Thesis (MPhil)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: This study investigates the feasibility of translating the Arabic Qur’an into isiXhosa. The Qur’an has not yet been translated into isiXhosa and Xhosa-speaking Muslims who are unable to read and understand Arabic are facing a void in practising their faith. Xhosa-speaking Muslims also pray in a language that they do not understand and this robs them of close contact with the Almighty and as a result, the number of Muslims who speak isiXhosa does not increase. Through literature reviews and interviews it has been found that there is a great need for Muslims, who are target language speakers, to be able to communicate with Allah in their mother tongue, isiXhosa. Furthermore the study indicated that isiXhosa-speaking Muslims who, years ago, have converted to Islam are still struggling with the Arabic language. This study also investigates the view that the Arabic Qur’an cannot be translated into other languages because the Qur’an is the word of God delivered in Arabic to Prophet Muhammad (PBUH). This view is not based upon the assumption that an Arabic Qur’an is untranslatable, but rather on the views of some Arabic scholars. There are also fears that meaning will be lost when the Qur’an is translated. However, the study showed that when translating the Qur’an, one is not seeking to translate only the meaning but also the message of the Qur’an. A conclusion was reached that all human beings, thus all nations and languages, are created by Allah. Therefore, it is acceptable for human beings to communicate and listen to Allah’s message in their own language. This study suggests that culture and language are inseparable and that both must be taken into consideration when translating. The Qur’an has already been translated into other languages and the translations are used without any problems, for example into English and KiSwahili. The Qur’an is available in other African languages as well. Therefore, this study suggests that the Qur’an can be translated into isiXhosa. The linguistic challenges can be addressed in the target language by a body consisting of translators of laypersons, translation experts and linguists specialising in both Xhosa and Arabic. However, the study shows that the title of the Xhosa Qur’an should indicate that the Qur’an is a translated text. / AFRIKAANSE OPSOMMING: Die studie ondersoek die vertaling van die Arabiese Koran na Xhosa. Die Koran is nie tans in Xhosa beskikbaar nie en Xhosa-sprekende Moslems wat nie Arabies magtig is nie, ervaar dit as ’n struikelblok in die beoefening van hul geloof. Xhosa-sprekende Moslems bid ook in Arabies, selfs al verstaan hulle nie die taal nie. Dit beroof hulle van noue kontak met die Almagtige en veroorsaak dat die Moslem-geloof nie by Xhosa-sprekers in townships inslag vind nie. Aan die hand van ’n literatuurstudie en onderhoude is bevind dat daar ’n groot behoefte onder Xhosa-sprekende Moslems is om in hul moedertaal met Allah te kommunikeer. Die studie het ook getoon dat Xhosa-sprekende Moslems wat hulle reeds jare gelede tot die Islam bekeer het, steeds met die Arabiese taal worstel. Die studie ondersoek ook die siening dat die Koran nie vertaal mag word nie, omdat die Woord van God in Arabies aan die profeet Mohammed (mag vrede oor hom heers) geopenbaar is. Dié siening berus nie op die aanname dat die Koran onvertaalbaar is nie, maar eerder op die uitsprake van Arabiese geleerdes. Daar word ook gevrees dat die Koran se betekenis verlore sal gaan tydens die vertaalproses. Die studie toon egter dat die vertaling van die Koran sal fokus op die oordrag van die boodskap en nie net die betekenis van woorde nie. Die gevolgtrekking van die ondersoek is dat alle mense, en dus alle volke en tale, deur Allah geskep is. Dit is dus aanvaarbaar vir mense om Allah se boodskap in hul eie taal te kommunikeer en aan te hoor. Die studie kom tot die gevolgtrekking dat taal en kultuur onskeidbaar is en dat albei in ag geneem moet word tydens die vertaalproses. Die Koran is reeds in ander tale vertaal en word sonder enige probleme gebruik, byvoorbeeld in Engels en Swahili. Die Koran is ook in ander Afrika-tale beskikbaar. Die studie bevind dus dat die Koran ook in Xhosa vertaal kan word. Die taalkundige uitdagings kan in die doeltaal hanteer word deur ’n vertaalspan wat bestaan uit leke, opgeleide vertalers en taalkundiges wat spesialiseer in Xhosa en Arabies. Die studie toon egter dat die titel van die Xhosa Koran moet aandui dat dit ’n vertaalde teks is. / I-ABSTRAKTHI: Olu phando luphande ukuba nako kokuguqulelwa esiXhoseni kweKurani yesi-Arabhu. Uphando lubangelwe kukuba kungekho Kurani iguqulelwe esiXhoseni okwangoku kwaye kuqwalaseleke ukuba aMaslamsi athetha isiXhosa, angayiqondiyo nangaluvayo ulwimi lwesi-Arabhu, nokuba afundile okanye awafundanga, ajongene nomngeni wokuba nokungoneliseki kwinkolo yabo. Inyaniso yokuba kufuneka athandaze ngolwimi angaluqondiyo, ibenza bangakwazi ukufikelela kuQamata kwaye ngenxa yoko, inani laMaslamsi alandi kwiilokishi apho aMaslamsi athetha isiXhosa. Uphando, ngokuphonononga iincwadi nangokubamba udliwano-ndlebe, lufumanise ukuba kukhona isikhalo esikhulu esisuka kuMaslamsi athetha ulwimi okujoliswe kulo ukuze akwazi ukunxibelelana noQamata ngolwimi aluqonda ngcono, olusisiXhosa. Uphando lubonise ukuba aMaslamsi athetha isiXhosa awaguqukelanga kwinkolo ye-Islamu kutsha nje kwaye umzabalazo wolwimi kudala uqhubeka. Uphando luxoxe ngoluvo lokuba iKurani yolwimi lwesi-Arabhu ayinakuze iguqulelwe kwezinye iilwimi njengoko iKurani ililizwi likaQamata eladluliswa ngolwimi lwesi-Arabhu kuMprofeti uMuhammada (uxolo malube naye). Uphando lungqine ukuba uluvo lokuba iKurani yolwimi lwesi-Arabhu ayinakuguqulelwa kwezinye iilwimi alusekelwanga ekungaguqulweni kombhalo kodwa kwizimvo zezifundiswa zama-Arabhu. Uphando kananjalo luxoxe ngomba wokuba uloyiko lokuguqulela iKurani yolwimi lwesi-Arabhu kwezinye iilwimi lubangelwa yinyaniso yokuba xa kuguqulelwa, kuye kubekho ukulahleka nokulahlekwa kwentsingiselo pha naphaya. Uphando slubonise ukuba xa kuguqulelwa iKurani, ubani akasobe efuna ukuguqulela intsingiselo kodwa umyalezo weKurani. Uphando lufikelele kwisigqibo sokuba abantu bazizidalwa zikaQamata kwaye badalwe bazizizwe ngezizwe nokuba bathethe iilwimi ngeelwimi. Ngoko ke, kwamkelekile ukuba abantu banxibelelane ze bamamele umyalelo kaQamata kulwimi olulolwabo. Uphando lufikelela esigqibeni sokuba inkcubeko nolwimi azohlukani kwaye ngexesha lokuguqulela, zombini (inkcubeko nolwimi) kufuneka zibe ziyaqwalaselwa. Uphando lubonise ukuba iKurani yaguqulelwa kwezinye iilwimi kwaye iinguqulelo zisetyenziswa ngaphandle kwengxaki. Imizekelo yeenguqulelo ziiKurani kwisiNgesi nakwisiSwahili. Uphando lubonise kananjalo ukuba zikhona ezinye iinguqulelo zeKurani kwiilwimi zase-Afrika. Ngoko ke, uphando lufikelele kwisigqibo sokuba iKurani ingaguqulelwa kulwmi lwesiXhosa kwaye nayiphina imingeni yenzululwazi yolwimi engathi ivele ingasonjululwa kulwimi ekujoliswe kulo luphando, ukuba kunokuthi umntu ongathi aguqulele ingabi nguye nawuphi na umntu ontetho isisiXhosa owazi ulwimi lwesi-Arabhu kwaye eliSlamsi, koko ibe yibhodi yokuguqulela eya kuthi ibe nabantu abohlukeneyo ngokwamanqanaba abo, ukusuka kulowo ungafundanga, iincutshe zokuguqulela, iingcali zolwimi kwiilwimi zombini. Nangona kunjalo, kuphando kuye kwaqwalaselwa ukuba iKurani eguqulelweyo ayinakubizwa ngokuba yiKurani kodwa mayibizwe ngegama elibonisa nelicebisa ukuba umbhalo lowo yinguqulelo.

Thesis (MPhil)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: Theses and dissertations constitute a substantial platform for the documentation and dissemination of research findings, and the professional presentation of such findings is crucial for maintaining scientific integrity. Highly effective fact finders may lack writing skills and experience, or they may simply encounter barriers when expressing ideas, and thus perhaps inadequately present what they have so adequately found. In short, adequate editing of theses and dissertations is essential. Whereas a multitude of guidelines is available for thesis and dissertation writing, there is little guidance available on the editing of such works. Thus, with the latter objective in mind, this thesis is dedicated to developing a practical model to editing postgraduate research papers. Despite a notable lack of theory in the field of thesis editing, which became apparent while reviewing the respective literature, the most suitable sources of theory were selected to provide a basis for developing a model for thesis editing. These sources, combined with insights from a practical dissertation editing assignment, allowed for the design of a model for the practical editing process of postgraduate research texts. The editing model is based on a process-oriented approach, i.e. one which focuses on the learning process of the student. Moreover, the model promotes a level of editorial intervention that conforms to the current perception of ethical intervention in thesis editing. Ethical intervention is currently being negotiated against the backdrop of such standards as the purpose of thesis writing as well as the requirement of originality of theses and dissertations. In a testing phase the model was applied in a thesis editing assignment and emerged as a valuable guide in the process of editing. It also proved practicable in all its major aspects. Nevertheless, since a single testing assignment is not sufficient to prove the general practicality of any model, the model is still to be considered a prototype and may have to undergo further refinement after additional comprehensive testing. / AFRIKAANSE OPSOMMING: Tesisse en verhandelinge is 'n belangrike basis vir die optekening en verspreiding van navorsingsbevindinge, en die professionele aanbieding van sodanige bevindinge is noodsaaklik vir die behoud van wetenskaplike integriteit. Tog is kom hoogs doeltreffende navorsers soms minder bedrewe of ervare skrywers, of hulle bloot voor hindernisse te staan wanneer hulle hul gedagtes moet verwoord, wat tot die ontoereikende aanbieding van bevredigende bevindinge lei. Kortom die toereikende redigering van tesisse en verhandelinge is van die allergrootste belang. Hoewel daar etlike riglyne vir die skryf van tesisse en verhandelinge bestaan, is daar weinig leiding beskikbaar vir die redigering daarvan. Gedagtig hieraan is hierdie tesis daarop toegespits om 'n praktiese model vir die redigering van nagraadse navorsingstekste te ontwikkel. Ondanks 'n merkbare gebrek aan teorie op die gebied van tesisredigering, wat baie duidelik uit 'n oorsig van die betrokke literatuur blyk, is die mees toepaslike teoretiese bronne as grondslag vir die ontwikkeling van 'n model vir tesisredigering gekies. Met behulp van hierdie bronne, tesame met die insigte verkry uit 'n praktiese redigeeropdrag, kon 'n praktiese model vir die redigering van nagraadse navorsingstekste ontwerp word. Die redigeermodel berus op 'n prosesgerigte benadering, dit wil sê 'n benadering wat op die student se leerproses konsentreer. Daarbenewens argumenteer die model ten gunste van redaksionele ingrepe wat met huidige opvattings oor etiese tesisredigering strook. Dit geskied teen die agtergrond van die huidige gesprek oor etiese intervensie, wat onder meer teen die agtergrond van standaarde soos die doel van die tesis sowel as die oorspronklikheidsvereiste vir tesisse en verhandelinge gevoer word. Die model is tydens 'n toetsfase in 'n tesisredigeringsopdrag toegepas en blyk nuttige riglyne vir die redigeerproses te bied. Ook het al die kernkomponente daarvan geblyk prakties bruikbaar te wees. Aangesien 'n enkele toetsopdrag nie voldoende is om die algemene bruikbaarheid van 'n model te bewys nie, word die model steeds as 'n prototipe beskou en dit sal waarskynlik ná bykomende omvattende toetsing verder verbeter word.

Thesis (MPhil)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: Communication in a global context is seriously hampered by language barriers. These barriers pose special challenges to service delivery, particularly in the healthcare sector. Onsite interpreting is considered most conducive to enable effective communication. In South Africa, however, it is not practical and financially viable to employ onsite interpreters for all the possible language combinations. Telephone interpreting is proposed as an alternative to onsite interpreting and Folio Online’s InterTel service offers telephone interpreting in the Western Cape healthcare sector. This study gauges whether the InterTel service has the potential to contribute in any way to effective communication in the Western Cape healthcare sector. In South Africa, language barriers do not only exist in communication with tourists or immigrants, but also among the country’s own inhabitants. Furthermore, effective communication in the healthcare sector is particularly crucial. Miscommunication may lead to misdiagnosis and/or incorrect usage of medication, which in turn may result in death. The possible loss of life renders the issue of overcoming language barriers in the healthcare sector an important one. The aim of the study is to argue descriptively about InterTel telephone interpreting service as a viable solution to the communication difficulties between healthcare practitioners and patients in the Western Cape healthcare sector. The research had to be narrowed down and instead the study descriptively argues whether InterTel service contributes to communication in the Western Cape healthcare sector. The researcher conducted an interview with the Folio InterTel project manager and sent out questionnaires to the Folio telephone interpreters. Five transcribed recordings of conversations between healthcare practitioners, patients and Folio telephone interpreters were analysed. The findings of this study echo the findings of related studies reported in literature on telephone interpreting. The conclusion is that the Folio InterTel service makes a valuable contribution to more effective communication in Western Cape healthcare facilities. / AFRIKAANSE OPSOMMING: Kommunikasie in ’n globale konteks word ernstig gekortwiek deur taalverskille. Hierdie verskille bied groot uitdagings vir die diensleweringsektor; meer spesifiek die gesondheidsorgsektor. Ter-plaatse tolking word beskou as mees bevorderlik vir betekenisvolle kommunikasie. In Suid Afrika is dit egter nie prakties en bekostigbaar om ter-plaatse tolke in diens te stel vir die groot verskeidenheid taalkombinasies nie en telefoontolking word as alternatief oorweeg. Folio Online bied die InterTel-telefoontolkingsdiens aan in die Weskaapse Gesondheidsektor. Hierdie ondersoek sal bepaal of die InterTel-diens die potensiaal het om effektiewe kommunikasie binne die Wes-Kaapse Gesondheidsektor te bevorder. Taalgapings in Suid Afrika kom nie soseer voor in kommunikasie met toeriste of immigrante nie, maar eerder tussen die land se inwoners. Voldoende kommunikasie in die gesondheidsektor is van kardinale belang. Misverstande kan tot verkeerde diagnoses en/of die verkeerde gebruik van medisyne lei, wat in uiterste gevalle aanleiding mag gee tot die dood van ’n pasiënt. Hierdie moontlike noodlottige gevolge plaas taalgapings in die gesondheidsektor onder die soeklig. Hierdie studie is ’n beskrywende argument wat ten doel het om te bepaal of Folio Online se InterTel-diens ’n lewensvatbare oplossing bied vir die kommunikasie-probleme tussen gesondheidspraktisyns en pasiënte in die Wes-Kaapse gesondheidsektor. Die navorsingsondersoek is gebaseer op ’n onderhoud met die Folio InterTel-projekbestuurder en vraelyste aan die onderskeie telefoontolke. Analises van vyf getranskribeerde opnames van gesprekke tussen gesondheidspraktisyns, pasiënte en Folio InterTel-telefoontolke vorm ook deel van die ondersoek. Die bevindings van hierdie studie toon ooreenkomste met die bevindings van ander relevante studies soos opgeteken in die literatuur oor telefoontolking. Daar is bevind dat die InterTel-diens, soos gelewer aan die Wes-Kaapse Gesondheidsektor, wel ’n waardevolle bydra maak tot die bevordering van kommunikasie.

Thesis (PhD)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: This study proposes a concept model for an electronic bilingual dictionary of sign language and Afrikaans (or English, or any other spoken language) that can be applied in practice by the De la Bat School for the Deaf in Worcester – or any school of similar organisation – to compile a bilingual dictionary in which it is not only possible to look up a sign via a written word but also to look up a sign even if the user does not necessarily know the written equivalent. This is important as it will mean that, for the first time in South Africa, a Deaf user would not have to be literate in any written language to use a dictionary in his or her own language. At the same time a hearing user would be able to look up a sign of which the meaning is unknown, for example when a sign is noticed in a conversation or an unknown context. The sign language dictionaries currently available in South Africa are little more than alphabetically arranged (or sometimes thematically arranged) lists in which the written language offers the only access to the content. As per introduction the first four chapters provide general discussions of sign language, the Deaf in South Africa, lexicography and sign language dictionaries. The discussions which follow in the remaining chapters focus on the decisions which have to be made in terms of the proposed dictionary’s content and design. These chapters contain recommendations regarding equivalent relations between sign language and Afrikaans, several outer texts which could be included in the frame structure, the characteristics of the electronic database from which the dictionary will be generated, as well as decisions that have to be made about the microstructure. In the last chapter the lexicographic model for an electronic bilingual Foundation Phase dictionary of South African Sign Language and Afrikaans is provided with complete examples. / AFRIKAANSE OPSOMMING: Hierdie studie stel 'n konsepmodel voor vir 'n elektroniese tweetalige woordeboek van gebaretaal en Afrikaans (of Engels, of enige ander gesproke taal) wat deur die De la Bat Skool vir Dowes in Worcester – of enige ander skool of soortgelyke instansie – in die praktyk aangewend sou kon word om 'n tweetalige woordeboek saam te stel waarin dit nie slegs moontlik is om 'n gebaar via 'n geskrewe woord op te soek nie, maar ook om 'n gebaar op te soek sonder dat die gebruiker noodwendig die geskrewe ekwivalent ken. Dit is belangrik aangesien dit die eerste keer in Suid- Afrika sal beteken dat 'n Dowe gebruiker nie in enige geskrewe taal geletterd hoef te wees om 'n woordeboek in sy of haar eie taal te gebruik nie. Terselfdertyd sal 'n horende gebruiker wat gebaretaal leer in staat wees om 'n gebaar op te soek waarvan die betekenis onbekend is, soos wanneer 'n gebaar in 'n gesprek of onbekende konteks opgemerk word. Die gebaretaalwoordeboeke wat op die oomblik in Suid-Afrika bestaan, is weinig meer as alfabetiese (of soms tematiese) lyste waarin die geskrewe taal die enigste toegang tot die inhoud bied. Ter inleiding word algemene besprekings van gebaretaal, Dowes in Suid-Afrika, leksikografie en gebaretaalwoordeboeke in die eerste vier hoofstukke verskaf. Die besprekings wat in die hoofstukke daarop volg, fokus in meer besonderhede op die besluite wat t.o.v. die voorgestelde woordeboek se inhoud en ontwerp gemaak moet word. Dié hoofstukke bevat aanbevelings rakende ekwivalentverhoudings tussen gebaretaal en Afrikaans, verskeie buitetekste wat in die raamstruktuur gebruik sou kon word, die eienskappe van die elektroniese databasis waaruit die woordeboek gegenereer word asook besluite wat oor die mikrostruktuur geneem moet word. In die laaste hoofstuk word die leksikografiese model vir 'n elektroniese tweetalige grondslagfasewoordeboek van Suid-Afrikaanse Gebaretaal en Afrikaans met volledige voorbeelde uiteengesit. / Nasionale Navorsingstigting / Harry Crosleystigting

Thesis (PhD)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: In this dissertation two relatively under-researched areas within the scope of translation studies are investigated: the production process of translations and the sociological and cognitive aspects involved in this production process (as opposed to only studying the translation product). Process and sociological studies are currently on the forefront of research in translation studies and this dissertation attempts to contribute to these fields. The current study investigates the role of the various agents (among others the publisher, reviser and editor) involved in the production process of translations to illustrate how this process involves more agents than only the translator. Translation is proven to be a process involving a network of agents who work together to produce the final product, i.e. the target text. In this dissertation this interaction between agents is examined by making use of Latour's Actor-Network-Theory (ANT), a sociological theory that focuses on the network and links between agents within a production process. The production processes of literary translations that are analysed in this dissertation are Niggie – To hell with Cronjé (Ingrid Winterbach), Vaselinetjie – My name is Vaselinetjie (Anoeschka von Meck) and a selection of the "Stoffel tales" – In bushveld and dessert: A game ranger's life (Christiaan Bakkes). These texts were all translated by the literary translator Elsa Silke and published by NB Publishers in 2007, 2009 and 2008, respectively. The versions of the texts analysed are the source text, the concept translation, any other preliminary versions (manuscripts) and the completed published target text. These texts are analysed along with all available correspondence between agents to reconstruct the production processes in order to determine how translations are produced by means of interaction between different agents. This study is therefore greatly exploratory by nature and aimed at revealing the "invisible" of the production process of literary translations in order to contribute to and promote research within this under-researched field of translation studies. The main focus of this study is to analyse how each agent's inputs have a sociological impact on other agents and the production processes, as well as how their interaction and decisions impact the target text. The results are predominantly presented descriptively (within the framework of Descriptive Translation Studies [DTS]) and concepts of Nord's Functionalism, Even-Zohar's Polysystem Theory, Bourdieu's theory on the field of cultural production, Sharpe and Gunther's editing principles and Mossop's theory on editing and revision of translated texts are used to analyse and discuss the production processes of the three literary translations mentioned above. In conclusion a model is presented, based on these analyses, depicting a possible optimal production process for literary translations. A possible chronology of steps in the production process and means of interaction between agents are depicted by this model. With this proposed model this dissertation contributes to theory development within the field of translation studies and editing and revision theory. This model can be applied to production processes of literary translations to test if it is viable to apply in practice to ensure a more effective production process as well as a successful product (target text). If this model proves to be effective, it can eventually serve as a guideline for literary translation practice. / AFRIKAANSE OPSOMMING: In hierdie proefskrif word twee studieterreine ondersoek wat in die verlede min binne die vertaalwetenskap nagevors is: die bestudering van die produksieproses van vertalings en die bestudering van die sosiologiese en kognitiewe aspekte betrokke by hierdie produksieproses (teenoor slegs die vertaalproduk). Die ondersoek van hierdie terreine is op die oomblik op die voorgrond in die vertaalwetenskap en hierdie proefskrif dra daartoe by om hierdie studieveld te verbreed. In hierdie proefskrif word daar gekyk na die rol van die verskillende agente, onder andere die uitgewers, redigeerders en reviseurs in die produksieproses van drie literêre vertalings om te illustreer dat die produksieproses van literêre vertalings nie slegs die insette van een agent, naamlik die vertaler, behels nie, maar dat dit 'n proses is wat uit 'n netwerk van agente bestaan wat saamwerk om die eindproduk (naamlik die doelteks) te produseer. Hierdie netwerk van verhoudings tussen agente in die produksieproses word ondersoek na aanleiding van Latour se sosiologiese Actor-Network-Theory (ANT) wat op die netwerk en skakels tussen agente binne 'n produksieproses fokus. Die produksieprosesse van literêre vertalings wat in hierdie proefskrif ontleed word, is Niggie – To hell with Cronjé (Ingrid Winterbach), Vaselinetjie – My name is Vaselinetjie (Anoeschka von Meck) en 'n keur uit die Stoffel-verhale – In bushveld and desert: A game ranger's life (Afgekort as In bushveld and desert) (Christiaan Bakkes) – almal tekste wat onderskeidelik in 2007, 2009 en 2008 by NB-Uitgewers verskyn het en deur die literêre vertaler Elsa Silke vertaal is. Die bronteks, die konsepvertaling, enige ander voorlopige weergawes (manuskripte) en die uiteindelike gepubliseerde doelteks word telkens saam met die beskikbare korrespondensie tussen die onderskeie agente bestudeer om die produksieprosesse te rekonstrueer en te bepaal hoe die vertaalprodukte deur middel van wisselwerking tussen onderskeie agente tot stand gekom het. Hierdie studie is dus grootliks verkennend van aard en het dit ten doel gestel om die "onsigbare" van die produksieproses van literêre vertalings bloot te lê ten einde verdere navorsing in hierdie onderontwikkelde been van die vertaalwetenskap te bevorder. Daar word hoofsaaklik gekyk na die wyse waarop elke agent se insette 'n sosiologiese impak op die ander agente sowel as die produksieprosesse en/of 'n tekstuele impak op die doelteks gehad het. Die resultate word hoofsaaklik deskriptief (vergelyk deskriptiewe vertaalstudies, DTS) aangebied en bespreek en daar word van konsepte uit Nord se funksionalisme, Even-Zohar se polisisteemteorie, Bourdieu se veldteorie, Sharpe en Gunther se redigeerbeginsels en Mossop se teorie oor redigering en revisie van vertalings gebruik gemaak om die analises uiteen te sit en te bespreek. Na aanleiding van dié analises word 'n model in die laaste hoofstuk aangebied wat 'n moontlike optimale produksieproses vir literêre vertalings voorstel. Die aanbevole chronologie van stappe in die produksieproses en die wisselwerking tussen agente word deur hierdie model voorgestel. Met die daarstelling van dié model dra die proefskrif dus tot teorieontwikkeling in die vertaalwetenskap en op die gebied van redigeer- en revisieteorie by. Hierdie model kan op die produksieprosesse van literêre vertalings toegepas word om te toets of dit wel in die praktyk werk om 'n effektiewe produksieproses te bewerkstellig en 'n geslaagde vertaalproduk te produseer. Indien wel, kan dit uiteindelik as 'n riglyn vir die literêre vertaalpraktyk dien.

Thesis (PhD)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: Most Afrikaans novels that are translated into French are piggyback or relay translations, which means translations of translations. Although piggyback translations have been done since the earliest times and are still being done, they are at best seen as a necessary evil and little research is done on this phenomenon – in fact so little that there is not even a uniform term among scholars to refer to this practice. Translation is the ideal space for different cultures to meet and interact, especially when the translation strategy is to foreignise by retaining cultural elements form the source culture in the translated text. Each translation is however adapted to a certain extent to its own target culture in order for the target public to have a better understanding of the text. When a translator works directly with the source text, he is in control about the way in which cultural references will be conveyed and explained to the target public. In the case of a piggyback translation the translator has to translate a “source text” that has already been adapted, or not, for a specific target public. The piggyback translator has to deal with a text where some cultural references might have been retained and others not. If the piggyback translator has no first-hand knowledge of the source culture, it means that he will not be able to distinguish which references have been adapted, nor to what extent they have been adapted. This study is an investigation into the French translations of two novels by Etienne van Heerden, namely Toorberg and Die swye van Mario Salviati. Le Domaine de Toorberg is a piggyback translation of Toorberg and Un long silence has been translated directly from the Afrikaans source text. The aim is to determine in which of the two French translations cultural transfer was the most successful. In translation studies great emphasis is placed on the fact that translators should not only be bilingual, but also bicultural, which means that the translator should understand both source and target cultures. In the case of the direct translation investigated here, the translator is not only bilingual, but he shows a South African and French biculturality. In the case of the piggyback translation however, the translator’s cultures are French and North American. This means that the piggyback translator has no first-hand knowledge of the source culture with the result that the cultural references are unknown to her. I hope to determine through this study whether piggyback translations are a viable method to present Afrikaans novels to (in this case) French readers and if not, whether alternative methods should be investigated, for example using translators who do not necessarily translate into their first language, as often suggested in translation studies. / AFRIKAANSE OPSOMMING: Die meeste Afrikaanse romans wat in Frans vertaal word, is abbavertalings, dit wil sê, vertalings van vertalings. Alhoewel abbavertalings reeds vanaf die vroegste tye gedoen word en steeds gedoen word, word dit ten beste gesien as ʼn onvermydelike euwel en daar word min navorsing oor hierdie verskynsel gedoen – so min dat daar nie eens onder teoretici ʼn eenvormige term bestaan om daarna te verwys nie. Vertaling is ʼn ideale ruimte waar verskillende kulture mekaar kan leer ken, veral wanneer daar vervreemdend vertaal word en kulturele elemente van die bronkultuur in die vertaling behou word. Elke vertaling word egter tot ʼn mindere of meerdere mate aangepas vir sy eie doelkultuur sodat die teikenpubliek die teks beter kan begryp. Wanneer ʼn vertaler direk met die bronteks self werk, het hy beheer oor die manier waarop kulturele referente oorgedra en verduidelik gaan word aan die teikenpubliek. In die geval van ʼn abbavertaling moet die vertaler egter ʼn “bronteks” vertaal wat reeds aangepas is vir ʼn spesifieke teikenpubliek, wat kulturele ooreenkomste toon met sy eie teikenpubliek, of nie. Die abbavertaler het dus te doen met ʼn reeds aangepaste teks waarin sommige kulturele referente behou is en ander nie. Indien die abbavertaler geen eerstehandse kennis het van die bronkultuur nie, beteken dit dat hy nie kan onderskei watter referente aangepas is nie, en ook nie tot watter mate hierdie referente aangepas is nie. In hierdie studie word ondersoek ingestel na die Franse vertalings van twee romans van Etienne van Heerden, naamlik Toorberg en Die swye van Mario Salviati. Le Domaine de Toorberg is ʼn abbavertaling uit die Engelse vertaling van Toorberg en Un long silence is direk uit die Afrikaanse bronteks vertaal. Die doel is om vas te stel in watter een van die twee Franse vertalings kulturele oordrag die suksesvolste plaasgevind het. In vertaalteorie word daar deesdae klem gelê op die feit dat vertalers nie net tweetalig moet wees nie, maar ook bikultureel, dit wil sê die vertaler moet die bron- sowel as doelkultuur verstaan. In die geval van die direkte vertaling wat in hierdie studie bestudeer is, is die vertaler nie net tweetalig nie, maar hy het ook ʼn Suid-Afrikaanse en Franse bikulturalteit, maar in die geval van die abbavertaling het die vertaler ʼn Franse en Noord-Amerikaanse kultuurkombinasie. Dit beteken dat die abbavertaler geen eerstehandse kennis dra van die bronkultuur nie met die gevolg dat die kulturele referente vir haar vreemd is. Ek hoop om deur hierdie studie vas te stel of abbavertalings wel ʼn lewensvatbare metode is om Afrikaanse romans (in hierdie geval) aan ʼn Franse leserspubliek bekend te stel, en indien nie, daar alternatiewe metodes is wat ondersoek behoort te word, byvoorbeeld deur vertalers te gebruik wat nie noodwendig, soos die vertaalteorie meestal voorskryf, in hulle eerste taal vertaal nie.

Die empirische Arbeit untersucht den interlingualen Transfer von französischen und deutschen Filmtiteln im vergangenen Jahrhundert. Sie basiert auf einem Korpus von 3.200 französischen Originaltiteln und ihren deutschen Neutiteln und schließt eine Forschungslücke der Filmtitelübersetzung für das Sprachenpaar deutsch-französisch. Im theoretischen Teil werden die text- und übersetzungswissenschaftlichen Grundlagen dargelegt. Filmtitel bilden eine eigene Textsorte, die unter Zuhilfenahme der Textualitätskriterien von de Beaugrande/Dressler spezifiziert wird. Anhand ausgewählter Beispiele aus dem Korpus werden maßgebliche Funktionen von Filmtiteln, wie Werbung, Information, Identifikation, Kontakt und Interpretation erörtert. Auf E. Prunčs Translationstypologie basieren jene fünf Strategien, die bei der Übertragung von französischen Filmtiteln in den deutschen Sprach- und Kulturraum zum Einsatz kommen: Identität, Analogie, Variation, Innovation sowie hybride Formen. Ausführlich werden Übersetzungen von Umtitelungen abgegrenzt. Die Auswertung des Korpus ergibt, dass Titelinnovation die am häufigsten angewandte Strategie beim Titeltransfer im gesamten Untersuchungszeitraum darstellt, während Titelidentitäten am seltensten zum Einsatz kommen. Die Betrachtung kürzerer Zeitspannen zeigt gewisse Tendenzen auf, beispielsweise die deutliche Zunahme von Hybridtiteln in jüngster Zeit. Erstmals wird in dieser Arbeit das Phänomen der Mehrfachbetitelungen in verschiedenen deutschsprachigen Ländern aufgegriffen, indem nach Motiven für unterschiedliche Neutitel in Deutschland, der ehemaligen DDR und Österreich gesucht wird. Den Abschluss bildet eine Betrachtung der Filmtitel aus rechtlicher und ökonomischer Perspektive, denn zusammen mit ihren Filmen stellen Titel von hoher Kommerzialität geprägte Texte dar, und wie jedes Wirtschaftsgut erfahren auch sie eine präzise juristische Regulierung. / The empirical study is an analyse of the interlingual transfer of french and german movie titles of the past century. It is based on a corpus of 3,200 french original titles and their new german titles, closing a gap in the research of german and french movie title translation. The theoretical part introduces the basics of the linguistics of texts and translation. Movie titles are a specific kind of text, which is distinguished by the textual criteria of de Beaugrande/Dressler. By using choosen examples of the corpus the mainly functions of movie titles are displayed, as there are promotion, information, identification, contact and interpretation. There are five strategies, basing on the translation typology of Prunč, which are used whenever french movie titles were transferred into german language and culture: identity, analogy, variation, innovation and hybrid forms. The difference between translation and transtiteling is explained in detail. Results of the analytical part are that title innovations are the strategy most often applied when transferring titles, while title identities are used only rarely. The outcome of observing shorter periods is that there are different tendencies, like the significant increase of hybrid titles in the last decades. For the first time this study analyses multiple titles in different german speaking countries, searching for the motivation of alternative new titles in Germany, the former GDR and Austria. The final part is the juristical and economic consideration of movie titles, since motion pictures and their titles are a highly commercialised kind of text and therefore subjects of their corresponding laws.

This thesis argues that website translations can be taken as a form of social control striving to achieve certain political or economic ends by the website owners from a self-representation perspective. Studying the Chinese-to-English translations of the destination sections in four tourism websites, this study aims to derive interpretations as to how the act of translating formulates multiple self-representations, which may be seen as ideological attempts to influence the perceptions of target-text audiences. This thesis has two main parts. The first, Chapters 1 and 2, outlines the research objectives, background information and the conceptualisation of the four cases, and a two-stage comparative method working within an integrated theoretical framework. The second part, Chapters 3 to 5, comprises the empirical findings, discussing how features of discourses hypothetically prominent in a particular dimension of the website context may come to manifest different identities of the website owners. The translation strategies for these features are examined to identify the aspects of these identities changed in the self-representation contexts. Chapter 3 hypothesizes that the common context of the websites is dominated by tourism discourse and other associated discourses. The translation strategies for discourse features expressing a set of shared identities of the website owners suggest that the concepts of consumerism and commodity advertising are re-formulated in the translations. Chapters 4 and 5 discuss further identities of the owners manifested in the diverging sub-contexts of the websites, and underline aspects of these identities foregrounded in the translations. Chapter 4 highlights the diverging organisational identities of the official and corporate websites. The translation strategies for certain organisational features show that different organisational stances, different beneficiaries and different business rivals of the two categories of websites are emphasised in the translations. Studying the identity of being ‘Chinese people’ formulated by certain re-presented features of local discourse, Chapter 5 points to the differences between the national images re-presented by the China websites and the regional images foregrounded by the HK websites in their translations. Finally, the conclusions summarize various notions relating to the multiple identities re-formulated in the self-representation context, as well as their economic and political implications.

Recent developments in translation studies since the 1990s have focused on the ideological implications of translation, seeing the role of the translator as an interventionist and a mediator. This new paradigm overcomes the idea that translation is a mimetic task that consists merely of transferring meaning from one language to another, but rather it is associated with political processes which may involve domination, oppression, submission or resistance amongst social groups and communities. Recognition is given to the capacity of translation to forge social and cultural change. Postcolonial contexts have proven to be particularly fertile for the study of ideological issues related to translation insofar as they reflect a situation of inequality between language communities. In these contexts, translation can be used as a political artefact either to perpetuate colonial domination or to fight against it. As a result, the 1990s have seen the emergence of postcolonial translation theories. These new theories are not only applicable to contexts that are most commonly identified as postcolonial, but to any type of situation where there exists inequality between the two systems in which translation takes place (e.g., in subaltern cultures where the practice of translation can become a means of resistance against a situation of cultural domination and a channel of self-definition). In this regard, the situation of Galicia in the 1920s and 1930s is paradigmatic and it offers invaluable grounds for the study of translation when used as an ideological instrument in the struggle for the search and construction of a national identity. During this period a group of intellectuals, widely known as Xeración Nós, emerged in the region concerned with the articulation of a nationalist discourse based on the cultural and political differentiation of Galicia with regard to the rest of Spain. Their nation-building project was a response to a situation of cultural oppression, long imposed by the Spanish state represented by Castile, and it was based on the concepts of Celticism and Atlanticism. Resorting back to the alleged Galician ancestors, the Celts, they strove to establish affinities with the other so-called Celtic nations of Northern Europe, particularly Ireland, in order to include Galicia within the Celtic mythological tradition and, by extension, within a new Atlantic civilisation opposed to the Mediterranean one which they associated with Spain. Within this well planned ideological agenda, translation of Irish literary texts played an essential role as it was used as a political tool to establish the abovementioned affinity with Ireland. From the selection of the texts to be translated to the actual discourse strategies used by the translators, translation became a process of appropriation and manipulation to support ideological ends. Focusing on the translations of the Irish poet and playwright W.B. Yeats, the most translated Irish writer of the period and profoundly admired by the Galician intelligentsia, this thesis intends to explore how translation was used in a subversive and manipulative way to show Galicia’s distinctiveness and to build a national identity resisting cultural domination. Therefore, I will demonstrate the capacity of translation to shape cultures and to aid and support cultural and social change.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.