The decentralization process in Peru results in the Peruvian state not being a purely unitarystate anymore, but a decentralized state. In addition to the national government, regionalgovernments with their own competencies have been installed. In recent years, regionalgovernments have passed legislation on the region´s symbols. The aim of this analysis isto analyse whether this legislation on regional symbols is constitutional or not. / Debido al proceso descentralizador, el Perú ya no se puede considerar un Estado unitarioen sentido estricto. El Estado peruano no solamente cuenta con un gobierno nacional,sino también con gobiernos regionales que tienen sus propias competencias. En los últimosaños, los gobiernos regionales han dictado normas sobre sus propios símbolosregionales. El objetivo de este trabajo es analizar si la normatividad regional del Perú sobresímbolos regionales es constitucional o no.

Submitted by Tawana Garcia Nunez (taw_nunez@hotmail.com) on 2018-08-01T15:04:15Z No. of bitstreams: 1 DissertaçãoMestradoTawanaFinal.pdf: 1192232 bytes, checksum: 2ce7267d5213736a31d2da00682c01a6 (MD5) / Rejected by Elza Mitiko Sato null (elzasato@ibilce.unesp.br), reason: Solicitamos que realize correções na submissão seguindo as orientações abaixo: 01) Na Folha de rosto e de aprovação deve constar a financiadora. Ex.: Financiadora: CAPES 02) Solicito que corrija a descrição na natureza da pesquisa(folha de rosto e aprovação): Dissertação apresentada como parte dos requisitos para obtenção do título de Mestre em Matemática, junto ao Programa de Pós- Graduação em Matemática, do Instituto de Biociências, Letras e Ciências Exatas da Universidade Estadual Paulista “Júlio de Mesquita Filho”, Câmpus de São José do Rio Preto. OBS:-Estou encaminhando via e-mail o template/modelo das páginas pré-textuais para que você possa fazer as correções, sugerimos que siga este modelo pois ele contempla as normas da ABNT Lembramos que o arquivo depositado no repositório deve ser igual ao impresso, o rigor com o padrão da Universidade se deve ao fato de que o seu trabalho passará a ser visível mundialmente. Sua submissão será rejeitada para que você possa fazer as correções. Agradecemos a compreensão. on 2018-08-01T18:10:53Z (GMT) / Submitted by Tawana Garcia Nunez (taw_nunez@hotmail.com) on 2018-08-01T18:55:30Z No. of bitstreams: 1 DissertaçãoMestradoTawanaFinal2.pdf: 1192520 bytes, checksum: eba896e10c4816e6f71c7f112fec334d (MD5) / Approved for entry into archive by Elza Mitiko Sato null (elzasato@ibilce.unesp.br) on 2018-08-01T19:25:02Z (GMT) No. of bitstreams: 1 nunez_tg_me_sjrp.pdf: 1199511 bytes, checksum: dcd2dca1182e328a3bc5a5c4f67f89f4 (MD5) / Made available in DSpace on 2018-08-01T19:25:02Z (GMT). No. of bitstreams: 1 nunez_tg_me_sjrp.pdf: 1199511 bytes, checksum: dcd2dca1182e328a3bc5a5c4f67f89f4 (MD5) Previous issue date: 2018-07-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / A geometria de superfícies pode ser estudada do ponto de vista de contato, usando ferramentas da Teoria de Singularidades. Mais precisamente, estudando as singularidades de duas funções especiais, a função¸˜ao altura que mede o contato com hiperplanos, e a função distância ao quadrado que mede o contato com hiperesferas. Nosso objetivo neste trabalho ´e o estudo do contato de superfícies singulares de posto 1 em R3 com planos e esferas. Para isto estudamos a teoria básica para estas superfícies, como seu espaço tangente e normal, as formas fundamentais, direções assintóticas e a definição e propriedades de uma curvatura especial denominada curvatura umbílica. Para classificar o tipo de contato de planos e esferas com a superfície, precisamos entender que tipos de singularidades podem surgir nas funções altura e distância ao quadrado. Para isso, estudamos também símbolos de Boardman e pontos especiais denominados roundings e flattenings. / The geometry of surfaces can be studied by the viewpoint of contact, using tools of Singularity Theory. More precisely, on studying the singularities of two special functions, height function, that measures the contact with hiperplanes, and the distance squared function, that measures the contact with hiperspheres. Our goal in this work is the study of contact between a corank 1 surface of R3 and planes and spheres. For this, we study the basic theory for these surfaces, i.e., their tangent space and normal, the fundamental forms, asymptotic directions and the definition and properties of a special curvature called umbilic curvature. In order to classify the contact type of planes and spheres with the surface, we need to understand what types of singularities may arise in the height and distance squared functions. With this goal, we study the Boardman symbols and special points called roundings and flattenings.

This thesis examines the phenomenon of numerals as they were written by early New Testament scribes. Chapter 1 briefly introduces the two basic ways that early scribes wrote numerals, either as longhand words or in alphabetic shorthand (e.g., δύο or β̅), and summarizes the fundamental research question: how did early Christian scribes write numerals and why? The need for such a study is described in chapter 2, which reviews past discussions of the phenomenon of scribal number-writing in New Testament manuscripts. While scholars are aware of the feature and have been eager to draw it into a variety of important discussions, this has been done without any systematic or thorough study of the phenomenon itself. After these introductory chapters, the thesis proceeds in two basic parts: the first isolates the relevant data in question and the second aims to examine those data more fully and from several different angles. Part one is a systematic examination of all numerals, both cardinal and ordinal, that are extant in New Testament manuscripts dated up through the fifth century CE (II–V/VI). The principal concern is when and where numerical shorthand occurs in these manuscripts. Can we discern a Christian style of number-writing that can be distinguished from contemporary scribal customs, and, if so, what is the nature of that style? One aim is to discern the function of number-writing within individual codices, and so its relation to other codicological and scribal features is also considered. Chapter 3 examines numerals in papyrus witnesses and chapter 4 examines them in majuscules written on parchment. Part two then comprises a more thorough investigation of some important issues that arose in part one. Chapter 5 approaches the feature of number-writing from the angle of textual genealogy. Did scribes ever mimic the particular numberforms as they were written in their exemplars or did they choose between them at their own leisure? In either case, what implications does this have for our understanding of textual relationships? Chapter 6 takes a brief detour to evaluate a commonly repeated axiom: that, in Greek copies of the Old Testament scriptures, Jewish scribes consistently used longhand numerals and avoided numerical shorthand. I argue that this idea is invalid and has distorted our understanding of the provenance of some early manuscripts. Chapter 7 then considers whether theological reflection ever influenced a scribe’s decision to employ numerical shorthand. In the same way that devotional practice seems to lie at the origin of the nomina sacra, the group of scribal contractions for divine names and titles, can we detect similar patterns of number-writing that relate to theologically significant concepts and/or referents? I argue that, aside from a handful of isolated yet intriguing examples, no coherent system similar to the nomina sacra can be detected—a conclusion that nonetheless sheds a great deal of light on devotional practices among early Christians. In chapter 8, I describe a hypothesis that seeks to make sense of much of the data observed in part one. In our examination of the numerals in the early manuscripts, four curious features are identified that distinguish Christian scribal practice from that found in other corpora, all relating to numerals (or kinds of numerals) that Christian scribes, as a rule, wrote longhand rather than in shorthand. I argue that this unique adaptation of numerical abbreviation in New Testament manuscripts reflects an awareness and intentional policy to avoid forms that were potentially ambiguous in the reading of those texts, and especially in their public reading. The final portion, chapter 9, then summarizes the thesis, draws out some implications of the study, and suggests areas in which more research would be potentially fruitful.

The main objective of this dissertation was compare of two firms from aspect corporate culture. The questionnaire, interviews and observational metod were used for the research and for the understanding of the companies culture. After studying the literature I summarized the theoretical information, which forms the first part of my thesis. Based on the study of literature, I analyzed corporate culture in a selected companies. This analysis forms the second part of my thesis. In order to discover the results, the questionnaire VSM 94 of Geert Hofstede was used. From this questionnaire, 20 questions were used which were supplemented with 15 own questions. Furthermore, the unstructured interviews were conducted with the employees and I also took part the observations in both companies in order to help understand and discover the symbols. After that, I focused on finding the dimensions according to Geert Hofstede. The calculations were made on the established formulas. At the end of my thesis I proposed the recommendations for overall improvement and streamlining the current situation.

Submitted by Therezinha Maria Hernandes (hernandestherezinha@gmail.com) on 2018-11-14T14:51:42Z No. of bitstreams: 1 A montanha de vidro e o feminino - do poder ao desvanecimento-final docs.pdf: 1604435 bytes, checksum: 3d53dcc63d00b04eb4fae8e92e961b95 (MD5) / Approved for entry into archive by Milena Maria Rodrigues null (milena@fclar.unesp.br) on 2018-11-14T17:54:02Z (GMT) No. of bitstreams: 1 hernandes_tm_me_arafcl.pdf: 1604435 bytes, checksum: 3d53dcc63d00b04eb4fae8e92e961b95 (MD5) / Made available in DSpace on 2018-11-14T17:54:02Z (GMT). No. of bitstreams: 1 hernandes_tm_me_arafcl.pdf: 1604435 bytes, checksum: 3d53dcc63d00b04eb4fae8e92e961b95 (MD5) Previous issue date: 2018-04-27 / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / O presente trabalho visava, inicialmente, a investigar a realimentação da história pelo mito, e deste pela realidade, por meio da análise comparativa entre textos diversos, a partir do conto de fadas A montanha de vidro, traduzido do alemão para o inglês por Andrew Lang. Todavia, a partir do levantamento e seleção de textos que tomou em consideração um conjunto de elementos do conto-base relacionados com a expressão “montanha e mulher”, acreditamos estar diante de dados de natureza simbólica anteriores ao mundo pagão politeísta androcêntrico. Constatamos, das derivações do uso desses símbolos, que a figura feminina gradualmente perdia poder até desaparecer por completo, restando da ligação desses símbolos com o universo feminino apenas resquícios. Portanto, embora não se tenham deixado de lado ferramentas pertinentes ao campo da psicanálise e da história, privilegiaram-se conceitos antropológicos para a análise comparativa desses símbolos, em mitologias e narrativas de culturas diversas, na medida em que foram apropriados do feminino, primeiramente pelo universo masculino, tanto divino quanto humano, e do mundo pagão pelo cristianismo. / The present work aimed, initially, to investigate the feedback of the history by the myth, and of the myth by the reality, through the comparative analysis between diverse texts, from the fairy tale The Glass Mountain, translated from German into English by Andrew Lang. However, from the collection and selection of texts that took into account a set of tale-base elements related to the expression "mountain and woman", we believe that we are faced with symbolic data that predate the pagan androcentric polytheistic world. We have seen from the derivations of the use of these symbols that the female figure gradually lost power until it disappears completely, leaving only the remnants of the connection of these symbols with the female universe. Therefore, although relevant tools in the field of psychoanalysis and history have not been overlooked, anthropological concepts for the comparative analysis of these symbols were favored in mythologies and narratives of diverse cultures, inasmuch as they were first expropriated of the feminine, by the male universe, both divine and human, and only then were they expropriated from the pagan world by Christianity.

Made available in DSpace on 2016-08-03T12:19:32Z (GMT). No. of bitstreams: 1 William Bezerra.pdf: 2674212 bytes, checksum: b59804d82aba58d077ee6b2594ddf1bb (MD5) Previous issue date: 2013-04-03 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / The revelry of kings, a procession of popular culture, recreates the official liturgies from the transgression of instituted values. The performance of revelers is subject to the study in order to reflect on the social roles and the experience of the sacred, looking for the subjective transformations of great impact among the community members which seeks to cure and heal the suffering in daily life. This soteriological aspect is approached from two theoretical fields that comes in dialogue. On the one hand the philosophy, from hermeneutics and phenomenology of religion, represented by Paul Ricoeur and Mircea Eliade. On the other hand the anthropology and the theatrical theories presented here under the names of Richard Schechner, Victor Turner, Eugenio Barba etc. These two theoretical features dialogue based on a methodology inspired by Paul Ricoeur, where we start from the concept of triple mimesis as a discursive structure. Starting from the prior or pre-figuration world, passing through the world of fiction or configuration and finally arriving at the world of life or refiguration (the world of the reader). In this theoretical background we find approximations and distances that enabled to rearrange new theoretical approaches, which considerably contribute to analyze the revelry of kings, from this theoretical world, opening new perspectives for its understanding. / A Folia de Reis, uma procissão da cultura popular, recria as liturgias oficiais a partir da transgressão dos valores instituídos. A performance dos foliões é objeto de estudo para se refletir sobre os papéis sociais e sobre a experiência do sagrado, com vistas às transformações subjetivas de grande impacto entre os membros da comunidade que buscam a cura, assim como sanar o sofrimento da vida cotidiana. Este aspecto soteriológico é abordado a partir de dois campos teóricos que vêm em diálogo. De um lado a filosofia, a partir da fenomenologia da religião e a hermenêutica, aqui representadas por Paul Ricoeur e Mircea Eliade. Por outro, a antropologia e as teorias teatrais, aqui presentes em nomes como Richard Schechner, Victor Turner, Eugenio Barba, entre outros. Estas duas vertentes teóricas dialogam a partir de uma metodologia inspirada em Paul Ricoeur, pois partimos do conceito de tríplice mimese como estrutura discursiva. Partindo do mundo prévio ou pré-figuração, passando pelo mundo da ficção ou configuração e, por fim, chegando ao mundo da vida ou refiguração (mundo do leitor). Neste quadro teórico encontramos aproximações e distâncias que possibilitaram rearranjar novas abordagens teóricas, que contribuem muito para analisar a Folia de Reis, a partir deste mundo teórico, abrindo novas perspectivas para sua compreensão.

Esta pesquisa tem em vista a influência geográfica do Cinema Guaraci, um artefato geográfico, colaborador do desenvolvimento econômico e na formação sociocultural da população de Rocha Miranda. Localizado na zona norte da cidade do Rio de Janeiro, descortinando esta parte da cidade pouco estudada nos estudos citadinos, constitui este o recorte espacial sob o marco temporal compreendendo o período de sua inauguração de 1953 a 2013, quando persistem os esforços em prol da reabertura desta sala de espetáculos. Através da relação de significações e topofilia, de moradores e frequentadores do lugar, para com este testemunho geográfico, foram escolhidos para esta investigação indivíduos de diversas gerações. Ressalta-se a importância deste símbolo, para a organização espacial do bairro, bem como a obstinada estima pela reabertura do Cine. Para alcançar a profundidade das expressões simbólica e geográfica deste bem, serão realizadas entrevistas e mesmo conversas informais com seus residentes e frequentadores. De igual modo, no processo de elaboração desta pesquisa ainda constam coleta de dados e material bibliográfico com respeito a informações sobre o bairro obtidos nos órgãos de pesquisa competentes, sede do Grupo Pró-Cine Guaraci, instituições como a Biblioteca Nacional, o Arquivo Geral da Cidade, a Fundação Parques e Jardins, o Instituto Pereira Passos, as bibliotecas da Universidade do Estado do Rio de Janeiro, além do enriquecimento de obras de autores como Yi-Fu Tuan, David Seamon, Roberto L. Corrêa, Zeny Rosendahl, João B. F. Mello, Alice Gonzaga, Ecléa Bosi, entre outros. Desta feita, ao analisar a evolução de um símbolo, desde o seu surgimento, de como este influenciou na dinâmica e crescimento econômico de um bairro, testifica-se o quanto é fundamental sua permanência, especialmente quando sua influência distende na formação cultural de sua gente. / This research aims at the influence of geographical Cinema Guaraci , a geographic artifact , developer of economic development and socio-cultural population Rocha Miranda . Located in the northern city of Rio de Janeiro , revealing this part of town understudied in urbanites studies is this spatial area under the timeframe covering the period from its inception from 1953 to 2013 , when efforts persist in favor of reopening this concert hall . Through the relationship of meanings and topophilia of residents and frequenters of the place , for with this geographic testimony , were chosen for this research individuals from different generations . We stress the importance of this symbol to the spatial organization of the neighborhood as well as the stubborn esteem for reopening of Cine . To achieve the depth of the symbolic and geographic expressions of this right, interviews and even informal conversations with residents and patrons will be undertaken . Similarly , in the preparation of this research process still contained data collection and bibliographic material with respect to information obtained in the neighborhood competent research bodies , Pro- Group headquarters Cine Guaraci , institutions such as the National Library , the Archives of General city , the Parks and Gardens Foundation , the Instituto Pereira Passos , the libraries of the State University of Rio de Janeiro , besides enriching works of authors such as Yi - Fu Tuan , David Seamon , Roberto L. Correa , Zeny Rosendahl , John BF Mello , Alice Gonzaga , Ecléa Bosi , among others . This time , to analyze the evolution of a symbol , since its emergence , how this influenced the dynamics and economic growth in a neighborhood , testifies yourself how much is your primary residence , especially when its influence stretches in cultural background of its people.

Made available in DSpace on 2014-06-11T19:27:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-11-12Bitstream added on 2014-06-13T20:17:20Z : No. of bitstreams: 1 berg_tj_me_rcla.pdf: 9754495 bytes, checksum: 2a29ac3a460560573eb2a4a4d17e94a8 (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Bandeiras e estandartes, escudos e brasões, hinos e canções não são simples composições artísticas e musicais idealizadas ao sabor dos caprichos e fantasias de poderosos reis, mandatários, governantes, países e regiões ao longo dos tempos. Ao contrário, esses símbolos refletem uma realidade histórica e, ao mesmo tempo, portam-se como uma crônica viva de um povo e de uma nação, sendo que nela também está embutido o espaço geográfico, suas influências e suas relações. Foi somente com a Constituição Republicana de 1891, que as províncias foram transformadas em Estados Federados e poderiam adotar de forma oficial, hinos, bandeiras e brasões, desde que não omitissem nesta hierarquia os símbolos nacionais; entretanto, o uso destes símbolos no Brasil já se fazia presente desde os primeiros séculos de colonização portuguesa. Ao se analisarem os símbolos estaduais brasileiros, encontram-se em suas estruturas semânticas e sintáticas fortes relações que envolvem representação da natureza, paisagem, lugar, economia, território e região. As conclusões deste trabalho apontam para o fato de que os hinos, as bandeiras e os brasões dos Estados brasileiros demonstram amplas possibilidades de pesquisa dentro da ciência geográfica, pois estes documentos simbólicos portam-se como “testemunhos” no espaçotempo, cujo caráter gráfico e narrativo revelou em suas múltiplas conexões com o geográfico uma nova perspectiva e possibilidade no que se refere à análise e desvendamento das formas culturais de representação espacial. / Flags and banners, shields and coats of arms, anthems and songs are not simply artistic and musical compositions which were created due to the vanity or fantasies of powerful kings, dukes, rulers, governors, countries and regions throughout time. Instead, those symbols reflect a historical reality and not only they stand as an alive chronicle of a people and a nation, but also they represent the geographical space, its influences and its relationships. It was only after the Republican Constitution of 1891 that the provinces were transformed into Federated States and they could officially adopt anthems, flags and coats of arms, as long as they didn't omit, in this hierarchy, the national symbols. However, these symbols had been already used in Brazil since the first centuries of Portuguese colonization. This analysis of the Brazilian States symbols, as well as their semantic and syntactic structures, aimed to demonstrate the strong connections involving the representation of the nature, landscape, places, economy, territory and regions. The conclusion of this dissertation shows that anthems, flags and the coats of arms of Brazilian States demonstrate wide research possibilities in the geographical science because these symbolic documents stand as “testimonies” in space and time, whose graphic and narrative character has revealed in its multiple connections with the geographical; a new perspective and possibility regarding the analysis and unveiling of the cultural forms of spatial representation.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The main objective of the study was carrying out the review and identification of the graphic symbols used in tractors, using as a setting technical standards ABNT NBR 11379 (1990) and ISO 11684 (1995), with the purpose of verifying the level of use of the same companies manufacturers of agricultural tractors. The research was conducted through photographic record, composed the agricultural sampling 39 tractors, marketed at fairs and agricultural dealers of Rio Grande do Sul, and the data obtained were calculated in spreadsheets and tables. They were divided according to the band of power, and grouped in Light, Medium and Heavy. The main results show the lack of standardization regarding technical standards and between models of the same manufacturer. In the category of tractors light the average rate of compliance was 73.2%, where the biggest problem raised was the lack of graphic symbols on levers, controls and commands. In the Middle class results found showed a big difference between a model and the other, it was found the minimum and maximum for the index of conformity. In the category of heavy tractors of average compliance of use of standard NBR 11379 (1990) was 58%, results considered low, as they have more tools, controls and commands for other classes studied. It follows that although companies know the technical standards, use them in part, thus not helping in the process of standardization of information transmitted to the operator through the use of graphical symbols. / O objetivo principal do estudo foi realizar o levantamento e identificação dos símbolos gráficos empregados nos tratores agrícolas, utilizando como parâmetro as normas técnicas ABNT NBR 11379 (1990) e ISO 11684 (1995), com a finalidade de verificar o nível de utilização das mesmas pelas empresas fabricantes de tratores agrícolas. A pesquisa foi realizada através de registro fotográfico, compuseram a amostragem 39 tratores agrícolas, comercializados em feiras agropecuárias e concessionárias do Rio Grande do Sul, e os dados obtidos foram tabulados em planilhas e tabelas. Os mesmos foram divididos conforme a faixa de potência, e agrupados em Leves, Médios e Pesados. Os principais resultados demonstram a falta de padronização em relação às normas técnicas e entre os modelos da mesma empresa fabricante. Na categoria de tratores leves a média do índice de conformidade foi de 73,2%, onde o maior problema levantado foi à ausência de símbolos gráficos nas alavancas, controles e comandos. Na classe dos Médios os resultados encontrados demonstraram uma grande diferença de entre um modelo e outro, pois foi encontrado o valor mínimo e máximo para o índice de conformidade. Na categoria de tratores pesados a média de conformidade de utilização da norma NBR 11379 (1990) foi de 58%, resultado considerado baixo, visto que os mesmos possuem maior número de instrumentos, controles e comandos em relação às outras classes estudadas. Conclui-se que embora as empresas conheçam as normas técnicas, as utilizam em parte, não auxiliando assim no processo de padronização da informação transmitida ao operador através da utilização de símbolos gráficos.

1 Abstract The aim of the study was to evaluate the numbers, severity and causes of accidents, occurring in the households due to the cleaning products. Among the groups of potentially dangerous cleaning products, the highest proportion of accidents was caused by cleaning products containing sodium hypochloride (37 %), descalers containing acids (29 %) and dishwasher tablets (25 %). A lower percentage of inquiries appeared due to hydroxides containing drain cleaning products (7 %). In the year 2009, there were 251 inquiries to the Toxicological Information Centre due to cleaning products in defined categories studied. Among them, there were 133 children and 118 adult patients, who ingested cleaning product accidentally (86%) or for suicidal purposes (3%); inhaled (9%) or had an eye contact with the product (2%). There were 23% children and 27% adults hospitalized; the children most frequently due to accidental ingestion of hydroxides (92%), the adults due to the inhalation of irritant vapors (64%). Among them 14% children (86% due to the ingestion of cleaning products containing hydroxides) have been examined using the endoscopy (in the total anesthesia), in addition to 5% adults. The study has shown that the most common cause of the accidents in children is the distraction of the adults; nevertheless, the...