungle (1913) and argue that Gandhi and Woolf can be seen at the head of two important, but discrete, ways of reading the South Asian village vis-à-vis utopian thought, and that at the intersection of these two ways lies a rich terrain for understanding the many forms in which later twentieth-century South Asian writers chose to re-create city-village-nation dialectics. In this light, I examine in Chapter Three the work of Raja Rao (Kanthapura, 1938) and O. V. Vijayan (The Legends of Khasak, 1969) and in Chapter Four the writings of Martin Wickramasinghe (Gamperaliya, 1944) and Punyakante Wijenaike (The Waiting Earth, 1966) as providing a re-visioning of Gandhi’s and Woolf’s ideas of the rural as a site for civic and national transformation. I conclude by examining in Chapter Five Michael Ondaatje’s Anil’s Ghost (2000) and Amitav Ghosh’s The Hungry Tide (2005) as emblematic of a recent turn in South Asian fiction centred on the rural where the village embodies a “heterotopic” space that critiques and offers a conceptual alternative to the categorical imperatives of utopia and dystopia. I use Michel Foucault’s notion of the “heterotopia” to re-evaluate the utopian dimension in these novels. Although Foucault himself under-theorized the notion of heterotopia and what he did say connected the idea to urban landscapes and imaginaries, we may yet recuperate from his formulations a “third space” of difference that provides an opportunity to rethink the imperatives of utopia in literature and helps understand the rural in twentieth-century South Asian writing in new ways.

Life, individual and collective, exists in reference to what came before; my research into the life histories of places explores the cultural threads which tie us to places and which allow us to make personal and collective connections between the past and the present. Understanding these life histories helps us understand the value and power historic places have in the world today. This thesis focuses on Mughal caravanserais from northwestern Pakistan, examining how they were initially intended to be used during the Mughal rule of South Asia and how they were reused in the periods that followed (Sikh, Afghani, British, and Pakistani). Caravanserais are walled arcaded buildings where travelers could stop briefly. After the Mughal Empire declined, caravanserais were reused by local people and/or taken over by subsequent governing bodies. Surviving structures are still used today, although their original appearance and functions have been altered to serve new purposes. My research is part of the Caravanserai Networks Project, directed by Dr. Heather Miller, University of Toronto. I develop my survey method through comparative study of two caravanserais, Gor Khuttree and Pakka Khanpur. Using information from architectural survey, historic documents, and photographs, I create three-dimensional architectural models of Gor Khuttree’s occupations. I use access and planning analysis to characterize the use and alteration of the sites’ architecture. Conceptually, I develop a tripartite formation of place: formed, in practice, and in memory. As a multifaceted place, I consider Gor Khuttree’s life history; the occupations, identities, and memories associated with the site through time. The City of Peshawar, central to this research, was at the time of writing in Pakistan’s North West Frontier Province. This province was renamed Khyber Pakhtunkhwa on April 15th, 2010. This research continues to refer to the province by its former name. This ensures continuity with published documents and the organizational names used by colleagues in Pakistan at the time of research.

Hovedopgave. / Format: PDF. Bibl.

Starting from the overall Revitalizing Small Millets in South Asia (RESMISA) project objective and question, how to increase millet production and consumption, I will use the same to enter Chintaguda and understand how that can be accomplished in the village. As millets do not occupy a significant aspect of the lives of people in Chintaguda, I essentially sought to understand the general decision-making logics that operate therein. This objective will help me understand which factors and their interactions influence activities around socio-ecological engagements. I aim to devise a framework to comprehend these logics and the complexities found in Chintaguda by using social theories. These will help me stitch together a narrative for Chintaguda that will contextualize the people’s relationship to millets. This study will show the various ways people can and do relate to millets. / February 2016

Background: Double burden of malnutrition means co-existence of under- and overnutrition in a community, household or an individual. It is observed in countries undergoing nutrition transition. Research on double burden among Indian children aged under five has been scarce. I therefore aim to studythe prevalence of double burden of malnutrition in this age group. Methods: Cross-sectional population-based data from District Level Household and Facility Survey 4 conducted in 2012-2013 in 23 Indian States and Union Territories were used for the analysis. Prevalence of overweight, stunting and anaemia were examined as main outcomes at the community level. Simultaneous overweight and stunting or anaemia in same child were the main outcomes for individuallevel prevalence. Households with stunted child and overweight adult were also examined. Results: In this sample, 40.1 % of children were stunted, 74.2 % anaemic and 8.2 % overweight. Simultaneous overweight and stunting as well as overweight and anaemia both affected about 5.5 % of children. Stunted children had a higher prevalence of overweight than non-stunted children. No such association was seen for anaemia. At household level, 26.5 % of households had an overweight adult and a stunted child. Discussion: Double burden of malnutrition is emerging among Indian children aged under five and should be included in national nutrition policy. Undernutrition is still bigger concern than overnutrition, but overweight is spreading also to lower wealth quintiles. Further studies should be done to examine this phenomenon at the national level.

My research examines the interconnected histories of urbanism and urban development in port cities across South and Southeast Asia. Chapter one examines the effects of the third plague pandemic on the quotidian livelihoods and the built environments of the urban poor across Bombay, Hong Kong, and Singapore. Considering corporeal measures to inspect the bodies and homes of the urban poor and measures to introduce urban ‘improvement’ schemes, this chapter argues that plague sparked a sustained interest in the urban conditions of the poor across British South and Southeast Asia. Chapter two considers the works of the Bombay Improvement Trust, Rangoon Development Trust, and Singapore Improvement Trust through the early decades of the twentieth century and analyses how an imperial urbanism based on a ‘Bombay model’ translated to Singapore and other port cities across the Indian Ocean world. Chapter three considers the consequences of the second wave of ‘indirect’ attacks on urban slums on an evolving imperial urbanism in Bombay, Rangoon, and Singapore. While previous chapters examined the emergence of an imperial urbanism centred on Bombay’s example, chapter four considers the extent to which Bombay remained central to this urbanism during the late 1930s and Second World War. Analysing the divergent consequences of patterns of urban growth in Bombay, Hong Kong, and Singapore throughout the late-1930s, this chapter considers late-colonial efforts to house the urban poor as well as the extent to which the war recast the post-war housing situation. Chapter five contextualises post-war rhetoric of economic and urban development in Hong Kong and Singapore within narratives of pre-war urban ‘improvement’. In connecting pre-war and post-war approaches to accommodating the urban poor, the final chapter considers the reorientation of earlier circulations of knowledge around urban poverty in port cities and its implications for emerging post-colonial regional, national and urban identities.

Transboundary water management (TWM) regards how internationally shared waters are managed. Recently, TWM processes have been researched from the perspective of gender inclusivity. In line with this trend, this thesis is investigating to what extent the Transboundary Policy Dialogue for Improved Water Governance in Brahmaputra River (the Brahmaputra Dialogue) about the Brahmaputra River is gender sensitive. The Brahmaputra River is shared by China, India, Bhutan and Bangladesh. The management of the river is severely conflicted both intra- and interstate wise. Therefore, the Brahmaputra Dialogue, facilitated by the South Asia Consortium for Interdisciplinary Water Resources Study (SaciWATERs), aims at creating understanding between the different stakeholders. To measure the gender sensitivity, the Gender Sensitivity Framework is created. The framework is a toolkit that, through a set of indicators, measure gender inclusivity from both a structural and a substantive perspective. Using a descriptive text analysis method of the reports from the third and current phase of the Brahmaputra Dialogue, the investigation reveals that the Brahmaputra Dialogue is only 45% gender sensitive. While the work ways of the Brahmaputra Dialogue generally are gender inclusive, the Brahmaputra Dialogue content wise lacks some key aspects of gender awareness. One such aspect is that the concept of “gender” is broader than women’s vulnerabilities to masculine decision-making.