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For the past few years, virtual environments (VEs) have gained broad attention from both scholarly and practitioner communities. However, in spite of intense and widespread efforts, most VE-related research has focused on the technical aspects of applications, and the necessary theoretical framework to assess the quality of interfaces and designs has not yet been fully developed. This research, as a response to such challenges, concerns the usability of three-dimensional VEs. More specifically, this study aims to investigate the effects of wayfinding affordance design on users’ task performance and perceptual experience in 3D desktop VEs. For this purpose, four different wayfinding affordance conditions were set up: Fixed Detached Affordance Cues (FDAC) condition, Switchable Detached Affordance Cues (SDAC) condition, Portable Embedded Affordance Cues (PEAC) condition and Fixed Embedded Affordance Cues (FEAC) condition. Maps and directional cues were employed to implement wayfinding affordance. The results show that the design of wayfinding affordance has significant effects on users’ perceptual experience as well as their task performance. Task performance was significantly better where the maps and directional cues were provided independently from the VE interfaces (FDAC, SDAC). With regard to perceptual experience, the effect was significant only in simple environments. In these environments, the fixed and, therefore, stable interfaces (FEAC, FDAC) were found to provide a better sense of presence for users whereas the manipulative interfaces (PEAC, SDAC) offered a greater state of playfulness. The research findings also indicated that the design of 3D interfaces had a greater impact on non-expert users than on expert users. / text

Although human beings continuously learn through their experiences and impressions, the most important years in determining all actions and decisions which will be made in life, are during childhood. In designing spaces for children, their perception of the built environment and interaction with their surroundings needs to be understood in terms of the influence that elements of architecture and the landscape have on their sensorial and motoric actions as well as social activities. FEEL + LEARN + HEAL, the subject of this dissertation, is a centre for childhood development and an ambulatory clinic, which will demonstrate how built environments enhance perceptual experience by means of sensory stimulation and healing environments. The study area is located on the urban edge, north east of Pretoria's Central Business District and forms a gateway into the city at a large intersection, where Boom, Soutpansberg, Dr. Savage and du Toit Street intersect. / Dissertation MArch(Prof)--University of Pretoria, 2012. / Architecture / MArch(Prof) / Unrestricted

No / In two experiments, we investigated whether having prior experience of objects influenced young children's ability to solve a metacognitive search task, based on the objects' perceptual properties. In Experiment 1, 100 children (mean age 77months) chose whether to look or feel to locate one of two hidden balls (identifiable by sight or touch). Before choosing, children were told about the balls' perceptual properties (i.e. their colour and feel'), and/or saw and touched them, or had no pre-trial experience of them at all. Children who only had self-directed contact with the balls performed best, but children who heard the objects described by an adult performed relatively poorly. In Experiment 2, 116 children (mean age 72months) either heard only relevant, relevant and irrelevant, or no information about the objects before completing the task. Verbal descriptions of the balls (whether or not they contained irrelevant information) caused children difficulties.

This dissertation explains how and why some American artists investigated visual phenomena and heightened perception during the 1960s and 1970s. As an analytical account grounded in the perceptual experience of artworks and in archival research of the claims artists made for their creations, this study is centered around the themes of re-sensitizing one’s body and perceptual faculties, the process of empirical discovery, and the ultimate inability of language to satisfactorily describe sensory phenomena. In Chapter 1, I establish a brief intellectual history of research concerning the sensory faculties from fields in the humanities, including psychology, philosophy, and art history. In Chapter 2, I analyze Judd’s art-critical concept of optical phenomena and consider the art about which he wrote, including his own, on the basis of this tentative classification. In Chapter 3, I evaluate John Chamberlain’s lacquer paintings in terms of the visual phenomena generated by his innovative paint mixtures and application techniques, then consider his provisional separation of intuition and intellect. In Chapter 4, I examine Robert Irwin’s efforts to refine his visual attentiveness and, in the course of doing so, I also test the accompanying artworks he made that demand such unusually acute observation. In Chapter 5, I argue that distinguishing physical, pictorial, and reflected visual phenomena in Larry Bell’s pieces proves to be an exceptional challenge, a problem compounded by the inefficacy of trying to communicate visual discoveries using language. In the Conclusion, I demonstrate that by restoring the role of heightened perception and sensory discovery to the history of art of the 1960s and 1970s, this dissertation helps to preserve the complexity and variety of works made during that time. / text

La question centrale de cette étude est celle de savoir si les expériences perceptives peuvent être conçues comme des manières d’être réellement en contact avec le monde et si elles peuvent nous fournir des raisons d’entretenir certaines propositions à propos du monde, voire nous permettre d’acquérir des connaissances à son sujet. Cette compréhension intuitive de la perception est aujourd’hui comme hier largement combattue. Ce rejet passe généralement par l’adoption d’une forme ou d’une autre d’internalisme (de la perception et/ou de la justification et de la connaissance perceptive). Percevoir serait un phénomène purement ou essentiellement interne aux sujets dotés de capacités perceptives dont on pourrait douter qu’il puisse nous permettre de croire de manière justifiée ou de connaître quoi que ce soit. Peut-on éviter cette conclusion ? Peut-on apaiser les angoisses philosophiques qu’elle fait apparaître (sans pourtant affirmer y mettre fin ou encore qu’elles n’ont aucun sens) ? Tel est le but de cette étude. L’enquête philosophique proposée ici prend essentiellement trois formes: métaphysique, ontologique et épistémologique. Une investigation de la nature métaphysique de l’expérience perceptive est ensuite mise en œuvre. L’enjeu est alors de soutenir une forme assez robuste d’externalisme de la perception (Disjonctivisme métaphysique). De la nature de la perception, nous en venons dans une seconde partie à une réflexion ontologique sur la nature des propriétés avec lesquelles l’expérience perceptive nous met semble-t-il en contact. Le réalisme de la couleur est défendu contre diverses attaques antiréalistes. Les couleurs sont des propriétés réelles des choses auxquelles on les attribue correctement. Une ontologie réaliste, non réductive et non relationnelle des propriétés chromatiques est esquissée (Primitivisme de la couleur). Enfin, les enjeux épistémologiques de la perception sont mis en lumière et discutés. Nous défendons l’idée que l’expérience perceptive, en tant qu’elle nous met véritablement en contact avec le monde (objets, propriétés, faits, etc.), est un moyen par lequel certains êtres peuvent entretenir des croyances justifiées quoique cette justification soit non réflexive et prima facie. Différentes réponses aux attaques sceptiques contre la possibilité de connaître perceptivement certaines propositions sont enfin envisagées et rejetées. Une autre stratégie anti-sceptique est proposée (une défense néo-mooréenne de la possibilité de la connaissance perceptive, et une remise en cause du défi sceptique lui-même). Finalement, à la question philosophique classique « L’esprit peut-il réellement être en contact perceptif et cognitif avec le monde ? », rien ne nous force à répondre par la négative, que cette question soit abordée du point de vue de la métaphysique de la perception, d’un point de vue ontologique ou épistémologique. Du moins, c’est ce que notre étude cherche à montrer en soulignant à la fois qu’une réponse positive à cette question est parfaitement viable, voire correcte, et que la réponse négative a, quant à elle, toutes les chances d’être passablement erronée / The main topic of this study is to discuss the idea according to which perceptual experiences sould be conceive as ways of being in contact with the world and perceptual experiences can give reasons for believing some propositions about the world and can give rise to knowledge. Lots of philosophers countervail this intuitive and naive conception of perception. This rejection is linked to the fact that they adopt an internalist conception of perception and/or justication and/or perceptual knowledge. Perceiving sould be conceive as an purely internal event of subjects which possess perceptual capacities. And so, one may doubt that they can have justifications for their beliefs or that they can know anything. Is it possible to avoid this conclusion ? How to alleviate philosophical fear that this conclusion gives rise ? That is the aim of this study. The proposed philosophical inquiry comes in three forms. In the first place, indirect conception of perception is examined and criticized. Afterwards, an inquiry about the nature of perceptual experience is pursued. The stake for us is to defend a strong form of externalism about perception (metaphysical disjunctivism). Then, in the second part of this work, we get into an ontological reflexion about the nature of properties that perceptual experience seems to acquaintance us with. Color Realism is defended against various antirealist objections. Colors are or can be real properties of things. A realist, non redutive and non relationnal ontology for chromatic properties is sketched (color Primitivism). Lastly, the epistemological stakes of perception are underlined and examined. We defend the idea that perceptual experience is a mean by which certain beings can have justified beliefs although this justification is not reflexive and prima facie. It can be so if it's true that perceptual experience puts us in contact with the world (objects, properties, facts, etc.). We examine and reject different replies to skeptical attacks against the possibility of knowing anything. Then, another strategy is proposed (a morean defense of perceptual knowledge and the questioning of skeptical challenge itself). In fact, from an metaphysical, ontological or epistemological point of view, we don't have to give a negative reponse to the classical and philosophical question "Can mind be really in perceptual and cognitive contact with the world ?" or so we think. Indeed, our study underlines that a positive reply to this question is sustainable, not to say correct, and that the negative reponse is probably wrong

Au cours de la dernière décennie, plusieurs études ont montré que le traitement des mots est influencé par leurs caractéristiques orthographiques, lexicales et sémantiques. Les valeurs élevées des variables sémantiques, telles que la familiarité conceptuelle, l’imageabilité, la concrétude et l’expérience sensorielle, sont généralement associées à un traitement plus rapide et plus précis des mots lors d’une tâche de décision lexicale sur présentation écrite. Cependant, les normes relatives à l’une des variables sémantiques cruciales, comme la familiarité conceptuelle, et à une autre nouvelle variable, celle de la force perceptuelle d’une modalité spécifique, ne sont pas disponibles pour une large base de données francophones. Cette thèse présente des normes de familiarité conceptuelle, de force perceptuelle visuelle et auditive pour 3 596 mots en français. Ces normes ont été collectées auprès de 313 participants franco-canadiens, âgés entre 18 et 35 ans. Des statistiques descriptives et des analyses corrélationnelles ont été conduites sur ces normes et sur d’autres variables subjectives déjà publiées (âge d’acquisition, imageabilité, concrétude) et objectives (nombre de lettres, fréquence objective). Les analyses de corrélation ont révélé la nature sémantique de nos variables. Plus spécifiquement, les estimations de la force perceptuelle visuelle et auditive ont montré une relation forte avec les variables sémantiques, d’où l’importance du rôle de l’expérience perceptuelle dans la représentation conceptuelle des mots. Nous avons ensuite démontré l'utilité de ces nouvelles normes, de familiarité conceptuelle et de force perceptuelle, en évaluant leur contribution aux temps de réponse dans une tâche de décision lexicale. En utilisant des analyses de régression par étapes, nous avons démontré l’apport indépendant de la familiarité conceptuelle et de la force perceptuelle au-delà d’autres variables psycholinguistiques bien connues, telles que la longueur des mots, la fréquence, l’imageabilité, l’âge d’acquisition et la concrétude. Nos résultats procurent des données probantes en français sur la connaissance des caractéristiques psycholinguistiques et leurs impacts dans le traitement des mots. Les banques de données développées dans ces études constituent un apport significatif sur les études futures qui éclaireront davantage l'interaction entre les systèmes linguistique, sémantique et perceptuel. Ces études aideront les chercheurs à sélectionner des stimuli en français avec des caractéristiques psycholinguistiques spécifiques pour des expériences dans lesquelles la familiarité conceptuelle et la force perceptuelle doivent être prises en compte. Ces normes auront également un large domaine d’utilisation, comme la recherche sur les sciences humaines de la santé et la création de matériel didactique et des tests d’évaluation du langage. / Over the past decade, research has shown that word processing is influenced by the orthographic, lexical, and semantic features of words. High values of semantic variables, such as conceptual familiarity, imageability, concreteness and sensory experience, are usually associated with faster and more accurate word processing as, for instance, measured with a written lexical decision task. However, norms for crucial semantic variables, such as conceptual familiarity, and another new variable of modality specific perceptual strength, are not available for a large set of French words. This thesis presents norms for conceptual familiarity, visual and auditory perceptual strength for 3,596 French words. We collected these norms from approximately 300 healthy participants, all French-Canadian native speakers, between 18 and 35 years of age. Descriptive statistics and correlational analyses were conducted on these norms and on other known subjective variables (age of acquisition, imageability, concreteness) and objective variables (number of letters, objective frequency). Correlation analyzes revealed the semantic nature of our variables. More specifically, values of visual and auditory perceptual strength have shown a strong relationship with semantic variables. This highlights the importance of the role of perceptual experience in the conceptual representation of words. We then demonstrated the usefulness of these new norms of conceptual familiarity and perceptual strength by evaluating their impact on latencies in a written lexical decision task. Using stepwise regression models, conceptual familiarity and perceptual strength demonstrated independent contribution to latencies, beyond the contribution of other well-known psycholinguistic variables, such as word length, frequency, imageability, age of acquisition and concreteness. The databases developed in these studies are a meaningful contribution to future studies that will shed further light on the interaction between the linguistic, semantic and perceptual systems. These studies will help researchers to select French stimuli with specific psycholinguistic characteristics for experiments in which conceptual familiarity and perceptual strength must be taken into account. These norms will also have a broad area of use, such as research in human health sciences and the creation of teaching materials and language assessment tests.