Made available in DSpace on 2015-04-15T12:50:27Z (GMT). No. of bitstreams: 1 450441.pdf: 1415760 bytes, checksum: 8ec6f2d710c905d58f9d1f8f90e5ba0f (MD5) Previous issue date: 2013-08-22 / This Masters' Thesis aims to present some aspects of Christology from the writings of Teresa Verzeri. I tried to read several of Verzeri's texts, as well as works by others who wrote about her. Teresa Verzeri has not elaborated on a Christology, as it is understood today, but in several of her writings there are christological elements that surface in the light of Christology developed by recent theologians, so that we can value the importance of her legacy. In order to further verify this, I read the works of several authors such as Jon Sobrino, Bruno Forte, Vera Ivanise Bombonato, Victor Codina, Maria Clara Bingemer, among others. After reading these works, I sought to establish a dialogue between them and Verzeri's thought. The work addressed also content related to the historical context in which Teresa Verzeri lived, as well as gospel themes, such as mercy an compassion, God's predilection for the needy and the outcast, the relationship of Jesus with the Father, Jesus follow-up, the paschal mystery, among others. The last part of the work aims to verify if the Institute founded by Verzeri continues today through its sisters, the Daughters of the Sacred Heart of Jesus, the charisma started off by her. I hope that this work, besides offering an in-depth study of some contents of Christology, will show the importance of Verzeri's proposal for an authentic praxis for today. / A presente disserta??o visa apresentar alguns aspectos da Cristologia a partir dos escritos de Teresa Verzeri. Procurou-se para isso ler v?rios de seus textos, bem como de outras pessoas que escreveram a seu respeito. Teresa Verzeri n?o tem uma Cristologia elaborada como se entende nos dias atuais, mas em v?rios de seus escritos aparecem elementos cristol?gicos que ? luz da Cristologia trabalhada por te?logos recentes, se pode verificar a import?ncia do legado deixado por ela. Para melhor verificar isso foram lidas obras de v?rios autores como: Jon Sobrino, Bruno Forte, Vera Ivanise Bombonato, Victor Codina, Maria Clara Bingemer, entre outros. Com a leitura destas obras procurou-se estabelecer um di?logo entre elas e o pensamento de Verzeri. Foram abordados conte?dos relacionados ao contexto hist?rico no qual viveu Teresa Verzeri, al?m disso, procurou-se delinear temas do evangelho que aparecem tamb?m em Verzeri como a miseric?rdia e a compaix?o, a predile??o de Deus pelos necessitados e exclu?dos, o relacionamento de Jesus com o Pai, o seguimento de Jesus, o mist?rio pascal, entre outros. A ?ltima parte da obra procura verificar se o Instituto fundado por Verzeri continua hoje atrav?s de suas Irm?s, as Filhas do Sagrado Cora??o de Jesus, o carisma por ela iniciado. Espera-se com esse trabalho, al?m de aprofundar alguns conte?dos da Cristologia, verificar qual a import?ncia para uma pr?xis aut?ntica, da proposta de Verzeri para os dias atuais.

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La presente investigación propone una lectura amplificada sobre la obra de la artista Teresa Margolles. Su trabajo ha sido investigado en relación con el cadáver y con la muerte violenta, aspectos que se consideran importantes pero insuficientes. Se propone hacer una presentación de su obra de modo que abarque la totalidad de su trabajo que incluye el cuerpo vivo y la señalización del problema social de marginación, segregación y precarización de la vida en el contexto político, económico y social de México contemporáneo. Se ha planteado una ruta interpretativa que mediante el análisis de un corpus de obras seleccionado y ordenado estratégicamente demuestre la construcción de una necropolítica situada y específica en su obra, así como la incorporación del cuerpo vivo como parte de una tarea crítica de señalización de las causas sociales y políticas de la violencia para el caso de México. Para ello se ha aplicado diversas teorías filosóficas de poder que han permitido evidenciar la relevancia política y de crítica social del trabajo de Teresa Margolles. Asimismo se ha propuesto el análisis de teorías de arte y de crítica institucional que permitieron demostrar que el trabajo de la artista también ha implicado la crítica al aparato institucional del arte contemporáneo. Así, se ha puesto énfasis en su rol y agencia como artista que realiza una suerte de desmontaje de un mapa social establecido para revelarlo en crisis. / Tesis

<p>As a woman who claimed to experienced supernatural phenomena, such as spiritual visions and raptures, Teresa of Ávila had to face accusations of deception while confronting her own doubts of being self-deceived. Both religious authorities and visionary women in sixteenth-century Spain used the idea of deception to either dictate or challenge the dominant religious discourse. Ultimately, Teresa succeed at convincing ecclesial powers of the legitimacy of her experiences, a mandatory step for her canonization. Other visionaries were not as successful, and I analyze whether Teresa’s rhetorical strategies played a role in ensuring her effective defense of the authenticity of her visions.</p> This analysis of Teresa of Ávila as a visionary woman who felt the need to confront the problem of deception questions the usefulness of the traditional interpretation of visionary women as either deceivers or deceived. I argue that deception has traditionally functioned as a tool of sociopolitical marginalization, and that rulers of public discourse have ignored or dismissed the voices of visionary women. This work indicates the urgency of including their stories in the larger discussion on the credibility of women’s accounts of their own life experiences.

Thesis (Ph.D.)--Temple University, 2004. / Abstract. Includes bibliographical references (p. 187-195). Also available on the Internet.

This thesis provides an initial inquiry into the acoustics of Chinese identity, or Chineseness, in the emerging studies of Sinophone and Sinophonicity through the study of three well-known Sinophone musicians -- Teresa Teng, Leehom Wang, and Jay Chou. As critics such as Ien Ang and Rey Chow have reminded us, it is becoming increasingly urgent to reexamine the plurality of Chineseness with the rise of China. Truly, the umbrella term "Chinese pop" or "Mandopop" has become an inadequate common denominator in terms of the multilinguistic and multicultural elements in popular music produced in overseas Chinese communities such as Hong Kong and Taiwan or what Shu-mei Shih calls the "Sinophone" communities. In short, Sinophone studies explore the relation between the Chinese mainland and these Sinophone communities in a set of conditions (geographic, ethnic, linguistic, political, etc.). This thesis will explore the ways in which Sinophone musicians exhibit and perform Chineseness, the reason for its manifestation, and the implications and consequences for these types of articulations. / text

There is no abstract available for this thesis.

Thesis (Ph.D.)--Duquesne University, 2005. / Title from document title page. Abstract included in electronic submission form. Includes bibliographical references (p. 225-235) and index.

Thesis (Ph. D.)--Florida State University, 2005. / Advisor: Dr. Peggy Sharpe, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Title and description from dissertation home page (viewed June 14, 2005). Document formatted into pages; contains vii, 134 pages. Includes bibliographical references.

Thesis (Ph. D.)--University of Massachusetts Amherst, 2009. / Text in Spanish; abstract in English and Spanish. Includes bibliographical references (p. 162-185). Print copy also available.