Global ETD Search

71	Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan / Research: ROTHKO : - about getting to know yourself through someone else af Malmborg, Solith January 2017 (has links) This thesis project examines both inner and outer circumstances of knowledge in an attempt to emphasize the importance of personal reflection. I search for answers on how to communicate feelings through colour and form by studying Mark Rothko and the abstract expressionism. A personal reflection is made parallelly to expand my own understanding of the subject and my own role in relation to it. I also explore painting as amethod of deepening my understanding of Rothko. Mark Rothko is both subject of study and tutor as I give myself the task of translating his art into my own design. The result offers thoughts and ideas on the significance of the work of hand, the use of colour and the meaning of intention, which I claim are important aspects when aiming for emotional results. However I also reflect upon the fact that the communication remains individual and that it is therefore problematic to confirm success in this matter. / Detta är ett undersökande arbete som vänder sig både inåt och utåt. Det är en djupdykning i Mark Rothkos konstnärskap som sker parallellt med en personlig reflektion. Inledningsvis handlar det om att arbeta i gränslandet mellan konst och design och hurdet kan se ut. I förlängningen handlar det om hur den konstnärliga historien kan fungera som inspiratör och vägledare för innebörd och uttryck i formgivningen. Genom att studera den abstrakta expressionismen och Mark Rothko söker jag svar på hur känslomässig kommunikation kan ske genom färg och form. Förutom litterär research utför jag också en praktiskt undersökning där jag använder måleriet som en metod för att förstå mitt studieobjekt; Mark Rothko. Målet är att översätta Mark Rothkos konst till min design. Det handlar om att studera, internalisera och applicera. Resultatet bjuder in till en diskussion om handlagets, färgens och intentionens betydelse för formgivningen, där jag hävdar att dessa aspekter är viktiga för ett emotionellt berörande resultat, men att kommunikationen förblir individuell. art chair immanuel kant sublime design process alternative science reflection personal reflection communication of feelings abstract expressionism color theory painting translation translatability design alternative design walter benjamin kant mark rothko rothko design konst måleri stol designprocess alternativ designprocess intuition översättning artisteri process handlag färg intention färgteori gerrit rietveld rietveld piet mondrian mondrian tate modern tate london abstrakt expressionism konstnärlig forskning vasilij kandinsky kandinsky new yorksskolan abstrakt konst jackson pollock pollock reflekternade arbete alternativa metoder alternativ forskning färggehör formgehör översättbarhet det sublima immanuel kant estetik Design Design
72	Ambiguous artefacts : towards a cognitive anthropology of art Jucker, Jean-Luc January 2012 (has links) This thesis proposes elements for a cognitive anthropology of visual art. Most works of art are human-made objects that cannot be approached in purely functional terms, and as such they frustrate important cognitive expectations that people have about artefacts. For this reason, it is hypothesised that art triggers speculation about the artist’s intention, and that it is intuitively approached as a form of communication. By application of Bloom’s (1996) theory of artefact categorisation, and Sperber and Wilson’s (1986/1995) relevance theory of communication, a series of predictions are generated for art categorisation (or definition), art appreciation, and art cultural distribution. Two empirical studies involving more than 1,000 participants tested the most important of these predictions. In study 1, a relationship was found between how much a series of works of art were liked and how easy they were to understand. Study 2 comprised four experiments. In experiment 1, a series of hyperrealistic paintings were preferred when they were labelled as paintings than when they were labelled as photographs. In experiments 2a and 2b, a series of paintings were considered easier to understand and, under some conditions, were preferred, when they were accompanied by titles that made it easier to understand the artist’s intention. In experiment 3, a series of artefacts were more likely to be considered “art” when they were thought to have been created intentionally than when they were thought to have been created accidentally. The results of studies 1 and 2 confirmed the predictions tested, and are interpreted in the framework of relevance theory. The art experience involves speculation about the artist’s intention, and it is partly assessed as a form of communication that is constrained by relevance dynamics. Implications for anthropology of art, psychology of art, and the art world are discussed. 700.1
73	Tragicommedia, Melodramma e Burlesque: Metamorfosi del King Lear in Inghilterra dalla Restaurazione all'Ottocento / Tragicomedy, Melodrama and Burlesque: Metamorphoses of King Lear from the Restauration to the Nineteenth Century GRANDI, ROBERTA 01 April 2009 (has links) Questa tesi si occupa di percorrere il percorso di evoluzione del King Lear attraverso due secoli e mezzo di adattamenti teatrali e riscritture. Prende in esame gli adattamenti di Nahum Tate, David Garrick, George Colman, John Philip Kemble, Edmund Kean e William Charles Macready. La tesi propone anche l’analisi del melodramma di W.T. Moncrieff nonché i burlesques di John Chalmers, Joseph Halford e C.J. Collins, e Frederick Marchant. / This doctoral thesis focuses on the evolution of the story of King Lear through two centuries and a half of theatrical history. The research is concentrated on the adaptations proposed by Nahum Tate, David Garrick, George Colman, John Philip Kemble, Edmund Kean and William Charles Macready. The analysis also takes into considerations some rewritings such as the melodrama written by W.T. Moncrieff and the burlesques produced by John Chalmers, Joseph Halford and C.J. Collins, and Frederick Marchant. L-LIN/10: LETTERATURA INGLESE L-ART/05: DISCIPLINE DELLO SPETTACOLO
74	Produits tensoriels en théorie de Hodge p-adique Di Matteo, Giovanni 12 December 2013 (has links) (PDF) Soient K/Qp une extension finie et GK le groupe de Galois absolu de K. Cette thèse est consacrée à l'étude de produits tensoriels cristallins (ou semi-stables, ou de de Rham, ou de Hodge-Tate) de représentations p-adiques de GK,, ainsi que de produits tensoriels triangulins de représentations p-adiques de GK. On étudie également la situation où l'image d'une représentation p-adique par un foncteur de Schur (tel Symn ou Λn) est cristalline (ou semi-stable, ou de de Rham, ou de Hodge-Tate). Les résultats présentés dans cette thèse sont énoncés pour les B-paires, et ils s'appliquent donc en particulier aux représentations p-adiques. B-paire Théorie de Hodge p-adique Représentation cristalline Représentation semi-stable Représentation de de Rham Représentation de Hodge-Tate Représentation trianguline Produit tensoriel Foncteur de Schur

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