This study considers the relief decoration of private tombs in Lower Egypt in the period 664-332 BC. The basis for analysis is a chronologically arranged descriptive catalogue, which includes both isolated blocks in museum collections and tombs whose location is known. The present condition of the relief and its content are described in detail there. Texts are considered where they provide infotmation on provenance and dating, and hand-copies are provided. Each piece is illustrated in the plate volume. Enough of the material can be dated by textual evidence to provide a solid framework for stylistic ordering of the remainder. The resulting chronology has important implications, dividing the period into two major phases, covering the seventh and sixth centuries, and the fourth century, separated by a hiatus in production of tomb reliefs. The chronology proposed eliminates the possibility that either Greeks or Persians exercised any significant influence on Egyptian art before the very end of the period. Instead, native tradition emerges as the primary inspiration for Late Period artists. Two sources stand out. The first is the Old-Middle Kingdom tomb repertory (archaism), the second is the New Kingdom tradition carried on in the minor arts, a source largely-ignored hitherto. These were not slavishly copied, but adapted and "modernized" to suit the taste of the time. The independence and creativity of Late Period artists is emphasized. A discussion of stylistic development in light of the dating system is given, and several themes are analyzed in detail as illustrations of the larger issues raised.

Durante o Reino Médio (c. 2040 1650 a.C), os escribas se autorreferenciaram como um grupo que não servia apenas aos interesses administrativos, mas também à demanda por um meio culto e educado da sociedade. Através deles, circulariam a propaganda real e doutrinação peculiares ao programa cultural daquele período para garantir a lealdade aos faraós. Entretanto, esse foi só mais um dos muitos aspectos e usos da literatura naquele contexto. O enaltecimento da realeza foi combinado ao caráter moralizador e à autorreferência do ofício dos escribas que compuseram os textos exortativos. Conhecidos como instruções, os textos literários em questão traziam referências da cultura oral egípcia que afirmava valores considerados positivos para a vida em sociedade e para o bom desenvolvimento do indivíduo. Mas também tratavam das tensões vividas em questões políticas e socioculturais. A escritura dos textos disseminou na memória cultural da sociedade egípcia referenciais identitários dos escribas que foram transmitidos através de gerações. A articulação entre manutenção das tradições da sociedade e a disseminação dos novos ideais régios se deu pela agência dos escribas, contribuindo para a atualização do seu status. / During the Middle Kingdom (ca. 2040 - 1650 B.C.), scribes self-referenced as a group serving not only administrative interests, but also the demand for a cultured and educated group of the society. Through them, they would circulate the royal propaganda and indoctrination peculiar to the periods cultural program in order to ensure loyalty to the pharaohs. However, this was just one of many aspects and uses of literature in that context. The uplifting of royalty was combined with the moral character and self-reference to the craft of the scribes that composed the exhortative texts. Known as instructions, the literary texts in question broght references to the Egyptian oral culture which affirmed values considered positive for life in society and for the individuals good development. But they also dealt with the tensions experienced in political and socio-cultural issues. The writing of the texts disseminated in the cultural memory of Egyptian society the identity references of the scribes that were transmitted through generations. The articulation between maintaining the traditions of society and the dissemination of the new royal ideals were given through the agency of the scribes, contributing to the update of their status.

Les Textes des Pyramides empruntent au répertoire de la vie quotidienne des Anciens Egyptiens bon nombre de vocables, faisant de ces objets a priori profanes des attributs divins ou encore des éléments d’un viatique funéraire accompagnant le défunt lors de son « ascension ». Le cas des artefacts textiles (vêtements et habits) est particulièrement riche.En reprenant l’identification de chaque item, d’un point de vue tant iconographique que lexicographique, et en tenant compte du contexte d’utilisation, il est possible de comprendre ce qui motiva sa présence : traditions institutionnelles héritées des premières dynasties, significations théologiques ou simples préoccupations fonctionnelles. / The Pyramid Texts borrow from the daily life of Ancient Egyptian a lot of words,making those objects a priori profane to divine attributes or components of funeraryequipment accompanying the deceased during his ascension. The case of textile artifacts(clothes and garments) is particularly affluent.By resuming the identification of each item, on a point of view so iconographical aslexicographical, and to take account of used context, it is able to understand what wasthe motivation of its : institutional lore inherited from first dynasty, theological senses orprivate functional preoccupations.

Durante o Reino Médio (c. 2040 1650 a.C), os escribas se autorreferenciaram como um grupo que não servia apenas aos interesses administrativos, mas também à demanda por um meio culto e educado da sociedade. Através deles, circulariam a propaganda real e doutrinação peculiares ao programa cultural daquele período para garantir a lealdade aos faraós. Entretanto, esse foi só mais um dos muitos aspectos e usos da literatura naquele contexto. O enaltecimento da realeza foi combinado ao caráter moralizador e à autorreferência do ofício dos escribas que compuseram os textos exortativos. Conhecidos como instruções, os textos literários em questão traziam referências da cultura oral egípcia que afirmava valores considerados positivos para a vida em sociedade e para o bom desenvolvimento do indivíduo. Mas também tratavam das tensões vividas em questões políticas e socioculturais. A escritura dos textos disseminou na memória cultural da sociedade egípcia referenciais identitários dos escribas que foram transmitidos através de gerações. A articulação entre manutenção das tradições da sociedade e a disseminação dos novos ideais régios se deu pela agência dos escribas, contribuindo para a atualização do seu status. / During the Middle Kingdom (ca. 2040 - 1650 B.C.), scribes self-referenced as a group serving not only administrative interests, but also the demand for a cultured and educated group of the society. Through them, they would circulate the royal propaganda and indoctrination peculiar to the periods cultural program in order to ensure loyalty to the pharaohs. However, this was just one of many aspects and uses of literature in that context. The uplifting of royalty was combined with the moral character and self-reference to the craft of the scribes that composed the exhortative texts. Known as instructions, the literary texts in question broght references to the Egyptian oral culture which affirmed values considered positive for life in society and for the individuals good development. But they also dealt with the tensions experienced in political and socio-cultural issues. The writing of the texts disseminated in the cultural memory of Egyptian society the identity references of the scribes that were transmitted through generations. The articulation between maintaining the traditions of society and the dissemination of the new royal ideals were given through the agency of the scribes, contributing to the update of their status.

abstract: The Egyptian New Kingdom city of Akhetaten (modern: Tell el-Amarna, el-Amarna, or simply Amarna) provides a unique opportunity to study ancient biocultural dynamics. It was a disembedded capital removed from the major power bases of Memphis and Thebes that was built, occupied, and abandoned within approximately 20 years (c. 1352–1336 BCE). This dissertation used the recently excavated Amarna South Tombs cemetery to test competing models for the development of disembedded capitals, such as the geographic origin of its migrants and its demographic structure in comparison to contrastive models for the establishment of settlements. The degree to which biological relatedness organized the South Tombs cemetery was also explored. The results suggest that the Nile Valley into the New Kingdom (1539–1186 BCE) was very diverse in dental cervical phenotype and thus highly mobile in respects to gene flow, failing to reject that the Amarna city was populated by individuals and families throughout the Nile Valley. In comparison, the Amarna South Tombs cemetery contained the least amount of dental phenotypic diversity, supporting a founder effect due to migration from larger, more diverse gene pools to the city or the very fact that the city and sample only reflect a 20-year interval with little time to accumulate phenotypic variation. Parts of the South Tombs cemetery also appear to be organized by biological affinity, showing consistent and significant spatial autocorrelation with biological distances generated from dental cervical measurements in male, female, and subadult (10–19 years of age) burials closest to the South Tombs. This arrangement mimics the same orderliness in the residential areas of the Amarna city itself with officials surrounded by families that supported their administration. Throughout the cemetery, adult female grave shaft distances predict their biological distances, signaling a nuclear family dynamic that included many females including mothers, widows, and unwed aunts, nieces, and daughters. A sophisticated paleodemographic model using simulated annealing optimization projected the living population of the South Tombs cemetery, which overall conformed to a transplanted community similar to 19th century mill villages of the United States and United Kingdom. / Dissertation/Thesis / Doctoral Dissertation Anthropology 2018

<p>This dissertation employs a multiscalar, life course approach to examine health in the ancient Nile Valley (<i>c</i>. 2000- 660 BCE) by analyzing population- and individual-level data of skeletal indicators of stress, health, and pathological conditions. Specifically, this dissertation explores a more detailed reconstruction of health under a life course approach through the inclusion of individuals of all ages, a contextualization of social and biological age categories, the examination of multiple non-specific indicators of general health/stress, and the timing and development of specific conditions. Results of the population-level data are expanded and highlighted through the examination of individual experiences of health, specifically those related to growing old, impairment, and disability. Population-level data examining cribra orbitalia and LEH demonstrated a significant difference between individuals that survived periods of childhood stress (adults) and non-survivors (juveniles) when examining cribra orbitalia. More specifically, there are relatively high frequencies of cribra orbitalia in individuals in the late juvenile social age category (7 – 14 years) and the transition adult social age category (14 - 20 years). A broad examination of old age at Tombos reveals that many individuals were living into their 60s, 70s, and 80s. Individuals at Tombos do not have many indicators of osteoarthritis or entheseal changes, indicating that the inhabitants of Tombos were not subjected to strenuous physical activities throughout their life. Individuals throughout the Tombos cemetery display oral health issues; it is common for members of this community to have significant dental wear, carious lesions, abscesses, and antemortem tooth loss. A case study of an older Tombos adult (U34.B1) investigates the intersection of old age, impairment, and disability through the consideration of the physical changes related to degenerative joint disease and oral health and the impact to U34.B1’s mobility, pain level, and daily life. Acute care related to a severe, non-union femoral neck fracture at the end of life is also considered for U34.B1. Finally, impairment and disability are considered in another individual (U35.Sh2.B10) with Léri-Weill dyschondrosteosis by utilizing the bioarchaeology of care approach. Overall, this dissertation demonstrates that population-level and individual-level analysis can incorporate various types of contextual data gathered using a culturally specific lens to create a rich narrative of health in the past. </p>

Kheperkarê Sésostris Ier est le deuxième souverain de la 12ème dynastie (vers 1958 – 1913 avant notre ère). Son règne, globalement bien documenté, a vu la (re)construction de plusieurs des principaux sanctuaires divins d’Égypte, dont ceux d’Amon-Rê à Karnak et d’Atoum à Héliopolis, et est à l’origine d’œuvres littéraires de première importance – certaines étant par ailleurs analysées en tant que pièces de propagande en faveur du roi après l’assassinat de son père, le pharaon Amenemhat Ier. Enfin, cette période est marquée par de nombreuses expéditions, militaires ou non, à destination de la Nubie ou des gisements de pierre et de minerais. Si la bibliographie relative à Sésostris Ier est loin d’être négligeable, tant en qualité qu’en quantité, force est de constater que certains aspects de son règne ont été négligés dans les études précédentes, non sans influencer notre perception de celui-ci et tout particulièrement notre connaissance de la chronologie et des différentes réalisations statuaires du souverain. La première partie de la présente thèse de doctorat ambitionne donc de préciser l’historique du règne de Sésostris Ier dans une perspective diachronique, et met en œuvre des ressources documentaires appartenant tant à la sphère royale qu’à celle des particuliers. Elle vise à établir le continuum temporel des diverses entreprises royales, et leur synchronisme éventuel, qu’il s’agisse du parachèvement de la conquête de la Nubie dans la deuxième décennie de son règne, de la construction de son complexe funéraire à Licht Sud dans la première moitié de celui-ci ou des multiples (re)fondations de sanctuaire, voir des expéditions vers les carrières du désert oriental durant les 45 années passées par Sésostris Ier sur le trône du Double Pays. C’est enfin l’occasion de définir une trame chronologique – malheureusement partielle – pour les œuvres statuaires du pharaon. La deuxième partie de cette étude est en effet consacrée à la statuaire royale de Sésostris Ier, et constitue un catalogue raisonné et critique inédit de quelques 87 pièces, complètes ou fragmentaires. Le catalogue tâche de sérier les statues suivant que leur appartenance au règne de Sésostris Ier me semble certifiée (C), que je les attribue personnellement à celui-ci (A), que leur datation de ce règne soit problématique (P), ou que les pièces se réduisent à des fragments iconographiquement peu signifiants (Fr). une étude typologique des regalia et des attitudes du souverain prolonge le catalogue, de même qu’une évocation de la polychromie des œuvres. La troisième et dernière partie est consacrée à l’étude critique des réalisations architecturales de Sésostris Ier et à l’insertion des œuvres statuaires dans ces espaces construits. Elle distingue les contextes proprement égyptiens, répartis entre Éléphantine et Bubastis, et les sites extérieurs à l’Égypte stricto sensu, à savoir la Basse Nubie et le Sinaï. Bien que reposant le plus souvent sur les seules sources publiées, qu’elles soient le résultat de fouilles archéologiques ou de documents contemporains du règne, l’interprétation de ces vestiges permet néanmoins d’apporter un éclairage nouveau sur plusieurs sanctuaires ou parties d’édifices, voire de proposer des solutions alternatives quant aux restitutions des bâtiments, en ce compris la localisation des statues du roi. Cette étude de la statuaire de Sésostris Ier et de ses contextes historiques et architecturaux offre un regard neuf sur une documentation régulièrement utilisée mais peu étudiée et peu analysée. Les principaux apports inédits concernent le canevas événementiel diachronique du règne et la réalisation d’un corpus statuaire critique du deuxième souverain de la 12ème dynastie.

Den här uppsatsens syfte har varit att kartlägga skillnader i representation av individer med dvärgväxt, från antikens Egypten fram till renässansen. Forskning har gjorts på detta utanför Sverige, men de fyra svenska människorna med dvärgväxt har inte tillfogats och jämförts med det utländska materialet innan denna uppsats. Metoden har varit en litterär jämförelse där andra författare har analyserats. De förhistoriska och historiska litterära verken som dessa författare undersökt har bland annat innefattat egyptiska papyrus, grekisk och romersk lagstiftning och medeltida dokument. Konst från dessa tider har också undersökts. Resultatet av uppsatsen har varit att uppfattningen av dvärgväxt har undergått stor variation genom förhistorien och historien. Ju längre tillbaka vi går desto högre tolerans finner vi. Dvärgar var populära i Egypten på ett sätt som återkommer i medeltidens och renässansens Europa, då hovdvärgar är på modet. Hur det har sett ut i Skandinavien är svårt att säga trots de mänskliga kvarlevorna som påträffats av individer med dvärgväxt. I uppsatsen tas även myter och folklore om dvärgar upp för att måla en djupare förståelsebild av acceptansen i samhället och hur legender kan antingen hjälpa eller stjälpa i sammanhanget.

Excavations conducted in A.D. 1894 and 1895 by French archaeologist Jean- Jacques de Morgan at the funerary complex of the ancient Egyptian Middle Kingdom pharaoh Senwosret III on the plain of Dahshur revealed some unparalleled finds which included five or six small boats. These boats provide a unique opportunity in nautical archaeology—to study contemporaneous hulls. Today, only four of the "Dahshur boats" can be located with certainty; two are in the United States, one in the Carnegie Museum of Natural History in Pittsburgh and one in the Field Museum of Natural History in Chicago. The remaining two are on display in The Egyptian Museum, Cairo. Since their excavation these boats remained relatively inconspicuous until the mid-1980s when a study of the two hulls in the United States was conducted. However, the two boats in Cairo remained largely unpublished. This thesis combines personal observation and recording of the Cairo boats over two summers to reveal more unique characteristics of the hulls and will facilitate a future study of the group as a whole. Each boat is discussed individually and is further divided into its major components by order of construction.

Jag har tidigare haft mina funderingar över att reflektera kring mitt eget verk och mitt eget komponerande. Funderingar om att det skulle bli för personligt och utlämnande. Det finns dock något spännande i att skriva om sig själv och sitt komponerande, en möjlighet att göra en resa inom sig själv. Så jag har i slutändan beslutat mig för att ta denna chans att skriva om mina tankar kring musik och om hur jag arbetar med utommusikalisk inspiration i mitt komponerande. Orkesterstycket Kanoper, den klingande delen av mitt examensarbete, är inspirerat av den egyptiska mytologin och gudavärlden; utan att jag är religös eller en anhängare av den gammelegyptiska tron, men jag har en förkärlek för det mytiska. Mytologi har varit ett stort nöje och en inspirationskälla för mig enda sedan jag var ett litet barn och jag lånade böcker om grekisk, egyptisk och nordisk mytologi från familjens bokhyllor, först kanske mest för att titta på bilder men allteftersom jag lärde mig läsa så var det några av de första böckerna jag läste. Jag tycker att den egyptiska mytologin lämpar sig väl för de undertonerna jag vill jobba med när jag skriver mina stycken samt inspirerar till de klangerna jag vill ha med i mina kompositioner. / <p>Bilaga: 1 partitur.</p>