This dissertation undertakes a comparative study of certain works of literature concerning Vietnamese and American troops during the United States’ involvement in Southeast Asia in the 1960s and 1970s. My assumption was that during war it is possible to conclude that enemy forces behave in the same manner in order to reach the identical goal, that of victory over the ‘other’ side. I sought to ascertain how under the selfsame conditions they could be considered as enemies. Divided only by the 17th Parallel: A Study of Similarities Between American and Vietnamese Soldiers in Selected Works By close reading of six texts, three from Vietnamese and three from American perspectives, I have attempted to extract their similar views from each in order to create a context in which the likeness of each side is demonstrated. This was achieved by exploring four themes: those of landscape, time, conflict and ghosts. It was discovered that the protagonists’ behaviour was the same and that rather than being the others’ adversary their true enemies were found within their own ranks. The results indicate that a wider perspective should be adopted on war than one which regards it as a simplistic binary consisting of two opposing sides. Contrary to any supposition that enemies must remain separated, there is more than enough evidence for one to conclude that they actually occupied mutual psychological territory. Key Terms: Landscape, time, ghosts, psychological damage, Reader Response, CSR, PTSD, New Historicism, dehumanisation, conditions of war, 1954 Geneva Agreement, ideology, war literature. / English Literature / M.A. (English Literature)

Le présent mémoire aborde les problématiques morales de la scission corps-esprit chez les soldats de la guerre du Việt Nam telles que représentées à travers certains films traitant de cette guerre. Notre démarche sera centrée sur le travail individuel que propose le film Apocalypse Now, plutôt que sur la representation de la guerre. Nous postulons que ce film met les individus devant les contradictions inhérentes d'une société qui prétend justement pacifier le monde en faisant la guerre, et qui plus est, comme ce fut le cas au Việt Nam, au moyen d’un déchainement de violence qui dépasse l'entendement (torture, massacre de masses, napalm et Agent Orange). Notre hypothèse est que le film, à travers son personnage central, nous propose une « voie » qui n’empêche pas la guerre, certes, mais permet du moins d'entreprendre une demarche de distanciation et de redefinition morale individuelle permettant de survivre au(x) temps de guerre(s). Cette mutation morale, chez le personnage principal, s'acquiert au bout d'un voyage réflexif à tout point de vue « au coeur des ténèbres » – de la jungle, tout autant que de son être. / This master’s thesis addresses some moral issues of the body/spirit dichotomy, induced in the military training, in the Vietnam War vets as portrayed in several films on that war. Our work will be centered on the work of the individual as suggested in Apocalypse Now, rather than on the depiction of the war. We contend that this film puts the individuals in front of the contradictions of a society that pretends to pacify the world using war, and inasmuch, as was the case in Vietnam, using a conspicuous outburst of violence (torture, mass murder, napalm, Agent Orange). We hypothesize that the film, through its main character, propose a “way” which doesn’t eradicate war, but suggest that we can take a step to redefine our moral standpoint in front of ourselves to heal the wounds caused by Wars. This individual moral mutation, in the main character, is the result of a reflexive process, on all accords at the “heart of darkness”, of the jungle as much as of his soul.

La non-violence fait référence à une idéologie et un ensemble de pratiques qui ont pour caractéristique commune de rejeter la violence sous toutes ses formes dans l’actualisation quotidienne. La non-violence est cependant devenue également un outil auquel certains recourrent dans des objectifs qui ne servent pas nécessairement le bien commun. En d’autres termes, la non-violence n’est pas systématiquement un outil de paix. Elle est un moyen d’obtenir ce que l’on veut, sans recourir à la violence. Cette thèse propose une vision de la non-violence au service du bien commun. Elle puise dans l’historicité de grands événements et acteurs qui ont utilisé la non-violence pour libérer une collectivité de formes d’oppression qui amenuisaient la dignité humaine. Elle fait référence à des auteurs et acteurs qui ont influencé le théologien processuel David Ray Griffin dans sa propre démarche d’enseignement et de recherche théologiques sur une quarantaine d’années, soient de la guerre du Vietnam à celle d’Iraq. Les dates survolées vont de 1968 à 2008. Une première démarche entreprise par la recherche est de comprendre le plus précisément possible quelles sont les avenues les plus récentes concernant la non-violence et d’explorer ses influences sur la vie et la carrière du théologien processuel États-Unien David Ray Griffin. En second lieu, une rétrospective historique des événements marquants aux États-Unis permet de cerner le contexte au sein duquel Griffin a évolué et comment son discours a laissé transparaître ces influences historiques, sociales et académiques. Une analyse plus centrée sur la politique extérieure des États-Unis en matière d’économie et de militarisme aiguille vers l’identification de signes que Griffin qualifie lui-même d’anti-théologiques, ce qui l’incite à élaborer une vision paradigmatique globalisante, équilibrée selon lui, où les ressources planétaires sont redistribuées dans un souci d’équité et de justice. Pour ce faire, un tribunal international, une religion globale, à l’image de ce que propose la pensée processuelle whiteheadienne-hartshornienne sont proposés. Griffin en brosse les grands traits dans un discours où l’exhortation s’assortit d’une méthodologie et d’une pédagogie éprouvés depuis 40 ans. Une grille d’analyse des textes griffiniens est par la suite élaborée, structurant les différentes composantes fondamentales de sa pensée. Un modèle d’intégration des valeurs de la non-violence est dégagé des lectures, applicable à d’autres disciplines. Appuyé sur une tradition authentique d’auteurs non-violents, David Ray Griffin présente les caractéristiques d’un homme de paix, duquel les idéaux débordent le cadre national pour rejoindre le planétaire, dans une visée résolument sotériologique. Cette visée devient urgente alors que les événements des attentats terroristes du World Trade Center du 11 septembre 2001 font dire à Griffin que non seulement les États-Unis sont engagés dans une démarche impérialiste démoniaque, mais qu’ils contribuent de manière accélérée à la destruction de la planète. Il faut absolument, croit-il, renverser le courant et devenir, pour le monde, un leader de la réparation des écosystèmes, des économies et des sociétés. S’adjoignant des auteurs d’autres disciplines, et toujours dans un cadre processuel, Griffin entreprend le long périple pédagogique qu’est celui de convaincre le plus grand nombre d’individus possible que le temps est venu d’agir. / Non-violence primarily refers to an ideology and practices which reject any form of violence altogether in our everyday lives. It has become also, however, a tool used by pressure groups or individuals to obtain whatever they wish, as long as no violence is used. Therefore, there is no concern for the common good. Non-violence is merely a means to an end. This research is written in the perspective of non-violence serving the common good and features major history events and protagonists who have used non-violence in order to free a group of people from a form of oppression which undermined their dignity. It refers more specifically to authors who have influenced David Ray Griffin throughout his own teaching and research career on a 40-year span. It stretches from the Vietnam war to the Iraq War. Dates range from 1968 to 2008. A first step was to establish what exactly non-violence is and what are its most recent interpretations so that influences on David Ray Griffin’s life and work could be pinpointed. Secondly, national and international U.S-lead events are examined in retrospect, in order to set the context in which Griffin’s evolution has progressed and how his thinking and discourse have shown through those historical, sociological and academic influences, all along his carreer. A special focus is directed towards the United States’ foreign policy as well as economic and military implications leading to Griffin’s opinion that the US are engaged in an anti-theological journey. His response is that a global, more balanced paradigmatic change is urgently needed, in which planetary resources are spent and shared with justice for all. Hence, an international court of justice and a global religion are put forward, according to a whiteheadian-hartshornian process theology perspective. David Griffin demonstrates how this has become urgent and a methodology and pedagogy are thereby stated, inferred from his 40-year experience. Based on a tradition of genuine non-violent authors, David Ray Griffin’s life features the characteristics of a peace maker whose ideals jut out over the limits of nationalism, towards a global salvation perspective triggered by the September11th, 2001 World Trade Centre attacks. Griffin not only believes that the United States have undertaken an imperialistic, demonic predation approach towards the world, but that they must, at once, stop this course, reverse it, and lead the healing process of the planet’s ecosystems, economies and nations. As he is joined by other authors who share the same view in a process theology standpoint, Griffin travels along the road of pedagogy in order to convince as much people as possible, that now is the time to act upon our destinies. A standardized reading chart is then created and used to analyze Griffin’s texts, hence giving way to a structure of his basic ideas. Finally, the process of integrating non- violence values is modelized, so that the same process can be applied to other subjects of research.

Orientador: Marcelo Magalhães Bulhões / Resumo: Antonio Callado é reconhecidamente um dos maiores escritores brasileiros do século XX, autor de Quarup (1967) e Reflexos do Baile (1976), obras cuja elaboração narrativa são indissociáveis do contexto da ditadura militar no Brasil. Mas, o autor, declaradamente de esquerda, também foi jornalista atuante nas redações do país. Entre as décadas de 1940 e 1960, trabalhou no Correio da Manhã e no Jornal do Brasil, escreveu grandes reportagens - que até hoje são reeditadas em livros - e publicou artigos que fizeram com que os militares o levassem para a prisão mais de uma vez. Ainda assim, há uma lacuna nos estudos de jornalismo sobre autor. Este trabalho é uma proposta de compreensão sobre a identidade de Callado como jornalista e sobre como sua produção jornalística dialogou com o espírito de resistência de sua época. Para isso, nos dedicamos ao estudo contextual e analítico de todas as reportagens de Callado publicadas em livro: Esqueleto na Lagoa Verde (1953), Os Industriais da Seca e os Galileus de Pernambuco (1959), Revolução piloto em Pernambuco (1963) e Vietnã do Norte: o outro lado da guerra (1968), Passaporte sem Carimbo (1978) e Entre Deus e a Vasilha (1984). A tese está fundamentada na identificação e na análise das estratégias discursivas das narrativas, principalmente na assunção da subjetividade, autorreferencialidade e literariedade. Sobretudo, a tese se dedica a averiguar como tais estratégias estão em plena associação com a militância de um repórter que sonhava com... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: Antonio Callado is acknowledged as one of the greatest Brazilian writers of the 20th century, author of Quarup (1967) and Reflexos do Baile (1976), works whose narrative elaboration are inseparable from the context of the military dictatorship in Brazil. However, the author, reportedly leftist, was also a journalist in the country's newsrooms. Between the 1940s and 1960s, he worked at Correio da Manhã and the Jornal do Brasil, wrote large reports - which are still being reissued in books - and published articles that led the military to take him to prison more than once. Still, there is a gap in author journalism studies. This work is a proposal of understanding about the identity of Callado as a journalist and about how his journalistic production dialogues with the spirit of resistance of his time. For that, we are dedicated to the contextual and analytical study of all Callado’s reports published in book: Esqueleto na Lagoa Verde (1953), Os Industriais da Seca e os Galileus de Pernambuco (1959), Revolução piloto em Pernambuco (1963) e Vietnã do Norte: o outro lado da guerra (1968), Passaporte sem Carimbo (1978) e Entre Deus e a Vasilha (1984). The thesis is based on the identification and analysis of the discursive strategies of the narratives, mainly in the assumption of subjectivity, selfreferentiality and literacy. Above all, the thesis focuses on how such strategies are in full association with the militancy of a reporter who dreamed of a country that, even today, is f... (Complete abstract click electronic access below) / Doutor

Telomeres is a manuscript-length lyric essay in many parts that traces the relationship of the narrator and her father as they both navigate the landscape of post-traumatic stress disorder after his return from Vietnam. / by Nicole Oquendo. / Thesis (M.F.A.)--Florida Atlantic University, 2012. / Includes bibliography. / Mode of access: World Wide Web. / System requirements: Adobe Reader.

Orientador: Carlos Eduardo Jordão Machado / Banca: Carlos Alberto Sampaio / Banca: Célia Reis Camargo / Banca: Miguel Vedda / Banca: Isabel Maria Frederico Rodrigues Loureiro / Resumo: Trata-se de uma investigação sobre as posições políticas de Jean-Paul Sartre relacionadas ao Terceiro Mundo, entre 1947 e 1979. A investigação tem dois objetivos fundamentais: estabelecer as relações possíveis entre o contexto histórico - o mundo pós-guerra, as guerras de descolonização, a emergência dos países do Terceiro Mundo e o cenário político-intelectual francês - e a trajetória de Sartre; e analisar, por meio das fontes documentais, os problemas que o Terceiro Mundo - a Guerra da Argélia (1954-1962), a Revolução Cubana (1959) e a Guerra do Vietnã (1946-1975) - colocam às posições políticas de Sartre / Abstract: This study investigates Jean-Paul Sartre‟s political positions and their relationship with the Third World, between 1947 and 1979. Generally speaking, this research aims to establish a possible link between the historical context - the postwar world, the descolonization wars, the rising of third world countries, the French political and intellectual setting - and Sartre‟s trajectory. More accurately, this investigation, above all, aims to analyse by means of documental sources, the problems that the Third World - The Algeria War (1954-1962), the Cuban Revolution (1959) and the Vietnam War (1946-1975) - bring forward to Sartre‟s political positions / Doutor

過往對民意對外交政策的研究多聚焦於美國案例，而以「美國國內政治民意制衡機制」如國會為重要機制。本研究即試以世界報所反映的法國媒體民意與越戰期間法國與美國雙邊關係之互動為例，探討法國民意與外交政策關係之特徵。 以文獻分析法與內容分析法研究越南戰爭六個時期( 「法越奠邊府戰役」、「甘迺迪總統軍事介入越戰」、「東京灣決議案」、「春節攻勢」、「尼克森宣言」及「巴黎協議後至美國撤兵越南」)的相關文獻與法國世界報(Le Monde)文本，最後發展出法國的民意與外交決策過程簡圖如下。並由奠邊府戰役時期世界報輿論與法國外交政策、美國其中外交政策態度轉折過程，取得此時期世界報輿論意見獨立於法國對美國外交路線之例證。 圖中線條粗細代表影響力大小：行政部門對媒體、精英與大眾意見有強大影響力，而媒體的新聞框架與評論擁有第二大影響政府外交決策之作用，甚至可能還大於其他精英如國會議員對法國行政當局的影響。 另外，透過比較上述六時期世界報新聞評論與特稿內容分析，得出法國媒體民意對美國越戰作為之認知變化，此對美國行為認知與歸因的歷時性研究發現奠邊府戰役時期對美國正面認知以「求助」為主動機，而戰況慘烈如1968年春節攻勢之際，對美國越戰認知出現大量「同理心(25%)」成分。負面認知包含大量「不理性」與「好戰」，與「霸權自利」相關的負面認知則相對較小。同時，單一政策與個別領導人如詹森與尼克森任期分野也與法國民意對美國越戰作為之「不理性」認知比例差異相呼應。 關鍵字：法美雙邊關係、越南戰爭、民意、外交政策、媒體、世界報、認知

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This thesis explores what Telford Taylor called the “ethos of Nuremberg” and how it shaped antiwar resistance during the Vietnam War in the United States. The Vietnam War was a monumental event in the twentieth century and the conflict provided lawyers, academics, activists, and soldiers the ability to question the legality of the war through the prism of the Nuremberg Principles, the various international treaties and U.S. Constitutional law. As many legal scholars and historians have lamented, the Cold War destroyed hopes for the solidification of an international court empowered to preside over questions of war crimes, crimes against humanity and crimes against peace. In the absence of cooperation among the international community, the antiwar movements in the United States and around the world during the Vietnam War utilized these legal instruments to form what I call a war crimes movement from below. A significant component of this challenge was the notion that individual citizens – draft noncooperators, military resisters, tax resisters, and the like – had a responsibility under the Nuremberg Principles to resist an illegal war. In the numerous United States military interventions after World War II, none had been challenged as openly and aggressively as the war in Vietnam. As this thesis will demonstrate, the ideas that crystallized into action at Nuremberg played a major role in this resistance.

Literature review -- Methodology -- Body of project : Fire in the belly. / Dept. of Journalism