In this dissertation I focus on the diversity of alternative food initiatives (AFIs) that have emerged amidst concerns about the corporate-led industrial food system. While there have been significant successes, critics suggest that many AFIs are an inadequate response to the complex problems within the food system, and further, are complicit in propagating neoliberal ideals and facilitating the retrenchment of the state. While these critics identify important challenges, they tend to consider place-based AFIs as operating independently on particular projects, with specific claims, or in isolated sectors of the food system. There has been little documentation or analysis situating AFIs within a broader community of practice. To fill this gap, my research builds on the existing literature to investigate the increasing collaborations among AFIs in Canada. Using a community-based action approach, I explore the development of provincial food networks in British Columbia, Manitoba, Ontario and Nova Scotia. I pay particular attention to efforts that foster and maintain these networks by exploring their history, structure and processes of collaboration. My findings reveal that the provincial food networks can be characterized as assemblages constituted by the self-organization of diverse actors through non-hierarchical, bottom-up processes with multiple and overlapping points of contact. Further, I find that AFIs have used networks strategically to contest the rules and institutions of the dominant food system and to develop participatory and democratic practices that challenge the logics of neoliberalism. Based on the results from this research, I argue that besides developing viable place-based alternatives to the dominant food system, AFIs are also involved in prefigurative ways of being - establishing democratic governance structures, building new institutions, and engaging in different kinds of social relations - in the belly of the existing (food) system.

Students enter composition classrooms in the twenty-first century with various levels of computer proficiency and comfort with technology and digital media. Instructors often make assumptions that their students’ are familiar with technology, even though students may be hesitant to use technology in the classroom. This dissertation gathers data from one university class and two community college classes to study students’ perceptions of and use of technology, particularly the Blackboard content management system (CMS), in the critical pedagogy classroom. In particular, it studies students’ use of technology to reflect on their own work and engage in dialogue with classmates and the instructor. The evidence suggests that students use technology and media cautiously in the classroom and will revert to more traditional forms of expression (e.g., the linear essay) when they feel uncomfortable using technology or they feel that their grade is in jeopardy. Students tended to use Blackboard more for reflection and dialogue when the CMS was an integral part of in-class and out-of-class activities. Findings indicate that first-year composition instructors should reflect on their use of technology to enhance critical pedagogy and make that pedagogy more reactive to students’ needs. / Description of problem and study -- Literature review -- Methods and methodology -- Critical pedagogy in the laptop classroom at the university -- University students' perceptions and use of technology -- Critical pedagogy in the computer classroom at the community college -- Community college students' perceptions of and use of technology -- Student questioning, dialogue and reflection at the community college. / Description of problem and study -- Literature review -- Methods and methodology -- Critical pedagogy in the laptop classroom at the university -- University students' perceptions and use of technology -- Critical pedagogy in the computer classroom at the community college -- Community college students' perceptions of and use of technology -- Student questioning, dialogue and reflection at the community college. / Department of English

is thesis explores the overarching topic of the capacity of strategic urban development decisions and initiatives (including planning initiatives) to positively and powerfully influence the ability of a city to promote sustainable patterns of development. The work is presented in six scientific papers, the first four of which focus on the development of an inter-disciplinary conceptual framework and research methodology. The concept of Situations of Opportunity and its related Field of Options is proposed as a means to identify and analyse periods in the growth of cities when urbanisation can be more easily managed so as to promote sustainable development goals. Historical studies in the cities of Stockholm, Dar es Salaam and Curitiba are used to develop the methodology. Another paper looks ahead and refines the methodology in combination with future studies, presenting a research strategy that employs Situations of Opportunity as a means to identify and explore periods in the future urban growth with significant potential for change. Building on the method developed, the remaining two papers consider the social dimension of sustainable development and how it can be promoted in the urban context, during ongoing Situations of Opportunity. The concept of social sustainability is reviewed and discussed from two different disciplinary perspectives (urban development; companies and products), exploring commonalities and differences in approaches, and identifying core themes that cross disciplinary boundaries. A case study of Eastside, a brownfield redevelopment site in Birmingham (UK), reveals how the retention of established small food outlets can provide opportunities for promoting social sustainability goals in an urban regeneration area. Overall, this thesis provides a better understanding of how transformative change can happen in cities. The Situations of Opportunity concept developed here can be a helpful way to study strategic initiatives that promote sustainability in cities. / <p>QC 20101216</p>

This work is a collectivist engagement between researcher and participants in a knowledge quest for self-hood through engaged bodily awareness and sense. The world of the teen girl is explored from a philosophical, social, and political perspective that emphasizes expression of self through embodied knowing and being. The process is performative where yoga is used as an arts-based method to explore the self through bodily awareness. The body is reclaimed as a way to know oneself. Yoga is the expression of the living, being, and knowing body. The asana practice, the still of meditation, and the flow of the breath are emancipatory discourse where each of us moves, changes, and grows; and ultimately becomes. This becoming is a consciousness raising experience that finds and grows voice. The transformative process engages a physical expression where participants’ and researcher’s individual sense of self is connected with their universal sense of self hereby replacing current patterns of harmful thinking with new consciousness that is reflective of self awareness and realization. Found poetry is used to explore the experience of the participants. The poetic representation brings the reader into the world of the teen girl. Voices that have been secret and silenced are celebrated. The body is the instrument through which power and ownership of the moment and the self are expressed through emotion and experience. The participants and researcher move collectively and intuitively from passive objects to self-knowing subjects; subjects who are thoroughly engaged in the world and aware of their highest potential as liberated selves. The findings of this collectivist and activist research approach indicate that embodied engagements elicit the space where flesh speaks and external and internal become unified as one. Yoga is an artful, embodied expression that is about experiencing the world without being enslaved by the world. This is not a passive engagement but an activist engagement that challenges hegemonic ideas of girls in the world and in the world of a girl. This further embraces the idea of the unity of whole-self and mind-body interconnectedness where we are not passive observers of the body with awareness of self located in the head watching over the body as object. Subject and object as separate dissolve and mindfulness is the present. The end result is one where we become; we become fully engaged in a creative and fluid self-hood enabling self-knowledge, self-acceptance, and self-love. / Graduate / 0727 / 0525 / 0273 / kyte_d@yahoo.ca

För att mångfalden av människor i arbetslivet ska kunna tillvaratas, uppskattas och erkännas krävs ett organisationsklimat ochettledarskap som möjliggör detta. Syftet med denna studie är att undersöka hur ett meningsskapande kring mångfald kommer tilluttryck inom Sveriges Television, då produkten ska nå en mångfaldig publik.Sveriges Television är ett public service-företag vars uppdrag är att nå ut till tv-tittare i hela Sverige, vilket förutsätter en mångfaldig produkt. Åtta semistrukturerade intervjuer har genomförts med anställda på Sveriges Television. Intervjuerna har transkriberats och resultatet hartolkats utifrån Piagets konstruktivistiska lärandeteori och Mezirows teori om transformativt lärande. Våra viktigaste resultat visar att det som upplevs som meningsskapande kommer till uttryck i relationen mellan det som anses värdefullt och det lärande som de anställda får ta del av. Det är engagemanget för mångfaldsfrågor och på vilket sätt det talas om mångfald som gör det värdefullt. Förutsättningar för lärande kan vara att organisationen stödjer mångfaldsarbetet och medarbetarna har en öppen syn för olikheter.

This work is a collectivist engagement between researcher and participants in a knowledge quest for self-hood through engaged bodily awareness and sense. The world of the teen girl is explored from a philosophical, social, and political perspective that emphasizes expression of self through embodied knowing and being. The process is performative where yoga is used as an arts-based method to explore the self through bodily awareness. The body is reclaimed as a way to know oneself. Yoga is the expression of the living, being, and knowing body. The asana practice, the still of meditation, and the flow of the breath are emancipatory discourse where each of us moves, changes, and grows; and ultimately becomes. This becoming is a consciousness raising experience that finds and grows voice. The transformative process engages a physical expression where participants’ and researcher’s individual sense of self is connected with their universal sense of self hereby replacing current patterns of harmful thinking with new consciousness that is reflective of self awareness and realization. Found poetry is used to explore the experience of the participants. The poetic representation brings the reader into the world of the teen girl. Voices that have been secret and silenced are celebrated. The body is the instrument through which power and ownership of the moment and the self are expressed through emotion and experience. The participants and researcher move collectively and intuitively from passive objects to self-knowing subjects; subjects who are thoroughly engaged in the world and aware of their highest potential as liberated selves. The findings of this collectivist and activist research approach indicate that embodied engagements elicit the space where flesh speaks and external and internal become unified as one. Yoga is an artful, embodied expression that is about experiencing the world without being enslaved by the world. This is not a passive engagement but an activist engagement that challenges hegemonic ideas of girls in the world and in the world of a girl. This further embraces the idea of the unity of whole-self and mind-body interconnectedness where we are not passive observers of the body with awareness of self located in the head watching over the body as object. Subject and object as separate dissolve and mindfulness is the present. The end result is one where we become; we become fully engaged in a creative and fluid self-hood enabling self-knowledge, self-acceptance, and self-love. / Graduate / 0727 / 0525 / 0273 / kyte_d@yahoo.ca

Seamfulness is a narrative-based and arts-informed inquiry into young women's "depression" as pedagogy. Unfolding in rural Nova Scotia, this research is rooted in my experience of depression as the most transformative event in my life story. While memoirists tell me I am not alone, there is currently a lack of research on personal understandings of depression, particularly for young adult women. Through storytelling sessions and self-publishing workshops, I explored four young Nova Scotian women's depression as a productive site for growth. Participants include four young women, including myself, who experienced depression in their early 20s, and have not had a major depressive episode for at least three years. Aged 29 to 40, we claim Métis, Scottish, Acadian, and British ancestries, and were raised and lived in rural Nova Scotian communities during this time. At the seams of adult education, disability studies, and art, I ask: How do young women narrate experiences of "depression" as education? How do handmade, self-published booklets (or “zines”) allow for exploring this topic as embodied, emotional and critical transformative learning? To address these questions, I employ arts-informed strategies and feminist, adult education, mental health, and disability studies literatures to investigate the critical and transformative learning accomplished by young women who experience depression. Through a feminist poststructuralist lens and using qualitative and arts-informed methods, I situate depression as valuable learning, labour, and gift on behalf of the societies and communities in which women live. I argue that just as zines are powerful forms for third space pedagogy, depression itself is a third space subjectivity that gives rise to the "disorienting dilemma" at the heart of transformative learning. I close with "Loose Ends," an exploration of depression as an unanswered question. This thesis engages visual and verbal strategies to disrupt epistemic and aesethetic conventions for academic texts. By foregrounding participant zines and stories, I privilege participant voices as the basis for framing their experience, rather than as material to reinforce or contest academic theories.

The number of women who are incarcerated has increased significantly in the past few decades. Originally designed to manage male offenders, jails and prisons are ill-equipped to address the unique needs of women inmates whose paths to incarceration often include histories of trauma, abuse, and addiction. This qualitative study investigated the lives of 13 women who while incarcerated at Dallas County Jail, participated in an educational program, Resolana. The purpose of this study was to understand the women’s lives prior to incarceration, as well as the impact of the program and changes they experienced, if any, as a result of what they were learning. Data were collected using semi-structured, life history interviews, and by engaging in field observations as a volunteer for each class for a period of one week. An in-depth analysis through a critical lens, using a holistic-content narrative analysis method, was done with one participant’s life history. The findings are presented as an ethnodrama illuminating the cultural, social, personal, and legal systems of oppression that she survived and that contributed to her path to incarceration. Analyzed through a lens of agency and resistance, the findings that emerged from an analysis of all the participant’s life histories reveal that the women’s criminalized actions were often survival responses. The women employed various strategies, both legal and illegal, in response to people or situations involving control, power or domination over their lives. An analysis of the women’s experiences with Resolana through a transformative learning theoretical framework indicates that the women experience transformation in various ways and to varying degrees. The learning environment served as a container in which transformative learning could be cultivated through opportunities for interpersonal and intrapersonal engagement. The results of this study reveal the need for more and targeted advocacy and education for incarcerated and formerly incarcerated women. The results also indicate that the process and content of Resolana’s programming had a transformative impact on participants, and for some, the transformation was enduring. Finally, the results challenge definitions of criminal behavior in the context interlocking systems of oppression, and encourage thinking about alternatives to incarceration.

Thesis (Ed.D. )--Duquesne University, 2007. / Title from document title page. Abstract included in electronic submission form. Includes bibliographical references (p. 148-162) and index.

Thesis (Ph. D.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Apr. 27, 2010). Includes bibliographical references (p. 382-392).