This ethnographic dissertation study contains a total of six chapters. Chapter One provides an introduction to the topic, Perspectives of Saskatchewan Dakota/Lakota Elders on the Treaty Process within Canada. It also discusses the following: the purpose of the study; the rationale & justification for an interdisciplinary approach; the research methodology; the definition of terms; the limitations of the study; assumptions; and the ethical protocols applicable to this study. Chapter Two provides a review of literature pertaining to the various theoretical and methodological considerations to be addressed within this study. These include the traditional Rankean approach to the study of history; that termed within Western academia as Oral History, combined with that termed as Oral Tradition; that termed as Dakota Oral Tradition; and that termed within Western academia as Outsider vs. Insider Research. Chapter Three provides a review of the history of the treaty negotiation processes that occurred both in the United States and Canada and concludes with an analysis of research findings to date. Chapter Four reviews previously written documentation pertaining to the Dakota/Lakota treaty negotiation process within Canada and concludes with an analysis of research findings to date. Chapter Five discusses in detail the data collection process employed for this study. In addition, the data generated from the interviews with the Saskatchewan Dakota/Lakota Elders regarding their perspectives on treaty are presented. Chapter Six provides a synthesis and analysis of research findings for the data collected from the Saskatchewan Dakota/Lakota Elders during the interview process. In addition, an epilogue is provided regarding the implications of the research for the treaty negotiation process of the Dakota/Lakota people within Canada. In this way the findings of the study are placed within the context of the Native-White treaty relationship currently evolving and being negotiated within the province of Saskatchewan. Recommendations are also presented to assist and enhance the contemporary political and legal position of the Dakota/Lakota First Nations within Saskatchewan in their efforts to either sign adhesion to the Numbered Treaties, or to adhere to an alternate treaty protocol agreement with the Canadian federal government, which would include provisions regarding land, as well as related treaty benefits and annuities.

This dissertation consists in a defence of the claim that belief is a state on which its bearer can reflect only deliberatively. That partial characterization of the concept is intended to throw light on the status of belief as a rational phenomenon. I defend it by appeal to features of our actual and imagined practices of ascribing belief linguistically, both to others and ourselves. Having set out the characterization in the first of four chapters, in the second chapter I survey the ways of learning from words: evidentially, by report, and by belief-expression. I go on to propose that where a person’s words afford belief of his belief, they do so through the belief-expressive character of assertoric speech. In the third chapter, I defend that claim as it applies to the case of ascribing belief to another. I argue that my characterization best explains the fact that we do not ordinarily report our beliefs or invite others to do so. I explain our ordinarily ascribing belief from the expressive character of assertoric speech by appeal to the relation between assertion and belief. In the fourth chapter, I turn to the prospect of ascribing oneself belief based on one’s own words. I argue that self-ascribing belief through the expressive character of words is alone consistent with the self-ascriber’s basic psychological and linguistic integrity. I recommend my characterization of belief for its capacity to explain the disintegrating effects of self-ascribing belief by one’s own report. I again appeal to the relation between assertoric speech and belief to explain the feasibility of self-ascribing belief through the expressive character of one’s words.

This ethnographic dissertation study contains a total of six chapters. Chapter One provides an introduction to the topic, Perspectives of Saskatchewan Dakota/Lakota Elders on the Treaty Process within Canada. It also discusses the following: the purpose of the study; the rationale & justification for an interdisciplinary approach; the research methodology; the definition of terms; the limitations of the study; assumptions; and the ethical protocols applicable to this study. Chapter Two provides a review of literature pertaining to the various theoretical and methodological considerations to be addressed within this study. These include the traditional Rankean approach to the study of history; that termed within Western academia as Oral History, combined with that termed as Oral Tradition; that termed as Dakota Oral Tradition; and that termed within Western academia as Outsider vs. Insider Research. Chapter Three provides a review of the history of the treaty negotiation processes that occurred both in the United States and Canada and concludes with an analysis of research findings to date. Chapter Four reviews previously written documentation pertaining to the Dakota/Lakota treaty negotiation process within Canada and concludes with an analysis of research findings to date. Chapter Five discusses in detail the data collection process employed for this study. In addition, the data generated from the interviews with the Saskatchewan Dakota/Lakota Elders regarding their perspectives on treaty are presented. Chapter Six provides a synthesis and analysis of research findings for the data collected from the Saskatchewan Dakota/Lakota Elders during the interview process. In addition, an epilogue is provided regarding the implications of the research for the treaty negotiation process of the Dakota/Lakota people within Canada. In this way the findings of the study are placed within the context of the Native-White treaty relationship currently evolving and being negotiated within the province of Saskatchewan. Recommendations are also presented to assist and enhance the contemporary political and legal position of the Dakota/Lakota First Nations within Saskatchewan in their efforts to either sign adhesion to the Numbered Treaties, or to adhere to an alternate treaty protocol agreement with the Canadian federal government, which would include provisions regarding land, as well as related treaty benefits and annuities.

This dissertation examines documentary cinema in Socialist China as an emerging technology of mass politics, a new medium for creating political imaginaries and writing history, and a global vernacular connecting China to other revolutionary and modernizing cultures. At the center of my investigation is documentary cinema's capacities to work across boundaries between reality and fiction, between physical and metaphysical worlds, and between a historical world bound by its materiality and a revolutionary world mobilized to take leaps into a brighter future. I argue that these capacities made documentary a particularly relevant media for socialism for both epistemological and historiographical reasons. Epistemologically, documentary brought together the empirical and the ideological, both fundamental to a Marxist quest for truth. Historiographically, documentary's deep bond to the present moment and its capacity for temporal re-structuring and mass mobilization allowed it to intervene radically into the making and writing of history, particularly in a society engaged with engineering its own transformation. Using visual archives only recently made available, the dissertation's wide-ranging discussions include how documentary re-enacted the civil war upon the founding of the PRC, documented "tomorrow" during the Great Leap Forward, created mass passions for diplomacy in the 1960s, and enabled a poetics of mourning and testimony in the immediate years after the Cultural Revolution. / East Asian Languages and Civilizations

The aim of this project is to develop a legally relevant theory of artistic value, based on which a judge can reliably determine whether a work has sufficient such value to be granted constitutional protection, even though it would otherwise count as obscene. Within this framework I argue that a moral flaw can count as an aesthetic virtue in a narrative work, at least when the audience learns something from the immoral content of the work. Since expert testimony is sometimes required in legal cases about artistic value, I also develop a legally applicable theory of aesthetic testimony, such that expert testimony can be used to determine the valence of aesthetic properties, which is essential in determining a work‘s overall artistic value. My theory of which properties of works are relevant to their aesthetic evaluation depends both on which categories the work is appreciated in, and on the conventions of those categories. I address these issues within Canadian and American legal contexts. / text

Cette étude vise à exposer le rôle méthodologique que Martin Heidegger attribue à la conscience (Gewissen) dans Être et temps et à faire ressortir les implications de son interprétation de « l’appel de la conscience » comme le moyen de produire l’attestation (Bezeugung) de l’existence authentique en tant que possibilité du Dasein (ou être-dans-le-monde). Notre objectif initial est de montrer comment la notion heideggérienne de conscience a évolué avant la publication d’Être et temps en 1927 et d’identifier les sources qui ont contribué à l’interprétation existentiale de la conscience comme « l’appel du souci. » Notre analyse historique révèle notamment que Heidegger n’a jamais décrit la conscience comme un « appel » avant sa lecture du livre Das Gewissen (1925) par Hendrik G. Stoker, un jeune philosophe sud-africain qui a étudié à Cologne sous la direction de Max Scheler. Nous démontrons plus spécifiquement comment l’étude phénoménologique de Stoker—qui décrit la conscience comme « l’appel du devoir (Pflichtruf) » provenant de l’étincelle divine (synteresis) placée dans l’âme de chaque personne par Dieu—a influencé l’élaboration du concept de « l’appel existentiel » chez Heidegger. Mettant l’accent sur le rôle méthodologique de la conscience dans Être et temps, nous soulignons aussi l’importance des liens entre son concept de la conscience et la notion de « l’indication formelle » que Heidegger a mise au cœur de sa « méthode » dans ses cours sur la phénoménologie à Freiburg et Marbourg. Alors que de nombreux commentateurs voient dans « l’appel de la conscience » une notion solipsiste qui demeure impossible en tant qu’expérience, nous proposons un moyen de lever cette difficulté apparente en tentant de faire ressortir ce qui est « indiqué formellement » par la notion même de la conscience (Gewissen) dans Être et temps. Cette approche nous permet d’affirmer que le concept de conscience chez Heidegger renvoie à un phénomène de « témoignage » qui est radicalement différent de la notion traditionnelle de conscientia. Guidé par les principes mêmes de la phénoménologie heideggérienne, nous procédons à une analyse « destructrice » de l’histoire du mot allemand Gewissen qui nous révèle que la signification originelle de ce mot (établie dans le plus ancien livre préservé dans la langue allemande : le Codex Abrogans) était testimonium et non conscientia. À l’origine, Gewissen signifiait en effet « attestation »—ce qui est précisément le rôle assigné à la conscience par Heidegger dans Être et temps. Sur la base de cette découverte, nous proposons une manière de comprendre cette « attestation » comme une expérience possible : l’écoute du « témoignage silencieux » du martyr qui permet à Dasein de reconnaître sa propre possibilité d’authenticité. / This study aims to exhibit the methodological role that Martin Heidegger assigns to conscience (Gewissen) in Being and Time and to reveal the implications of his interpretation of the “call of conscience” as the means of producing the attestation (Bezeugung) of authentic existence as a possibility of Being-in-the-world (or Dasein). We begin by seeking to understand how Heidegger’s notion of conscience evolved prior to the 1927 publication of Being and Time and to identify the sources which contributed to his interpretation of conscience as the “call of care.” Our historical analysis notably reveals that Heidegger never once describes conscience as a “call” before reading Das Gewissen (1925) by Hendrik G. Stoker, a young South African philosopher who studied under Max Scheler’s direction at the University of Cologne. We specifically examine how Stoker’s phenomenological study—which describes conscience as the “call-of-duty” issued to each human being by the divine “spark” (synteresis) placed in his or her soul by God—contributed to shaping Heidegger’s account of the “existential call.” Focusing on the methodological role of conscience in Being and Time, we analyze Heidegger’s major work in light of his early lectures on phenomenology at Freiburg and Marburg. This approach confirms the relation between conscience in Being and Time and the concept of “formal indication” that Heidegger placed at the heart of his evolving “method” of phenomenological investigation. While many commentators have argued that Heidegger’s “call of conscience” is solipsistic and impossible to experience, we propose a way of reconsidering this apparent impasse by examining what Being and Time itself “formally indicates” with regard to conscience. We show that Heidegger’s conscience points to a phenomenon of existential “testimony” which is radically different from the traditional notion of conscientia. Guided by Heidegger’s “formal indication” of conscience, we “destructively” review the history of the German word Gewissen and reveal its original meaning to be “testimonium” not “conscientia.” In recognizing that Gewissen originally meant “attestation,” we show how Heidegger’s existential phenomenon of conscience can be understood as Dasein’s experience of hearing the “silent testimony” of the martyr. / Travail réalisé en cotutelle (Université de Paris IV-La Sorbonne).

Over the last three decades, many women and men who were political prisoners in the Middle East have come to Canada as immigrants and refugees. In their countries of origin, they resisted oppressive social policies, ideologies, and various forms of state violence. Their journeys of forced migration/exile took them away from their country, families, and friends, but they arrived in Canada with memories of violence, resistance and survival. These former political prisoners did not want the sacrifices that they and their colleagues had made to be forgotten. They needed to find effective ways to communicate these stories. This research was conducted from a critical feminist‒anti-racist perspective, and used life history research to trace the journey of one such group of women and men. This group of former political prisoners has been meeting together, using art as a mode of expression to share their experiences, inviting others to join their resistance against state violence. Interviews were conducted with former political prisoners and their supporters and artist facilitators who were part of the art workshops, performances, and exhibits held in Toronto, Canada from January 2010 through December 2011. This dissertation examines the importance of memory projects and of remembering in acts of public testimony and the significance of providing spaces for others to bear witness to those stories. This research also contributes to the body of knowledge about the role that remembering, consciousness, and praxis play in individual and community recovery, rebuilding community, and continued resistance.

Forensic accountants are occasionally called upon to assist in criminal law proceedings. The role of the forensic accountant in such proceedings is usually determined during the engagement of the forensic investigation to assist in the matter under investigation. During such investigations, various investigation techniques may be utilised by the forensic accountant in order to convey the facts and findings of the forensic investigation in a written report, drafted by the forensic accountant. When criminal prosecutions are instituted and the forensic accountant is called upon to act as an expert witness, such evidence is mostly based on the findings of the written report. Thus, in giving evidence, the forensic accountant must ensure that the testimony and evidence will be admissible in court and that the forensic accountant is found to be a credible witness. Although there are various legal standards that the forensic accountant must adhere to, the ICFP, which is the South African regulatory body for commercial forensic practitioners, is still in its infancy and has as yet not set any standards with which forensic accountants must comply with when assisting in criminal investigations or drafting written reports. The objective of this study is to highlight the role of the forensic accountant in criminal law proceedings. This objective is reached by clarification of the following: • the difference between a forensic accountant and an auditor; • the techniques available to the forensic accountant when conducting a forensic investigation; • the standards with which a forensic accountant‘s report should comply; and • the forensic accountant‘s role in testimony. The study illustrates the difference between a forensic accountant and an auditor and suggests a definition for a forensic accountant. The study furthermore explores various techniques that the forensic accountant may utilise during the investigation. The study also analyses the legal standards with which a forensic accountant must comply in order to ensure the admissibility of the written report and its findings. In order to achieve this, international regulatory standards applicable to forensic accountants are analysed and discussed. Finally, the role of the forensic accountant in court proceedings is examined. The illustrations in this study will be helpful in determining standards that could be implemented in South Africa to guide forensic accountants in their role in criminal law proceedings. / Thesis (MCom (Forensic accountancy))--North-West University, Potchefstroom Campus, 2013.

Forensic accountants are occasionally called upon to assist in criminal law proceedings. The role of the forensic accountant in such proceedings is usually determined during the engagement of the forensic investigation to assist in the matter under investigation. During such investigations, various investigation techniques may be utilised by the forensic accountant in order to convey the facts and findings of the forensic investigation in a written report, drafted by the forensic accountant. When criminal prosecutions are instituted and the forensic accountant is called upon to act as an expert witness, such evidence is mostly based on the findings of the written report. Thus, in giving evidence, the forensic accountant must ensure that the testimony and evidence will be admissible in court and that the forensic accountant is found to be a credible witness. Although there are various legal standards that the forensic accountant must adhere to, the ICFP, which is the South African regulatory body for commercial forensic practitioners, is still in its infancy and has as yet not set any standards with which forensic accountants must comply with when assisting in criminal investigations or drafting written reports. The objective of this study is to highlight the role of the forensic accountant in criminal law proceedings. This objective is reached by clarification of the following: • the difference between a forensic accountant and an auditor; • the techniques available to the forensic accountant when conducting a forensic investigation; • the standards with which a forensic accountant‘s report should comply; and • the forensic accountant‘s role in testimony. The study illustrates the difference between a forensic accountant and an auditor and suggests a definition for a forensic accountant. The study furthermore explores various techniques that the forensic accountant may utilise during the investigation. The study also analyses the legal standards with which a forensic accountant must comply in order to ensure the admissibility of the written report and its findings. In order to achieve this, international regulatory standards applicable to forensic accountants are analysed and discussed. Finally, the role of the forensic accountant in court proceedings is examined. The illustrations in this study will be helpful in determining standards that could be implemented in South Africa to guide forensic accountants in their role in criminal law proceedings. / Thesis (MCom (Forensic accountancy))--North-West University, Potchefstroom Campus, 2013.

L’essai Au théâtre on meurt pour rien. Raconter la mort sans coupable, entre Maeterlinck et Chaurette, compare divers usages dramatiques du récit de mort sous l’éclairage de la généalogie nietzschéenne de l’inscription mémorielle. Pour illustrer l’hypothèse d’une fonction classique du témoin de la mort − donner sens au trépas en le situant dans une quête scénique de justice −, l’essai fait appel à des personnages-types chez Eschyle, Shakespeare et Racine. En contraste, des œuvres du dramaturge moderne Maeterlinck (Intérieur) et du dramaturge contemporain Normand Chaurette (Fragments d’une lettre d’adieu lus par des géologues, Stabat Mater II) sont interprétées comme logeant toute leur durée scénique dans un temps de la mort qui dépasserait la recherche d’un coupable absolu ; une étude approfondie les distingue toutefois par la valeur accordée à l’insolite et à la banalité, ainsi qu’à la singularité des personnages. Le plancher sous la moquette est une pièce de théâtre en trois scènes et trois registres de langue, pour deux comédiennes. Trois couples de sœurs se succèdent dans le salon d’un appartement, jadis une agence de détective qui a marqué leur imaginaire d’enfant. Thématiquement, la pièce déplace le lien propre aux films noirs entre l’enquête et la ville, en y juxtaposant le brouillage temporel qu’implique l’apparition de fantômes. Chacune des trois scènes déréalise les deux autres en redistribuant les mêmes données selon une tonalité autre, mais étrangement similaire, afin d’amener le spectateur à douter du hors-scène : le passé, l’appartement, Montréal. Son réflexe cartésien de traquer la vérité doit le mener à découvrir que les scènes ne vont pas de l’ombre à la lumière, mais qu’elles montrent plutôt que dans l’une et l’autre, la mort n’échappe pas aux trivialités de la mémoire. / The essay Au théâtre on meurt pour rien. Raconter la mort sans coupable, entre Maeterlinck et Chaurette (On stage death is useless. Recounting of death without culprit, between Maeterlinck and Chaurette) compare different dramatic uses of death testimony under the perspective of Nietzsche’s genealogy of memory recording. To illustrate the assumption of a classic function given to the death witness – making sense out of death by locking it in a scenic quest for justice −, the essay summons typical characters in Eschyle, Shakespeare and Racine. Then, plays by the modern playwright Maeterlinck (Intérieur) and the contemporary playwright Normand Chaurette (Fragments d’une lettre d’adieu lus par des géologues, Stabat Mater II) are interpreted as inscribing their whole plot in a death term where no definite culprit is needed; on the other hand, further reading reveals different values given in both proposition to triviality and strangeness, as to the singularity of characters. Le plancher sous la moquette (The floor under the carpet) is a play in three acts and three levels of speech for two actresses. Three couples of sisters come back into the living room of an apartment, once a detective agency that remained printed in their child memories. Thematically, the play moves the classic bind in "film-noir" between investigation and the city, by introducing the time interferences associated with ghosts. Each one of the three acts cast a shadow over the two others by re-enacting the same elements on a different but strangely similar tone, thus bringing the audience to doubt the existence of what is not on stage: the past, the other rooms, Montreal. The logical longing the audience has for the truth will lead it to discover that the scenes don’t enlighten the dark, but reveal that death never escapes the coarseness of memory.