Thesis (M.F.A.)--Rochester Institute of Technology, 1991. / Typescript. Includes bibliographical references (leaf 14).

Thesis (Master)--İzmir Institute of Technology, İzmir, 2006 / Keywords:Semiotics, logo, brand emotion, apple computers, IBM. Includes bibliographical references (leaves. 111-122).

Project (Engin.)--George Mason University, 2008. / Vita: p. 94. Project director: Mohan Venigalla. Submitted in partial fulfillment of the requirements for the degree of Engineer Degree. Title from PDF t.p. (viewed Oct. 13, 2008). Includes bibliographical references (p. 93). Also issued in print.

Thesis (D. Min.)--Midwestern Baptist Theological Seminary, 1995. / Includes bibliographical references (leaves 142-147).

Originally presented as the author's thesis, Munich. / Bibliography: p. 267-271.

Thesis (M.S. in Operations Research)--Naval Postgraduate School, March 1980. / Thesis Advisor(s): Neil, Douglas. Second Reader: Moroney, William. "March 1980." Description based on title screen as viewed on May 25, 2010. DTIC Descriptor(s): Data Displays, Man Machine Systems, Cockpits, Performance (Human), Reaction Time, Pilots, Analysis Of Variance, Theses, Coding, Colors, Errors, Symbols, Cathode Ray Tube Screens, Color Vision, Alphanumeric Displays DTIC Identifier(s): Color Coding. Author(s) subject terms: Coding Techniques, Symbols,Colors, Reaction Time, Performance, Errors, Alphanumerics. Includes bibliographical references (p. 65-66). Also available in print.

Η παρούσα διπλωματική εργασία με τίτλο «Οργάνωση βιβλιοθηκών ηλεκτρικών συμβόλων στο AutoCAD για σχεδίαση ηλεκτρικών εγκαταστάσεων εξωτερικών χώρων (κήποι, πλατείες κτλ)», επεξεργάζεται την κατασκευή μιας βιβλιοθήκης ηλεκτρικών συμβόλων. Η επεξεργασία αυτή γίνεται σε σχεδιαστικό επίπεδο, με τη χρήση των δυνατοτήτων που παρέχει η έκδοση AutoCAD 2008, καθώς και σε προγραμματιστικό επίπεδο σε γλώσσα AutoLISP για τη σύνταξη του κώδικα που υλοποιεί τη βιβλιοθήκη. Στηρίζεται στο Πρότυπο ΕΛΟΤ HD – 384 και αντλεί τα διαγράμματά του από το Πρότυπο ΕΛΟΤ ΕΝ 60617.08. «Γραφικά σύμβολα για διαγράμματα». Για την επίτευξη των παραπάνω στόχων η εργασία χωρίζεται σε τρία βασικά κεφάλαια τα οποία εξετάζουν τα εργαλεία σχεδίασης που παρέχει το AutoCAD 2008 για τη σχεδίαση των συμβόλων μας. Γίνεται ανάλυση του Προτύπου ΕΛΟΤ HD – 384 και συγκρίνεται με τον παλαιότερο ΚΕΗΕ (σε περίπτωση που ο χρήστης της βιβλιοθήκης ασχοληθεί με την επέκταση παλαιότερων ηλεκτρολογικών σχεδίων). Τέλος αναλύεται βήμα προς βήμα η κατασκευή κάθε συμβόλου της βιβλιοθήκης, οι μετατροπές και οι μορφοποιήσεις που απαιτούνται και ο κώδικας που χρειάζεται, ώστε τα ηλεκτρικά σύμβολα που σχεδιάσαμε να αποτελέσουν μέρος μιας χρηστικής βιβλιοθήκης. Τα συμπεράσματα της παρούσας εργασίας συνοψίζονται στο γεγονός ότι η επιλογή εξειδικευμένων συμβόλων για μια ηλεκτρολογική εγκατάσταση, βάσει του ισχύοντος Προτύπου ΕΛΟΤ HD – 384 και η δημιουργία μιας βιβλιοθήκης, διευκολύνει σημαντικά τον μηχανικό και κάθε σχεδιαστή ηλεκτρικών εγκαταστάσεων, παρέχοντάς του ένα εύχρηστο εργαλείο στην εργασία του. / The present thesis entitled “Constuction of electrical libraries in AutoCAD, for outdoor electrical installations (gardens, squares etc)” is based on ELOT HD – 384 Standard and ELOT EN 60617.08. “Graphical symbols for diagrams” Standard. The subject of the project is the creation of an electrical library of symbols for outdoor electrical installations. In order to achieve the best possible scientific approach of the subject – matter, this thesis is divided into three main chapters. In the first chapter the designing tools provided by AutoCAD 2008 are thoroughly examined. The second chapter consists of an analysis of “ELOT HD – 384 Standard”, dissecting its regulations compared with the standards of “KEHE”, the former official electrical regulation in Greece. In the final part there is a step by step description of the construction of an electrical library, including all the formatting needed during the procedure, as well as the code in AutoLISP which accomplishes our library. The conclusion of the thesis leads to the fact that collecting specific symbols to create an electrical library results to facilitate each and every electrical engineer or designer, by providing a useful tool for one’s scientific work.

Esta pesquisa tem em vista a influência geográfica do Cinema Guaraci, um artefato geográfico, colaborador do desenvolvimento econômico e na formação sociocultural da população de Rocha Miranda. Localizado na zona norte da cidade do Rio de Janeiro, descortinando esta parte da cidade pouco estudada nos estudos citadinos, constitui este o recorte espacial sob o marco temporal compreendendo o período de sua inauguração de 1953 a 2013, quando persistem os esforços em prol da reabertura desta sala de espetáculos. Através da relação de significações e topofilia, de moradores e frequentadores do lugar, para com este testemunho geográfico, foram escolhidos para esta investigação indivíduos de diversas gerações. Ressalta-se a importância deste símbolo, para a organização espacial do bairro, bem como a obstinada estima pela reabertura do Cine. Para alcançar a profundidade das expressões simbólica e geográfica deste bem, serão realizadas entrevistas e mesmo conversas informais com seus residentes e frequentadores. De igual modo, no processo de elaboração desta pesquisa ainda constam coleta de dados e material bibliográfico com respeito a informações sobre o bairro obtidos nos órgãos de pesquisa competentes, sede do Grupo Pró-Cine Guaraci, instituições como a Biblioteca Nacional, o Arquivo Geral da Cidade, a Fundação Parques e Jardins, o Instituto Pereira Passos, as bibliotecas da Universidade do Estado do Rio de Janeiro, além do enriquecimento de obras de autores como Yi-Fu Tuan, David Seamon, Roberto L. Corrêa, Zeny Rosendahl, João B. F. Mello, Alice Gonzaga, Ecléa Bosi, entre outros. Desta feita, ao analisar a evolução de um símbolo, desde o seu surgimento, de como este influenciou na dinâmica e crescimento econômico de um bairro, testifica-se o quanto é fundamental sua permanência, especialmente quando sua influência distende na formação cultural de sua gente. / This research aims at the influence of geographical Cinema Guaraci , a geographic artifact , developer of economic development and socio-cultural population Rocha Miranda . Located in the northern city of Rio de Janeiro , revealing this part of town understudied in urbanites studies is this spatial area under the timeframe covering the period from its inception from 1953 to 2013 , when efforts persist in favor of reopening this concert hall . Through the relationship of meanings and topophilia of residents and frequenters of the place , for with this geographic testimony , were chosen for this research individuals from different generations . We stress the importance of this symbol to the spatial organization of the neighborhood as well as the stubborn esteem for reopening of Cine . To achieve the depth of the symbolic and geographic expressions of this right, interviews and even informal conversations with residents and patrons will be undertaken . Similarly , in the preparation of this research process still contained data collection and bibliographic material with respect to information obtained in the neighborhood competent research bodies , Pro- Group headquarters Cine Guaraci , institutions such as the National Library , the Archives of General city , the Parks and Gardens Foundation , the Instituto Pereira Passos , the libraries of the State University of Rio de Janeiro , besides enriching works of authors such as Yi - Fu Tuan , David Seamon , Roberto L. Correa , Zeny Rosendahl , John BF Mello , Alice Gonzaga , Ecléa Bosi , among others . This time , to analyze the evolution of a symbol , since its emergence , how this influenced the dynamics and economic growth in a neighborhood , testifies yourself how much is your primary residence , especially when its influence stretches in cultural background of its people.

The essay is an interdisciplinary work linking History of Religion and Archaeology. The work is based on the study of the finds from a unique archaeological Italian Bronze Age site. The evidence in question has been recently excavated on the outskirts of the modern town of Noceto, Parma province, in northern Italy. It is dated to the end of the local Middle Bronze Age, which corresponds roughly to the 14th century BCE, and belongs to the local so called Terramare culture.   The site consist of a large wooden basin, which once stood in a relatively dominant position within a local Bronze Age village. The basin has been always completely filled with water. Thanks to the particular environmental conditions in the pool, organic material of cellulosic nature, such as wood, preserved very well. We therefore have very precise data about the structure itself and about an astonishing number of finds that have been retrieved from the basin. The basin was apparently used for a limited period of time, which has been estimated of a few generations or a maximum of 100 years. It was apparently used as a sort of “offer place” and hundreds of finds have been sunk in its water. Although depositions in wet areas are very common all over Europe and the Mediterranean throughout the Bronze Age, no other built structures such as the Noceto’s basin are known so far. Noceto provides strong indications of religious nature, since no productive activities or every day practices could be detected in connection to it.   With an eye to the debate on the materiality of religion, the aim of the essays is in the first place to investigate and discuss how the religious nature of the place can be understood, when working solely on the results of the religious activities that once have taken place around its margins. Secondly, the aim is also to attempt using the evidence from Noceto to discuss more broadly issues of Bronze Age religion.   The analysis of the material is carried out considering deposition rituals from the point of view of performance and agency theories. It is argued that the finds from the pool acted as indexes of agency and were part of performative event that linked together the people carrying out and/or watching the ritual, the place and the divine expressed by the place.   Considering that the significance of ritual performance has been seen, among other things, in the transformative power that is contextually assigned to rituals, it is believed that the finds from Noceto’s basin likely embodied an attempt to establish or secure positive transformations possibly in people life and in fundamental productive activities such as for instance agriculture. The sacred role of water during the Bronze Age has been addressed by several scholars, but it is generally connected to the ritual “usage” of particular places such as wetlands, caves, rivers and so on. Noceto’s basin provides the possibility for the first time to analyse an attempt to artificially and magnificently bring the sacred into a settlement area and thus possibly create the premises for more controlled or regular/regulated religious activities. / Uppsatsen är ett tvärvetenskapligt arbete som länkar samman religionshistoria och arkeologi. Arbetets fokus ligger på de arkeologiska fynden som grävdes fram från en unik rituell anläggning från Norra Italien. Anläggningen i frågan befinner sig i utkanten av staden Noceto, i Parma-provinsen. Den är daterad till slutet av den lokala mellersta bronsåldern, vilket ungefär motsvarar 1400-talet f. Kr.   Anläggningen är en stor träbassäng, som en gång stod i en relativt dominerande position innanför ett boplatsområde. Bassängen har från början varit helt fyllt med vatten. Tack vare de speciella miljöförhållandena i poolen, organiskt material, såsom trä, har bevarats mycket bra. Vi har därför precisa uppgifter om själva strukturen och om ett förvånande antal fynd som fanns i bassängen. Anläggningen användes tydligen under en begränsad tidsperiod, som uppskattats av några få generationer eller maximalt c:a 100 år. Det arkeologiska materialet från poolen tyder på att det har haft en funktion som offer-plats och att hundratals objekt har sänkts i sitt vatten. Fastän deponeringar i våta områden är vanliga över hela Europa och Medelhavsområde under bronsåldern, liknande byggnader till Nocetos bassängen är än så länge inte kända. Nocetos pool ger starka bevis av religiös karaktär, eftersom tecken på produktiva verksamheter eller vardagsaktiviteter inte kunde upptäckas i den.   Med hänsyn till debatterna om religions materialitet är syftet med uppsatsen i första hand att undersöka och diskutera hur platsens religiösa natur kan förstås, om man bara arbetar med resultaten av de religiösa aktiviteterna som ägde rum kring den under bronsåldern. För det andra är målet också att försöka använda bevis från Noceto för att diskutera mer allmänna frågor kring bronsålderns religion och religiositet.   Materialet har analyserat med utgångspunkt i performance och angecy teorier. Det hävdas att fynd från poolen fungerade som indexes of agency och var ett grundläggande element av de rituella performansen som genomfördes vid bassängen.   Med tanke på att en grundläggande funktion i rituella performansen anses ligga bland annat i den transformativa kraften som tillskrivs ritualer, är förslaget att fynden från Nocetos bassäng uttrycker ett försök att åstadkomma positiva omvandlingar möjligen i människolivet och/eller i grundläggande produktiva aktiviteter såsom till exempel jordbruk. Den heliga rollen av vatten under bronsåldern har tagits upp extensivt. Särskilda platser, som våtmark, grottor, floder, källor och så vidare, har används för att deponera offer. Nocetos bassäng ger möjlighet för första gången att analysera ett försök att skapa en helgedom i ett bosättningsområde och därigenom att även skapa förutsättningar för möjligtvis kontrollerade eller regelbundna religiösa aktiviteter.

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