Orientadores: Luiz Carlos da Silva Dantas, Jefferson Cano / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-11T00:10:50Z (GMT). No. of bitstreams: 1 Abreu_MarcelladosSantos_M.pdf: 2414524 bytes, checksum: 4209d57e156d31ac8fddec78200f2f09 (MD5) Previous issue date: 2008 / Resumo: Este trabalho tem por objetivo analisar a produção de Carlos, possivelmente Carlos José do Rosário (1824-1855), e d¿O Velho, pseudônimo de Joaquim Manuel de Macedo (1820-1882), publicada na seção ¿Crônica da Quinzena¿ da Revista Popular (1859-1862), a precursora do Jornal das Famílias (1863-1878) e, ambos, periódicos do empresário francês Baptiste Louis Garnier (1823-1844). Devido à multiplicidade de assuntos apreendidos durante a leitura e a síntese das noventa e três crônicas da série que constitui o objeto deste estudo, foram eleitos, para efeitos de análise, dois temas suscitadores de comentários a respeito do desejo de afirmação da nacionalidade das manifestações artísticas e sociais fluminenses de meados do século XIX. Por isso, as discussões apresentadas acerca do corpus limitam-se à retórica do primeiro colaborador referente à moda estrangeira no Brasil e ao discurso do segundo cronista sobre o desenvolvimento do teatro nacional no oitocentos. Tais eixos temáticos parecem pertinentes para sustentar a hipótese de que emanam da colaboração daqueles escritores idéias nacionalistas, ora veladas pela exaltação irônica à moda francesa, ora manifestas pela defesa aos textos e aos atores da cena lírica e dramática brasileira. As sínteses do material resgatado e as gravuras microfilmadas durante a pesquisa foram anexadas a esta Dissertação, pois, além de auxiliarem a delimitação das análises realizadas, podem ser disponibilizadas aos demais pesquisadores como sistematização de importante fonte para o estudo dos aspectos culturais do Brasil Monárquico e, ainda, para a investigação sobre a consolidação entre nós do gênero ao qual pertencem os textos coletados ¿ a Crônica / Abstract: This dissertation aims to analyze the productions by Carlos, possibly Carlos José do Rosário (1824-1855), and by O Velho, pseudonym of Joaquim Manuel de Macedo (1820-1882), published under the section ¿Crônica da Quinzena¿ of Revista Popular (1859-1862), which has been the precursor to Jornal das Famílias (1863-1878). Both periodicals belonged to the French impresario Baptiste Louis Garnier (1823-1844). Due to the multiplicity of subjects noticed during the reading and the summarization of the ninety-three chronicles of the series which constitutes the theme of the present study, for analytical purposes, two main themes have been selected. The choice of these was grounded in the fact that both of them engender critical commentaries on the urge for affirmation of the nationalism in artistic and social manifestations from mid-nineteenth century Rio de Janeiro. Thus, the discussions presented about the corpus are confined to the first contributor¿s rhetoric concerning the foreign fashion in Brazil and the second columnist¿s discourse on the development of the national dramatic art in the 1800s. Such themes appear to be pertinent enough to support the hypothesis that nationalistic ideas are likely to have emanated from these writers, sometimes veiled by the ironical exaltation of the French fashion, sometimes manifested through the defense of the texts and participants in Brazilian literary life. The summaries of the retrieved material and the graphic depictions microfilmed during the research have been attached to this Dissertation as, besides having aided to delimit the analyses which were carried out, they can also be made available for other researchers as the systematization of a source of paramount importance to the study of the cultural aspects of Brazil when under monarchical rule. Moreover, they contribute to the investigation on the consolidation in Brazilian writing context of the genre to which all the collected texts belong ¿ the Chronicles / Mestrado / Literatura Brasileira / Mestre em Teoria e História Literária

Orientador: Leandro Karnal / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-11T09:31:38Z (GMT). No. of bitstreams: 1 Kalil_LuisGuilhermeAssis_M.pdf: 7746400 bytes, checksum: 3306c0d183730cdda8b1d228fae72a4b (MD5) Previous issue date: 2008 / Resumo: Esta pesquisa busca analisar os discursos sobre os habitantes do Novo Mundo presentes na crônica de Ulrico Schmidl. Após permanecer por cerca de dezessete anos no sul da América (1536 ¿ 1553), o soldado bávaro retornou à Europa, onde se converteu à fé protestante e escreveu sua Viaje al Río de la Plata. A partir de seu relato, pretendemos observar de que forma elementos como o canibalismo, também descritos por outros autores (como Jean de Léry e Hans Staden), influenciaram as narrativas de viajantes, em especial, em questões como a humanidade dos indígenas e as dúvidas referentes às possibilidades de escravização e conversão. Pretendemos ainda examinar de que forma essas descrições foram utilizadas como base para os mútuos ataques entre católicos e protestantes no período / Abstract: This research aims to analyze the New World inhabitants¿ discourses at the Ulrico Schmidl¿s chronicle. After approximately seventeen years at South America (1536 ¿ 1553), the Bavarian soldier has returned to Europe, where he has converted himself to the protestant faith and has written his Viaje al Río de la Plata. Based on his account we intend to observe how elements like cannibalism, also described by others authors (like Jean de Léry and Hans Staden), have influenced the travelers narratives, especially about humanity of Indigenous and doubts about the possibilities of his enslaver and conversion. We still intend to study how these descriptions were utilized in mutual attacks between Catholics and Protestants / Mestrado / Historia Cultural / Mestre em História

A proposta deste trabalho tem por objetivo a análise da trilogia das crônicas de Fernão Lopes (1380? 1460), a saber: a Crônica de D. Pedro I, a Crônica de D. Fernando e a Crônica de D. João I para se compreender a construção das imagens relacionadas ao exercício do poder régio delineadas por este cronista. Para além de registrar e ordenar a história do seu reino, Fernão Lopes tem como projeto a recuperação da memória da dinastia Avisina. A leitura da trilogia lopeana revela os caminhos que o cronista escolhe para reforçar a criação desta dinastia modelo, que servirá de espelho para a sua contemporaneidade e para as gerações futuras. Entendemos também que as representações do estado de Rey de cada monarca biografado presentes nestas narrativas são medidas essenciais para a revelação de como o cronista percebe formas e modos diferentes de se governar o reino. Estas prerrogativas ou a ausência delas faz com que o poder régio possa ser justificado e legitimado na prosa do cronista. Pretendemos aqui fazer a análise das três crônicas em conjunto, reconhecendo a importância de cada uma delas enquanto uma contribuição à construção da perspectiva evolutiva pretendida pelo cronista, a fim de se identificar a carga da intencionalidade no discurso lopeano, que é construído com base em símbolos e imagens do poder em cada capítulo de suas crônicas. / This work aims at analyzing the Lopes trilogy of chronicles (1380? - 1460), namely the Chronicle of D. Pedro I, the Chronicle of D. Fernando and the Chronicle of D. João I, in order to understand the construction of images related to the exercise of royal power outlined by this chronicler. In addition to recording and organizing the history of his kingdom, Fernão Lopess project is to recover the memory of the Avis dynasty. The reading of the Lopes trilogy reveals the ways in which the chronicler chooses to enhance the creation of this model of dynasty, which serves as a mirror to his contemporary and future generations. We also understand that the representations of the \"state of king\" of each monarch presented in these narratives are essential to reveal how the chronicler perceives the different forms and ways of ruling the kingdom. These requirements or the lack of them justify and legitimize the royal power within the chroniclers prose. In this work, we propose to analyze the profiles of the three kings as built by the medieval chronicler Fernão Lopes in his three chronicles. We intend to analyze these chronicles as a whole, recognizing the meaning of each one as a contribution to the construction of the diachronic perspective in the chroniclers speech. In that way we attempt to identify the charge of intention in Lopess speech, which is built on images and symbols of power in each chapter of his chronicles.

Este trabalho apresenta a tradução comentada da língua italiana para o português de uma seleção das crônicas publicadas pelo escritor e cineasta italiano Pier Paolo Pasolini em sua coluna semanal na revista Vie Nuove, órgão oficial do Partido Comunista Italiano, entre os anos de 1960 e 1965. As crônicas foram divididas em três blocos temáticos: Literatura, Cultura e Política e Sociedade. Uma introdução ensaística acompanha a tradução comentada. / This thesis presents a commented translation from Italian to Portuguese language of a selection of chronicles published by the Italian writer and filmmaker Pier Paolo Pasolini on the weekly magazine Vie Nuove, official media of the Italian Communist Party (PCI), between 1960 and 1965. The chronicles are divided into three thematic groups: Literature, Culture and Politic and Society. An essayist introduction opens the commented translation.

Este trabalho acadêmico propõe um olhar sobre as crônicas do autor Raul Pompéia, jornalista político, conhecido por seu romance O Ateneu , clássico da Literatura Brasileira, entretanto pouco reconhecido por suas publicações na imprensa periódica nacional do século XIX, principalmente nos folhetins, durante os anos de 1880-1894, época em que contribuiu intensamente com a publicação de seus escritos, como observador dos fatos e dos acontecimentos do cotidiano do povo brasileiro. Faremos uma análise da poética vigente em suas crônicas, cuja riqueza da linguagem reflete o autor literário, jornalista e consequentemente historiador, uma vez que o ato da escrita fez parte da vida do cronista, e tornou-se um espelho da sociedade brasileira do final do século XIX, nas páginas da Revista Ilustrada, do Diário de Minas, do jornal O Farol, do O Estado de São Paulo, do Jornal do Comércio, da Gazeta de Not ícias e da Gazeta da Tarde. / This paper proposes an academic look at the chronicles of Raul Pompéia, a political journalist , famous for his novel O Ateneu , classic of Brazilian literature, but little known by its national periodical publications in the press of the 19th century, especially in serials, during the years of 1880-1894, when he contributed constantly to the political though of his time with the publication of his writings, as an observer of facts and events of everyday life of the Brazilian people. We will perform an analysis of the poetic force in his its chronicles, which reflect the richness of the literary language of this author . He was a journalist but became also a historian consequently, since his writings became a mirror of Brazilian society at the end of the 19th century, in the pages of Revista Fluminense, O Estado de São Paulo , Jornal do Comércio , A Província do Espírito Santo, Gazeta de Notícias and Gazeta da Tarde .

Neste trabalho apresenta-se um estudo lológico conduzido sobre um manuscrito do século XVII contido no COD. 13282 da Biblioteca Nacional de Portugal o Sumario de todas as cousas succedidas em Berberia desde o tempo que começou a reinar o Xarife Mulei Mahamet no anno de 1573 te o m do anno de sua morte 1578 no dia da batalha d\'Alcaçer Quibir, em que se perdeo Dom Sebastiam Rey de Portugal. Além do códice em questão, o texto é registrado em outro manuscrito o Ms. No 41, Serie 2422 da Biblioteca Nacional de Espanha, editado em 1987 por Francisco Loureiro com o título Crónica do Xarife Mulei Mahamet e del-Rey D. Sebastião (1573-1578). O tratamento reservado ao texto por Loureiro a preferência por uma edição modernizada, não precedida por outra que respeitasse a língua original, unido ao fato de o estudioso desconhecer o manuscrito da BNP dene um problema. O que se esconde por trás da proposta de Loureiro é a representação de uma questão maior, que abarca difusamente as práticas de publicação dos relatos e crônicas sobre as relações luso-marroquinas. Por isso, fez-se essencial repassar as principais perspectivas metodológicas concernentes às edições deste conjunto documental. A partir de tal reexão, o presente trabalho assume como tarefa disponibilizar ao público acadêmico uma fonte para a História da Língua em uma forma adequada, propondo uma descrição codicológica do manuscrito da BNP juntamente com sua edição diplomática. A metodologia adotada reete principalmente a proposta teórica de Ivo Castro e Maria Ana Ramos (1986), que sugerem basear as escolhas editorias na distinção entre estratégia e táticas de transcrição, introduzindo o conceito de campo bibliográco. / In this work we report on a philological study of a 17th century manuscript included in COD. 13282 of the National Library of Portugal the Sumario de todas as cousas succedidas em Berberia desde o tempo que começou a reinar o Xarife Mulei Mahamet no anno de 1573 te o m do anno de sua morte 1578 no dia da batalha d\'Alcaçer Quibir, em que se perdeo Dom Sebastiam Rey de Portugal. The text is also contained in the Ms. No 41 Serie 2422 of the National Library of Spain, published in 1987 by Francisco Loureiro, who entitled it Crónica do Xarife Mulei Mahamet e del-Rey D. Sebastião (1573-1578). However, Loureiro\'s editorial choices (e.g. his preference for a modernized edition, not preceded by another that would respect the original language of the text, besides the fact he was not aware of the existence of the BNP manuscript) represent a problem. Moreover, Loureiro\'s proposal takes back to a broader issue, which regards the publication practices of the chronicles and historical accounts about Portuguese occupation of Barbary. Therefore, we examined the main methodologies used for the publication of these documents. From these reections, we assumed the task of making a linguistic source avaliable to the academic audience, by proposing a codicological description of the BNP manuscript and its diplomatic edition. The methodology adopted refers mainly to the theoretical proposal of Ivo Castro and Maria Ana Ramos (1986), who suggest to establish the editorial criteria upon the distinction between transcription strategy and tactics and introduce the concept of bibliographical eld.

Les XIVe et XVe siècles sont une époque de bouleversements des valeurs spirituelles et morales accompagnés d’un éveil de l’opinion publique. L’État se construit et autour du roi une société politique se constitue : ce sont les principaux protagonistes des chroniques. L'étude du scandale aux XIVe et XVe siècles d'après les chroniques contemporaines offre un panel d'exemples variés permettant l’analyse de pratiques ou de discours que l’on peut qualifier d’émotionnels. Ces recherches se tournent vers une histoire politique plus attentive aux acteurs qui jouent un rôle important dans l’histoire des pouvoirs. Les textes permettent de retrouver la définition du scandale donnée par les chroniqueurs. Elle sort des cadres officiels pour devenir celle de l'auteur, lui-même se faisant le reflet des sensibilités. C’est un événement qui choque, sort de la norme et provoque du bruit et du tapage. Il heurte la morale et cause l'indignation lorsque les affaires sont mises au grand jour. Les chroniqueurs partagent avec leurs contemporains une peur réelle du scandale et de ses conséquences. Il faut le dénoncer et y mettre fin pour échapper à la colère divine qu'il peut susciter. L'analyse du vocabulaire et de la communication construite autour de cette notion permet de comprendre comment le scandale est perçu et défini par ses acteurs. Le rôle joué par le pouvoir royal dans la gestion de ces affaires montre que celui-ci, à la fin du XVe siècle tend vers une institutionnalisation du scandale. / The fourteenth and fifteenth centuries are times of upheavals in spiritual and moral values followed by a wakening of public opinion. The State is arising as well as a political society which represents, along the king, the main actors in chronicles. The study of scandal in the fourteenth and fifteenth centuries according to contemporary chronicles offers a range of diversified examples which enable the study of practices or speeches that can be qualified as emotional. These studies are part of a political history more attentive to the actors who seem to play an important role in the history of powers. Texts allow to find the definition of the scandal given by the chroniclers. It goes beyond official frameworks to become that of the author who reflects himself the sensibilities. Scandal appears to be shocking and it represents what oversteps the norm and triggers rumour and fuss. It goes against all conventions and causes indignation when the light is thrown on. Chroniclers share with their contemporaries a real fear of scandal and its consequences so it has to be denounced and ended in order to avoid the divine wrath that can be lead to.The analysis of the vocabulary and the communication built around this notion allow to understand how the scandal is perceived and defined by the actors. The role played by the royal power in the management of its affairs shows that this one, at the end of the fifteenth century, moves towards an institutionalization of the scandal.

Le projet historique de Jean Froissart s’inscrit dans un discours particulier sur les genres historiques, sur les rapports entre la forme et la vérité que le récit des faits est censé véhiculer, sur la manière de construire l’autorité de l’histoire racontée. C’est au croisement entre ce contexte et l’individualité de l’auteur que nous avons voulu sonder les perspectives du chroniqueur sur l’écriture historique. Préoccupé dès le début par les questions de l’impartialité et de la crédibilité de son propos, Froissart met en place un système référentiel de plus en plus complexe qui a pour but d’authentifier son récit des grands événements qui secouaient les royaumes occidentaux depuis presqu’un siècle. La réalité historique que Jean Froissart recrée dans ses Chroniques est dépendante des facteurs personnels qui conditionnaient son appréhension du monde, des manières dont il s’identifiait dans la société de son temps. Elle est recréée avec un grand talent de raconter, mais aussi – ce que l’on a trop souvent méconnu – avec un souci de plus en plus accru de découvrir et d’exposer les réseaux de causes qui sont à l’œuvre dans le cours des événements. Cependant, les moyens littéraires auxquels Froissart faisait appel et qui sont associés notamment à l’art du conteur qu’il était, participent eux à l’authenticité de l’histoire qu´il raconte. Car si le chroniqueur se veut celui qui éternise les faits dignes de mémoire, il se refuse en même temps à écrire une autre histoire que véridique. Et cette préoccupation première de son écriture ne doit pas être obscurcie par le fait que son approche ne corresponde pas à nos critères contemporains de l’écriture de l’histoire. / Jean Froissart´s historical project falls within a specific discourse on historical genres, on relationships between form and truth which an account of deeds is expected to convey, on the manner in which the authority of a story being told is constructed. It is on the very intersection of this context and the individuality of the author that I based my search for the chronicler’s perspectives on the writing of history. Froissart was from the outset concerned with the issues of impartiality and credibility of his account and created a system of references, which grew more and more complex, designed to authenticate his version of important events which had been shaking the West for almost a century. The historical reality which Jean Froissart recreates in his Chronicles is dependent on personal factors which determined his understanding of the world as well as his self-identification within the society of his time. It is undeniably recreated with great storytelling talent, but also – and this has often been overlooked – with growing desire to discover and expose the relations of causes which were at work in the course of the events. Nonetheless, Froissart’s literary means, which are often associated with his artistry as a storyteller, do contribute, for their part, to the authenticity of the story. For if the chronicler presents himself as the one who eternalizes deeds worthy of remembrance, he refuses at the same time to write any other history than the true and truthful one. This primary concern of his should not be obscured by the fact that his approach and methods do not correspond to our contemporary criteria of historical writing.

Anne Rice writes popular fiction. She is best known for her iconic Vampire Chronicles series. This thesis focuses on the first three volumes of this series: Interview with the Vampire (1976), The Vampire Lestat (1985), and The Queen of the Damned (1988). The main objective of this thesis is to show that whilst Rice's novels often seem very liberal, an examination of her subtext reveals a conservative message. This message helps entrench socio-cultural and political hegemonies because it does not challenge the status quo. In order to see how these conservative leanings are entrenched by Rice, this thesis examines archetypes of the female and the Feminine. Louis is male, but can be viewed as a Feminine character because of his meek subservience to Lestat (the protagonist of the series). Claudia is their daughter, but she is also a woman trapped in a child's body. Claudia seems to have great intellectual freedom, but she is trapped within her body and cannot mature. Gabrielle is Lestat‟s mother. When Gabrielle becomes a vampire, Rice tries to empower Gabrielle by androgynizing her character. However, we find that this androgyny is not empowering because Gabrielle returns to her role as a mother. Akasha is the ancient queen and source of vampirism. She wants to bring about a radical, gynocentric world by killing most men. But subtextually, Akasha‟s defeat represents the defeat of feminism in favour of patriarchy. Despite the seemingly liberal nature of the texts, subtextually there is a trend towards negating the power these characters carry in the text. To explore the flux between the text and the subtext, an array of post-modern reading tools and theoretical approaches have been used. The primary reading strategies include a close reading of the novels, informed by Feminist perspectives, together with other reading strategies such as, Queer Theory, Marxism, deconstruction and the role of the Fantastic. Little academic study has been devoted to Rice‟s work. Her work shows deep philosophical and artistic integrity which lends an elegance and beauty to her texts, but this is undermined by the conservative undertones of her work. / Dissertation (MA)--University of Pretoria, 2011. / English / unrestricted

This thesis undertakes a close study of a single manuscript of the early 1320s, written at the priory of Fineshade, Northamptonshire. The manuscript contains a short chronicle and several documents related to the failed baronial rebellion of 1321-22. I argue that, in collaboration with the priory’s patrons, the Engayne family, the chronicler responds to the current situation with an attempt to create meaning from a time of crisis. In the process, he attempts to shape his material through patterns of style and thought inherited from both chronicle and hagiographical traditions, to make the present conform to the known and understood shape of the past. His success is limited by his inability to establish sufficient distance from traumatic events, a difficulty that many chroniclers seemed to encounter when they attempted to turn current events into meaningful historical narrative.